There is a dearth of books that span the emotional journey into motherhood. An old adage directs authors to write the book they would like to read, so I kept that in mind as I began the journey myself. Throughout my pregnancy and postpartum experience, I was often surprised by perfectly ordinary occurrences that aren’t often discussed. There is a hush cast on anything that isn’t purely nurturing and romantic, which means that mothers who encounter unpleasantness are blindsided, and consider themselves aberrations. I wrote my book as honestly as possible to normalize the normal and to offer myself as a compatriot to those mothers.
This memoir of postpartum psychosis is not for the faint of heart, but is an absolutely necessary addition to the motherhood literary canon. In beautiful prose, it charts the author’s increasing mental instability following the birth of her son. These are the types of stories that should be shared more frequently to reduce the stigma of perinatal mood disorders.
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'A beautifully written account of postpartum psychosis, and the ties, blessings and burdens of family' - NIGELLA LAWSON
SHORTLISTED FOR THE SUNDAY TIMES YOUNG WRITER OF THE YEAR AWARD
SHORTLISTED FOR THE JHALAK PRIZE
*Observer Book of the Week*
*A Guardian Memoir of the Year 2020*
*Harper's Bazaar 10 Women Who Will Shape What You Watch, See and Read in 2020*
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'Striking and original' - Cathy Rentzenbrink, The Times
'Completely devastating. Completely heartbreaking' - Daisy Johnson
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Catherine Cho's son was three months old when she and her husband left home to introduce him to their families.
Catherine…
The collection Little Musings, available on Amazon, covers several decades of Joy's work as poet and painter. It touches on many aspects of her life, including the loss of her mother, in Do Not Mourn Her and Loss - Double Rainbow. Her childhood was spent in Plymouth, and in A Plymouth Girl Reflects, she recalls the aftermath of the air raids. Being in close proximity to Cornwall, that area also a major theme here, especially in Newquay, Cornwall, and On Air, By Melancholy. Four of the poems, "Absent Friends," "Isle of Thanet," "At Jim's Cafe," and "Captain Ahab of Thanet" are focused on the Thanet area of East Kent, where Joy now lives.
The Cornish Captive makes a powerful portrayal of abduction and imprisonment, as well as describing the forces of mental stress under the elemental pressures of Cornish life of that time. Cornish society then was unbelievably brutal. I identify so strongly with the sufferings of any sensitive soul under those conditions.
The sixth novel in a stunning series set in eighteenth-century Cornwall, perfect for fans of Bridgerton
Cornwall, 1800.
Imprisoned on false pretences, Madeleine Pelligrew, former mistress of Pendenning Hall, has spent the last 14 years shuttled between increasingly destitute and decrepit mad houses. When a strange man appears out of the blue to release her, she can't quite believe that her freedom comes without a price. Hiding her identity, Madeleine determines to discover the truth about what happened all those years ago.
Unsure who to trust and alone in the world, Madeleine strikes a tentative friendship with a French prisoner…
I’ve chosen to recommend fiction by Irish women, because I’m a female Irish writer myself. My own books are mostly for children, but, hey, I’m an adult. As well as a writer I am a retired publisher, a not-quite-retired editor, and an occasional translator, so I tend to engage very closely – OK, obsessively – with text. I have a pretty serious visual impairment, so most of my ‘reading’ is through the medium of audiobooks. I’m never sure if that influences my taste in reading. Anyway, these are the books I’ve liked recently, and hope you do too.
Theoretically for Young Adults (meaning older teenagers), this one is also for adults of any age. It’s about exclusion, anxiety, depression, suicide, all matters that have touched my own family with tragedy,
Helena Close knows about mental illness and what it feels like, and she describes it in visceral detail. But she is a sharp and funny writer, and she takes no prisoners when it comes to the false assurances of a certain kind of charlatan ‘counsellor’.
The heroine of this book seems set to drown in sorrow, but she learns, slowly and with help, how to swim up out of pain and fear towards the light. So uplifting!
Saoirse (18) can't wait to leave school - but just before the Leaving Cert her ex-boyfriend dies by suicide. Everyone blames Saoirse - even Saoirse herself, who cheated on him with his best friend. She is shunned by her schoolmates and suffers unbearable levels of anxiety.
Everything becomes too much, and on the night of the school Debs, Saoirse throws herself into the river - and wakes up in a psychiatric hospital. Slowly, painfully, with the support of a friendly hospital cleaner, her old best friend, her kind and hilarious grandmother, and even her irritating sister, Saoirse regains her sense…
The Madwomen of Paris tells the story of Salpêtrière, a hospital in Paris. For a time, it was an insane asylum for women. The book tells the story of Laure, a girl who was hospitalized after the death of her parents, and after her stay for “hysteria,” became a ward attendant. Soon, she meets Josephine, who becomes a famous “hysteric.” Dr. Charcot performs hypnosis on his patients—all women—on a stage for the pursuit of medical knowledge. But it is open to the public, and their names and photos are printed in the newspaper.
