I’m a person like you who has lived difficult situations, has had losses, made mistakes, and deals with bad days wondering about my existence and purpose in life. I have a gift, and it's writing; I began sending reflective messages to the people at my office and that’s when I noticed that people loved them. Years later, after reading several books and accumulating more experience, I realized that there are several experiences that are common to all, but few questioned. Therefore, I decided to share my insight and thoughts in my second book, hoping to help people be a better version of themselves and live their lives to their fullest.
Who hasn’t looked for advice on how to be happy? I found wisdom in this book that, in addition to laughing, it made me reflect.
I realized that happiness is not an objective; it is in us, in the way we feel about ourselves. This book came to my hands when I was lost in life and gave me direction. It made me see that I was like Hector, living in the past, wondering how my life could be if I only had done something different. I learned that first, I needed to see what makes me happy.
While reading it, I took several notes that later helped me to order my own life and see who I was. And now I can share that it worked! This book was a lifesaver for me.
Can we learn how to be happy? Hector is a successful young psychiatrist. He's very good at treating patients in real need of his help. But many people he sees have no health problems: they're just deeply dissatisfied with their lives. Hector can't do much for them, and it's beginning to depress him. So when a patient tells him he looks in need of a holiday, Hector decides to set off round the world to find out what makes people everywhere happy (and sad), and whether there is such a thing as the secret of true happiness.
Extensive research on cultural production by Latin American authors of Asian ancestry has given me a comprehensive understanding of the development of Transpacific studies. For the last decade, my research has focused, for the most part, on South-South intercultural exchanges and cultural production by and about Latin American authors of Asian descent. I have written five books dealing with these topics: 2008 Imaging the Chinese in Cuban Literature and Culture (2009), The Affinity of the Eye: Writing Nikkei in Peru (2013), Dragons in the Land of the Condor: Writing Tusán in Peru (2014), Japanese Brazilian Saudades: Diasporic Identities and Cultural Production (2019), and The Mexican Transpacific: Nikkei Writing, Visual Arts, Performance (forthcoming).
Between Empires compares the anti-imperial literature and history of two former Spanish colonies, Cuba and the Philippines, but this time focusing on the late-nineteenth-century “intercolonial alliance” and, more specifically, on the oeuvres of two nationalist authors and national heroes: the Cuban José Martí and the Filipino José Rizal. Hagimoto explores a transpacific collective consciousness of resistance as well as the shared historical ties between Latin America and the Philippines. What I found more exciting about this book was that it reveals how, led by two national heroes and martyrs, there was still, well after the end of the Manila Galleon transpacific route, an end-of-nineteenth-century anti-colonial alliance between two far-away countries united by a shared history of colonial domination and oppression.
In 1898, both Cuba and the Philippines achieved their independence from Spain and then immediately became targets of US expansionism. This book presents a comparative analysis of late-nineteenth-century literature and history in Cuba and the Philippines, focusing on the writings of Jose Marti and Jose Rizal to reveal shared anti-imperial struggles.
I took my bicycle to ride across northern Spain last summer and brought along some Spanish-oriented novels.
Noah Gordon’s book follows the path of a young man whose father and brother are murdered when Queen Isabella decides that all the Jews must be expelled from the country. Fifteen-year-old, Yonah Toledano, sets off on a journey through various parts of Spain, trying to keep one step ahead of the priestly authorities, who, if they catch him, will burn him at the stake.
It's an adventure story. But I also learned a great deal about the operations and cruel applications of the Inquisition. At the Prado Museum in Madrid, I viewed Francisco Goya’s paintings depicting various Inquisition scenes, which drove the novel’s points home even harder.
In the year 1492, the Inquisition has all of Spain in its grip. After centuries of pogrom-like riots encouraged by the Church, the Jews - who have been an important part of Spanish life since the days of the Romans - are expelled from the country by royal edict. Many who wish to remain are intimidated by Church and Crown and become Catholics, but several hundred thousand choose to retain their religion and depart; given little time to flee, some perish even before they can escape from Spain.
