I grew up with a graveyard in my backyard: the historic Schenck-Covenhoven Graveyard in Penns Neck, New Jersey, just outside Princeton. This small square plot, filled with the 18th- and 19th-century graves of local families, served as the perfect playground for hide-and-seek and cops-and-robbers with my friends. Working as a tour guide and volunteer at Laurel Hill Cemetery for nearly thirty years, I fell in love with its rich history and its architectural and horticultural beauty. As I grow older, I have come to value cemeteries for their role as both a meeting place and a mediator between the living and the dead.
January 1901: Queen Victoria is dead and her subjects nervously await a new king and a new century. Two families—the aristocratic Colemans and middle-class Waterhouses—meet at their adjoining plots in London’s elegant Highgate Cemetery. Their five-year-old daughters form an immediate bond. The lives of the two families entwine over the next decade as they struggle with social change, betrayal, and grief. Surprisingly, Highgate offers a release from the confining decorum of their everyday lives. The two girls play among the graves with a gravedigger’s son, while adult members of their households indulge in forbidden liaisons there. Chevalier’s crisp prose creates rich character portraits and vivid historical scenes with only a few strokes. This slim novel resonated in my mind long after I finished it.
'Sex and death meet again in [a] marvellous evocation of Edwardian England' Daily Mail
The girl reminded me of my favourite chocolates, whipped hazelnut creams, and I knew just from looking at her that I wanted her for my best friend.
Queen Victoria is dead. In January 1901, the day after her passing, two very different families visit neighbouring graves in a London cemetery. The traditional Waterhouses revere the late Queen where the Colemans have a more modern outlook, but both families are appalled by the friendship that springs up between their respective daughters.
As a kid, I was consistently described as one who had her head in the clouds. I was far away imagining all sorts of fantastical things; dragons soaring in the sky, a witch blasting a fireball in the grocery store, a werewolf coming to eat the gym teacher, the coffee barista is actually a vampire, etc. There is something alluring about supernatural beings existing in our often mundane world; whether they are being subjected to the same life we are or are wreaking havoc for any reason.
Rose and Lissa are dragged back to a school for vampires; though it’s a fair bit more complicated than that, with vampires of different sorts and being able to wield magic.
Rose is Lissa’s bodyguard and the school trains their powers, so that Rose will be able to protect Lissa (who is a princess) when the time comes. Their lessons don’t stop them from getting into a whole swath of familiar teenage drama.
ONLY A TRUE BEST FRIEND CAN PROTECT YOU FROM IMMORTAL ENEMIES . . .
Lissa Dragomir is a mortal vampire. She must be protected at all times from the fiercest and most dangerous vampires of all - the ones who will never die.
Rose Hathaway is Lissa's best friend - and her bodyguard.
Now, after two years of illicit freedom, they've been dragged back inside the iron gates of St. Vladimir's Academy. The girls must survive a world of forbidden romances, a ruthless social scene and terrifying night-time rituals. But above…
Having spent thirty years working as a chef, I was always going to have working-class heroes in my stories. When someone said this is uncommon in science fiction, I didn’t believe them. But then I couldn’t think of any. I started searching through my bookshelves, and still, I couldn’t find enough to fill this list. I asked on socials and eventually found five books.
It would seem natural that in a science fiction world of adventure and exploration, the professionals would be at the forefront. But I am pretty sure that the toilet cleaners on the Death Star would still have a story or two to tell.
Travis is an apprentice engineer of trans-quantum chambers, stations that transport people to cities all over the universe. On a risky maintenance assignment, something goes wrong, trapping Travis on a distant planet with limited resources as he tries to solve the mystery of what killed all the humans on this world.
The world-building here is a lot of fun to imagine. Combine that with Wilson's descriptive prowess, and you have an immersive adventure to the stars that appeals to the sci-fi nerd that I am.
