I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction.I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.
Imagine re-creating the works of Shakespeare or Milton from the graffiti on the walls of Victorian England – impossible you’d say. But it is possible to find lines of the most famous poets of the Roman world scratched into the walls of Pompeii, and Milnor provides a systematic overview of how and why this literary re-production occurred, what it indicates about literacy and learning, and how differently the ancients viewed writing in public spaces.
In this volume, Milnor considers how the fragments of textual graffiti which survive on the walls of the Roman city of Pompeii reflect and refract the literary world from which they emerged. Focusing in particular on the writings which either refer to or quote canonical authors directly, Milnor uncovers the influence- in diction, style, or structure-of elite Latin literature as the Pompeian graffiti show significant connections with familiar authors such as Ovid, Propertius, and Virgil.
While previous scholarship has described these fragments as popular distortions of well-known texts, Milnor argues that they are important cultural products in their own right,…
The setting, which brought ancient Pompei to life as a
vibrant, dangerous city; the immersive plot, which kept me reading when I
should have been doing many other things…
Most of all, though, the characters,
Amara and her fellow she-wolves (Pompeian slang for prostitutes) are loyal, inventive, and strong, even in the dreadful circumstances they have to endure.
I
felt utterly involved in their lives and struggles and terrified about what
might happen to them, all the way to the very last page. I’m saving the other
two books in the trilogy, even though I want to gulp them down because I don’t
want to run out of story and have to leave them behind.
Sold by her mother. Enslaved in Pompeii's brothel. Determined to survive. Her name is Amara. Welcome to the Wolf Den...
Amara was once a beloved daughter, until her father's death plunged her family into penury. Now she is a slave in Pompeii's infamous brothel, owned by a man she despises. Sharp, clever and resourceful, Amara is forced to hide her talents. For as a she-wolf, her only value lies in the desire she can stir in others.
But Amara's spirit is far from broken.
By day, she walks the streets with her fellow she-wolves, finding comfort in the laughter and…
For more than thirty years I have been discussing, formulating ideas, and writing about Architecture, Building Reuse, and Interiors. I lead the MA Architecture and Adaptive Reuse programme and direct graduate atelier Continuity in Architecture at the Manchester School of Architecture. I am currently the Visiting Professor at the University IUAV of Venice where I am conducting research on the sustainable adaptation of existing buildings with particular emphasis on the environmental concerns within the inherently fragile city of Venice.
Mario Praz’s Illustrated History of Interior Decoration is a wonderful chatty collection of case studies that explores the history of the subject in a well-informed and erudite manner. Interiors are generally lost to the mists of time, remembered only as the backdrop to other activities in paintings and prints, Praz has searched out the best of these to generously illustrate the book.
This is a reference source for anyone with an interest in period styles of furniture and decoration, this book comprises a complete survey of domestic interiors portrayed in art from the ancient world to the late 19th century. A collection of pictures and watercolours from all over Europe, Russia and America record rooms of all periods and their contents; the furniture, fabrics, carpets, pictures and wall-coverings. This text presents a cultural history of man in relation to his domestic surroundings.
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
It is an anthology of essays that provide a range of topics and approaches to women who lived and worked in these small towns, now spectacularly preserved despite their sudden destruction by the eruption of Mt. Vesuvius in 79 CE. The lives lived here tend towards the gritty, workaday world with studies of women in business and trade, although elite women, public priestesses, also make an appearance. Two that feature women's names scratched on walls (graffiti) and drawings of women etched in or painted on Pompeian walls (by Erika Zimmermann Damer and Margaret L. Laird) argue for women's (partial) literacy and their greater visibility. These essays do much to make the fascinating archaeological material accessible.
Literary evidence is often silent about the lives of women in antiquity, particularly those from the buried cities of Pompeii and Herculaneum. Even when women are considered, they are often seen through the lens of their male counterparts. In this collection, Brenda Longfellow and Molly Swetnam-Burland have gathered an outstanding group of scholars to give voice to both the elite and ordinary women living on the Bay of Naples before the eruption of Vesuvius.
Using visual, architectural, archaeological, and epigraphic evidence, the authors consider how women in the region interacted with their communities through family relationships, businesses, and religious practices,…
Since I first visited Africa in 2004 I’ve found it difficult to tear myself away. I’ve lived in South Africa, Ghana, Tanzania, and Sudan and travelled in all corners of the continent. I’ve participated in a revolution, hung out with the illegal fishermen of Lake Victoria, been cursed—and protected—by witch doctors, and learned Swahili. I’ve also read extensively about the place, written three books about it, and broadcast from it for the BBC World Service. In my other life I research and write about international development for universities and global organisations. This too has a focus on Africa.
Mungo Park’s journeys into West Africa at the end of the 18th century were probably the toughest undertaken by any of the Europeans who explored the continent.
The trials he underwent, from disease to hunger to attacks by local leaders make modern-day travellers like myself look pampered.
