In grade school, when Apollo 11 landed on the moon, I was immediately swept up in the craze for space and dreamt of being an astronaut. Until I was told by my teacher that girls weren’t allowed to be astronauts. I added that to a growing list of things I was told girls couldn’t do. Flash-forward to 2017, when a prominent man insisted that females should “dress like a woman” at work. Women from all walks of life–athletes, astronauts, emergency workers, and scientists posted photos of themselves in gear appropriate for their jobs, not the dress-and-heels implied. I was inspired by those photos and my childhood feelings of injustice.
I can’t resist adding this book about being a writer since it’s my job and my passion. As a child, I don’t recall ever reading a picture book about writing. There were spelling books and penmanship books, but nothing about turning an idea into a story.
If you know a budding writer, this book is the perfect place to begin. Written in simple steps, it offers encouragement to keep going and even gives tips on revising. The journey of a future author could start with this book!
The inspiring sequel to the 2015 Parent's Choice Winner, How to Read a Story!
Step 1: Choose an idea for your story. A good one.
Step 2: Decide on a setting. Don't be afraid to mix things up.
Step 3: Create a heroine-or a hero.
Now: Begin.
Accomplished
storytellers Kate Messner and Mark Siegel playfully chronicle the
process of becoming a writer in this fun follow-up to How to Read a Story,
guiding young storytellers through the joys and challenges of the
writing process. From choosing an idea, to creating a problem for their
character to resolve, to coming to…
Ever since my primary school teacher read out my essay about a friendly octopus to the whole class, I’ve known I was a storyteller. I went on to enjoy a long career as a journalist–first, writing stories about rock and pop groups for the music paper Sounds (where I coined the term ‘The New Romantics’), then as editor of the pop magazine Record Mirror, and subsequently as a writer/editor for national newspapers including The Observer and The Sunday Telegraph. After that, I became a coach, a public speaking trainer, and a book editor. However, my most enduring passion is helping people find and tell their most meaningful stories.
I feel deeply connected to this book because it helped me navigate the break-up of my marriage.
It puts into beautifully poetic words what I was feeling on an intuitive level about the transformative power of telling our own stories and the importance of ‘storying out’ unarticulated experiences.
Becoming a "storycatcher" and taking ownership of my story pulled me through a dark time and set me on the path toward a more empowering narrative.
Story is the heart of language. Story moves us to love and hate and can motivate us to change the whole course of our lives. Story can lift us beyond our individual borders to imagine the realities of other people, times, and places. Storytelling — both oral tradition and written word — is the foundation of being human. In this powerful book, Christina Baldwin, one of the visionaries who started the personal writing movement, explores the vital necessity of re-creating a sacred common ground for each other's stories. Each chapter in Storycatcher is carried by a fascinating narrative — about…
I love dachshunds! My dachshund Harry has appeared in several of my books including Dozens of Dachshunds; May I Pet Your Dog?; Oodles of Poodles and Doodles (yep, he's in that one, too); and the Ready, Set, Dogs! chapter book series written with Magic School Bus author Joanna Cole. I'm a former early childhood teacher and children's book editor and I've written over 100 books for children.
This is a gentle, joyful story about perseverance and growing up.
A young boy named Peter wishes he could whistle. When he sees that another boy can whistle to get his dog to run to him, he wants to do the same with his dachshund Willie. Peter tries and tries to learn. He tries so hard his cheeks get tired. He doesn't give up and triumphs in the end.
Several other books by Ezra Jack Keats feature Peter and Willie together and they're a pair worth knowing.
Since it was first published in 1964, Whistle for Willie has delighted millions of young readers with its nearly wordless text and its striking collage artwork depicting the story of Peter, who longs to whistle for his dog. The New York Times wrote: "Mr. Keats' illustrations boldly, colorfully capture the child, his city world, and the shimmering heat of a summer's day."
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee and dialogue that enhances the stories and experiences.
When I started teaching in the early 1990s, I brought into the classroom with me my passions for nature, folk music, and creativity. This book holds something new and engaging with every chapter and can be enjoyed by all sorts of readers, particularly those who enjoy nonfiction that employs wit, wisdom, humor, and even some down-to-earth philosophy.
