Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China; my anthology Unsavory Elements was intended as a well-meaning tribute to the expatriate experience, however my own essay – a bawdy account of a visit to a rural brothel – was understandably demonized. The following five books expand on that illicit theme.
Starting out as a serial in an 1890s Shanghainese magazine, yet remaining unpublished until 2005 following the discovery of its English translation among the belongings of the late Eileen Chang, The Sing-Song Girls of Shanghai is an unparalleled historical classic set in the pleasure quarters of the Qing Dynasty. Unlike the hyper-erotic writings of Li Yu and Lanling Xiaoxiao Sheng, the author, Bangqing Han, opted for a tempered realism unique for its period. Clocking in at 600 pages, and densely layered with multiple character arcs that are a bit difficult to keep track of, Sing-Song Girls may require more than one reading.
Desire, virtue, courtesans (also known as sing-song girls), and the denizens of Shanghai's pleasure quarters are just some of the elements that constitute Han Bangqing's extraordinary novel of late imperial China. Han's richly textured, panoramic view of late-nineteenth-century Shanghai follows a range of characters from beautiful sing-song girls to lower-class prostitutes and from men in positions of social authority to criminals and ambitious young men recently arrived from the country. Considered one of the greatest works of Chinese fiction, The Sing-song Girls of Shanghai is now available for the first time in English. Neither sentimental nor sensationalistic in its portrayal…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute of documentary value, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
Emily Hahn, prolific author and New Yorker correspondent whose sojourns in Shanghai (1935-39), Chungking (1939-40), and Hong Kong (1941-43) coincided with the Japanese invasions of these cities, fictionalizes the life of Canadian Lorraine Murray, turned high-class prostitute in Shanghai after living as a foreign geisha in Japan. Hahn was fascinated by sex workers and hung out with them (Hahn and Murray were roommates), but the novel later morphs into the autobiographical as the beautiful Hahn ingratiates herself with Japanese military officials until she’s forced into a Hong Kong internment camp for several years. Hahn is more reporter than novelist, but her flair for detail and eyewitness authenticity brings Shanghai to life in a way the historical novelist cannot. Especially hilarious is Jill’s hotel scene with the British john who thought he was getting a freebie.
A novel about an enterprising Shanghai streetwalker from the “American literary treasure” and author of the memoir China to Me (The New Yorker).
Meet Miss Jill, a young woman pursuing the oldest profession in prewar Shanghai. Fifteen, blonde, and full of personality, Jill begins her career as a Japanese banker’s mistress. Soon after, she becomes a European prostitute in the house of Annette, and believes that any day now she’ll be married to a nobleman. But none of her adventures prepare Miss Jill for the war and her subsequent internment.
An early feminist and an American journalist who traveled to…
As an ex-seafarer, I loved the nostalgia from this odyssey as a tramp steamer voyages around the dangerous waters in the Far East.
It's great how the author describes so well corrupt officials, hard-drinking crew, smuggling, storms, and triads in the shadows of World War Two. It's a real old-style maritime adventure.
The eve of World War 2. Hitler is finalising his plans for the conquest of Europe and flexing his muscles in Spain, while the Japanese are poised to invade China, and eyeing off the resources of the East Indies and Indochina to fuel their war machine. Dangerous times, but there are still profits to be made by men like hard-bitten Skipper Bill Rowden and his vagabond crew, as they work their aging tramp steamer around the treacherous waters of the Far East. Uncharted reefs, tropical storms, corrupt officials, smuggling and piracy are all in a day’s work to Rowden and…
It is a truth almost universally accepted that historically women had no way to support themselves except marriage…but it’s not true! I’m all-in on Happily-Ever-After, of course, but I absolutely love it when a heroine is smart, sensible, and able to support herself on her own. When she falls for someone, it’s got to be for real because she’s not afraid to take charge of her own life and make her own way, despite whatever obstacles are thrown at her.
This is about a mathematics prodigy in a steampunk version of 19th century China, who wants to study at the Imperial Academy in Peking….except that she’s a young woman and not allowed to enroll in the all-male academy. Needless to say, this does not stop Anlei, who disguises herself as a man, scores top marks on the exam, and falls in love with one of her fellow students at the same time. Brilliantly lush writing, inventive world-building, and a mathematical romance to make my nerdy heart sing.
