The most recommended books on propaganda

The important word in the title is "social." The author brings together words that belong to a particular theme, such as journalism, economics, and politics. An example? A 'historical menu' from Anglo-Saxon times (bread, butter, cucumber) through Shakespearean times (tomato, potato, banana) to the present-day (pizza, tacos, hamburger). And not forgetting drinks, from beer to Coca-Cola. It's a fascinating exercise in the linguistic archaeology of social transformation.

There’s no magic wand, no defensive armor, vaccine, or potion that can inoculate people against the influence of propaganda. But learning about propaganda is essential for people of all ages who want to hold on to their democracy in the face of threats. What will surprise you when you read this classic work, written in 1928, is how timely it remains. Bernays anticipates the rise of influencers and memes because he knows that people rely on thought leaders for most of their opinions and beliefs about the world. But the most important feature of this book is what he has to say about propaganda and democracy. Bernays convinces you that propaganda is not inherently evil, and he even makes the case that propaganda is necessary for democratic societies to flourish. 

This is another classic work in the subfield of propaganda studies, and it’s pretty dense. That said, its arguments on how technology and propaganda come together to enable mediated control of our very thought are powerful. Ellul’s point that propaganda is a sociological phenomenon—something that surrounds us in everything we do, everything we watch, everything we listen to—have also aided me in understanding why experimental or lab-based attempts to understand the specific effects of disinformation and propaganda often come up short. It’s difficult to study these things in a vacuum because they are so contextual, so tied to who is spreading the message, how they are spreading it, what their intentions are, and who they are targeting etc.  

Nanette reignites storytelling when magic and storytelling are forbidden while walking a dangerous line with her sister.

E.S. Barrison weaves a story of relationships in times of suppression of truth and how destructive state-sanctioned propaganda can be.

This story rang hard on familiar stories of real-world issues placed in a magical world, and the danger of being someone willing to go against the religious state; touching on trauma, police brutality, and the rising cost of medicine.

This novella has a lot of interesting points on the power of stories.

Never intended simply as a vehicle for giving directions from one place to the next, maps are translations of the topographical world. And translation is an act of interpretation.

That is one of the many things I like about this book: Monmonier looks at maps from different angles to explain the tricks that modern mapmakers have in their toolkits to distort data (this is nothing new; two thousand years ago Ptolemy fretted over the distortion caused by projecting a three-dimensional space, the spherical earth, on a two-dimensional surface).

How do maps lie? Scale, symbols in the key, distracting colors, selective data. What is the map’s purpose? Is it an advertisement or political propaganda? Is the map deliberately vague, inaccurate, or even just out of date? 

I read this classic, published in 1957 when I was in high school. It was perhaps the first critique of advertising, and I found it fascinating.

Packard identified eight “compelling needs” that advertisers promise products will fulfill. Years later, I recognized how some of these needs were used to sell addictive products.

Although he didn’t address the objectification of women, he opened my eyes to the manipulative power of advertisers and the subconscious meaning of ads.  

This transformative book explores the early years of the Cuban Revolution from the ground up, arguing that revolutionary leadership constructed hegemony gradually—gaining popular support by creating a “grand narrative” that envisioned the Revolution as an opportunity for spiritual and political redemption. Guerra shows that leaders also censured alternative narratives and voices that challenged their monopoly over power. And because government organizations deputized citizens to defend the state, they inadvertently created “unintended dissidents,” as well as vast numbers of supporters. These arguments and more make this exceptional book a controversial one as well.  

A Russian novel with a top-notch translation, Alterworld is a controversial series, but one that is etched into LitRPG history and is legitimately worth reading.

The story’s terminally ill protagonist cheats death by uploading his consciousness to a game world, trapping himself in-game, and unlocking a whole slew of issues to overcome. Be forewarned: the series is mired in controversy for several reasons, not least of which being the author’s mercurial political stance. Initially hyper-critical of government, the author becomes famous and suddenly changes his tune. If you binge read the series, this jump to pro-national propaganda will stick out like a sore thumb, but it’s a bit like a trainwreck that’s difficult to look away from. It’s odd and serves to make the series that much more interesting.

I loved this book because it soberly and accurately told us about the real people who are caught up in war events and whom we do not normally see in books about war heroes.

I found the story of how the relationship between the young recruit and his love develops as heartbreaking as it was satisfying. It also taught me much about the world of flying war planes and actual war at the level of human suffering.

This novel also helped me write my war novel. 

In her decades of work on Italy’s Fascist era, Marla Stone has shown an especially keen eye for the development of the regime’s policies and ideologies, whether in the sphere of art and culture, or that of political violence and imperialist aggression. Here Stone offers a succinct and penetrating overview of the origins, rise, consolidation, and eventual crash of Fascism in Italy, followed by a translation of some three dozen primary documents—about a third of which were otherwise unavailable in English—to illustrate her narrative. Particularly chilling are the propaganda texts from 1938 on, when Mussolini’s grandiose claims to the legacy of ancient Rome took a back seat to full-blown racial politics, “as Italians were declared ‘Aryans’ and biological anti-Semitism became part of official ideology.”