I loved this book because it shows exploitation and how some are comfortable with it and some are not. The ethics and choices in this are difficult, as the system is designed to oppress women yet believes it keeps them safe all at once. Then, some don’t fit in the system through no fault of their own,…
Two women fall under the influence of a powerful doctor in Paris’s notorious women’s asylum in this gripping historical novel inspired by true events, from the bestselling author of Wunderland.
“Beautifully crafted . . . Combining elegant prose, artfully chosen historical details, and convincing characterizations, this haunting narrative showcases Epstein at her best.”—Publishers Weekly (starred review)
When Josephine arrives at the Salpêtrière asylum, she is covered in blood, badly bruised, and suffering from amnesia. She is quickly diagnosed with what the Paris papers are calling “the epidemic of the age”: hysteria, a disease is so baffling and widespread that Doctor…
I’m an archivist, really, masquerading as a writer. For my day job, I am in charge of archives from across England’s Royal County of Berkshire, spanning from the twelfth century to the present day. I have care of collections from Reading Gaol – of Oscar Wilde fame, the conservators of the River Thames, and also Broadmoor Hospital. The latter was built in 1863 as the first criminal lunatic asylum for England and Wales. It’s a place where true crime and social history interact. My book tries to paint a picture of individuals who did dreadful things but also had a life beyond their mental illness.
I like to write about public Victorian asylums – where the bulk of English people with mental illnesses were admitted. But the counterpoint is the private system, where the poor, rich mad spent their time in nice surroundings with wacky treatments. Sarah Wise captures this perfectly through a real-life investigation of the people in the attic – think Jane Eyre, or The Woman in White – and how the law sought to protect them.
“A must-read for those who work in the mental health industry, I think most people will find it both eye-opening and provocative.” ―The Guardian
The phenomenon of false allegations of mental illness is as old as our first interactions as human beings. But it took the confluence of the law and medical science, mad-doctors, alienists, priests and barristers, to raise the matter to a level of “science,” capable of being used by conniving relatives, “designing families” and scheming neighbors to destroy people who found themselves in the way, people whose removal could provide their survivors with money or property or…
Throughout my life I found the trick to getting through rough patches meant isolating dark thoughts. I got them out by creating something (artworks, poems, stories), and looked forward to new horizons, though these works could easily be misinterpreted by those around me. When I was fifteen, after my father died and we were forced off the farm, I created a series of disturbing drawings that won the school's art prize and were displayed at graduation. A friend of my mother saw the exhibit and said, “Oh Dorothy, I’m so sorry.” It gave us a laugh later when Mother realized this method of cleansing beat finding a psychiatrist, and the cost couldn’t be beat.
This story is a twist on a familiar Lewis Carroll tale.
It is unsettling in a dementia-like way, spinning the reader from the known into the unknown with just enough of the old story to keep them from tipping completely off balance, hope and dark humor always alive.
This book helped me with the twisting of fact and fiction in my own books, where I used many of my own family incidents (and fears), but gave them to fictional characters with their own generational slant.
In a warren of crumbling buildings and desperate people called the Old City, there stands a hospital with cinderblock walls which echo with the screams of the poor souls inside.In the hospital, there is a woman. Her hair, once blonde, hangs in tangles down her back. She doesn't remember why she's in such a terrible place-just a tea party long ago, and long ears, and blood...Then, one night, a fire at the hospital gives the woman a chance to escape, tumbling out of the hole that imprisoned her, leaving her free to uncover the truth about what happened to her…
I write horror and crime thrillers grounded in my unusual lived experience as an author and attorney who has also overcome poverty, incarceration, and violent crime. I feel most fulfilled when I read a book that both entertains and expands me in meaningful ways, immersing me in lives, cultures, and history I might not otherwise know. So I love Social Horror novels, which feature characters who face significant human adversity beyond my own experience and leave me questioning what was worse, the human or the supernatural.
A man called “Pepper,” who may or may not suffer from mental illness, ends up in a locked mental ward in Queens, New York, where the entire novel takes place.
A beast, who the patients believe is the devil, comes out at night, assaulting and sometimes killing patients. Patient deaths are chalked up to suicide. The engaging, quirky characters—drugged to the gills while warehoused and essentially untreated in a public hospital—share the defining feature of being low-income and unprotected from both the supernatural and human forces that would destroy them. They must take matters into their own hands to protect themselves.
