I’m American but I’ve been a Francophile for ages. I didn’t get a chance to visit France until well into adulthood. So much history lives in France and it’s been my joy to illuminate it for readers who tell me they feel transported. There is no higher compliment, in my mind. I’ve been writing novels for thirty years, set in the Rocky Mountains, America’s heartland, and the scenic villages of France. The Bennett Sisters Mysteries are now up 18 books in the series, featuring settings from Paris to Champagne to the Dordogne, with more in the works. I must go back to France to research, oui?
Browsing at Shakespeare and Company in Paris last fall I picked up this book in translation by Guillaume Musso, touted as the ‘French Suspense King.’ Set on an isolated island off the Côte d’Azur, this moody thriller is unpredictable and twisty, as all good mysteries should be. A reclusive author, his strange past, a relentless fan: what could go wrong?
'It's no wonder that Musso is one of France's most loved, bestselling authors' Harlan Coben
In 1999, after publishing three cult novels, celebrated author Nathan Fawles announces the end of his writing career and withdraws to Beaumont, a wild and beautiful island off the Mediterranean coast.
Autumn 2018. As Fawles' novels continue to captivate readers, Mathilde Monney, a young Swiss journalist, arrives on the island, determined to unlock the writer's secrets and secure his first interview in twenty years.
That same day, a woman's body is discovered on the beach and the island…
I'm the founder of Life Organized Inc, a firm specializing in the organization of people, their lives, and physical spaces. Known for creating solutions that are as aesthetically appealing as they are practical, I transform spaces from the inside out. My areas of expertise include home and office organization, time management, digital decluttering, organizing for academic success, maximizing productivity while working from home, and management of everyday chaos. I'm a graduate of the University of Pennsylvania and the NYU Stern School of Business.
Swiss artist Ursus Wehrli reorganizes what he sees through humorous photos that categorize everyday objects by color, size, and shape. The letters in alphabet soup are arranged alphabetically, the cars in a parking lot are organized by color, and a fruit salad is separated into its individual fruits. The colorful before and after photos are fun for all ages.
Swiss comedian and cabaret artist Ursus Wehrli loves organisation in the extreme. In The Art of Clean Up, Wehrli arranges a bowl of alphabet soup, a group of pool-goers, a spruce branch and other elements of our chaotic world into neat rows sorted by colour, size, shape or type.
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
I have been a fan of Gothic and melodrama since I first watched the 1931 film Frankenstein with Boris Karloff–and I was delighted to discover that the book is even better and so much more than what we’ve ever seen on screen.
Frankenstein’s monster is articulate and soulful in Mary Shelley’s atmospheric, dread-filled original novel, and his plight is all the more moving because of it. She wrote it when she was just 18 years old, still grieving over the death of her first child two years earlier. I feel her aching sorrow on every page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I’m a doctor working in the NHS and for a national cancer charity. I’m particularly interested in the care of the terminally ill. I‘ve worked closely with hospice teams, feeling enormously privileged to be with patients considering their options at the end of life. I’ve noticed how often people die without having even mentioned their wishes to loved ones, they are reluctant to speak of their fears, and as a result, these discussions never occur. I believe we need to open up the conversation about dying by bringing it into the public domain, dragging it into popular culture, and making it a feature of our films, television, and books.
This is similar in subject to A Man Called Ove. The main protagonist is a grumpy elderly person who can’t see the point in being alive anymore, but this time she’s an older, frailer British woman, which adds a different tone to the narrative.
Eudora is looking into a trip to Switzerland as an answer to that ephemeral problem of how to shuffle off one’s mortal coil with minimal fuss. Again, it is the new friendships she makes that steer her away from her original course, and again it is a story of community and learning to live in the moment. Annie Lyons writes with warmth and humour about Eudora’s early life and addresses the topic of assisted suicide with a deft touch. It’s a brave and very enjoyable book.
