The most recommended books about slavery

I am fascinated by the places where cultures intersect and the means by which they do so. I am an American lucky to live in gorgeous San Miguel de Allende, Mexico, and previously in Hirakata, Japan; Shanghai, China; Suva, Fiji; and Oxford, England. Each move entailed a challenging but rewarding effort to absorb a new set of unwritten societal rules. A great way to grow is to immerse yourself in the unknown and have things you took for granted about how the world works suddenly come into question. Another is to learn from those who have gone before us, so I am delighted to share these wonderful books with you.

I have been fascinated by the role of power dynamics and psychological games in relationships for as long as I can remember, frequently seeking out entertainment and exploring these topics to make sense of what was happening in the world around me. Now as a writer of 42 novels, many of my stories center around these themes and their consequences and complications, always from a point of view that empowers women. Dirty Filthy Rich Men, and its follow-up Dirty Filthy Rich Love, specifically focus on the difference between the devastating act of rape and consensual rape play, with the intention of validating women who are drawn to edgier fantasies in fiction. 

I'm a labor journalist. I've spent the past 20 years writing widely about inequality, class war, unions, and the way that power works in America. My parents were civil rights and antiwar activists in the 1960s and 70s, and they instilled in me an appreciation for the fact that social movements are often the only thing standing between regular people and exploitation. My curiosity about power imbalances in America drew me inexorably towards the absence of worker power and led me to the conclusion that the labor movement is the tool that can solve America's most profound problems. I grew up in Florida, live in Brooklyn, and report all over.

I’ve been fascinated by the feelings stories can evoke in readers since I cried over Bridge to Terabithia in middle school. From the time I was twelve, I’ve sought snapshots in time that ooze with a strong sense of place and flawed characters to capture my heart when reading. I’ve found well-researched historic Gothic family sagas to be the most consistent in delivering that raw emotional bond between the setting/characters and reader. As a writer, I strive to recreate what I crave when reading. The historic Gothic family sagas I’ve chosen represent an array of characters you will love—or love to hate—and cry over.

As an engineer, I have constructed bridges, highways, and power plants throughout Africa, and on journeys learned and explored the continent's history. My novel, Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book. My 200 plus sources, and excerpts from many of them, are listed on the companion website. 

I taught American, European, and World History at the University of British Columbia for over 30 years. I was constantly reminded of the dynamics and consequences of slavery and how a history of black America should be more prevalent in understanding the development of American culture, institutions, and identity over time. In writing two books on colonial America and the American Revolution, the roots of America’s racial divide became clearer and the logic of permanence seemed irresistible. My Shaping the New World was inspired by a course I taught for years on slavery in the Americas. Compiling the bibliography and writing the chapters on slave women and families helped to refine my understanding of the “peculiar institution” in all its both common and varied characteristics throughout the Americas.

I've been reading science fiction since I was old enough to hold a book upright, and writing it for almost as long. I grew up on the classics and still go back to them. I re-read books to study how their authors managed their craft, hoping to learn something useful in my own writing, but I also re-read books for the sheer pleasure of revisiting a favorite adventure. When I read something for the second (or the seventh) time, I know I'm going to enjoy it, and can savor the language as well as the story. It's like ordering a favorite meal in a restaurant: You know what you're getting, and can relax and enjoy it.

I’m that infamous medievalist who wrote the big book on medieval race. It took 20 years of thinking and research, and a whole lot of writing, but now people are convinced that there was, indeed, such a thing as race and racism between the 11th and 15th centuries in the West (aka Christendom/Europe). I'm Perceval Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin.

History tells us who we are and what we can become. History in the Andes tells us that people of the African Diaspora have been a part of building that part of the world into what it is today for over 500 years. I have been fascinated by learning this history and inspired by leaders, writers, artists, and fellow historians who consider themselves Afro-Andean and are building the future. For 25 years now, I have been scouring historical archives in Peru, Spain, and the US to find more sources to help us recognize and understand that history as we use it to build a better, more just present and future. 

Faith “Zanweah” Sternstein grew up in Tappita, Nimba County, Liberia. Her heritage and cultural background is that of the Dan (Gio) ethnic group, where her lineage comes directly through Chiefs Tarpeh, Snagon, and Vonleh. She met her future husband, Martin Sternstein, when he served as Fulbright Professor at the University of Liberia. While much has been written about Liberia, there has been little serious research into the lives of the early presidents, and we much enjoyed filling in this gap. We subscribe to the African proverb: Until the lion tells his side of the story, the tale of the hunt will always glorify the hunter.