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
I came upon this 3-part series almost by accident and quickly gobbled it up, surprised that it is not more well known. It is a fabulous upstairs/downstairs type of saga in which both the aristocracy and the servants who wait upon them are upended by the outbreak of WW1. Excellent writing; hard to put down.
Before Downton Abbey, there was Abingdon Pryory, the elegant country home of the Grevilles - a titled English family who, along with their servants, see their world turned upside down when England goes to war - and their well-kept lawns and whirling social seasons give way to the horrors of battle leaving no one, upstairs or downstairs, untouched.
When I began writing my first novel, the words “what happens next is up to all of us” became my guiding mantra. I have just completed my second novel with the same theme, The Space Between Dark and Light. It will be released early in 2023. During the years between the two books, I have become a speaker on topics related to the environment and peace. In 2020, I received an award as a Creative Environmental and Peace Activist from Visioneers International Network. It is the thought of the world our grandchildren (and generations after them) will inherit from us that makes me care passionately about the future.
This novel pulled me in quickly with its portrayal of a middle-class family hoping to spend a relaxing week in a rented home they could never afford to own. The family’s plans go awry quickly when the owners show up at door wanting to stay there as a refuge from the total blackout in NYC. Adding suspense to witty social commentary, Alam creates a sense that something very bad is happening, without ever describing what that bad thing is. I had a few ideas, but the author outsmarted and surprised me with the ending. I feel he captured a lot about modern life and the anxiety many of us feel about the future. Yet, it was entertaining and made me laugh a few times.
When I first started writing in English, which is my second language, I was reluctant to share my work with others. I was terrified they would find it lacking. It takes a lot of effort and research to write authentically for a foreign audience. I studied creative writing at different universities around the world to gain knowledge and experience. I published short stories and poems in online and print journals. Bit by bit, I gathered the courage to submit my first picture book manuscript.
My Big Welcome illustrates how kindness can help children overcome anxiety when they’re starting at a new school, moving, meeting new people. The story introduces a number of classroom situations that a newcomer might face. Emilia, the new girl, is welcomed with warmth and kindness. And the bright illustrations give off such a positive vibe.
When she must go to a new school, Emilia becomes afraid.
Will her new class be everything she fears?
Or will she get a big surprise?
This heartwarming story reveals the anxiety children feel when faced with new situations and shows children that new experiences bring many possibilities.
My Big Welcome is the perfect book for every child moving to a new school, starting a new class, or dealing with change.
Inspired by actual events, My Big Welcome shows that life can offer much more…
I am a french writer, I like to write satires and tongue-in-cheek books about society. Work, children, France, social classes... When you find the right angle almost everything can be funny. With my writing I want to entertain, but give the reader something to think about. I hope this list will make you laugh as much I did.
Let’s imagine the English people have decided to abolish the monarchy. We are back in the eighties, and the Windsor family, expelled from Westminster, is relocated to a poor neighborhood of London and is required to work. The ex-Queen tries to cook, Philip is depressed, Diana wonders about her wardrobe and Charles discovers gardening talents...The Queen and I is a book that plays wonderfully on the human and linguistic gap between high society and common people. Funny situations and the satirical tone made me laugh on each page. I recommend it to all the people who are struggling to make a living—they’ll think it could be worse.
In the not-too-distant future, a radical government has come to power in Great Britain and the Royal family has been moved to a housing estate in Leicester. For the first time, the Royals have to live as ordinary people and they find the experience baffling and frightening, but ultimately enriching. A satire on the failings of the welfare state, the pretensions, expectations and personal foibles of the Royal Family - this warm-hearted and affectionate comedy concerning the Royals' attempts to come to terms with their new situation with moments of gentle irony alternating with pure farce - are just some…
Maybe it was too much reality TV growing up, especially being raised on figures like Tiffany "New York" Pollard or A Different World's Whitley Gilbert, but bad girl protagonists are insta-buys for me. I love them, and I have a particular fondness for when they're black girls. We're already seen as so angry, but bad girl books show you not only why a girl could get to be so angry but also that you ain't seen nothing yet. I need more people to see how much joy there is in rage, and I chose to explain it with YA horror because it's a genre so driven by catharsis and mood that it's a perfect fit.
