I’m a writer of fiction and creative nonfiction living in northwest Montana’s Yaak Valley. I moved here from Mississippi 35 years ago to live in the mountains and write short stories, novellas, novels, but have gotten sucked into decades of battling a recalcitrant U.S. Forest Service intent on building roads and clearcutting in this incredibly unique ecosystem—the Yaak Valley, is the lowest elevation in Montana, the wettest valley, and an ancient inland rainforest that contains 25% of the entire state of Montana’s “species of concern.” Chief among these are the valley’s last 25 grizzlies: one of the rarest subpopulations in North America. Loving a thing deeply is almost always revolutionary. Revolution: to turn. To change. To revolve, evolve, return. To turn around.
Fiction as literature of the resistance? Larry Brown’s Joe is a top candidate for what I’d call The Great American Novel. There are many entries, of course: as many stories as there are communities, past, present, and even future.
What I love about Joe is the simplicity of metaphor. A backwoods ne’er-do-well, Joe Ransom makes his living killing—literally—the great wild biodiversity hardwood powerhouse forests of the Mississippi bottomlands by injecting them with poison so that they die, and the rich forest can be converted to the homogenous, fast-growing, essentially sterile monoculture of southern yellow pine. His way of life—wild, reckless, dangerous—is disappearing as well, and as he kills the thing he loves most, he drinks himself ever-deeper into harm’s way and seeks a violence commensurate with the one he is inflicting upon the forest. Worse yet, he begins to train a young acolyte, an orphan disciple, Gary Jones. The sentences…
“Brilliant . . . Larry Brown has slapped his own fresh tattoo on the big right arm of Southern Lit.” ―The Washington Post Book World
Now a major motion picture starring Nicolas Cage, directed by David Gordon Green.
Joe Ransom is a hard-drinking ex-con pushing fifty who just won’t slow down--not in his pickup, not with a gun, and certainly not with women. Gary Jones estimates his own age to be about fifteen. Born luckless, he is the son of a hopeless, homeless wandering family, and he’s desperate for a way out. When their paths cross, Joe offers him a…
Ever since I first visited a prison during college and was shocked by its horrific conditions, I’ve been fascinated with America’s punitiveness—our tolerance for harsh, dehumanizing punishments. I pursued a Ph.D. in criminology in order to better understand the politics of crime and justice. I am constantly searching for “political space” within which to pursue meaningful criminal justice reform without provoking a punitive backlash. I was previously an associate professor of sociology at the University of Massachusetts Boston, and I am now a lecturer in criminology at the National University of Ireland Maynooth.
The Color of Welfare is a classic text on the history of American social policy.
The American welfare state was created by President Franklin D. Roosevelt’s New Deal in the wake of the Great Depression. Quadagno explains how Roosevelt compromised with conservative southern members of Congress in order to enact the New Deal into law. These consequences shaped early anti-poverty policies in ways that disproportionately excluded African Americans by design.
Quadagno then traces how this legacy of racially discriminatory social policymaking continued through President Johnson’s War on Poverty in the 1960s. The Color of Welfare taught me why the American welfare state is so underdeveloped compared to the nations of Western Europe and why it is characterized by so many racial disparities.
From Reconstruction to Lyndon Johnson and beyond, Jill Quadagno reveals how American social policy has continuously foundered on issues of race. She draws on extensive primary research to show how social programmes became entwined with the civil rights movement and subsequently suffered by association at the hands of a white backlash.
This is a book like no other! With its first sentences, it gripped me, and I couldn't put it down till the very end. The same happened to everybody I recommended it to.
Formally, it is part of a trilogy, and I loved to read all three of them. Its style is dry and almost merely reporting, and yet it is emotionally involved in a powerful way.
Is what we are told meant to be real? Or is it only the product of a traumatized mind trying to cope with war, poverty, pain, abuse, and the endless yearning for what is lost? Are the twins, the protagonists of this trilogy, really two separate fictional characters or rather one with a dissociated mind? A thrilling question till the end.
Twin brothers, left with their evil grandmother at a time when war has blurred all distinctions between good and evil, learn to steal and kill in the name of survival and create their own loveless morality
For decades I have volunteered in different capacities, helping the hurting and those living on the margins by tutoring and teaching literacy to the formally incarcerated or homeless, teaching parenting in a maximum-security jail, and teaching ESL to resettled immigrants. Because my own suburban father fell into homelessness at the end of his life due to depression, job losses, divorce, and more, I feel tremendous compassion for anyone in this situation. And as the mother of four grown sons, we filled our home with books—especially books that taught compassion so our sons would grow into men with big hearts towards others. I believe we succeeded.
