I am a writer, researcher, and sometimes curator and I have a passion for history and great storytelling. While my own research has focused on the First World War, I have worked on exhibits and reports on a wide array of topics. I continue to be inspired by new ways of understanding and depicting history, and especially by the work of fellow women writers and historians. This short list is a glimpse into some of my favourite works of non-fiction writing out there that has been produced by women and that have inspired me.
I first read Auschwitz and After in a university course focused on the Holocaust. Toward the course’s end, in a section focusing on memoirs, this book followed Elie Wiesel’s Night and Primo Levi’s Survival in Auschwitz. While Weisel and Levi’s works are both undeniably masterpieces, Delbo’s work stood out to me because of its form and its feminist perspective. Delbo, a French partisan who was captured and deported to Auschwitz-Birkenau, lays bare in her work the ways in which gender affected the camp experience. It illuminated to me the different and similar ways in which men and women responded to the horrors of the extermination camps. Furthermore, Delbo’s work is not a linear narrative. Instead, it combines poetry and other non-traditional forms to create a memoir of an experience that Delbo readily admitted language was not equipped to capture. I recommend the work for the ways in which it…
The memoir of Charlotte Delbo, a French writer sent to Auschwitz for her resistance activities against the Nazi occupation of France and the Vichy government
"Delbo's exquisite and unflinching account of life and death under Nazi atrocity grows fiercer and richer with time."-Sara R. Horowitz, York University
Charlotte Delbo's moving memoir of life and death in Auschwitz and the postwar trauma of survivors, Auschwitz and After, is now a classic of Holocaust literature. Offering the rare perspective of a non-Jew, Delbo records moments of horror and of desperate efforts at mutual support, of the everyday deprivation and abuse experienced by…
History has always been a captivating adventure for me, a stage to rekindle the echoes of times long past. My journey began amid musty archives in Hobart, where I stumbled upon a handwritten prison record about my wife's feisty ancestor, transported in the 1830s. There and then, I resolved to breathe life into the fading embers of her existence, and after extensive research, I wrote my first novel, a tapestry of historical events intertwined with the resurrection of long-forgotten souls. Since then, I've applied lessons from masters like Conan Doyle to create exciting, atmospheric stories that turn us all into time travelers on an exhilarating voyage.
This unique book chronicles the misadventures of the school bully from Tom Brown’s Schooldays who has matured into an unapologetic coward marching across the pages of 19th-century British imperialism.
Its historical depth weaves in actual events and characters of the time and blends humour, adventure, satire, and great character development. Flashman, with his roguish charm, makes for an unforgettable character who, despite or perhaps because of his cowardice, always seems to find a way to come out on top.
Fraser writes with an easy pace, and his meticulous research into history adds another dimension. It is a technique that I use unashamedly in my own books, although Fraser’s tongue-in-cheek commentary on the social mores of the age set this author apart from everyone else.
Harry Flashman: the unrepentant bully of Tom Brown's schooldays, now with a Victoria Cross, has three main talents - horsemanship, facility with foreign languages and fornication. A reluctant military hero, Flashman plays a key part in most of the defining military campaigns of the 19th century, despite trying his utmost to escape them all.
Many have marvelled at General Napier's daring 1868 expedition through the treacherous peaks and bottomless chasms of Abyssinia to rescue a small group of British citizens held captive by the mad tyrant Emperor Theodore. But the vital role of Sir Harry Flashman, V.C., in the success…
This book is described as "a deeply researched, shattering new account of Nelson Mandela's relationship with Winnie Madikizela-Mandela." That it certainly is, both deeply researched and shattering.
I found it page-turning but also deeply disturbing, recalling the Latin cautionary phrase "de mortuis nil nisi bonum." On the other hand, perhaps that injunction to express nothing but good of the dead should not apply to public figures like the Mandelas, both of them proper subjects for a responsible historian like Steinberg.
In the early 1990s, Barbara Masekela served as Nelson Mandela's Chief of Staff. This book contains revealing lengthy extracts from an interview Steinberg conducted with her in 2018, after both Mandelas had died.
'Gripping and profoundly moving' DAMON GALGUT
'Deft and operatic' OBSERVER
From one of South Africa's foremost nonfiction writers, a deeply researched, shattering new account of Nelson Mandela's relationship with Winnie Madikizela-Mandela. Drawing on never-before-seen material, Steinberg reveals the fractures and stubborn bonds at the heart of a volatile and groundbreaking union, a very modern political marriage that played out on the world stage.
