I am drawn to stories of women who display a fighting spirit, faith in themselves, and the drive to help others. Perhaps this is due to growing up during the women’s rights movement. So many women paved the way for me. Perhaps it was my upbringing. I was raised with six siblings - three brothers and three sisters – and my parents never thought that my sisters and I couldn’t do something just because we were girls. Combine these experiences with the fact that I love history and you can see why I love these stories. Now I get to write and share stories like these with young readers. Lucky me!
Did I save the best for last? I may have (although I recommend all of these books). This book appeals to me on so many levels. First, it tells the story of an important woman of history who was dauntless in her mission to help others to safety and freedom. Second, the dreamy, lyrical narrative is so different from how so many picture book biographies are written, yet incredibly effective. Third, the art is amazing – especially in its depiction of Harriet as an old woman when her strength was still so evident. And fourth, the story is told in reverse chronology. What a great decision! I use this book often when I teach about nonfiction picture book writing because of this creative approach. Hands down. I love this book.
An evocative poem and stunning watercolors come together to honor an American heroine in a Coretta Scott King Honor and Christopher Award-winning picture book.
We know her today as Harriet Tubman, but in her lifetime she was called by many names. As General Tubman she was a Union spy. As Moses she led hundreds to freedom on the Underground Railroad. As Minty she was a slave whose spirit could not be broken. As Araminta she was a young girl whose father showed her the stars and the first steps on the path to freedom.
As an engineer, I have constructed bridges, highways, and power plants throughout Africa, and on journeys learned and explored the continent's history. My novel, Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book. My 200 plus sources, and excerpts from many of them, are listed on the companion website.
In the introduction, dated July 1978, Mattoso writes. … my purpose in writing this book was to discover what life was really like for the slaves in Brazil … This book is addressed to an audience of general readers. I have therefore felt free to dispense with the usual scholarly apparatus of extensive footnotes and bibliography … Its title … signals my intention to adopt the standpoint of the slaves themselves … to trace the various stages in the lives of the slaves as individuals and of the slave group as a community.
The book has the great advantage of placing the slave in the center of the history not simply as a type of labor, but as an actor whose culture, actions and decisions influenced the operation of the system... written with verve and grace for a general readership.
I’m a teacher, a student, and a reader by trade (that is, a university professor), and I spend most of my time trying to understand social and political power: why some people have it, and others don’t, how it circulates and changes (gradually or suddenly), why it sometimes oppresses us and sometimes liberates, how it can be created and destroyed. I mostly do this by reading and teaching the history of political theory, which I am lucky enough to do at McGill University, in conversation and cooperation with some wonderful colleagues.
I think everyone should read at least one slave narrative, and Jacobs’s is a gem of both exquisite storytelling and powerful testimony.
Jacobs tells her own story but also the story of a whole town and a whole society, and she paints a devastating portrait of the rot at the heart of the Old South, the sham that slave power made of all human relations that came into contact with it.
The true story of an individual's struggle for self-identity, self-preservation, and freedom, Incidents in the Life of a Slave Girl remains among the few extant slave narratives written by a woman. This autobiographical account chronicles the remarkable odyssey of Harriet Jacobs (1813–1897) whose dauntless spirit and faith carried her from a life of servitude and degradation in North Carolina to liberty and reunion with her children in the North. Written and published in 1861 after Jacobs' harrowing escape from a vile and predatory master, the memoir delivers a powerful and unflinching portrayal of the abuses and hypocrisy of the master-slave…
I was in my 40s before I began exploring the topic of the British Empire. It came after I realised it explained so much about me (my Sikh identity, the emigration of my parents, my education) and so much about my country (its politics, psychology, wealth…) and yet I knew very little. It turned out that millions of people feel the same way… and I hope I provide an accessible introduction and summary of the massive topic.
Coming in at just over 250 pages of generously spaced text, this is not the longest book on the subject. Nor is it the most famous.
But in efficiently telling the stories of three men – John Newton, the captain of a slave ship, who later became a preacher, Thomas Thistlewood, a slave owner who made a small fortune from a plantation in Jamaica, and the black slave Olaudah Equiano.
Walvin deftly reveals how slavery, like so many aspects of the empire, has been erased from the British consciousness and conscience.
There has been nothing like Atlantic slavery. Its scope and the ways in which it has shaped the modern world are so far-reaching as to make it ungraspable. By examining the lives of three individuals caught up in the enterprise of human enslavement. James Walvin offers a new and an original interpretation of the barbaric world of slavery and of the historic end to the slave trade in April 1807.