War looms on the horizon. Can a young woman caught between family and country keep her loved ones alive?
China, 1853. Jin Soling's divided loyalties rest on a knife's edge. Paired with Chen Chang-wei, her former betrothed, Soling works as a physician in a secret factory building automatons to march on the empire's battleground cities. Though Soling and Chang-wei's bond has grown stronger, the strain of serving a country in turmoil threatens to tear them apart.
From a dangerous smuggling run in pirate-infested waters to a dramatic confrontation in the winding streets of Shanghai, Soling learns that the greatest danger…
Squat toilets, profuse sweating, jumbo centipedes, ear nibbling—these are just some of the delights I’ve encountered in my global travels, which inspired my YA comedic adventure novels, Never Sorry Ever Jolly and Carpe Diem, which was published in the U.S., Germany, the Netherlands, and China. Carpe Diem was also nominated for numerous YA awards, chosen as a Book Sense/Indie Bound Pick, received a starred review from the School Library Journal, and according to The Washington Post: “This is self-confessed travel junkie Autumn Cornwell's first novel—and she's hit one out of the park.”
Basically, I live my life as an adventure then write about it!
If Emily Hahn’s real-life adventures were in a novel, you’d say they were completely implausible. I discovered this unorthodox travel journalist when I was in my twenties, longing for my own travel experiences. Born in 1905 when women’s options were limited, Emily simply saw life as an adventure and didn’t let her gender or youth stop her from traveling the world solo. She voyaged to Africa on a steamer; worked for the Red Cross in the Belgian Congo; became a concubine and got hooked on opium in Shanghai; moved to Hong Kong where she helped with underground relief work — all the while writing books and articles for publications like The New Yorker. She inspired me to live life as an adventure and then write about it. (But obviously, without all the affairs and opium!)
Known as Mickey to her friends, Emily Hahn was a feminist trailblazer before the word existed. She ran away to the Belgian Congo as a Red Cross Worker during the Great Depression, was the concubine of a Chinese poet in Shanghai in the 1930s, had a child with the head of the British Secret Service in Hong Kong before WWII ...
I came to Shanghai largely by accident back in the late twentieth century and found a city of art deco and modernism, of influences form east and west – then far less developed, smaller and more intimate, as if a dust sheet had been thrown over the city in 1949 and the metropolis underneath left to await a new era. The old city, the once international city that was the most modern in Asia – jazz, skyscrapers with elevators, streamline moderne villas, a hundred nationalities living cheek-by-jowl was still, seemingly, just within reach. I’ve never stopped being fascinated by that old world, or writing about it.
Published in 1933 Mao Dun’s Midnight is the Chinese novel that most accurately shows the harsh effects of the freewheeling capitalism that characterised old Shanghai in its international treaty port days. The city’s great wealth is built on low wages, awful conditions, and exploitation. This is Shanghai as a powder keg about to explode.
I have been fascinated by history since I spent a year in Britain as a ten-year-old. I became hooked on novels set in ancient Greece and Rome and found it incredibly exotic to walk through old buildings and imagine the lives of the people who had walked through those same doors. In college, I began studying history in earnest and grew intrigued by China, especially Chinese cities during periods of upheaval and transformation. My first passion was Shanghai history, and I spent time there in the mid-1980s before the soaring Pudong skyscrapers that are now among its most iconic structures were built.I have since shifted my attention to Hong Kong, a city I had enjoyed visiting for decades but had not written about until after I completed my last book on Shanghai. My fascination with cities that are in China but enmeshed in global processes and are sites of protest has been a constant.
Shanghai, which was once called the “Hollywood of Asia,” has always been a cinematic city par excellence, so a good way to describe the charms of this book is via movie terms. In one sense, it zooms in tightly on a specific day in the history of the city and what was happening in a single setting. It mixes close-ups of a horse race and some people who came to watch it, though, with wide-angle shots and flashbacks. The author, a skilled historian with deep knowledge of Chinese history and a stylish writer, moves effortlessly between Shanghai in the early 1940s as the Japanese military’s World War II era grip on the city and much of China was tightening and earlier points in its past. He also moves fluidly between the racecourse—a potent symbol, as during the height of the British imperial period, Britons would often build these to mark…
12 November 1941: war and revolution are in the air. At the Shanghai Race Club, the elite prepare their best horses and most nimble jockeys for the annual Champions Day races. Across the city and amid tight security, others celebrated the birth of Sun Yat-Sen in a new centre which challenged European imperialism. Thousands more Shanghai residents attended the funeral of China's wealthiest woman. But the biggest crowd gathered at the track; no one knew it, but Champions Day heralded the end of European Shanghai. Through this snapshot of the day's events, the rich and complex history that led to…
A native of Nanjing (Nanking), China, Shouhua Qi has published extensively in both the United States and China on academic as well as transcultural issues. He is the author of more than twenty books, including fiction, nonfiction, literary translation, and scholarly monographs. Qi’s first novel, Purple Mountain, is about the Rape of Nanking, a horrendous tragic event that happened in his hometown in the winter of 1937-08. A screenplay Qi co-wrote based on the novel has been optioned for production.
