I wear so many hats that if I murdered you, you wouldn’t know which one of me struck. I am a crime fiction writer, a producer, a public speaker, and an entrepreneur. I have to admit I am an accidental writer who wanted to leave a legacy behind and, ergo, wrote a book in 2010. But I found writing crime fiction so addictive I became a serial killer…err…writer. In my spare time, I read—spoiler alert!—crime fiction and binge-watch crime shows. I am an avid golfer, I love music and traveling, and I find something in the sound of water that encourages me to write and murder a few more people (fictionally, of course).
Once in a while, every author reads a book they wish they had written. This book is the one for me.
Jannie, a once-bestselling-now-struggling crime writer, unable to lend authenticity to her plots and voice, decides to carry out a multi-million-dollar heist to give a fact-based and realistic account. However, to accomplish her plan, she teams up with her partner to recruit men from the wrong side of town. Together the team members scout targets and rehearse the various escape routes. Jannie’s plan is to call off the make-believe caper a day before the heist. But…the hustlers she’s recruited won’t take orders from her any longer, not when over a million dollars are within touching distance.
In the words of Sanders himself: “Crime never felt so good!”
Garrett Epps is the author of two published novels and five works of non-fiction about the U.S. Constitution. He graduated from Duke Law School in 1991; since then he has taught Constitutional Law at the American University, the University of Baltimore, Boston College, Duke University, and the University of Oregon. For ten years he was Supreme Court Correspondent for The Atlantic, and covered from close up cases involving the Affordable Care Act, same-sex marriage, and the Trump Administration’s immigration policies. He is now Legal Affairs Editor of The Washington Monthly, and at work on a novel about crime and justice during the years of Southern segregation.
This novel is in many ways the precise opposite of a “courtroom thriller.” The murder trial depicted is not upended by surprise evidence, witnesses do not blurt out confessions, and the outside world takes little notice of what is transpiring in the courtroom. But prosecutor Abner Coates is a memorable portrait of a man for whom the law has become an entire world. A powerful courtroom moment punctures Abner’s professional irony, when he imagines looking at himself through the eyes of the defendants, and he realizes that despite his good nature and intentions, to them he is a savage enemy trying to kill them.
In The Just and the Unjust, Pulitzer Prize-winning author James Gould Cozzens examines the ways in which freedom under the law operates in a democracy when a murder trial dominates the life of a small town.
When my father died in 1998, bladder cancer, I was 41 years old and privileged to be his primary caregiver for five weeks. My first major loss and it was as though a mack truck had been driven through my chest. Ten years later, my mother died, after nine years of dementia, which is like losing someone twice. That was a more ravaging grief. Twelve years later, my nephew died, a month away from his 36th birthday. And in 2022, one close friend of mine took his own life and another died of cancer at age 57. Grief is the subject I gravitate toward in the books I read and the essays I write.
It is fair to say that this is my favorite memoir I’ve ever read. I’m shocked it didn’t make bestseller lists when it came out. Finneran is a poet, who through the language, attention to detail, and strategic pacing of key scenes, makes readers see and feel what she wants us to see and feel. This book offered me, as a teacher of college writing, numerous perfect examples of how scenes can be developed to drop readers into a moment, to transport them. Finneran focuses the memoir on how her brother’s suicide affected her whole, big, Catholic family. The Tender Land, a Family Love Story is a portrait of a family who has lost something huge. Devastating content aside, this is a memoir that you will delight in, sentence by sentence, for its language. Highly recommend this remarkable book.
An extraordinary memoir of a family haunted by tragedy: “I’ve read very few contemporary novels that can rival Finneran’s nonfiction.” —Jonathan Franzen
A superb portrait of family life, this “absorbing and thoughtful” memoir is a love story unlike any other (Library Journal). The Finnerans—Irish Catholic parents with five children in St. Louis—are a seemingly unexceptional family whose lives are upended by a catastrophic event: the suicide of the author’s fifteen-year-old younger brother after being publicly humiliated in junior high school.
A gentle, handsome boy, Sean Finneran was a straight-A student and gifted athlete, especially treasured by every member of his…
Teenager Paige Abernathy awakens after a severe beating to find that she suffers from amnesia, and that everyone seems to hate her. She has only flashes of memory until the night a grieving parent attacks her in her hospital room. Paige then remembers her role as the creator of an online group where members talk about ways to commit suicide.