One of the most celebrated political leaders of the twentieth century, Nelson Mandela has been written about by many biographers and historians. But in one crucial area, his life remains largely untold: his marriage to Winnie. During…
Lynne Viola is a University Professor of Russian history at the University of Toronto. Educated at Barnard and Princeton, she has carried out research in Russian and Ukrainian archives for over 30 years. Among her books, are two dealing with Stalinist repression: Stalinist Perpetrators on Trial: Scenes from the Great Terror in Soviet Ukraine and The Unknown Gulag: The Lost World of Stalin’s Special Settlements. Both are based on work in previously classified archives, including the archives of the political police.
This is the classic account of the Great Terror and the Gulag. Solzhenitsyn roots Stalinist repression firmly in the Russian Revolution, blaming Marxist ideology for the camps. The literary value of this work is incontestable.
The official, one-volume edition, authorized by Solzhenitsyn
“BEST NONFICTION BOOK OF THE 20TH CENTURY” —Time
The Nobel Prize winner’s towering masterpiece of world literature, the searing record of four decades of terror and oppression, in one abridged volume (authorized by the author). Features a new foreword by Anne Applebaum.
“It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker
Drawing on his own experiences before, during and after his eleven years of incarceration and exile, on evidence provided by more than 200…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
I haven’t read a better book in a long time than YZ Chin’s collection of linked stories.
At the centre of a panoply of characters and ways of thinking, we find Isabella Sin, a woman who might be taken as a personification of Malaysia, a troubled young nation searching for an identity as it struggles against its own history.
Not unlike what is required of her country, what is ultimately required of Isabella is to “become who she was.” YZ Chin’s voice offers the sort of nuance and depth that I feel characterises the best in literary fiction.
“A welcome read in American contemporary literature. Though I Get Home is an intimate and complex look into Malaysian culture and politics, and a reminder of the importance of art in the struggle for social justice.” ―Ana Castillo, author of So Far from God and prize judge
In these stories, characters navigate fate via deft sleights of hand: A grandfather gambles on the monsoon rains; a consort finds herself a new assignment; a religious man struggles to keep his demons at bay. Central to the book is Isabella Sin, a small-town girl―and frustrated writer―transformed into a prisoner of conscience in…
I write historical fiction some of which is set during the Wars of the Roses - a period that has always fascinated me. My two series, Rebels and Brothers & the Craft of Kings span the whole topic. But underlying the fiction there is a wealth of knowledge because I have studied or taught about this period for the best part of fifty years. I have also produced in recent years over forty podcasts on the subject which have been very well received by listeners – including students currently wrestling with the sometimes labyrinthine complexities of the topic.
There are so many books about these two boys that one could be forgiven for not reading any of them. But, if you are going to read one make it this one. Pollard knows what he is talking about because he has a background of authoritative historical study second to none. What you’ll find in this book is as near as anyone is going to get to a balanced account. Forget all the dark myths and whitewashes of Richard III and just read this book.
Richard III has divided opinion for over 500 years. Traditionally, he has been perceived as a villain, a bloody tyrant and the monstrous murderer of his innocent nephews. To others he was and remains a wronged victim who did his best for kingdom and family, a noble prince and enlightened statesman tragically slain. This work explores the story of Richard III and the tales that have been woven around the historic events, and discusses his life and reign and the disappearance of the princes in the tower. It also assesses the original sources upon which much of the "history" is…
I have been a student of the history of ideas, with a particular interest in political thought, for over forty years. I have read countless books, both ancient and modern, and in several languages, that explore themes related to public life. I am a dedicated citizen of a contemporary liberal democracy, but today, I live in fear of a growing backlash against liberal democracy. The risk of democratic backsliding in the contemporary US is real as citizens become more disillusioned with politics. In other liberal democracies, some party leaders are adopting populist rhetoric to enhance their electoral appeal, but in doing so, they are undermining some of the established norms of public life.
Ben Jelloun was a political prisoner in Morocco for several years and was imprisoned in a dark cell in the ground in unimaginably horrific conditions. This book demonstrates politics gone wrong and the extent of the brutality that can be ravaged on other human beings in a system lacking justice or any sense of human rights and dignity.
Despite the intensely inhumane conditions of imprisonment, Ben Jelloun carries us along his journey and offers his readers an inspiring account of endurance and courage.
This book needs to be read by people in an era of democratic backsliding because it helps to demonstrate some of the things that are at stake when electorates become tempted by authoritarian leaders.