Eleven-year-old Sierra just wants a normal life. After her military mother returns from the war overseas, the two hop from home to homelessness while Sierra tries to help her mom through the throes of PTSD.
When they end up at a shelter for women and children, Sierra is even more aware of what her life is not. The kind couple who run the shelter, Mr. and Mrs. Goodwin, attempt to show her parental love as she faces the uncertainties of her mom’s emotional health and the challenges of being the brand-new poor kid in middle school. The longer she stays at the shelter, the more Sierra realizes she may have to face an impossible choice as she redefines home.
Eleven-year-old Sierra just wants a normal life. After her military mother returns from the war overseas, the two hop from home to homelessness while Sierra tries to help her mom through the throes of PTSD.
When they end up at a shelter for women and children, Sierra is even more aware of what her life is not. The kind couple who run the shelter, Mr. and Mrs. Goodwin, attempt to show her parental love as she faces the uncertainties of her mom’s emotional health and the challenges of being the brand-new…
I have spent my professional career attempting to reform the justice system and create safer communities. For nearly two decades, I served as the executive director of the Center for Court Innovation (now the Center for Justice Innovation). Now, I co-edit a policy journal called Vital City that attempts to spark new thinking about how to achieve public safety. Over the years, I have worked with numerous city, state, and federal officials. I have seen that most of the people working within government are trying their best in difficult circumstances. I have also seen that it is enormously difficult to change government systems and solve complicated social problems.
What would it look like if the federal government launched an ambitious campaign to mobilize community residents to reduce poverty?
Daniel Patrick Moynihan offers an insider’s account of one such effort, launched in the 1960s as part of the War on Poverty. What he finds is a fundamental disconnect between the ambitions and high-minded theories of reformers in Washington DC, and the hard realities of practice on the ground.
Maximum Feasible Misunderstanding is a cautionary tale and a heartbreaking catalog of missed opportunities, unintended consequences, and wasted resources. I wish someone had handed me this book at the start of my career to help temper my youthful idealism.
Describes the origin, implementation and results of the sociological theory, incorporated in the 1964 Opportunity Act, that anti-poverty programs be carried out with the maximum participation of community residents
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
The author’s account of grinding, unrelentless poverty and neglect, set against her eventual, miraculous escape to a different life made me cheer.
Bravely, Kerry Hudson returns to the scenes of many crimes committed against her to really understand why the past refuses to let her go and whether anything has changed for deprived families in those rundown British towns she grew up in.
In an early chapter the author recalls being pushed between two adults across a table. She thought it was a game, but her parents were in fact arguing over who should keep her. Neither was willing.
This is an important and shameful piece of British social history and an unflinching examination of a dysfunctional family with different recollections of the past.
'Totally engrossing and deliciously feisty' Bernardine Evaristo
A powerful, personal agenda-changing exploration of poverty in today's Britain.
'When every day of your life you have been told you have nothing of value to offer, that you are worth nothing to society, can you ever escape that sense of being 'lowborn' no matter how far you've come?'
Kerry Hudson is proudly working class but she was never proudly poor. The poverty she grew up in was all-encompassing, grinding and often dehumanising. Always on the move with her single mother, Kerry attended nine primary schools and five secondaries, living in B&Bs and…
I have been captivated by the emotional power of picture books since I was a child and have spent my adult life reading, sharing, and trying to write the kinds of books that connect to the youngest of readers on a deeper level. In Looking for Smile, I tried to write about the day when I was five years old and experienced real sadness for the first time. This became a story about Bear and his friend, Smile. My favorite kind of picture books are those that make me smile and tear up at the same time. I decided I would share some recent books that have had that effect on me…
A book about empathy that is also a tribute to the power of imagination. A boy without much money tells his classmates he has a horse. A more well-to-do girl knows he is lying and can’t tolerate it. When she visits the boy at his home, she is able to see past herself and can begin to appreciate and enter into the boy’s reality. One thing I really love about this book is that it shows how much larger empathy can make us -- how that kind of openness in addition to making us kinder can also give access to joy.
Adrian Simcox tells anyone who will listen that he has a horse - the best and most beautiful horse anywhere.
But Chloe does NOT believe him. Adrian Simcox lives in a tiny house. Where would he keep a horse? He has holes in his shoes. How would he pay for a horse?
The more Adrian talks about his horse, the angrier Chloe gets. But when she calls him out at school and even complains about him to her mom, Chloe doesn't get the vindication she craves. She gets something far more important.
