The most recommended pop culture books

This book was released a couple of days before my list was due, but I was captivated by the description of it as “Back to the Future meets Joy Luck Club.” And Throwback engaged me immediately.

I sped through the story of Samantha Kang who, unable to connect to her mom and worried about her grandmother’s health, finds herself thrown back from 2025 to 1995. There, she gets to know her teenage mom and her grandmother in a whole new way.

The contrasts between the post-pandemic gender-fluid TikTok generation and the regressive attitudes of the analog 1990s are brilliantly highlighted, Sam’s social-media savvy voice pitch-perfect, her observations about race, class, gender, pop culture, and being the child and grandchild of immigrants incisive and provocative, humorous and relatable.

I was glad I waited for this novel before I completed my list!

Largely recognized as McLuhan’s first major work, this book provides a trenchant analysis of 1940’s popular culture in the United States, with particular reference to print-media advertising. To this end, it consists of x chapters, each of which consists of an image culled from newspapers and magazines, accompanied by an insightful—and often ironic—text. Dismissed by some as lacking in direction and coherence, the book actually has a tightly woven narrative that sheds considerable light on the gender issues, technology, and power structures of the day. 

Ok, you’ve read Cohen and Monsters and the Monstrous. This monster stuff is getting pretty good, and you might be able to feel around the edges a bit. How does it apply to contemporary America which “no longer believes in monsters?” This is where Poole’s book comes in. Poole walks through monstrosity in the US from Columbus’ first steps to just shy of 2020. All the juicy topics that Americans have used monsters for—sex, race, and politics—emerge in this monstrous tour de force of US history. This is one of the first books I recommend to my students.

Born in 1979, I’m part of the final gasp of Generation X. Klosterman uses pop culture trends and the rise of the internet and cellphones as framing for understanding how Generation X formed its view of the world and its place in it.

A fun musing on the profound changes to society and communication that took place over the decade of the 1990s, The Nineties reminds us that it wasn’t all that long ago that we got most of our news from the TV, magazines, or the newspaper, and that the 90s shaped my generation in a multitude of ways.

This book is packed with the history of Chinese warrior heroines and spies. From Hua Mulan to Soong Ching-ling, the book resonates with connections across the centuries, as well as modern differences.

All too often the fate of these brave and outstanding women was to die for their cause, a theme that I think is so important for many heroines in history. Edwards is adept at identifying how her heroines challenge and defy their position in society. She also reveals the gendered position that heroines occupy as fighters, and in particular, the challenge that it poses to women’s transnational traditional place as gendered feminine carers and life-givers. 

If you are going to think about superheroes, and you really should be you know, then you truly have to know about the absolute godfather of the genre—the spectacular Stan Lee.

The stories behind how Stan Lee came to be and the early origins so many iconic characters are staples of comic book mythology. And what a book Danny Fingeroth has in store for you on this front. Endlessly entertaining, eminently readable. I adored the writing, the stories, and the approach while I devoured this book!

In what I would call a companion to Lewis’ classic The Great Divorce, Webster offers up a modern-day descent into hell that is theologically thought-provoking, honest, profound, and—perhaps most surprisingly—playful.

The plot is relatively straightforward: a demon visits an ordinary Joe & takes him to hell, where Joe must complete three challenges to see and save his beloved twin sister, who died as a child. Along the way, Joe is faced with the fracturing of beauty, truth & goodness, as well as flashbacks that reveal more of his schism humanity.

The plot is compelling, but it’s Webster’s story-telling, setting details, and multifaceted symbolism that make this story shine, and the literary references and mythic quality had me queuing up for a second read-through to catch the layers.

This has an unexpectedly delightful effect on the reader of feeling like you are journeying with a beloved friend through this difficult… show more.

Where the Girls Are is about a particular generation of women growing up in post War America, and the impact popular media had on their lives, both for good and for bad. It weaves wonderfully smart, often funny, always engagingly written discussions of pop music, movies, and television shows with Douglas’s own experiences at the time. It’s unabashedly feminist—but it isn’t a speech or a political manifesto. It’s an exploration of the push-pull of growing up female at a transitional time, a time in which attitudes toward women were changing, unevenly, and how pop culture reflected the tensions of the times. This book is history, memoir, sociology, media studies, all at once – immensely informative and very entertaining.

This book opened my eyes to how a scholar of religion could engage with horror films. I sat in my hotel room and started reading it the day I purchased it because I couldn’t wait until I got back home to start it.

Douglas Cowan deftly demonstrates how horror films engage in conversation with religion and he does this in non-technical language. In a culture where religion, or at least organized religion, is in decline, it still has incredible power in pop culture.

Many religious people avoid horror like they would a real monster. Sacred Terror, apart from suggesting a title for my book, shows horror and religion both benefit from the discussion. Cowan has written other good books on the subject as well.

During my twenties, I supplemented my understanding of crime writers past and present by studying the essays, bibliographies, and authors’ comments in this weighty tome. It’s a first-rate reference book, packed with information. Reilly was responsible for the first two editions and I was delighted to be asked to contribute essays myself to the third and fourth editions.