Creativity, Teaching, and Natural Inspiration follows the evolution of a high school English teacher as he develops a creative and innovative teaching style despite being juxtaposed against a public education system bent on didactic, normalizing regulations and political demands. Doherty crafts an engaging nonfiction story that utilizes memoir, anecdote, poetry, and dialogue to explore how mixing creativity and pedagogy can change the way budding students visualize creative writing: A chunk of firewood plunked on a classroom table becomes part of a sawmill, a mine timber, an Anasazi artifact...it also becomes a poem, a song, an essay, and a memoir. The…
I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
This story really covered a lot of ground for me, it sorta collapsed my idea of how to present visual information, it’s “novelistic” in structure, snippets of a woman’s messy life told mostly in the equivalent of subtitles, the visuals sometimes tracking the emotions rather than a string of actions. It was also published by the publisher of Batman but there was nothing even remotely supernatural about it, it wasn’t edgy or dark beyond how any of our lives are.
COMPLETE GRAPHIC NOVEL Cranky columnist Anne Merkel is only happy when she's complaining...about her editors, about being single in New York City, about running out of Scotch. But when her long-lost sister shows up claiming to be Queen of the Leather Astro-Girls of Saturn, Anne's going to wish she'd never complained about anything... WINNER OF THE HARVEY AWARD Best Graphic Album of Original Work SPECIAL EDITION BONUS: Includes a never before published teleplay written by Kyle Baker, also a few other rarities.
I’m a professional screenwriter with a passion for story structure. I’ve worked on film & TV projects for more than 25 years – not only as a writer for independent producers and studios such as Warner and Universal – but also as a development exec and creative consultant. Over time, I was shocked to see how many talented storytellers felt stuck between prescriptive paradigms and a “seat-of-the-pants” approach. So I set out to fill that void and defined a more flexible yet powerful method in my first book, Screenwriting Unchained, which I’ve now enthusiastically applied to TV series. I hope you enjoy the books on this list as much as I have!
This is a short but excellent volume, dedicated to the design of a TV series.
It contains a brief history of U.S. Television, which in itself is enough to justify reading the book. As the title suggests, it focuses particularly on writing a pilot, a key part of any series project. William Rabkin is a veteran showrunner with hundreds of hours of produced shows under his belt, yet I really enjoyed the conversational tone in his book.
Make sure you get the most recent version, as the first edition of this classic dates back to 2011 and Rabkin has updated his book since.
When I finished Writing the Pilot a few years back, I figured I’d managed to cram everything I had to say on the subject in that little 90-page package. But that was 2011, and in the years that have passed, a lot has changed about the television business.And when I say “a lot,” I mean everything. The way series are bought. The way series are conceived. The way stories are told. The way series are consumed. The kinds of stories that can be told. The limitations on content at every level. The limitations on form at every level. And maybe…
As a kid I found myself watching cop shows and wondering “These cops seem to be on duty all day and all night. Don’t they have families?” And when I’d read dramas in which characters took lavish vacations and bought expensive cars, I’d think “Doesn’t anyone worry about money?” While I certainly don’t believe that fiction should always strive toward perfect realism (I love fantasy and sci-fi stories!) I do think that adding everyday problems and concerns makes a character much more relatable and interesting. A detective chasing a serial killer is exciting. A detective suffering from an excruciating toothache while chasing a serial killer adds another layer of delicious tension.
I disagreed with almost every action by every character in
this book. I’d find myself saying to them: “Don’t do that!” But
they did
do that. And it kept me reading nonstop.
It’s a strange feeling, to
watch
characters spin out of control, yet be unable to look away. It's also
the mark of terrific storytelling, and writing that I greatly admire.
“Spectacular. . . . Ten shades blacker and several corpses grimmer than the novels of John Grisham. . . . Do yourself a favor. Read this book.” —Entertainment Weekly
Two brothers and their friend stumble upon the wreckage of a plane–the pilot is dead and his duffle bag contains four million dollars in cash. In order to hide, keep, and share the fortune, these ordinary men all agree to a simple plan.
I've always loved fiction, fantasy, and adventure stories. Growing up in the Star Wars generation, I was seven whenA New Hope was released at the theaters. Living in the hollows of West Virginia there weren’t libraries close by, and movies were a great, though seldom, treat. Suggestive material and cursing was not something that we saw in books or movies growing up in a more simple period of time. I still thoroughly enjoy many well-written, clean, books or shows. As an active member of the body of Christ, I now serve with my writing, and hope that kids of all ages can enjoy epic fantasy and adventure books from a clean and wholesome perspective.
