Until my early 50s, I detested all things spiritual. These books showed up practically on their own, without dogma or jargon, mainly to convince me that the divine existed. They’re easy to read and open to interpretation. They tricked me into a spiritual life by making it seem logical and simply a place to explore at my leisure. I try to write things that are clear and simple, and these books persuaded me that the ineffable isn’t so hard to write about. Also, I could return to these books years later, and they still speak to me. Each is capable of opening something new to me later in life.
Poetry is supposed to be difficult, right? The erudite poets like Milton, Shakespeare, Yeats, and Dickinson blend insight, psychology, philosophy, wisdom, meter, and magic sauce into a puzzle to suss out. Eliot is like that most of the time, but not in this book, where he is so direct, plain and simple, amazed and amazing, that I am not once tempted to apply critical theory.
If there is a possibility of divine inspiration, this has always felt like Exhibit 1 to me. Every time I think I might have to figure out what he’s saying, he says, “Don’t bother,” by taking me into a picture that is so concrete and full of the everyday that it paradoxically shines the divine out at me. This book can be opened anywhere, started anywhere, and it will bring me comfort and joy.
Four Quartets is the culminating achievement of T.S. Eliot's career as a poet. While containing some of the most musical and unforgettable passages in twentieth-century poetry, its four parts, 'Burnt Norton', 'East Coker', 'The Dry Salvages' and 'Little Gidding', present a rigorous meditation on the spiritual, philosophical and personal themes which preoccupied the author. It was the way in which a private voice was heard to speak for the concerns of an entire generation, in the midst of war and doubt, that confirmed it as an enduring masterpiece.
I may not be an expert ornithologist, but I am an avid “birdologist” to borrow a term from Sy Montgomery—one who is awed and fascinated by all things bird. Bird-watching is meditative—it helps me to be present and to feel joyful. I love reading, learning, and writing about birds too! I am the author of these bird books: Hawk Rising, illustrated by Brian Floca, Whoo-Ku Haiku, illustrated by Jonathan Voss, and the forthcoming You and the Bowerbird, illustrated by Maris Wicks. I love writing about the natural world and its inhabitants as well as dogs—another love of mine!
In mostly rhyming couplets, Sayre’s book celebrates the lowly turkey vulture, an unsung and underappreciated creature that plays a very vital role in maintaining a healthy ecosystem—scavengers are nature’s clean-up crew! View vultures as they circle, soar, and glide on thermals, up, UP! Watch them sniff, search, seek and eat things that reek, the more rotten the better. Vultures feast, then clean and preen. At night, they roost and rest in trees like families. Jenkins’ cut paper collages complete this homage to the venerable turkey vulture. Explore more turkey vulture facts in the concluding pages.
Turkey vultures soar on the balmy air, looking for their next stinky feast. These birds don't hunt―they like their food to be already dead, and their eating habits serve a very important ecological role. Vultures are part of nature's clean-up crew.
In her signature poetic, energetic style, acclaimed nature writer April Pulley Sayre introduces young readers to the world of the turkey vulture. The gorgeous illustrations by Caldecott Honor–winning artist Steve Jenkins capture these birds in all their surprising majesty.
Vulture View is a 2008 Bank Street - Best Children's Book of the Year.
I love gathering poets together to celebrate different causes. In fact, I hosted a weekly literary radio show, Gathering Voices, for seven years and published a book/cd collection, Gathering Voice. Since 1972, I have been publishing poetry as well as editing anthologies that collect differing voices, as an activist and poet/editor: gathering voices for women, nature, and social justice is my passion. Given the immensity of suffering in the war on Ukraine, I was galvanized to gather together poems in solidarity with Ukrainians. The anthology, co-edited with Richard-Yves Sitoski, was launched 3 months after the invasion began: a huge endeavor that included 48 activist poets.
Trees are being cleared at a faster rate than any time in history! How can we possibly reverse this? How can poetry raise awareness of the value of our forests, worth more standing? This anthology, in its breadth and scope, offers readers hope, and prompts us to action on behalf of our trees. The anthology features an important introduction by Diana Beresford-Kroeger, author of The Global Forest and renowned expert on trees.
This anthology continues my theme of activism through poetry to raise awareness about our threatened environment. With over 100 poems and contributions from poets all over the country, Heartwood is a tribute to and celebration of the timeless impact of nature on Canadian poetry. “We must turn to the poets to expand dreams. This is because trees are the parents to the child deep within us. Forests bear silent witness to the tides of time upon which we…
Tiny Tales is a collection of 365 bite-sized stories and poems, written each day of 2023 to a one-word prompt created by one of the official #vss365 (very short story, 365 days a year) ambassadors on Twitter ("X").