I appreciated the theme of how marginalization and isolation presented as much terror here as the supernatural. Yet, the hope and humor of the characters also kept me engaged and frequently smiling.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • Publishers Weekly
New Hyde Hospital’s psychiatric ward has a new resident. It also has a very, very old one.
Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first…
I’m an archivist, really, masquerading as a writer. For my day job, I am in charge of archives from across England’s Royal County of Berkshire, spanning from the twelfth century to the present day. I have care of collections from Reading Gaol – of Oscar Wilde fame, the conservators of the River Thames, and also Broadmoor Hospital. The latter was built in 1863 as the first criminal lunatic asylum for England and Wales. It’s a place where true crime and social history interact. My book tries to paint a picture of individuals who did dreadful things but also had a life beyond their mental illness.
Long before the Victorian asylums, there was Bethlem – London’s ancient hospital for lunatics. Like Broadmoor, Bethlem also looked after high-profile criminals, but within a private and charitable institution that was mostly for the capital’s waifs and strays. Bedlam gives you a sense of how mental health developed as a concept from the medieval period to the present day.
'Bedlam!' The very name conjures up graphic images of naked patients chained among filthy straw, or parading untended wards deluded that they are Napoleon or Jesus Christ. We owe this image of madness to William Hogarth, who, in plate eight of his 1735 Rake's Progress series, depicts the anti-hero in Bedlam, the latest addition to a freak show providing entertainment for Londoners between trips to the Tower Zoo, puppet shows and public executions.
That this is still the most powerful image of Bedlam, over two centuries later, says much about our attitude to mental illness, although the Bedlam of the…
I’m a former playwright, current novelist, future designation unclear but maybe something like really committing to being the person that always carries one of every kind of charging cable, just in case. I’m old enough to be properly jaded about our media landscape, not simply to “fit in” with “people” who are “theoretically out there somewhere” but because I’ve genuinely seenso muchand I’m just like, I mean, whatever. But sometimes a novel forges a new path across the imagination with such an unexpected angle on worldbuilding or a blatant assault on the propriety of common plot structure that I literally swoon with excitement. I’m about to tell you about some of those novels.
My new book features the classic “book within a book” trope as a key plot mechanic, but I think Moxon is going for the gold medal in the category of “books within books within books,” with multiple competing characters claiming to be authors and demonstrating unnatural control over their domains, while bemused but frequently baffled readers attempt to decipher what nested reality is foregrounded and what the hell it all means regardless.
It starts off as a spiritual quest for inner-city redemption, starring the inmates of a forgotten asylum and the local parish that tries to tend to them; then an inmate reveals a deeper story of solipsistic villainy that blows away their current problems, and then at least one if not multiple authors involved throws all the cards up in the air and reshuffles them into a multiverse-spanning road movie.
"A modern-day classic."—Ron Charles, Washington Post
“A spectacular invention.”—The New York Times
"Compulsively readable."—NPR
Things do not bode well for Father Julius. . . A street preacher decked out in denim robes and running shoes, Julius is a source of inspiration for a community that knows nothing of his scandalous origins.
But when a nearby mental hospital releases its patients to run amok in his neighborhood, his trusted if bedraggled flock turns expectantly to Julius to find out what’s going on. Amid the descending chaos,
Julius encounters a hospital escapee who babbles prophecies of doom, and the growing palpable sense…
A lifelong horror fan, I have always been fascinated by haunted landscapes and creepy buildings. My childhood in the Midlands of England prepared me for my career as a horror writer and filmmaker with its abundance of spooky ruins and foggy canal paths. I have since explored ancient sites all across the U.K. and Europe and my novels are inspired by these field trips into the uncanny, where the contemporary every day rubs shoulders with the ancient and occult. Places become characters in their own right in my work and I think this list of books celebrates that. I hope you find them as disturbing and thought-provoking as I have.
This book stayed with me long after I made it my Summer read that year during a blisteringly hot July. It details a darkly destructive love affair between Stella, the wife of a man running an asylum, and Edgar, a murderer who is incarcerated there. McGrath’s vivid descriptions of the asylum and its grounds reframe the gothic tradition through an unflinching, contemporary lens. The doomed obsession of the novel’s star cross’d lovers reminds us that our own hearts can become institutionalised if we do not balance passion with compromise.
A story of self-obsession narrated by the point of view of a psychiatrist, published as a Penguin Essential for the first time.
As a psychiatrist in a top-security mental hospital in the 1950s, Peter Cleave has made a study of what he calls 'the catastrophic love affair characterized by sexual obsession.' His experience is extensive, and he is never surprised. Until, that is, he comes reluctantly to accept that the wife of one of his colleagues has embarked on such an affair...
