I was born into a third-generation white South African family. I came to Europe at the age of 18 to pursue a career as a ballet dancer and became interested in liberation politics in the 1960s, working for some years for the Anti-Apartheid Movement in London. It almost goes without saying that Black Africans should be at the centre of books about Africa. In an era in which the slogan ‘Black Lives Matter’ has gained so much acceptance, it seems almost quixotic to focus on white Africans. However, this is a fascinating group of people who have made a notable contribution to the continent, winning thirteen of the twenty-eight Nobel Prizes awarded to Africans.
This book, which was published in 1952, is about a young white woman living in what was then the British colony of Southern Rhodesia (now Zimbabwe). I loved the way in which it captured the rather trapped feelings of a very young woman eager to escape the constraints of what she was experiencing as a highly restricted and narrow life. I always looked at Doris Lessing’s writings in a rather personal way because her daughter, Jean Wisdom, was in my class at school in Cape Town. Although we knew that her mother was a writer of some note, we had no inkling that she would ultimately win a Nobel prize for literature
The first book in the "Children of Violence" series, a quintet of novels tracing the life of Martha Quest from her childhood in colonial Africa through to old age in a post-nuclear Britain. The other novels are "A Proper Marriage", "A Ripple from the Storm", "Landlocked" and "The Four-Gated City".
I am a historian of modern Germany at Vanderbilt University and have followed this field for more than thirty years. After a bit of respite, interest in Imperial Germany is suddenly chic again, as 2021 Germany looks back on the past 150 years of its unification in 1871. These five books, all published since 2000, are major recent contributions to the history of Imperial Germany’s prewar period; they also raise questions about the extent to which this conflict-ridden era represents a distant if imperfect mirror for our own contentious times.
A brand-new gripping, revealing history of German colonialism, focused on the brutal diamond trade in Southwest Africa on the eve of World War I. With pellucid prose, Press tells how the Germans cordoned off a so-called “forbidden zone,” behind which rapacious explorers, colonial authorities, miners, and businessmen carted off these precious, if largely useless rocks, for which there was a huge, artificially created demand, especially in the United States.
Diamonds have long been bloody. A new history shows how Germany's ruthless African empire brought diamond rings to retail display cases in America-at the cost of African lives.
Since the late 1990s, activists have campaigned to remove "conflict diamonds" from jewelry shops and department stores. But if the problem of conflict diamonds-gems extracted from war zones-has only recently generated attention, it is not a new one. Nor are conflict diamonds an exception in an otherwise honest industry. The modern diamond business, Steven Press shows, owes its origins to imperial wars and has never escaped its legacy of exploitation.
I moved from Germany to Botswana when I was a fledgling translator, and then on to South Africa 2 years later. I fell in love with this part of Africa that had a hand in making me the person I am today. Since I used to travel a lot, not all of my books are set in Southern Africa, but I have a passion for sharing my African stories with the world, and in a few of my novels, I include African wildlife in the storyline. Being a translator, I also translate books into German/English, and four of my own books - so far - are also available in German.
I don’t remember if there is actual wildlife in this book (apart from a dog), but nature plays a big part in the story. It was one of the first novels about Africa I read and it moved me deeply. Doris Lessing has written quite a few books about Africa, some political, others with a focus on the land, its people, and nature. She grew up in Zimbabwe (which was called Rhodesia back then) and is an award-winning author. I had to include at least one of her books in my list, so there.
The Nobel Prize-winner Doris Lessing's first novel is a taut and tragic portrayal of a crumbling marriage, set in South Africa during the years of Arpartheid.
Set in Rhodesia, 'The Grass is Singing' tells the story of Dick Turner, a failed white farmer and his wife, Mary, a town girl who hates the bush and viciously abuses the black South Africans who work on their farm. But after many years, trapped by poverty, sapped by the heat of their tiny house, the lonely and frightened Mary turns to Moses, the black cook, for kindness and understanding.
I moved from Germany to Botswana when I was a fledgling translator and then on to South Africa 2 years later. I fell in love with this part of Africa that had a hand in making me the person I am today. Since I used to travel a lot, not all of my books are set in Southern Africa, but I have a passion for sharing my African stories with the world. My latest project is the Charlie Proudfoot murder mystery series, which is set in South Africa. Being a translator, I also translate books into German/English and four of them so far, are my own.