Tweet-sized (280 characters or fewer) storytelling (aka "Twitterature") inspires experimentation and variety, and that is exactly what you'll find in this collection of compositions ranging from true stories to playful limericks, romantic fiction to war-inspired tales, wistful observations from a long-ago childhood to fantastical imaginings of a distant future.
Whether you want to read a story a day or use the prompts (included in their original order at the end of the book) as a springboard to jumpstart your own writing, Tiny Tales will keep you entertained and inspired throughout the year. It is a perfect gift to yourself or for any aspiring or avid writer in your life.
Tiny Tales is a collection of 365 bite-sized stories and poems, written each day of 2023 to a one-word prompt created by one of the official #vss365 (very short story, 365 days a year) ambassadors on Twitter ("X"). Tweet-sized (280 characters or fewer) storytelling (aka "Twitterature") inspires experimentation and variety, and that is exactly what you'll find in this collection of compositions ranging from true stories to playful limericks, romantic fiction to war-inspired tales, wistful observations from a long-ago childhood to fantastical imaginings of a distant future.
Whether you want to read a story a day or use the prompts…
I have always felt like an outsider and so have been preoccupied by questions of identity and belonging. In my youth, I became fascinated by the great Irish writers W. B. Yeats and James Joyce and their struggles with such questions after my family moved from Ulster to Scotland. As a young academic in Brisbane, I encountered fierce debates about Australian national identity as it shifted from a British heritage to a multicultural society. In the flux of the modern world, our identities are always under challenge and often require painful renovation.
This play conveys the inner world of nationalism in both its romance and fanaticism.
Yeats’s play became a cult for young revolutionary nationalists in celebrating blood sacrifice for the nation. A young man joins an uprising on the eve of his wedding after meeting an old woman, Cathleen ni Houlihan (a folk name for Ireland), who pleads for his help to recover her green fields. By his sacrifice, Cathleen is transformed into a beautiful young woman with "the face of a queen."
Yeats later agonised over this play and developed a more ambivalent attitude to nationalism. When young nationalists staged a sacrificial rebellion in 1916, he warned in his poem "Easter 1916" that "Too long a sacrifice can make a stone of the heart." He asked in a later poem, "Did that play of mine send out / Certain men the English shot?"
Cathleen Ni Houlihan is a one-act play written by the renowned Irish poet and playwright, William Butler Yeats. The play was first performed in 1902 and is set in rural Ireland during the early 20th century. The story revolves around a family who is preparing for the wedding of their son, Michael, and his fianc�����e, Delia. However, their plans are interrupted when a mysterious woman named Cathleen Ni Houlihan arrives at their door seeking their help.Cathleen is a symbol of Ireland and her struggle for independence from British rule. She tells the family of her sons who have died fighting…
I joined the anti-bullying crusade late in life. After writing my first book, entities were contacting me and asking if I would share their anti-bullying messages on my website. I learned so much about the increasing problem of bullying and how its tentacles reach out to other social issues such as teen suicide, school shootings, and drug use. I thought that Special Ed and the Bull-ies would be my only book but decided that it was important to make it into a series. With each book I can focus on a different aspect of this growing problem and hopefully make a difference in this world.
I have always enjoyed poetry and this book introduces simple couplets to children while telling a sweet story of loving Asian parents who welcome a new child. Geared to very young children, the artwork can tell the story without someone reading it to them, but the lyrical words just add to the beauty of the message.
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
While Jack Kerouac can arguably be synonymous with the Beat generation, the poems in this collection reveal a lesser-known and seldom seen but poignant side of Kerouac’s legacy. He distills his surroundings into short vignettes, reminiscent of the Beat style and motif, but incorporates a significant amount of nature imagery. They’re beautiful glimpses of the world through the eyes of one of America’s most influential authors.
Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.' Jack Kerouac. Renowned for his groundbreaking Beat Generation novel "On the Road", Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following in the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form's essence. He incorporated his 'American' haiku in novels and in his correspondence,…
Growing up on a farm in Southwestern Ontario, Canada that my family had owned for six generations, my world was small. That all changed when I moved to Toronto and met my husband, the Canadian-born son of Polish Jews who survived death camps and the Holocaust. His family taught me what it means to find yourself in the crosshairs of history, to be forced to make impossible choices under dire circumstances. I’m passionate about sharing stories that build understanding and celebrating those forced by fate to be fighters — their strong yet often surprising personalities, their unique journeys, and their inspiring grit.
I love the genesis of this book — a high school writing workshop for newcomers to Quebec, Canada. And I love that within its pages, students from around the world — the Philippines, Uruguay, Pakistan, China, Moldova Iran, South Korea, United Arab Emirates, Israel, and Venezuela — come together to share their personal experiences of seeking peace and security in a new country. Students share the pain and loss of being forced to leave their homes, families, friends, and way of life behind and reflect on their changing identities with strength and vulnerability. Illustrated with expressive portraits by Rogè, the collection powerfully conveys the uncertainty these young immigrants face and the cautious hope they have for the future.