'An exquisitely poignant tale of life, friendship and facing death... Everyone should read this book' Ruth Hogan, Sunday Times bestselling author of The Keeper of Lost Things
USA TODAY BESTSELLER
*Shortlisted for the RNA Contemporary Romantic Novel of the Year Award*
'Eudora's beautifully-told story shows us how we can live and support others at all stages of life, value what matters most and suck the juice out of every day' Kathryn Mannix, Sunday Times bestselling author of With the End in Mind
'Wow - definitely my book of the year... in my all time top ten!' Reader review
Like Thomas Jefferson, I cannot live without books. And, while I read in a variety of genres, from early childhood on, my favorite stories were the ones that began with “once upon a time.” My fascination with historicals started with one of my father’s few books from his childhood, The Cave Twins, which introduced me to a world far different from suburban America. For me, the appeal of historicals is the opportunity to learn about another era and to escape from the modern world. And so, if you want to escape from what seems like an endless pandemic, I invite you to explore the worlds six talented authors have created.
There were so many things that I loved about this book, starting with its riveting first scene. When I teach classes about great beginnings, I stress the need to hook a reader in the first three pages. Goyer and Yorkey did that and more. They kept me hooked until the surprising denouement. Make no mistake. I would not have wanted to live in Europe during World War II, but Goyer and Yorkey’s collaboration is filled with so many fascinating details of life during that tumultuous and dangerous time along with an introduction to the fine art of safe cracking that I couldn’t put it down.
It is August 1944 and the Gestapo is mercilessly rounding up suspected enemies of the Third Reich. When Joseph Engel, a German physicist working on the atomic bomb, finds that he is actually a Jew, adopted by Christian parents, he must flee for his life to neutral Switzerland. Gabi Mueller is a young Swiss-American woman working for the newly formed American Office of Strategic Services (the forerunner to the CIA) close to Nazi Germany. When she is asked to risk her life to safely "courier" Engel out of Germany, the fate of the world rests in her hands. If she…
I think of my imagination as a living thing that I have a working, evolving relationship with. I try to access that creative flow state through automatic drawing and something about that process seems to help me in my daily life. I draw every day. I make art zines, comics, fine art, album art, and collaborative works. The books in this list all feel personally important to me and are works I return to and think about often.
I own a number of books on Adolf Wolfli, but this one feels the most extensive and valuable to me. Wolfli spent most of his life in an isolated cell in a mental hospital in Switzerland. During that time he created a hyper-detailed graphic work that’s thousands of pages long. His dense drawings contain writings that chronicle an epic personal fantasy along with musical notation, lists of inventions, giant equations, and maps. This kind of creative output from a single person is both stunning and frightening. Spending time with this book really makes me contemplate the complexity and importance of human creativity, the nature of madness, trauma, and true originality.
Adolf Wölfli is the original outsider artist. Before Darger, Rizzoli and Rodia, there was Wölfli: orphan, laborer, criminal, artist and the subject of a 1921 monograph titled A Psychiatric Patient as Artist, authored by his doctor--the first publication on an outsider artist--which won him the admiration of André Breton and Jean Dubuffet, and gave birth to the outsider phenomenon. “Wölfli’s creations treat the eye to a roller-coaster ride through a terrain bounded by Piranesi, biblical myth, illuminated manuscripts, tantric mandalas and Swiss cuckoo clocks,” New York Times critic Roberta Smith once wrote--“in other words, a dizzying multi-cultural universe.” Adolf Wölfli:…
In the wake of her father’s death, Katharine Smyth turned to her favorite novel, Virginia Woolf’s To the Lighthouse, as a way of wrestling with his memory and understanding her own grief. Her book about the experience, All the Lives We Ever Lived: Seeking Solace in Virginia Woolf, was published by Crown in 2019 and named a New York Times Book Review Editors’ Choice. Smyth’s work has appeared in The Atlantic, The Paris Review, Elle, The New York Times, Literary Hub, Poets & Writers, and The Point.
