I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
Published in 1779, this book shows far more about Enlightenment Edinburgh than it does Edinburgh history, and should be read for that reason. Full of myth, legend, bloody Scottish history, and contemporary events, it is written with the perspective of the historical enquiry of the Enlightenment as described by Broadie. Plus, it’s just fun to see how historic people saw and expressed themselves.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as…
I have been a student of the history of ideas, with a particular interest in political thought, for over forty years. I have read countless books, both ancient and modern, and in several languages, that explore themes related to public life. I am a dedicated citizen of a contemporary liberal democracy, but today, I live in fear of a growing backlash against liberal democracy. The risk of democratic backsliding in the contemporary US is real as citizens become more disillusioned with politics. In other liberal democracies, some party leaders are adopting populist rhetoric to enhance their electoral appeal, but in doing so, they are undermining some of the established norms of public life.
Rousseau is a delight to read. He offers a strong challenge to the Enlightenment thinkers of his time by suggesting that the modern embrace of commerce and sociability was more corrupt than beneficial for society.
In this Second Discourse, he offers a thought experiment through which we are taken back to the imagined origins of human society so that we can trace what is essential to the human condition.
He offers a statement of the injustice of modern economic inequality and invites us to consider political alternatives.
Donald Cress's highly regarded translation, based on the critical Pleiade edition of 1964, is here issued with a lively introduction by James Miller, who brings into sharp focus the cultural and intellectual milieu in which Rousseau operated. This new edition includes a select bibliography, a note on the text, a translator's note, and Rousseau's own Notes on the Discourse.
I’m a retired professor of American literature (Queens College, City University of New York) and a true-crime historian who has been writing nonfiction books about some of our nation’s most heinous serial killers and mass murderers for over thirty years.
Until I entered grad school for my Ph.D. in American literature, I had never heard the name Charles Brockden Brown and my guess is that few people alive today would recognize it. In his own time, however, he was an important literary figure. The author of a quartet of books composed in a yearlong creative frenzy at the close of the 18th century, he is regarded as "The Father of the American Novel." As the creator of our nation's first Gothic fiction, he was a major influence on writers like Poe and Hawthorne. His 1798 novel Wieland was inspired by a sensational crime that happened seventeen years earlier in upstate New York, when a farmer named James Yates, allegedly acting under orders from a divine voice, slaughtered his entire family. If by "best" we're talking about most enjoyably readable, then Wieland, like all Brown’s novels, doesn't exactly qualify. But it's…
This is a reproduction of a classic text optimised for kindle devices. We have endeavoured to create this version as close to the original artefact as possible. Although occasionally there may be certain imperfections with these old texts, we believe they deserve to be made available for future generations to enjoy.
This book is an erudite deep-dive into a topic familiar to many, though superficially (as reading the book makes abundantly clear.) No one who reads it will ever see a Bastille Day celebration in quite the same way.
Schama emphasizes how the hideous violence often and justifiably associated with the later Reign of Terror under Maximilien Robespierre was there right from the beginning in 1788-89. He also convincingly demonstrates how much of the aristocracy and even members of the extended royal family enabled the revolutionaries by criticizing their
own class, simply because it was fashionable to do so.
It’s chilling to learn how thin the veneer of the rule of law was/is and how this encouraged the worst of the revolutionaries to indulge their own worst instincts in the name of some distant ill-defined “utopia”.
There are some bright spots to redeem to a certain degree one’s faith in mankind.…
One of the great landmarks of modern history publishing, Simon Schama's Citizens: A Chronicle of the French Revolution is the most authoritative social, cultural and narrative history of the French Revolution ever produced.
'Monumental ... provocative and stylish, Simon Schama's account of the first few years of the great Revolution in France, and of the decades that led up to it, is thoughtful, informed and profoundly revisionist' Eugen Weber, The New York Times Book Review
'The most marvellous book I have read about the French Revolution' Richard Cobb, The Times
'Dazzling - beyond praise - He has chronicled the vicissitudes…
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
In the Restoration and the eighteenth century, the mark of a true poet was to see things—to describe the visible and invisible worlds so vividly that everyone could see them too.
Most modern readers are blind to this. But Jean Hagstrum teaches us how to see with eighteenth-century eyes. The pictures that poets make, and the paintings that inspire those visions, come alive in thoughtful readings that focus on the workshops of art: the schools where artists learn the craft of making what is imagined into something that seems real.
I’ve always loved science fiction because it offers a hope, a dream, or a future that we just haven't seen yet. When I write my stories, I feel there is no better use of my imagination, than to contemplate a new world, a new civilization, or future technology. At the same time, I hope to entertain readers and spark young imaginations. Inside Modified, I reached into a distant future with off-world colonies that float in the clouds of Venus, while robots toil on the planet’s surface. Of course, in such a future, when advanced modifications and recursive designs are used, leads one to wonder if my robot can love too.