This was a major battle that happened in 1937, right before the Rape of Nanking. After the fall of Shanghai, the Japanese army would march toward, Nanking (Nanjing), the capital of China then. Although it was front page news throughout much of the world then, few people other than historians know it today. It is no hyperbole to call the battle Stalingrad on the Yangtze. The book reads like an engrossing historical novel.
This deeply researched book describes one of the great forgotten battles of the 20th century. At its height it involved nearly a million Chinese and Japanese soldiers, while sucking in three million civilians as unwilling spectators and, often, victims. It turned what had been a Japanese adventure in China into a general war between the two oldest and proudest civilizations of the Far East. Ultimately, it led to Pearl Harbor and to seven decades of tumultuous history in Asia. The Battle of Shanghai was a pivotal event that helped define and shape the modern world.
I became involved in a rigid religious movement as a teen and prepared for the ministry at a fundamentalist college and seminary. I took this ideology to its logical extreme and became a foreign missionary. I know from the inside how such an ideology takes hold of a person and how difficult it is to escape its grasp, especially when family and career are intertwined. Through my own struggle with depression and anxiety, I scoured books to help understand myself and faith development, eventually earning a Ph.D in counseling, emphasizing developmental theory. I know from personal experience what it means to walk away from a way of thinking that has defined much of your life.
The author grows up in the Jehovah’s Witness faith and, along with her husband goes to China as a ‘preacher.’ She is increasingly unhappy with her religion and marriage. While working at a podcast to support herself, she corresponds with an American who challenges her religious beliefs. Deciding to leave the church, she tells her husband she wants a divorce and returns to the US to begin reconstructing her life. To make such a life-altering change while living in a foreign country without any support, even from her husband shows incredible courage. I am amazed at how the desire to leave an oppressive ideology can embolden a person to make nearly unthinkable choices.
"À la Tara Westover's Educated, Scorah's pensive, ultimately liberating memoir chronicles her formative years as a Jehovah's Witness...and captures the bewilderment of belief and the bliss of self-discovery."--O, The Oprah Magazine, Named one of "The Best Books by Women of Summer 2019"
"Scorah's book, the bravery of which cannot be overstated, is an earnest one, fueled by a plucky humor and a can-do spirit that endears. Her tale, though an exploration of extremity, is highly readable and warm."--The New York Times Book Review
A riveting memoir of losing faith and finding freedom while a covert missionary in one of the…
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
In elegant prose, Nien Cheng, a Shell Oil Company in 1966, recounts her life in Shanghai in 1966, when Chairman Mao launched the Great Proletarian Cultural Revolution.
Mao’s Red Guards ransacked Cheng and her husband’s bourgeois home and then delivered her to No. 1 Detention House in Shanghai where she was held in solitary confinement of 7 years until her rehabilitationand release after several struggle trials.
Her work is prescient as the United States in under attack by a radical woke ideology. Many Americans have been cancelled or have been made to attendstruggle sessions.
Nein Chen is a heroic woman, a brilliant writer, and an example of how one courageous woman can stand up to a totalitarian regime.
A first-hand account of China's cultural revolution.
Nien Cheng, an anglophile and fluent English-speaker who worked for Shell in Shanghai under Mao, was put under house arrest by Red Guards in 1966 and subsequently jailed. All attempts to make her confess to the charges of being a British spy failed; all efforts to indoctrinate her were met by a steadfast and fearless refusal to accept the terms offered by her interrogators. When she was released from prison she was told that her daughter had committed suicide. In fact Meiping had been beaten to death by Maoist revolutionaries.
