The most recommended books about teenage boys

I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.

A youthful summer with my grandparents transformed me into a voracious reader, but I don’t recall what turned me into becoming a lifelong writer and editor. My first two teenaged short stories concerned a rock and a stoplight. My writing got better, and I’ve never stopped reading. As a grad student teaching literature, I longed to see my name on a book cover. Today, it’s on 20 books. My career was in publishing; I wrote and edited nonfiction for decades until 2007, when I turned to writing novels. My most recent is a collection of my early poetry. I also enjoy helping writers become published on The Fictional Café.

I’ve struggled with mental health for most of my life, as have family members and friends I love. It’s extremely important to me that we normalize discussions of mental health so that we can find the best solutions. Anxiety and depression have been major themes in all of the young adult novels I’ve written; it’s my little way of furthering these conversations with the people who need them. I hope you’ll find these suggestions relatable, enjoyable, and question-inducing!

Books that are haunting enough to stick with you long after you abandon their pages are the truly transformative ones. At the least, they leave a lingering thought, but the most effective ones can alter your perception of the world. As a person in recovery from substance use disorder since April 15, 2012, I have both dwelled in the darkness and lived in the light. This dual lived experience naturally informs my writing. I fluctuate between traditional horror stories and literary fiction with more mature themes. My goal in everything I write is to expose the reader to a new idea—one that sticks with them—for better or worse.

Indie authors and presses are sometimes dismissed as “lesser-than” and not carried by bookstores. The stories are labeled as “amateurish” or “boring.” (Some are, but so are some books coming from big publishers!) Size doesn’t really matter in the world of publishing. Being published with a small press showed me a realm beyond the huge, traditional publishing houses—it’s populated with fantastic books written by gifted authors who often write, not for fame or money, but because they love writing. I’ve found many hours of enjoyment in indie books (and lost hours of sleep, as well!) I hope, with this list, you find the same.

I read a lot of first-person books because I write a lot of 1st person books. I was a creative writing teacher for twenty years and I wanted my students to ‘own’ their material—to write about what they saw and felt and empathized with and loved and feared. These book recommendations below are only a handful of immensely brilliant books that have strong character/narrator voices that put you inside the skin of the narrator. These are the books that are recklessly beautiful and ruthlessly genuine-- and by example teach you how to write honestly and how to capture your own readers.

I’ve been gay for as long as I can remember. I even told my mother, when I was five years old, that I was going to marry Hoss Cartwright (from the TV show Bonanza). But even knowing yourself that well doesn’t make it easy to actually be yourself, so I still had to come out to friends and family over a span of five or six years in my late teens and early twenties. And coming out is never easy, although it feels like a million bucks once you’ve done it. Also, it’s different for everyone, and having books like these I’ve recommended may not make it easier, but they show us that it can be done and that we’re not alone. 

After picking up a copy of James Herbert’s Lair (the second in his Rats trilogy) back in the early 80s, I decided I wanted to write something myself one day. That day came in about 1990, when I finished my first manuscript, Minstrel’s Bargain. I also wrote another MS around that time called Point of Contact, but nothing happened with these stories and I gave up on my writing dreams to concentrate on bringing up a family. Fast forward to 2015, and I sent the MS for Minstrel’s Bargain to an indie publisher. To my surprise, they took it on, and that book has spawned two sequels, entitled the Prophecy Trilogy. 

As a graphic novel creator and art teacher with years of experience, I understand the importance of introducing serious topics for discussion in an accessible way. My art students of all ages are curious about different subjects, wondering what life is like for others and if their own feelings are normal. Graphic novels are a perfect tool for fostering these discussions. Having been interested in comics as a medium for a long time, I'm thrilled to share this with young audiences and encourage exploration of diverse perspectives.

I’ve been an avid ready of fantasy for over twenty years, and I’ve spent nearly as long at least thinking about writing. In that time, I have definitely found some fantasy that wasn’t for me and some that really, really was. I like my fantasy fun and relatively light—I own nearly every Discworld book but could never get into George R. R. Martin. And my writing has naturally evolved around the same lines. I love a good joke or a well-timed pun almost as much as I love unexpected takes on fantasy tropes.