John Newton (1725-1807), author of 'Amazing Grace', was a slave captain who marshalled his human cargoes with a brutality that he looked back on with shame and contrition. Thomas Thistlewood's…
I am a historian and educator based in Boston. I have authored three books and numerous essays on the Civil War era. You can find my op-eds in The Washington Post, The New York Times, The Atlantic, and The Daily Beast. Over the past few years, I have worked with students and teachers across the country to better understand the current controversy surrounding Confederate monuments.
The Confederacy was consistent throughout most of the war that Black men could not be recruited to serve in the army as soldiers. This was a war to preserve slavery and white supremacy and Black enlisted men would have undermined the very justification for secession and the creation of a new nation. As the war entered its fourth year, however, more and more people realized that this policy was no longer tenable. Historian Bruce Levine offers a thorough analysis of the very public and bitterly divisive debate that took place throughout the Confederacy in 1864 over whether slaves could be recruited as soldiers. Confederates debated this subject in the capital of Richmond, in the army, and in countless newspapers. The question was clear: Should the Confederacy recruit Black men as a way to avoid defeat? That it took the Confederate government until mid-March 1865 to finally approve slave enlistment—much too…
In early 1864, as the Confederate Army of Tennessee licked its wounds after being routed at the Battle of Chattanooga, Major-General Patrick Cleburne (the "Stonewall of the West") proposed that "the most courageous of our slaves" be trained as soldiers and that "every slave in the South who shall remain true to the Confederacy in this war" be freed. In Confederate Emancipation, Bruce Levine looks closely at such Confederate plans to arm and free slaves. He shows that within a year of Cleburne's proposal, which was initially rejected out of hand, Jefferson Davis, Judah P. Benjamin, and Robert E. Lee…
I’ve been fascinated by the Atlantic slave trade since 2007, when I first studied the business papers of a Liverpool merchant who had enslaved over a hundred thousand people. I was immediately struck by the coldness of the merchant’s accounts. I was also drawn to the ways in which the merchant’s profit-motivated decisions shaped the forced migrations and experiences of their victims. I have subsequently extended my research to examine slave traders across the vastness of the Atlantic World. I'm also interested in the ways that the slave trade’s history continues to shape the modern world, from the making of uneven patterns of global economic development to such diverse areas as the financing of popular music.
In 2007, I was writing a biography of Liverpool merchant William Davenport, who had made his fortune via the slave trade.
As I researched Davenport’s dry ledgers and letterbooks, I was fortunate to have Marcus Rediker’s exceptional The Slave Ship to hand. Pushing back against the “violence of abstraction” inherent to the accounts of slavers like Davenport, Rediker’s book exposed the horrors of the Middle Passage in unflinching detail.
His book is also filled with powerful individual stories of captives, captains, and crewmen that demonstrated to me the importance of writing “human histories” of the slave trade.
The slave ship was the instrument of history's greatest forced migration and a key to the origins and growth of global capitalism, yet much of its history remains unknown. Marcus Rediker uncovers the extraordinary human drama that played out on this world-changing vessel. Drawing on thirty years of maritime research, he demonstrates the truth of W.E.B DuBois's observation: the slave trade was 'the most magnificent drama in the last thousand years of human history'. The Slave Ship" focuses on the so-called 'golden age' of the slave trade, the period of 1700-1808, when more than six million people were transported out…
I have loved these five books for many years. I used them often in college history classes and students always loved them, too. We learn much about women’s lives and hearts (and, of course, about men’s) from each book. They bring into vivid detail women’s hard work---domestic labor and paid work---but the books also vividly illuminate the joys, pleasures, and griefs in women’s lives--sickness and healing, children, sexuality, love, and loss. We see deeply into the lives of slaves, into the lives of the working poor, as well as of the middling classes during decades of enormous change. These books cover true events and real people, based on letters and diaries and traceable events.
Slaves brought deep knowledge of healing cures and medicines from Africa and that knowledge remained and circulated, helping “to heal the body and preserve the soul” as they endured slavery. Slaves held a “relational view” of sickness and health, focusing on the broader slave community and its health rather than the wellness or illness of the individual. This book in no way romanticizes slave healing as aiding an idealized communal harmony. Fett never lets us forget that slaves always faced conflict and struggle, especially since slaveholders intervened constantly in matters of health. Here, though, we gain a deep and powerful—and painful—understanding of certain kinds of relations on plantations, particularly male and female slaves’ work of curing and healing, and the uses of “conjuring,” “working roots,” divination, and “the clandestine practices of antebellum hoodoo.” Interpreting medical beliefs and practices, Fett illuminates broader social struggles over power.