A moving #OwnVoices poetry collection written by young newcomers to Canada Carry On began in a high school in Outremont, Quebec, where author and poet Simon Boulerice conducted creative-writing workshops for young newcomers to Canada. As the students began writing, their poems gave voice to their reflections on leaving family, friends, and countries of origin to make new homes and connections in their new home, Canada. Paired with expressive portraits by award-winning artist Rogé, each young writer reflects on the experience of leaving one home for another. The collection of poems express feelings of anxiety, sorrow, anticipation, gratitude, and hope…
As a writer of haiku/short-form poetry myself, this book was one that should have been on my radar long ago, but I only read it this year because of a recommendation by Kevin Rose on Tim Ferriss’s podcast. It’s a gem.
Natalie transports you to Japan with her writing to be a travel partner to her making the journey of a lifetime to pay respect to her favorite Haiku poet, Buson.
The book is beautifully written and full of moments that will make you smile, laugh, sad, and nod with approval. It’s so much more than a book of poetry; it’s a book that utilizes poetry to tackle some of life’s mystery, fragility, and beauty. She highlights the history of haiku, shows why masters such as Basho and Issa are so revered, and provides insight into writing and reading haiku.
The book is also a wonderful love letter to Japan…
One of the world’s foremost writing teachers invites readers on a joyful journey into the reading and origins of haiku
A haiku is three simple lines. But it is also, as Allen Ginsberg put it, three lines that “make the mind leap.” A good one, he said, lets the mind experience “a small sensation of space which is nothing less than God.” As many spiritual practices seek to do, the haiku’s spare yet acute noticing of the immediate and often ordinary grounds the reader in the pure awareness of now.
Natalie Goldberg is a delightfully companionable tour guide into this…
My first foreign language was French, so beautiful, but when I began studying Slavic languages I was drawn deeply into their rich vocabulary and marvelous word formation, which makes it possible to do all sorts of things with poetry. (Not to mention the richness of Estonian, which I have so far studied only a little bit.) I write and translate poetry myself, and I hugely admire the translators who bring poems into muscular or enchanting versions in English, whose prosody and word order are so very different. Eastern European poetry has had booms in the Anglophone world (Vasko Popa’s crow!), but it’s never too soon to mention some new wonderful examples in translation.
Aco Šopov (1923-1982) is one of the fundamental poets of Macedonia, and indeed the first poet ever to have a whole book of his verse published in Macedonian, a language that had been suppressed for generations.
This book will appear in fall of 2023, but I have already seen some of the translations by Rawley Grau and Christina Kramer online—and they’re dynamite, full of hard-won versions of the thoughtful, deep-dwelling originals. Šopov is not the only brilliant poet of his generation, but he alone can prove that a small nation can produce big poets.
And how are we to know, unless we read them in translation?
A collection celebrating the Centennial of seminal modernist Macedonian poet Aco sopov. This substantive collection represents Sopov's creative career, starting with his first book of poetry in 1944, when he was fighting in the Yugoslav resistance to the German occupation. In the early 1950s, he published two collections that signaled a new direction for Macedonian poetry as a whole, announcing the arrival of new form "intimate lyricism". Over the next 25 years, Sopov's work deepened further, acquiring a philosophical cosmic dimension and at times venturing into surrealism. The Long Coming of the Fire shares the work of a consummate craftsman…
I’ve always been preternaturally attentive to the way words work—as components of meaning, but also as visual, aural, and functional objects with their own erratic behaviors. Since joining the Oulipo in 2009, I’ve had even more occasion to think and talk about how those behaviors can be pointed in a literary direction, and to recognize successful experiments when I read them.
I truly never thought I’d laugh out loud at an erasure poem. ThenInk Earl came along. Holbrook starts with a hundred copies of the original fifties ad pitch for the Pink Pearl eraser—get it yet?—and hacks away different parts of each, yielding a series of meditations and diatribes and bouts of spirited near-nonsense. The poems are consistently clever delights, and the project’s conceptual wholeness is icing on the cake.
ink earl takes the popular subgenre of erasure poetry to its illogical conclusion.
Starting with ad copy that extols the iconic Pink Pearl eraser, Holbrook erases and erases, revealing more and more. Rubbing out different words from this decidedly non-literary, noncanonical source text, she was left with the promise of "100 essays" and set about to find them. Among her discoveries are queer love poems, art projects, political commentary, lunch, songs, and entire extended families.
The absurdity of the constraint lends itself to plenty of fun and funny, while reminding us of truths…