When I moved to Botswana, I wanted to learn more about the country, where I should live for more than 2 years. Somebody gave me books by Bessie Head and I learned so much by just reading these books. Maru was not the only book I’d read by Bessie Head, but it was one of the best books on Botswana.
Read worldwide for her wisdom, authenticity, and skillful prose, South African–born Bessie Head (1937–1986) offers a moving and magical tale of an orphaned girl, Margaret Cadmore, who goes to teach in a remote village in Botswana where her own people are kept as slaves. Her presence polarizes a community that does not see her people as human, and condemns her to the lonely life of an outcast. In the love story and intrigue that follows, Head brilliantly combines a portrait of loneliness with a rich affirmation of the mystery and spirituality of life. The core of this otherworldly, rhapsodic work…
Most motorcycle travellers spend months planning their trips but I took off on a whim having been lured by romance and tales of the open road. When my conventional life fell apart, I surprised even myself by flying to India and buying a brand new 500cc Enfield Bullet motorcycle and began my haphazard global wanderings learning to trust that the world I had been told was a dangerous place, wasn't at all (except for a couple of occasions at sea!) I liked the meandering life so much, it became a way of life.
Some motorcycle travel books say little about the motorbike itself but I like the nuts and bolts in a story of this genre. This book is very much about the bike. Steve’s Ariel was fifty-five years old and he was sixty-six when he embarked on his trip from Capetown to South Luangwa. I identified with Steve; neither of us had any modern gadgetry nor much in the way of mechanical expertise, therefore we both discovered new levels of patience and were blessed with experiencing people’s generosity in a different culture together with spectacular scenery. Like me, he thought of himself and his motorbike as ‘we’; when you travel solo, it is like a partnership. There’s nothing like travelling with a classic motorcycle as your (sometimes frustrating!) companion.
When classic motorcycle author Steve Wilson planned his 6,000-mile ride through Africa, perhaps his last real run on two wheels before the bus pass took over, the journey sounded challenging enough - just two Brits on 1950s Ariels, using their own resources to survive life on the wild roads. It became even more hair-raising when events meant he would have to do the ride solo. In this moving account Steve chronicles the entire experience: bike preparation, organisation, mechanical mayhem, personal discovery and - one of the reasons for the trip - raising a cheque for GBP2,000 for a small school…
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
This South African classic, written in the 19th century, is set on an isolated farm in the Eastern Cape. It masterfully portrays the hardy existence and rugged mountain landscape of the region, but is also a sophisticated (and surprisingly modern) take on issues such as conservation, ecology, racism, and gender equality. Schreiner has a deep love for the fauna and flora of the region, which shines through in her writing.
Lyndall, Schreiner's articulate young feminist, marks the entry of the controversial New Woman into nineteenth-century fiction. Raised as an orphan amid a makeshift family, she witnesses an intolerable world of colonial exploitation. Desiring a formal education, she leaves the isolated farm for boarding school in her early teens, only to return four years later from an unhappy relationship. Unable to meet the demands of her mysterious lover, Lyndall retires to a house in Bloemfontein, where, delirious with exhaustion, she is unknowingly tended by an English farmer disguised as her female nurse. This is the devoted Gregory Rose, Schreiner's daring embodiment…
I am momto three daughters, grammyto seven grandchildren. I am a storyteller and a voracious reader. There’s nothing better than to immerse myself in books about history, espionage, and family sagas. Growing up in northeastern Pennsylvania, I never suspected that I would travel the world one day, although I always dreamed of writing novels. Living in India for a time, I developed a passion for international affairs. I try to make the settings and culture of my novels as authentic as possible. To research the background for The Expatriate, I traveled to England, Austria, Switzerland, Italy, and the Eastern Republics of the former Soviet Union.
I fell in love with Ishi, the ageing bull elephant, who is the narrator of this saga. If ever you doubted that elephants were sentient creatures, this book will change your mind. After fifty years as a captive, shipped overseas, mistreated in a circus, and landing in a zoo, by miraculous serendipity, Ishi finds himself back in Africa, hundreds of miles from the animal sanctuary where he was raised. Making a final desperate journey to reach the human family that rescued him as a baby, when his mother and entire herd were killed by ivory poachers, our hero encounters one peril after another. A highly emotional tale, it speaks of good and evil. Ishi’s story will have you contributing to every campaign to save these noble beasts.