Written with tenderness and poignancy and gorgeously illustrated,…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
Toward the end of her career, Rebecca West wrote an unusually autobiographical novel, retelling her Edwardian childhood with the wisdom and sadness of hindsight. The Fountain Overflows, published in 1956, describes the struggles of an artistic family with a fiercely devoted mother and an impossibly wayward father. West brilliantly describes the hard work and ambitions of gifted children, but the book is mainly memorable for its strange, semi-magical atmosphere and the sense it gives readers of revisiting a lost world—for hanging over this book is the shadow of the First World War, a cataclysm that finally arrives in the sequel, This Dark Night.
The lives of the talented Aubrey children have long been clouded by their father's genius for instability, but his new job in the London suburbs promises, for a time at least, reprieve from scandal and the threat of ruin. Mrs. Aubrey, a former concert pianist, struggles to keep the family afloat, but then she is something of a high-strung eccentric herself, as is all too clear to her daughter Rose, through whose loving but sometimes cruel eyes events are seen. Still, living on the edge holds the promise of the unexpected, and the Aubreys, who encounter furious poltergeists, turn up…
I’m a historian of Latin America and a professor at California State University, Los Angeles. I write about Chile’s labor and social history in the twentieth century. As a historian, I am especially interested in understanding how working people relate with public institutions and authorities, what they expect from the state, and how they have organized and expanded social and economic rights. While my research centers in Chile and Latin America, I also look to place regional debates in a transnational framework and see how ideas and people have moved across borders. I like books that bring working people’s diverse voices and experiences.
It is difficult to find an accessible and comprehensible history of the welfare state in the United States. But this book does exactly that. Premilla Nadasen writes an engaging overview of the welfare rights movement and the role played by radical Black feminist organizations. By analyzing the primary campaigns of the movement for welfare reform throughout the 1960s and 1970s, the reader gets a complete picture of the main actors involved and their political demands.
The welfare rights movement was an interracial protest movement of poor women on AFDC who demanded reform of welfare policy, greater respect and dignity, and financial support to properly raise and care for their children. In short, they pushed for a right to welfare. Lasting from the early 1960s to the mid 1970s, the welfare rights movement crossed political boundaries, fighting simultaneously for women's rights, economic justice, and black women's empowerment through welfare assistance. Its members challenged stereotypes, engaged in Congressional debates, and developed a sophisticated political analysis that combined race, class, gender, and culture, and crafted a distinctive, feminist,…
I’ve been writing books on environmental journalism and teaching Environmental Humanities and Environmental Justice at the University of Delaware for 25 years. Each of these books has made a particularly powerful impression on me and my students in recent years. They are powerful calls for a genuine reckoning with racial and environmental injustice throughout American history
An illustrated book of long-form nonfiction that examines poor Black, Indigenous, White, and Migrant communities in the United States, and how they have all been broken by extractive capitalism and racist public policy. Hedges’ writing is intentionally polemical, designed to shatter any illusions about the welfare of our fellow citizens living in communities ruined by racism and industrial-scale environmental degradation. Sacco’s long-form graphic illustrations are equally haunting. I’ve taught this book continually for many years.
Named a Best Book of the Year by Amazon.com and the Washington Post Three years ago, Pulitzer Prize-winner Chris Hedges and award-winning cartoonist and journalist Joe Sacco set out to take a look at the sacrifice zones, those areas in America that have been offered up for exploitation in the name of profit, progress, and technological advancement. They wanted to show in words and drawings what life looks like in places where the marketplace rules without constraints, where human beings and the natural world are used and then discarded to maximize profit. Days of Destruction, Days of Revolt is the…
I spent 16 years teaching in NYC public schools, six of them on Rikers Island the world's biggest jail where I helped incarcerated teens improve their reading and writing skills. That experience helped to launch me on my own writing career. The job of the author? To hold up a mirror to society and reflect upon the page what the reader may not have experienced yet or missed seeing in the world outside the borders of a book.
Booth is an extraordinary writer and Tyrell is her signature story. Tyrell is a young man living under incredible pressure with a family that needs him to have both feet on the ground. But he's always on the verge of going the wrong way. Will the need for fast money put him in prison like his father? Booth is in complete command of her characters, story and pacing here. A marvelous book that will make you grateful for your own choices in life.
An astonishing new voice in teen literature, writing what is sure to be one of the most talked-about debuts of the year.
Tyrell is a young African-American teen who can't get a break. He's living (for now) with his spaced-out mother and little brother in a homeless shelter. His father's in jail. His girlfriend supports him, but he doesn't feel good enough for her -- and seems to be always on the verge of doing the wrong thing around her. There's another girl at the homeless shelter who is also after him, although the desires there are complicated. Tyrell feels…