Yonah Toledano, the 15-year-old son of a celebrated Spanish silversmith, has seen…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Inspired by his experiences as a reporter during the Spanish Civil War, Ernest Hemingway's For Whom the Bell Tolls tells the story of Robert Jordan, an American volunteer in the International Brigades fighting to defend the Spanish Republic against Franco. After being ordered to work with guerrilla fighters to destroy a bridge, Jordan finds himself falling in love with a young Spanish woman and clashing with the guerrilla leader over the risks of their mission.
One of the great novels of the twentieth century, For Whom the Bell Tolls was first published in 1940. It powerfully explores the brutality of…
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
Set in 17th-century Spain, this one follows the lives of two very different women: one the daughter of a poor silk grower in love with a priest, and the other a pampered princess married to a king who just happens to be impotent.
Although the two barely connect, Harrison plays them off against each other; both are exploited and misused not only by the men around them but by the entire system that’s been stacked against them from the start.
Harrison’s writing is vivid, dense, and flat-out gorgeous; she skews dark but believe me, it’s worth the ride.
Written in gorgeous prose that has the sheen of silk, Kathryn Harrison's POISON vividly reminds us of the persistence of desire and the sorcery of dreams.
Francisca de Luarac, the daughter of a poor Spanish silk grower, is a dreamer of fabulous dreams. Marie Louise de Bourbon, the niece of Louis XIV, dances in slippers of fine Spanish silk in the French Court of the Sun King and imagines her own enchanted future. Born on the same day—in an age when superstition, repression, and the Inquisition reign—the lives of these two young women unfold in tandem, barely touching. Each hoards…
My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
While maybe a bit conventional, this is one of very few military history books that gets deeply into the army during this incredibly turbulent period. De Palo provides a clear and well-researched study that is sure to appeal to specialists and armchair buffs. It is especially good at describing the strengths and limitations of the armed forces at this time. He offers a reliable reference for an era of revolving door presidencies, coups, and foreign invasions.
The army of thirty-five thousand that engineered Mexico's independence was a melting pot of insurgent and royalist forces held together by the lure of rapid promotions and other military remuneration. Overwhelmed with internal threats such as Indian skirmishes and peasant uprisings, this poorly motivated, ill-trained army seldom enjoyed the respite, resources, or direction necessary to overcome challenges to territorial sovereignty posed by Spain, France, Texas, and the United States during Mexico's first three decades of nationhood. William A. DePalo, Jr., studies the birth and tumultuous adolescence of the Mexican National Army and examines how regional, social, political, and economic factors…
I’m a freelance writer specialising in history, and I’ve picked these works of narrative non-fiction because they stand out among many others that helped to inspire my enduring interest in the past. I first read them decades ago, either as a teenager still at school, or in my twenties, while working as a newspaper reporter. Ultimately, they shaped my decision to study history at university as a mature student, and then to try writing books myself. Originally published between 1953 and 1985, all five of the books that I’ve chosen are still available in paperback editions on both sides of the Atlantic, and with good reason: they combine credible research with powerful story-telling – attributes that I’ve tried hard to emulate through my own writing.
Winner of a special Pulitzer Prize in 1960, of the five titles selected here, this is the only one to be written by a professional historian. Despite his academic background and meticulous research in Europe’s archives, Mattingly’s book is anything but dry, and remains a classic of accessible historical non-fiction. The opening chapter, describing the execution of Mary Stuart, Queen of Scots in 1587, is brilliantly written, and as the narrative moves inexorably towards the sprawling naval battle between England and Spain it fills a wide canvas with equally striking events and personalities. Mattingly’s intimate knowledge of the source material, combined with his writing skills, enables him to tell the exciting story of the Armada’s disastrous fate and to place it in the broader diplomatic context - what he saw as ‘the first great international crisis in modern history’.
Garrett Mattingly's thrilling narrative sets out the background of the sixteenth-century European intrigue and religious unrest that gave rise to one of the world's most famous maritime crusades and the naval battles that decided its fate. In putting the naval campaign of 1588 back into the context of the first great international crisis of modern history, Mattingly builds up, like the movements of a symphony, a broad picture of how events of the time affected men's actions, plans and hopes. He brilliantly connects a series of scenes or episodes, shifting the point of focus from England to the continent and…
I’m a perfect of exemplar of an author whose party days are decidedly not over, but I’m doubtless at the age/stage where I’m bloody contemplating at least paring down my intakes plural. Not that I’m still at it like a Sophomore or anything but I’m hanging in there. I get a great, tingly buzz (you had to have seen this coming!) recommending great books to keen readers. I live in a library—essentially—and friends who visit for a beer or a spliff most often leave with a book I’ve given them. Now you lot are gonna ask me to lend you some scratch! Now you’ve gone and done it, John! Haha.