After recovering from the beating, Paige embarks on a journey of penance to atone for a disaster born of good intentions. Her odyssey launches her on a mission of mercy and into new danger. The Samaritan’s Patient is a thought-provoking novel about navigating the treacherous waters of social media.
Teenager Paige Abernathy awakens after a severe beating to find that she suffers from amnesia, and that everyone seems to hate her.
She has only flashes of memory until the night a grieving parent attacks her in her hospital room. Paige then remembers her role as creator of an online group where members talk about ways to commit suicide.
After recovering from the beating, Paige embarks on a journey of penance to atone for a disaster born of good intentions. Her odyssey launches her on a mission of mercy and into new danger.
The Samaritan's Patient is a thought-provoking novel…
Throughout my teenage and early adult years, I experienced episodes of mental illness. Thankfully, it seems to be behind me, but it's not something I’ll ever forget, and I find myself deeply intrigued by the manifestations of those darker aspects in others. Some people hurt themselves and some hurt others, the common thread is the presence of pain and suffering. As heartrending as this reality is, it holds a certain fascination for me, both in real life and in literature. That’s why I write about it; that’s why I read about it.
I loved this book. The concept is brilliant, and as a writer, I’m a little envious that I didn’t come up with it myself. Again, it’s a twisted mind that makes this story.
Laura is someone you hate more with every word that you read, but you can’t stop reading. We get a backstory as to why she is how she is, but regardless, witnessing how she acts as a result, and to people at their most desperate, is very dark.
She's a friendly voice on the phone. But can you trust her?
The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn't want them to hope. She wants them to die.
Laura hasn't had it easy: she's survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn't love talking to people worse off than she is. She craves it.
I loved that each chapter was a different character’s perspective. It kept the story moving through internal dialogue.
I am a big advocate of mental health and the author did an excellent job of respectfully incorporating the main character’s addiction. I enjoyed the colourful characters and unearthing the murderer!
How do you hunt down your best friend’s killer when you’re a drug-addicted ex-cop living on the streets?
Cal Rogan has reached rock bottom.
Once a rising-star detective, he has one friend left from his old life. When he finds him dead, his former colleagues rule it a suicide. Cal is determined to prove them wrong and sets himself on a chilling path he never could have imagined.
If you like heroes who struggle with their demons, gritty urban police detectives, and clues you won’t see coming, get Robert P. French’s compelling debut novel and follow Cal’s wild ride from…
I’m a Canadian writer, and a mother of three. I think I do qualify as an ACOH (Adult Child of Hippies). My mom taught elementary school, and my dad was a university professor, but otherwise they fully embraced the hippy movement. It was a rich childhood in terms of nature, literature, art, and foreign cultures, but dysfunctional and confusing on the emotional front. Sadly, dropping a lot of acid leads to a lifetime of anxiety and depression. My father descended into mental illness and opiate addiction when I was an adult, eventually leading to his suicide. I came to terms with his death by writing Corridor Nine.
Gayle Brandeis’s intimate memoir of wrestling with her mother’s suicide following a long mental illness kept me company in the ways it mirrored my own experience. It is sometimes easier to mourn a stranger’s pain, as you edge towards your own grief. Brandeis’s reading through her mother’s letters, with their paranoid delusions and grandiose aspirations, “passionate and creatively punctuated,” rang true to my father’s crazy literary outpourings. Her experiences of entering her mother’s home to witness the evidence of her last activities, to the almost physical trauma of learning the stark details of her mother’s suicide method, comforted me in their familiarity. The suicide of a mentally ill parent leaves a lot of guilt and confusion in its wake. Anger and resentment aren’t what one “should” feel after a death of a parent, but Brandeis doesn’t sugarcoat the complex mess of emotions that needs to be untangled.
Award-winning novelist and poet Gayle Brandeis’s wrenching memoir of her complicated family history and her mother’s suicide
Gayle Brandeis’s mother disappeared just after Gayle gave birth to her youngest child. Several days later, her body was found: she had hanged herself in the utility closet of a Pasadena parking garage. In this searing, formally inventive memoir, Gayle describes the dissonance between being a new mother, a sweet-smelling infant at her chest, and a grieving daughter trying to piece together what happened, who her mother was, and all she had and hadn’t understood about her.
I’ve sat in many grief circles and listened to fellow grievers share their pain at being abandoned or misunderstood by their friends and families as they grieve. Often we suffer the secondary loss of community because our culture has not taught us how to grieve or how to be a friend to those in grief. My wife and I found some invaluable tools that helped us communicate our needs to our community, and keep them close on our grief journey. One of those tools is grief books. I’ve read dozens of them, and while everyone responds to grief books differently, I think these five books are the very best.