As I recount in my book, I was eventually worn down by travelling in West Africa and succumbed to what was known by the region’s French colonisers as “soudanité”, so I could relate to the depressions Park suffered in much more gruelling circumstances. His account of his travels manages to be both epic and full of humility at the same time.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins…
I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction.I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.
Probably the best and most approachable overview of the history and archaeology of Pompeii, good for the armchair enthusiast and student alike. It is clear, concise, and well-illustrated, and unlike many such books that appeal to a more general audience, it is authored by an expert who has been working on site and teaching about Pompeii for most of her career.
This profusely illustrated volume, the latest instalment in Thames & Hudson's bestselling Complete series, is the most up-to-date, comprehensive and authoritative account of the most important archaeological site in the world. Nine chapters cover the rise and fall of Pompeii and all aspects of its life, including reconstructions of the daily lives of the town's inhabitants, the dramatic story of Pompeii's destruction through the words of Roman writers and the spectacular remains of volcanic debris and damage. It is sure to become the standard account for tourist, traveller, student and scholar alike.
Despite
being the second book in a series, it stands beautifully on its own. Amara, the
main character, is a freedwoman living in Pompeii.
She has seen her freedom
bought from the brothel and has been set up in the titular house. However, she
also wants her best friend to be free, so she purchases Victoria from the
pimp. The twist, however, is that Amara discovers she can run a lucrative
business by renting out her slaves and immediately returns on her word to free Victoria.
This
book is rich in historical detail. Again, it deals with politics and
women’s roles in a completely different milieu. The characters are all
complex and believable, given that no one questions the way their lives are
dictated by Roman law.
I am a historian of ancient Rome. My interest was sparked in my high school Latin classes. On my first trip to Rome, several years later, I truly fell in love. I could see the famed orator delivering his fierce attacks against Catiline amid the grand temples of the Forum and its surrounding hills. I could imagine myself standing in a crowd, listening. In Washington DC, where I now live and teach at Georgetown University, there are classical buildings all around to keep me inspired. I have written a number of books about Roman political history and have also translated the biographer Suetonius and the historian Sallust.
No city of the Roman world survives more fully than Pompeii in southern Italy. Baths, bars, houses, and temples have been recovered, along with pots and pans, foodstuffs, medical instruments, and skeletons with evidence of an appallingly high rate of disease. For a knowledgeable and witty guide to the city you can’t beat Mary Beard, who helps us see it was not all marble columns and pretty paintings. I especially love her description of the House of the Tragic Poet, in which Edward Bulwer-Lytton set an early scene of his novel The Last Days of Pompeii, a dinner party hosted by the character Glaucus. Beard reveals that just behind this house was a cloth-processing workshop in which the main agent used would have been human urine. “In the background to Glaucus’ elegant dinner party,” writes Beard, “there must have been a distinctly nasty odor.”
Pompeii is the most famous archaeological site in the world, visited by more than two million people each year. Yet it is also one of the most puzzling, with an intriguing and sometimes violent history, from the sixth century BCE to the present day.
Destroyed by Vesuvius in 79 CE, the ruins of Pompeii offer the best evidence we have of life in the Roman Empire. But the eruptions are only part of the story. In The Fires of Vesuvius, acclaimed historian Mary Beard makes sense of the remains. She explores what kind of town it was-more like Calcutta or…
I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction.I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.
It’s difficult to imagine any discussion of Pompeii (or Roman gardens) without mentioning Jashemski. She quite literally wrote the book(s) on gardens, and her archaeological approach to plant remains revolutionised how botanical evidence is collected. This book, published after her death, is a memoir more than anything, detailing her work, her travels, and her vast experience of working in Pompeii. It is, in many ways, a love letter to the place that somewhat unexpectedly became the focus her life.
These memoirs, illustrated with over 400 photographs, will delight anyone interested in gardens or in the Roman world. They tell the human and the scientific story of how a woman from a small town in Nebraska learned more about the gardens of Pompeii than anyone thought possible. A master raconteur, professor of ancient history and teacher of a popular general humanities class at the University of Maryland, Wilhelmina Jashemski will fascinate both the Pompeian expert and the newcomer to the subject.
She set out in 1955 with her husband, Stanley Jashemski, to explore the gardens of the Roman empire with…
I have had a lifelong love of history, especially ancient history, and have spent years studying it for both interest and pleasure. I also love stories, so I decided to put my knowledge of Roman history to good use, providing what I hope is an authentic backdrop to my novels.
We all love Mary Beard, and this superb book looks into the daily life of the people who lived in Pompeii before its destruction, revealing plenty of fascinating detail, and excellent explanation and commentary. Definitely one of the best books about daily life in an ordinary Roman town.
The ruins of Pompeii, buried by an explosion of Vesuvius in 79 CE, offer the best evidence we have of everyday life in the Roman empire. This remarkable book rises to the challenge of making sense of those remains, as well as exploding many myths: the very date of the eruption, probably a few months later than usually thought; or the hygiene of the baths which must have been hotbeds of germs; or the legendary number of brothels, most likely only one; or the massive death count, maybe less than ten per cent of the population.