An immediate and critically acclaimed bestseller in France and winner of the 2004 International IMPAC Dublin Literary Award, This Blinding Absence of Light is the latest work by Tahar Ben Jelloun, the first North African winner of the Prix Goncourt and winner of the 1994 Prix Mahgreb. Ben Jelloun crafts a horrific real-life narrative into fiction to tell the appalling story of the desert concentration camps in which King Hassan II of Morocco held his political enemies under the most harrowing conditions. Not until September 1991, under international pressure, was Hassan's regime forced to open these desert hellholes. A handful…
As a writer and journalist in Iran, I knew many activists and journalists who spent time in solitary confinement. I noticed that this part of their prison experience was the hardest one for them to put to words, even those keen on sharing their experiences have a much easier time talking about the interrogation room but remain strangely reticent about the solitary cell. When I set out to write a novel about a bus driver who ends up in jail, I decided to dedicate several chapters of the book to his time in solitary confinement. That research sent me down the rabbit hole of interviewing former prisoners and reading widely about the solitary experience.
Those interested in the never-ending drama of US-Iranian relations since 1979 probably remember the affair of the mountain climbers. Three Americans, hiking the mountains in Iraqi Kurdistan, mistakenly crossed the border into Iran. They were taken to Evin prison in Tehran, where they were imprisoned for two years, a good part of which they spent in solitary confinement as Iran and the US used them as pawns in their complicated dance of diplomacy. After their release, the hikers wrote a memoir together. This is one of the best accounts of solitary confinement in Evin available in English.
Hikers held captive in Tehran tell their story in “a moving memoir by three individuals who found the strength to survive” (San Jose Mercury News).
During the summer of 2009, Shane Bauer, Joshua Fattal, and Sarah Shourd were hiking in the mountains of Iraqi Kurdistan when they unknowingly crossed into Iran and were captured by border patrol. Wrongly accused of espionage, the three Americans ultimately found themselves in Tehran’s infamous Evin Prison, where activists and protesters from the Green Movement were still being confined and tortured. Cut off from the world and trapped in a legal black hole, the three…
I am the author of several historical novels covering a wide range of topics, but my main interest remains 12th- to 16th-century Britain. I grew up in Sweden and have been an avid reader of classic literature and historical fiction since I was a child, and am currently studying History at the University of Oxford. When someone asks me what it is that I love about history, I tend to reply that it is all the stories. It sounds obvious, perhaps, but history is made up of countless stories that can be told in countless ways, and there is at least one story for everyone to fall in love with.
I will start by admitting that I had ambivalent feelings about this book for some time simply because it takes a different view on certain historical events and people than I do. Still, I cannot notrecommend it, because it stunned me over and over with its vivid characters and the slowly unravelling mystery that is at the heart of the story. Above all, I was delighted to find that this novel centres around two young women who have been overshadowed by more prolific historical figures, bringing lesser-told stories to the forefront.
Two women separated by time but linked by twin destinies investigate the mysterious, tragic fate of the young princes in the tower in this engrossing novel, “a juicy mix of romance, drama, and Tudor history” (Ladies’ Home Journal).
“Alison Weir’s strong suit as a fiction writer is making her novels living history.”—The Courier-Journal
When her older sister, Lady Jane Grey, is executed in 1554 for unlawfully accepting the English crown, Lady Katherine Grey’s world falls apart. Barely recovered from this tragic loss she risks all for love, only to incur the wrath of her formidable cousin Queen Elizabeth I, who…
I am a historian and a social geographer whose main interest is in examining why some of us are embraced (legally, politically, economically, culturally) by the society we live in while some others are excluded. Probably due to my status as someone who is an immigrant to Canada and also a person with a disability, the topic of belonging and exclusion fascinates me.
Omar Khadr is a personal friend of mine, the gentlest soul I have met since setting foot on Canadian soil. This collection has been essential to my understanding of Canada’s unwillingness to stand up for one of its own citizens. It highlights how belonging in the nation is not necessarily a right all citizens enjoy, and invites a serious reflection on what citizenship means in this country.
In 2002 a fifteen-year-old Canadian citizen was captured in Afghanistan for allegedly killing an American soldier. A badly wounded Omar Khadr was transferred to the US Bagram Air Force base and then Guantanamo Bay detention camp. He would remain there without trial until October 2010, when a military commission admitted evidence considered tainted by Canadian courts. A plea bargain and guilty plea initiated his promised return to Canada a year later. Some Canadians see Khadr as a symbol of terrorism in action. For others he is the victim of a jihadist father and Canadian complicity in the unjust excesses, including…