This is a collection of poems, most of which were written shortly after the death of her son by suicide. They are all about grief and love. They feel so true and honest and heartbreakingly naked.
Reading these poems makes me want to write poems about my own grief, because her words are so exactly right and to the point. I feel seen in these poems. She inspires me to articulate my own feelings, and have my own honest encounter with my grief.
In All the Honey, Rosemerry Wahtola Trommer holds both fine, honest sensuality and slow explorations of soul. What is shared here is a way forward in life, a fierce openness that refuses nothing—that knows damage and healing, darkness and radiance, sorrow and winged resurgence, reflection and laughter and learning.
I have always loved fantasy worlds and romantic stories, but in recent years I’ve found it harder to read stories with extreme violence or trauma. When I started writing fiction, I planned to write a fantasy romance with a kingdom and a battle, but I couldn’t do it—my characters organized a nonviolent revolution and formed a democratic system of governance instead. I reconsidered and decided to write what I call cozy fantasy romances. So many types of romance novels could be set in a fantasy world, such as an office romance or road trip comedy. I’ve been searching for these types of romance novels—fun, lighthearted romances set in a fantasy world—and am slowly finding them.
This book made me laugh out loud so many times—it's the funniest fantasy I have ever read. An oddball crew breaks into the protagonist’s prison cell to rescue a prince, so the protagonist claims to be the prince and is rescued along with his cellmate.
The journey back to the prince’s country is a road trip comedy with a wacky cast... but amid all the crude jokes are real emotional moments and characters being kind to each other. The protagonist can’t stop himself from falling for the prince and grows as a person in the process. Nothing about the story ever gets too serious, and the bad bits happen quickly and without prolonged trauma. I loved everything about it.
I'm a linguist by trade with an MA in Intercultural Communications. I'm also an immigrant in my chosen country. You could say I have a fascination for different worlds/cultures in my blood. But those cultures only really come alive with the people that live in them, the way they think, feel, and talk, and especially where their cultures meet, with all the tensions, heartbreaks, love and hate, misunderstandings, fear, and courage that reverberate in those encounters.
A seemingly perfect society and its ugly underbelly always make for a compelling read. But this one goes a step beyond with compassion, culture-clash, inclusivity, sheer storytelling genius, and characters I was rooting hard for through every page. Luckily, since I couldn't get enough, there are quite a few sequels.
In a world where the marginalized of society are sent into space on suicide missions, one woman decides to fight back: “Riveting” (David Feintuch).
In Expendable, the first volume of the League of Peoples, Festina Ramos is assigned to escort an unstable admiral to planet Melaquin. Little is known about Melaquin, for every explorer who’s landed there has disappeared. It’s come to be known as the “planet of no return,” and the High Council has made a habit of sending troublesome admirals there in an attempt to get rid of them. It’s clear that this is intended to be Ramos’s…
I'm a former journalist who has written for several newspapers in Kansas and Texas. Ever since I was young, I had an incredible imagination, a love for storytelling, and an adventurous spirit. I started writing my first novel Waves Crashing, a suspense romance, when I was a senior at McPherson High School; then I worked on it some in college, and it was published in 2019. I'm also the author of the science fiction novels The Death Firm and The Re-Creation of the Death Firm. I'm currently working at Grinnell College in Grinnell, Iowa, as an administrative assistant in data and records. I plan on starting to write my fourth novel in 2023.
These stories were picked out by the master of suspense, himself, Alfred Hitchcock. These stories are both horrific and suspenseful. With tales involving a flesh-eating troll, something creepy lurking about in the woods that kills anything that comes into its path, and an uninvited odd boy that comes to a party with evil intentions, one will not be able to put this book down. It might even make you want to leave the lights on during the night.
Published by Random House. Per the dust jacket: ...twenty-three stories, a novelette, and a novel guaranteed to turn your hair white overnight." Stories selected by Mr. Hitchcock include: Casablanca by Thomas M. Disch, Fishhead by Irvin S. Cobb, Camera Obscura by Basil Copper, A Death in the Family by Miriam Allen deFord, Men Without Bones by Gerald Kersh, Not With a Bang by Damon Knight, Party Games by John Burke, X Marks the Pedwalk by Fritz Leiber, Curious Adventure of Mr. Bond by Nugent Barker, Two Spinsters by E. Phillips Oppenheim, The Knife by Robert Arthur, The Cage by Ray…