It’s science fiction writers like Carol Emshwiller that must be mentioned here, especially when she writes about Ruthie and Joe, who own a robot whom they call the “grey-green” thing, the hound, the Rover, or sometimes just “bitch”. In order to increase their chances for a successful hunt, Joe programs the robot to track a bear, and it does so with ease. Eventually Joe commands the “grey-green thing” to actually kill it, and the robot carries out its deadly mission. At the end you shudder at the thought of the careless use of the machine, not to mention what would happen if the “grey-green thing” had been programmed to kill a human being.
Crossing the boundaries between fabulist literature, science fiction, and magical realism, the stories in this collection offer a valuable glimpse into the evolution of Carol Emshwiller’s ideas and style during her more than 50-year career. Influenced by J. G. Ballard, Steven Millhauser, Philip K. Dick, and Lydia Davis, Emshwiller has a range of works that is impressive and demonstrates her refusal to be labeled or to stick to one genre. This exhilarating new collection marks the first time many of the early stories have been published in book form and is evidence of the genius of Emshwiller, one of America’s…
In 2021 I retired as Schwarz-Taylor Professor of German at Oxford. For many years I had been interested not only in German literature but in European literature and culture more broadly, particularly in the eighteenth century. Oxford is a centre of Enlightenment research, being the site of the Voltaire Foundation, where a team of scholars has just finished editing the complete works of Voltaire. When in 2013 I was asked to write a book on the Enlightenment, I realized that I had ideal resources to hand – though I also benefited from a year’s leave spent at Göttingen, the best place in Germany to study the eighteenth century.
This is an original view of the Enlightenment by one of the most exciting of its current historians. The Enlightenment urged people to think for themselves; intellectual authority resided ultimately within the individual. It valued the emotions as highly as reason; emotions included what philosophers called ‘the passions’, not just sympathy with others, but individual desires and appetites. The Enlightenment was also a period of increasing material prosperity, in which some thinkers still praised the virtue of frugality, while others pointed out that luxury and self-indulgence were necessary to drive the modern economy. These arguments, displayed here with energy and clarity, are with us still.
A provocative history of the changing values that have given rise to our present discontents.
We pursue power, pleasure, and profit. We want as much as we can get, and we deploy instrumental reasoning-cost-benefit analysis-to get it. We judge ourselves and others by how well we succeed. It is a way of life and thought that seems natural, inevitable, and inescapable. As David Wootton shows, it is anything but. In Power, Pleasure, and Profit, he traces an intellectual and cultural revolution that replaced the older systems of Aristotelian ethics and Christian morality with the iron cage of instrumental reasoning that…
As a teacher and writer, I am a passionate believer in the ideals of the Enlightenment. In my understanding of these ideals, they include a belief in reason and honest inquiry in the service of humanity. More and more we need these ideals against bigotry, self-delusion, greed, and cruelty. The books recommended here are among those that helped to inspire me with continued faith in the progress of the human species and our responsibility to help each other and the world we live in.
This book has perhaps the best opening of any history book ever written. This is a detailed and gruesome description of the public torture and mutilation of Robert-François Damien in 1757.
The description is meant to shock, for it illustrates the difference between a modern attitude towards punishment and the idea of punishment that prevailed in the French ancien régime before the Revolution of 1789. Today we generally see punishment not as a means to display the state’s anger against those who defy its authority but rather as a means to improve society and even rehabilitate the offender.
This book opened my eyes to the modern world very much. It shows how political and social power transformed during the eighteenth century into the forms of discipline and surveillance that govern our lives today. We may not be threatened with public torture but every aspect of our behavior is shaped to…
A brilliant work from the most influential philosopher since Sartre.
In this indispensable work, a brilliant thinker suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul.
I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
Many human rights activists have to be focused intensely on the events of today and the consequences for tomorrow, this often allows little time for broader reading. Lynn Hunt offers a detailed and very readable analysis and argument of the history and development of contemporary human rights. I found all of her book illuminating and the connections she described eye-opening.
How were human rights invented, and how does their tumultuous history influence their perception and our ability to protect them today? From Professor Lynn Hunt comes this extraordinary cultural and intellectual history, which traces the roots of human rights to the rejection of torture as a means for finding the truth. She demonstrates how ideas of human relationships portrayed in novels and art helped spread these new ideals and how human rights continue to be contested today.
I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
I think understanding the intellectual background to a historical period is always important, and I was introduced to the Scottish Enlightenment at West Virginia Wesleyan College through this book. I have since had the pleasure to meet and work with Alexander Broadie while at Glasgow, and he is a kind, generous, and supportive scholar.
The Scottish Enlightenment covers the significant breakthroughs in the thought of the movement, and the contributions of the characters behind it such as David Hume and Adam Smith. The importance of studying history, morality in civil society, religion, and art. The Enlightenment laid the groundwork for our modern society, so how could anyone not study it?
The Scottish Enlightenment was one of the greatest intellectual and cultural movements that the world has ever seen. Its legacy in philosophy, history, science, music, art, architecture, economics, and many other disciplines cannot be overstated. This book considers the totality of achievements from this most astonishing period of Scottish history and how they still animate and inspire the world today.
