The most recommended pop music books

Sam the Man wants a job. His next-door neighbor will pay him a whole dollar each time he can convince her dad, Mr. Stockfish, to join him for a daily walk. But getting Mr. Stockfish to leave the living room isn’t easy. So when another neighbor asks if Sam would like to watch her chickens, he jumps at the chance. Chicken-sitting is way more fun than he expects, and soon Sam the Man is watching a chicken of his very own. The story is satisfying and funny and readers will want to learn all about Sam’s adventures in the rest of the series. Sam’s creative problem-solving skills had me laughing out loud.

Where the Girls Are is about a particular generation of women growing up in post War America, and the impact popular media had on their lives, both for good and for bad. It weaves wonderfully smart, often funny, always engagingly written discussions of pop music, movies, and television shows with Douglas’s own experiences at the time. It’s unabashedly feminist—but it isn’t a speech or a political manifesto. It’s an exploration of the push-pull of growing up female at a transitional time, a time in which attitudes toward women were changing, unevenly, and how pop culture reflected the tensions of the times. This book is history, memoir, sociology, media studies, all at once – immensely informative and very entertaining.

This book will keep a writer from chasing his or her own tail. The last thing a novelist wants a reader to do is start skimming. Instead of getting bogged down in muddy story development, learn how to create a clear, engaging arc for both plot and characters. Filled with practical examples gleaned from film and bookshelf, this book can save your story and make it pop.   

Londoner Tina Brown alights in New York City and falls fast and hard for power-playing, the machinations of billionaires and politicos, the trappings of glamour and wealth and the city itself, whose rococo sensibility she brings to Vanity Fair, a magazine she rescues from irrelevance and turns into a monthly-must read. Brown generated national headlines with her high-low sensibility and indelible cover images (a naked and pregnant Demi Moore scandalized middle America, much to Brown’s delight). She also writes about her guilt as a working mother, the thrill of matching the right journalist to the right story, and her trepidation in fighting for the salary she knew she deserved. A witty and colorful document of the last moment magazines really mattered.

Garden Animals by Lucy Cousins was our number one favorite when my daughters were babies. The graphic images of small friends they might meet in their own garden were loved. Hand-lettered with rough edges, characters pop from the pages with their own free renderings. Counting the bee on the cover, there are only 12 words to the work, and with many, many readings, we created a spoken rhythm for Lucy’s creatures. Today, we can all still recite Garden Animals with delight.

Jackson’s novel shuttles between present-day Oakland and the 1967 Monterey Pop Festival as music journalist Alonzo Reid remembers and recounts to his grown children how he met his now-deceased photographer wife, Ada. What I love about this book is the fact that although the family is grieving, so much joy infuses Ada’s memory. And while Back in the Day mourns a death and the end of one love story, it ends on a hopeful note and marks the beginning of a new chapter.

An interesting and funny take on the zombie apocalypse.

The main character has a morbid sense of humor and a loyal dog and is trying to find his daughter no matter what it takes.

The story is fast-paced and will keep you wondering what will happen next, as well as discovering what the main character will do to survive the zombies and also get some food.

I enjoyed the balance of humor and action, which kept me reading until the last page.

Curtis Sittenfeld has been a go-to author for me since I read and loved her debut, Prep, in 2005.

Her latest, Romantic Comedy, centers on Sally, a comedy writer at The Night Owls (a stand-in for Saturday Night Live) who finds herself the subject of affection of a very famous singer, Noah. I am a longtime fan of SNL, and I loved the inside look at sketch development and the hierarchy and competition among the writers and actors.

I alternated between relating to Sally and wanting to throttle her for not recognizing her own worth, but in a deeply invested in the story kind of way! And if you need one more reason to give this book a try, it was a Reese Witherspoon Book Club pick.

This romance novel takes the classic “opposites attract” trope and spins it into a heartfelt exploration of loneliness and connection, turning points and second chances. Indie rock guitarist Ali knows she should quit dreaming about her brother’s band hitting the big time and commit to her future career in engineering, but it hurts to let go. Kristen has been a country pop star since she was a kid, and the grueling lifestyle has already taken its toll on her. I loved seeing them gradually come to trust one another through their shared passion for music, and the scenes where they write songs together are as intense and charged as the romantic scenes.

Full disclosure: I know Chip Chinery. We both grew up in Cincinnati and we both got our “start” doing stand-up comedy as teenagers at a tiny, hole-in-the-wall comedy club named d.w. eye at the onset of the burgeoning 80’s comedy club boom.

What separates Chip’s memoir from other comedy biographies is the almost obsessive level of detail he provides in recounting his experiences as a young, Candide-like stand-up comic “finding himself” on the difficult and lonely midwestern comedy circuit road. (And yes, familiar comedy faces start to pop up regularly.) While dense with detail, this endearing memoir provides a hilarious, unflinching look at the realities of pursuing stand-up comedy far from home. For any aspiring comic, it's a must-read.