The Green Ember is a beautifully descriptive book for children. SD Smith’s ability to weave a picture in your mind is wonderful. I have this on audiobook and loved listening to the story. As a kid at heart, I don’t mind storytelling from the animal’s perspective. 😉 A good story is a good story, no matter who it is written for, and these books are described as “new stories with an old soul.”
Heather and Picket are extraordinary rabbits with ordinary lives until calamitous events overtake them, spilling them into a cauldron of misadventures. They discover that their own story is bound up in the tumult threatening to overwhelm the wider world.
Kings fall and kingdoms totter. Tyrants ascend and terrors threaten. Betrayal beckons, and loyalty is a broken road with peril around every bend.
Where will Heather and Picket land? How will they make their stand?
This
is the third book in the series, and I’ll admit that while I sped through the
first, I found the second to be a slower read. So, I started it with some
trepidation. Series conclusions can be difficult to pull off well. Tie things
up too neatly or leave too many loose ends, and the readers feel cheated. Schwab
hit the balance perfectly.
My favorite aspect was learning more about Holland, who transforms from a despicable person to an almost sympathetic one. I still
don’t like him or his actions, but I suspect that if I were in his position, I
might well have done the same things.
The precarious equilibrium among the four Londons has reached its breaking point. Once brimming with the red vivacity of magic, darkness casts a shadow over the Maresh Empire, leaving a space for another London to rise. Kell-once assumed to be the last surviving Antari-begins to waver under the pressure of competing loyalties. Lila Bard, once a commonplace-but never common-thief, has survived and flourished through a series of magical trials. But now she must learn to control the magic, before it bleeds her dry. Meanwhile, the disgraced Captain Alucard Emery and the Night Spire crew are attempting a race against time…
Nearly forty years ago, as a young poet, I started going to a storytelling circle in Toronto, thinking it would be a good venue to recite my poems. What I heard there awakened something in me. When I was a child, my parents read me wonder tales, and I soon began to read them on my own. Now I was hearing these stories, the way they were heard for millennia before anyone wrote them down. Today, I am a storyteller, I am married, and I am a professor who teaches a course on storytelling and writes about stories – all because of those weekly gatherings years ago and the storytellers there.
I’m including one book from long ago and far away – fourteenth-century Italy – because it leaped out at me from the bookshelf.
The Decameron is the most artistically complete written story about face-to-face storytelling – though I also love its rivals, One Thousand and One Nights and The Canterbury Tales!
The book opens with the bubonic plague that devastated Florence in 1348. Ten wealthy young friends, women and men, leave the stricken city to vacation in the countryside. While servants prepare lavish meals, the friends spend their days relaxing, dancing – and telling naughty stories. The narrator delights in describing their reactions to each other’s storytelling.
Yes, stories can be holy and powerful, but sometimes we just need them to clown around for us! Many translations are available – read one that feels playful.
In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...
Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly values, the tales range from the bawdy Peronella, hiding her lover in a tub, to Ser Cepperallo, who, despite his unholy effrontery, becomes a Saint.…
It’s natural for humans to wonder who or what might have power over our actions. We’ve clawed our way to the top of the food chain, channeled the power of the elements, and tamed much of nature to our whim. What if something out there was the architect—or more—of our successes and failures? It’s something I’ve explored since I first began writing: fed by the adventures of living as an “Army brat” with a new life every two years, in keeping with my natural inclination to solve puzzles, and spurred by my fear of death and the equally frightening possibility that someone is or isn’t pulling the strings…
There are certainly many different types of lists on which this book belongs. I always tell people Ghost Story is the scariest thing I’ve ever read. I was fortunate enough to relay that to the late great Peter Straub at a horror writers’ conference many years ago. Though I’m sure he would have liked praise for a more contemporary work, there’s a timelessness in the terror he evokes in this book. But that’s not the reason I include it here. It’s because I think ghosts are a form of Fate. Violence, injustice, visceral reactions—these are the things we associate with ghosts, and these are the elements that are central to the story of the punishing hand of Fate in this novel.
#1 New York Times bestselling author Peter Straub’s classic tale of horror, secrets, and the dangerous ghosts of the past...
What was the worst thing you’ve ever done?
In the sleepy town of Milburn, New York, four old men gather to tell each other stories—some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives.
But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no one can bury…