This is a compilation of essays about Batuman’s experience of studying Russian literature at Stanford. Wondering about “possible methods for bringing one’s life closer to one’s favorite books,” Batuman traces the literal and figurative path of writers such as Pushkin, Tolstoy, and Babel, finding answers in their life and work while at the same time exploring their influence upon a motley group of Slavic scholars and readers.
The true story of one woman's intellectual and sentimental education and her strange encounters with others devoted - absurdly, melancholically, ecstatically - to the Russian classics
Roaming from Tashkent to San Francisco, this is the true story of one budding writer's strange encounters with the fanatics who are devoted - absurdly! melancholically! ecstatically! - to the Russian classics. Combining fresh readings of the great Russians from Gogol to Goncharov with the sad and funny stories of the lives they continue to influence, The Possessed introduces a brilliant and distinctive new voice: comic, humane, charming, poignant and completely, and unpretentiously, full…
Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.
It’s impossible to talk about action-adventure thrillers without recommending something by Graham Greene. It could have been any one of his great novels, but I’ve settled on this book as one of his shortest and most easily accessible stories.
It’s quirky without being obscure, full of atmosphere and intrigue, and wonderfully witty in its portrayal of its central characters. For sheer panache, this book is hard to beat.
'Manages to say more about love, hate, happiness, grief, immortality, greed and the disgustingly rich than most contemporary English novels three times the length' The Times
Doctor Fischer despises the human race. A millionaire with a taste for sadism, he spends his time and money planning notorious parties, entertainments designed to expose the shallowness and greed of his craven hangers-on. Black comedy and painful satire combine in a totally compelling novel.
The passionate teaching of Bernard Schmitt at the University of Fribourg, Switzerland, kindled my interest in monetary macroeconomics. In Fribourg I wrote my doctoral dissertation while working as Schmitt’s research and teaching assistant. In 1978 I moved to London to conduct research at the LSE as a PhD student under the supervision of Meghnad Desai. I received my PhD in 1982. Back on the Continent, I continued my collaboration with Schmitt, which lasted until his death in 2014. My enthusiasm for research never failed and I hope to have conveyed it to some of my students at the Centre for Banking Studies in Lugano and at USI (Università della Svizzera Italiana).
I am especially fond of this book because I edited it with a dear friend of mine, Prof. Mauro Baranzini, who, despite our different analytical backgrounds has always supported and encouraged my research in monetary macroeconomics.
The book lays the foundations for a fruitful collaboration among economists who share the same objective: to explain satisfactorily and comprehensively the disequilibria hampering the smooth development of our economies.
The works presented in this volume are a serious attempt to clarify the terms of the problem of inflation and unemployment.
They must be seen as contributions to building a modern theory of monetary and structural macroeconomics.
This work challenges traditional monetary theory by focusing on the role of banks and provides a new insight into the role played by bank money and capital accumulation. An international team of contributors reappraise analyses of the inflation and unemployment developed by Marshall, Keynes and Robertson. This volume is published in association with the Centre for the Study of Banking in Switzerland.
I have lived in beautiful green Galicia for 14 years and am passionately in love with this undiscovered area of Spain. Whilst writing my own travelogue memoirs, I have avidly researched my adopted country and love nothing more than to travel the area, discovering new delights round each corner. I have discovered that Galicia is not just ‘that wet bit of Spain’ and is in fact a whole world away from the Mediterranean costas of the south with its own language – the language of poets, its own identity, and its very own being. Here I have tried to choose books I feel demonstrate that uniqueness, that special quality which makes Galicia extraordinary.
Meakin was one of those wonderfully well-travelled Victorian ladies, the early forerunners of the travel writer genre. She visited Galicia in 1907, almost exactly one hundred years before we moved here, yet her descriptions of the Galicia which I love are instantly recognisable. The furze (gorse), still shines from the hillsides; the granite cottages are still there; as are the washing tubs, though less frequently used than in Meakin’s day. The singing cartwheels may be all but gone but the maize fields, the cherry and apple blossoms, and the Gallegans, still remain. One hundred and twenty years on, Meakin would still recognise the Switzerland of Spain.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