If you’re over thirty you should have outgrown your infatuation with Papa by now, methinks; but still it’s nice to revisit this lark of a roman a clef.
You’ll either shudder or joy (or both) at the scenes where the roisterers on the bus are shooting wine into each others’ mouths via boda bag. Did I spell boda bag properly? It’s been a long time, mate.
Jake Barnes is a man whose war wound has made him unable to have sex—and the promiscuous divorcée Lady Brett Ashley. Jake is an expatriate American journalist living in Paris, while Brett is a twice-divorced Englishwoman with bobbed hair and numerous love affairs, and embodies the new sexual freedom of the 1920s. The novel is a roman à clef: the characters are based on real people in Hemingway's circle, and the action is based on real events, particularly Hemingway's life in Paris in the 1920s and a trip to Spain in 1925 for the Pamplona festival and fishing in the…
My firsthand experience of the Cold War influenced my taste in reading and entertainment from an early age. I’ve spent my entire adult life collecting books and movies that showcase adventure and adversity in situations where combinations of war and climate change have brought about the end of life as we knew it. All those influences have inspired me to make my own contributions to this form of literature.
I’ve never encountered anything else like this aviation-oriented apocalypse. The author skillfully blends supersonic air combat and cutthroat conquest in a shattered world. This is the most high-octane adventure concept I’ve read in the last 30 years. It grabbed me by the throat and never let go. For many reasons, I still feel influenced by it today.
The first book in the bestselling, action-packed Wingman Series: With America in ashes, and lawlessness threatening to rule land, air, and sea, one pilot stands poised to pull his nation back from the brink of all-out anarchy The Big War started in Western Europe with a Soviet nerve gas attack that laid waste to France, Germany, and Spain. The world's democracies fought back, and pilots like Hawk Hunter led the charge-tearing across the flaming wreckage of the continent at supersonic speeds. They pushed the Russians back and just when victory was in sight, a traitor at the highest level of…
I was a stubborn teenager, and growing up, I vocally declared I would never set foot in Spain. The Spanish Empire was oppressive! It was full of religious fanatics! Yet… in college I took a course on Spain’s Golden Age, and for the first time I saw a different side of history, full of paradoxes and contradictions, Inquisitors and female mystics, bumbling priests and powerful nuns, decadence and poverty, emperors, tricksters, artists, pirates, scientists, and everything in between. Spain of the sixteenth through eighteenth centuries was extraordinarily complex and far from one-dimensional. Now, years later, I have travelled to Spain over twenty times, lived in Pamplona, and I am a historian of early modern Spain at Penn State University.
This older book remains one of my favorites because it challenges a number of easy assumptions about queenship, mental illness, and political strategy. Juana was the third child of Isabella and Ferdinand, trained and educated to marry for diplomatic alliance, but never expected to reign in her own right. Yet early modern dynastic strategy was at the mercy of mortality and fertility, and Juana eventually became the unlikely monarch of Spain and the mother of the powerful line of Habsburg kings of Spain. Juana is typically dismissed as mentally unstable following the death of her husband. This book reexamines this stereotype, arguing that her eccentric behavior may have been strategic given the limitations placed upon her by her family, and deployed intentionally to protect herself and her children’s inheritance.
Born to Isabel and Ferdinand, the Catholic Monarchs whose marriage united the realms of Castile and Aragon, Juana "the Mad" (1479-1555) is one of the most infamous but least studied monarchs of the Renaissance. Conventional accounts of Juana portray her as a sullen woman prone to depression, a jealous wife insanely in love with her husband, and an incompetent queen who was deemed by her father, husband, and son, unable to govern herself much less her kingdoms. But was Juana truly mad or the victim of manipulative family members who desired to rule in her stead? Drawing upon recent scholarship…