Exploring the charged topic of black health under slavery, Sharla Fett reveals how herbalism, conjuring, midwifery, and other African American healing practices became arts of resistance in the antebellum South. Fett shows how enslaved men and women drew on African and Caribbean precedents to develop a view of health and healing that was distinctly at odds with slaveholders' property concerns. While white slaveowners narrowly defined slave health in terms of ""soundness"" for labor, slaves embraced a relational view of health that was intimately tied to religion and community. African American healing practices thus not only restored the body but also…
This book is a lyrical explosion that left me in heart-pounding awe.
Don’t let the simplicity of the title fool you. The novel booms with fireworks from page one. Fueled by a gripping chase, a riotous history in miniature of the Caribbean, and the monologues of three mesmerizing characters strung together with all that is human and inhuman sounding within them, in sound and sense, it is one of the most exquisitely written books I have ever read.
While a furious pursuit propels the story, its author has taken risks that twist the telling in unexpected directions. Get lost in its Great Woods with characters who breathe, who dare, who cry, and who laugh with wild eyes as they take their place in the story of humanity.
The "heart-stopping" (The Millions), "richly layered" (Brooklyn Rail), "haunting, beautiful" (BuzzFeed) story of an escaped captive and the killer hound that pursues him
"Slave Old Man is a cloudburst of a novel, swift and compressed—but every page pulses, blood-warm. . . . The prose is so electrifyingly synesthetic that, on more than one occasion, I found myself stopping to rub my eyes in disbelief." —Parul Sehgal, The New York Times
Shortlisted for the National Book Critics Circle Award for Fiction, Patrick Chamoiseau's Slave Old Man was published to accolades in hardcover in a brilliant translation by Linda Coverdale, winning the…
I am a biographer and literary scholar who loves to resurrect stories otherwise lost to history. I first felt this calling on football Saturdays at the University of North Carolina-Chapel Hill, when I would sneak into the Rare Book Room to pore over old records, while my friends all went to the game. There I checked out manuscript boxes that told stories of the communities I inhabited. On these Saturdays, I started to see the invisible forces that created my physical world and marked my presence. Every book I picked below does the same precise work—they make visible a past that shapes our present.
Taking only names and a few verses stitched onto a cotton sack discovered at a flea market near Nashville, Tiya Miles uncovers a stunning story of love, resilience, and triumph in the lives of family members who carried this cotton sack out of slavery.
This National Book Award Winner is not to be missed, not only for its powerful storytelling, but for the tools it teaches about reaching back into history and recovering lives otherwise consigned to oblivion.
NATIONAL BOOK AWARD WINNER * NEW YORK TIMES BESTSELLER * WINNER OF THE CUNDILL HISTORY PRIZE
'A remarkable book' - Jennifer Szalai, The New York Times 'A brilliant exercise in historical excavation and recovery' - Annette Gordon-Reed, author of The Hemingses of Monticello 'A history told with brilliance and tenderness and fearlessness' - Jill Lepore, author of These Truths: A History of the United States
In 1850s South Carolina, Rose, an enslaved woman, faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few items. Soon after, the nine-year-old girl was…
I am a historian of the early English Atlantic who began studying New England but soon turned to the Atlantic more generally and the Caribbean in particular. All the aspects of 17th century Atlantic history that most intrigue me played out in the Caribbean. A fascinating and complicated place, the West Indies—although claimed by the Spanish as their exclusive purview—became diverse, witness to a variety of interactions. I’m particularly interested in works that allow us to see these changes in the period when the region was a global meeting place undergoing vast shifts. Much excellent scholarship explores the later era of sugar and slaves, of major imperial wars, of movements for independence and emancipation. What interests me most is the period before that, when the region was being transformed into a crucible of global transformation.
The Dutch were a force to be reckoned with in the early modern Caribbean, trading with everyone and insinuating themselves everywhere. Rupert’s book shows how the small desert island of Curaçao became a trading entrepôt and in particular how Dutch suppliers, enslaved Africans, and Spanish consumers became entangled. One amazing aspect of this history that Rupert uncovered is the fact that the Protestant Dutch on Curaçao allowed the slaves there to be catechized by Spanish priests from the mainland (today’s Venezuela), working across not only imperial boundaries but also those of religion.
When Curacao came under Dutch control in 1634, the small island off South America's northern coast was isolated and sleepy. The introduction of increased trade (both legal and illegal) led to a dramatic transformation, and Curacao emerged as a major hub within Caribbean and wider Atlantic networks. It would also become the commercial and administrative seat of the Dutch West India Company in the Americas.
The island's main city, Willemstad, had a non-Dutch majority composed largely of free blacks, urban slaves, and Sephardic Jews, who communicated across ethnic divisions in a new creole language called Papiamentu. For Linda M. Rupert,…