This book was Beautiful Gowns but make it horror—and I loved every second of it. While more of a thriller than horror, the kills in this one stick with me like its comparative film, Ready or Not did.
Our main character is the resident bad girl of her private school, and once she's lost everything she worked for, she's not afraid to be the villain for the bag. I love reading about ambitious girls who leave scratch marks behind them, and Adina practically plows through the book, telling everyone, "This is not America's Next Top Best Friend." Not afraid to lie, cheat, or steal your man, I’m still glad she got everything she wanted - especially because she took it for herself.
“A brutally honest and haunting cautionary tale…exposing the lie that is meritocracy and the unrelenting toll that being a final girl takes. A bloody tale spun masterfully…a dark delight.” —Faridah Àbíké-Íyímídé, New York Times bestselling author of Ace of Spades
A Black teen desperate to regain her Ivy League acceptance enters an elite competition only to discover the stakes aren’t just high, they’re deadly, in this “spine-chilling thriller” (Publishers Weekly).
You must work twice as hard to get half as much.
Adina Walker has known this the entire time she’s been on scholarship at the prestigious Edgewater Academy—a school for…
I’ve been writing books on environmental journalism and teaching Environmental Humanities and Environmental Justice at the University of Delaware for 25 years. Each of these books has made a particularly powerful impression on me and my students in recent years. They are powerful calls for a genuine reckoning with racial and environmental injustice throughout American history
An illustrated book of long-form nonfiction that examines poor Black, Indigenous, White, and Migrant communities in the United States, and how they have all been broken by extractive capitalism and racist public policy. Hedges’ writing is intentionally polemical, designed to shatter any illusions about the welfare of our fellow citizens living in communities ruined by racism and industrial-scale environmental degradation. Sacco’s long-form graphic illustrations are equally haunting. I’ve taught this book continually for many years.
Named a Best Book of the Year by Amazon.com and the Washington Post Three years ago, Pulitzer Prize-winner Chris Hedges and award-winning cartoonist and journalist Joe Sacco set out to take a look at the sacrifice zones, those areas in America that have been offered up for exploitation in the name of profit, progress, and technological advancement. They wanted to show in words and drawings what life looks like in places where the marketplace rules without constraints, where human beings and the natural world are used and then discarded to maximize profit. Days of Destruction, Days of Revolt is the…
In Six Memos for the Next Millennium, Italo Calvino writes that “we can distinguish between two types of imaginative processes, one that begins with words and ends with the visual image, and another that begins with the visual image and ends with its verbal expression.” All of my writing projects begin with the visual image. It is difficult for me to verbalize what precisely about art that captivates me. But when I stand in front of certain artworks, I feel a magnetic pull, and something in the piece—the brushstrokes, the colors, the materiality—compels me to write something in response to it.
A brilliant blend of narrative and non-fiction, Optic Nerve follows the narrator, an art critic, as she frequents art galleries in Buenos Aires and reflects on the artworks, which act as prisms that refract her own memories and experiences.
This is a book that moves forward by dint of impressions and ekphrastic encounters, eschewing a conventional plot. It explores the interconnections between image and text by incorporating art criticism into the fictional space.
'A highly original, piercingly beautiful work, full of beautiful shocks... I felt like a door had been kicked open in my brain' Johanna Thomas-Corr, Observer
A woman searches Buenos Aires for the paintings that are her inspiration and her refuge. Her life -- she is a young mother with a complicated family -- is sometimes overwhelming. But among the canvases, often little-known works in quiet rooms, she finds clarity and a sense of who she is . . .
'I was reminded of John Berger's Ways of Seeing, enfolded in tender and exuberant personal narratives' Claire-Louise Bennett