"The Memory of an Elephant" is an epic saga told by an aging African elephant as he makes a last, perilous journey to find the humans who rescued him as an orphan some fifty years ago. Interwoven with his narrative are the tumultuous lives of the family who raised and then lost him. This timeless story is alternately heartwarming and heartbreaking, spanning east Africa, Great Britain and New York from 1962 to 2015.
For fifty years I have studied and taught the history of Africa, which makes me about the luckiest guy around. My focus has been on Southern Africa, and especially Zambia, Zimbabwe, and South Africa. Aside from the fantastic physical beauty, the region attracts because of the comparability of its history and experience with that of the United States at many points: for instance, a colonial past, systems of slavery, and fraught [to say the least] racial dynamics. I have enjoyed 23 journeys or lengthier sojourns in Southern Africa, and have taught at five universities, including North Carolina State, Duke, and the University of Zimbabwe as a Fulbright Lecturer.
Move Your Shadow is a masterpiece of reportage. Lelyveld, a former executive editor of the New York Times, spent considerable periods in apartheid South Africa in both the 1960s and the 1980s. The sixties was the period of “baaskap”—“bosshood” apartheid, when the perverse racist cruelties of the system were imposed with a sledgehammer. I would call the eighties the era of “facelift” apartheid—why, the word was hardly used by the regime anymore.
To paraphrase Gramsci, the old world was dying, a new one struggled to be born. Monsters abounded. Nobody captured the period better than Lelyveld. The chapter on Philip Kgosana, the idealist who led Cape Town demonstrations in 1960—at age 19—was betrayed by the state, and wound up in exile in Sri Lanka—is worth the price of the book.
Drawing on his tours in South Africa as a correspondent for the "New York Times," the author details the absurdities, rationalizations, inequities, and cruelties of apartheid, showing what it means to suffer and survive under the restrictions of racial separation
I love history that is about people. The discoveries they made or the adventures they had (or endured) are thrilling and fascinating, but it’s the people who make it compelling. From Ernest Shackleton dumping handfuls of gold on the ice to show his stranded men he was committed to getting them out of Antarctica alive, to a fussy young William Travis writing desperately for help that would never come, and being of the first to die during the attack on the Alamo…the best books make those events, the times, and the stakes very very real. And the very best histories give you the humanity of the choices and decisions that led them there.
This is another story that has been parodied out of any semblance of the magnificently foolish endeavor that ended up becoming almost noble. While today the idea would be risible, this book contextualizes the time and culture that created a national hero of the Reverend Livingstone, a clergyman traveling to “darkest Africa” to spread the Good Word to the savages and why finding him became a Western obsession. The insights into the day-to-day life and difficulties of the many and varied characters, tribes, and nations are balanced nicely against the struggles of the main characters to find their way through Africa and life itself.
In 1866 Britain's foremost explorer, Dr David Livingstone, went in search of the answer to an age-old geographical riddle: where was the source of the Nile? Livingstone set out with a large team, on a course that would lead through unmapped, seemingly impenetrable terrain into areas populated by fearsome man-eating tribes. Within weeks his expedition began to fall apart - his entourage deserted him and Livingstone vanished without trace. He would not be heard from again for two years. While debate raged in England over whether Livingstone could be found in the unmapped wilderness of the African interior, James Gordon…
My passion for historical fiction writing stems from a lifelong interest in history and a love for creating stories that have rich characters, with deep and meaningful personalities. My interest in history led me to study the subject at university, which has worked hand-in-hand with the pleasure I get from writing. Researching stories is another aspect that I enjoy, and it has seen me travel to destinations all over the world, where I have made some wonderful friendships.
I have included When The Lion Feeds because it is the first “grown up” book that I read as a young person.
It was many years ago, but Wilbur Smith’s novel had a big impact on me with his descriptive writing drawing me into the South African setting. The characters in Smith’s novel make for a strong and powerful narrative, and his imagery is captivating.
In many ways, When The Lions Feed is what could be described as a page-turner. I had mentioned in another review that an indicator of a good story is when the reader feels that they know the character(s), and it is certainly the case with this book.
