I am a Chicago-based artist, author, veteran, and teacher. I studied at the American Academy of Art in Chicago before enlisting in the United States Air Force in 1968 during the bloody Tet Offensive during the Vietnam era. Upon my discharge I got my BFA in 1994. I got convicted for a crime I did not commit, and I became a homeless-existential artist on Chicago’s mean streets for six months. I got hired by an Acoustic company, and I married and worked for twenty-seven years while raising a family. I now work as an art teacher. All my nonfiction books chronicle different episodes in my life.
When I was a homeless artist living on Chicago’s cold streets for six months, it was hard for me to believe in a compassionate Judeo-Christian God. It was difficult for me to reconcile how a just and benevolent God would let African pregnant women be thrown into the Atlantic Ocean and perish with thousands of other slaves.
That is why I became agnostic and was attracted to Sartre’s belief in the essential freedom of individuals, and he also believed that as free beings, people are responsible for all elements of themselves, their consciousness, and their actions. It made me question why I was homeless. Was it because of bad choices in life? Or was it just the experience of being a black male in a racist capitalist society?
Sartre became an existentialist because of the war and an encounter with Merleav Ponty, who taught him the political dimension of human…
Revisit one of the most important pillars in modern philosophy with this new English translation—the first in more than 60 years—of Jean-Paul Sartre’s seminal treatise on existentialism. “This is a philosophy to be reckoned with, both for its own intrinsic power and as a profound symptom of our time” (The New York Times).
In 1943, Jean-Paul Sartre published his masterpiece, Being and Nothingness, and laid the foundation of his legacy as one of the greatest twentieth century philosophers. A brilliant and radical account of the human condition, Being and Nothingness explores what gives our lives significance.
When each of our older boys were in the midst of the college admissions process, our husbands suffered life-threatening health crises. It was such a bizarre coincidence that we both experienced intense brushes with mortality during this time of high anxiety. The juxtaposition between health and college admissions gave us a unique perspective and led us to explore the impacts of college admissions anxiety on families, friendships, students, and school communities. We had entirely plottedGirls With Bright Futuresand were nearly through the first draft when the Operation Varsity Blues college admissions scandal broke in March 2019. We felt like the headlines had been ripped from our manuscript!
When we set out on our writing journey to understand the impacts of college admissions anxiety on families, friendships, students, and school communities, Excellent Sheep: The Miseducation of the American Elite and the Way to a Meaningful Life, by William Deresiewicz, was one of the most insightful books we read. Deresiewicz does an outstanding job of tracing the history of the college admissions industrial complex, including the fascinating story behind the US News & World Report rankings, as well as the impact of airline deregulation and the break-up of Ma Bell on college admissions. If you’re trying to make sense of college admissions mania, this book is a great starting point.
As a professor at Yale, William Deresiewicz saw something that troubled him deeply. His students, some of the nation's brightest minds, were adrift when it came to the big questions: how to think critically and creatively and how to find a sense of purpose. Now he argues that elite colleges are turning out conformists without a compass.
Excellent Sheep takes a sharp look at the high-pressure conveyor belt that begins with parents and counsellors who demand perfect grades and culminates in the skewed applications Deresiewicz saw first-hand as a member of Yale's admissions committee. As schools shift focus from the…
As an enthusiastic and eclectic reader, one of my great joys is recommending books to others. I was able to indulge this joy consistently while teaching at a university, introducing students to authors and books and topics they otherwise might never have encountered. I find this same excitement in my own writing, searching for ways to reveal to others the magnificent wealth I find in modern poetry and in the brilliant concepts of poetic thinking.
A renowned teacher of expository writing, Perl is invited to Austria to offer a course on how to teach the Holocaust. Although her mother warned her that as a Jew she should never enter a German-speaking country, Perl decides to accept.
She writes with brutal honesty about the troubled and often profound relationships she establishes with her Austrian students. Her explorations of difficult and sometimes excruciating issues are conducted with a spirit of love and openness toward her students and herself. This is the most ethically engaged book I have read about the profession of teaching.
An award-winning teacher takes a journey into alien territory: Austria, Hitler's birthplace, and the territory of her own hatred. A teaching memoir that offers a pedagogy of hope.
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
Each of the sections is written from the perspective of the mythical Taurus, from the beginning at Lascaux to Mesopotamia, Ancient Egypt, and elsewhere. This is not just a history of the bull but also a view of ourselves through the eyes of the bull, illustrating our pre-literate use of myth, how the advent of writing and the urban revolution changed our view of ourselves, and how even bullfighting in Spain is a variation on the ancient sacrifice of the sacred bull.
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. In I Am Taurus, author Stephen Palmer traces the story of the bull in the sky, starting from that point 19,000 years ago - a journey through the history of what has become known as the sacred bull. Each of the eleven sections is written from the perspective of the mythical Taurus, from the beginning at Lascaux to Mesopotamia, Ancient Egypt, Greece, Spain and elsewhere. This is not just a history of the bull but also an attempt to see ourselves through…
The truth is, I’ve never fit in. I'm always asking questions like: Why do we do it that way? And, what if we tried this instead? These types of questions, however, though intriguing to me and other creatives, make the keepers of the status quo really nervous. As a professor and narrative inquiry researcher, I study the stories of people who've been silenced—extracting the characters, plot, and setting these narratives have in common. For workplace abuse survivors, a salient theme is they think big! To support this mission, I'm on the Executive Board and serve as the Education Director for the National Workplace Bullying Coalition and am a regular contributor to Psychology Today.
As a narrative inquiry researcher, I study stories of people who have experienced a shared phenomenon, such as workplace bullying, sexual assault, or a natural disaster. Almost without exception, the initial plotlines are ones of devastation.
Over the years, I have attempted to come to a deeper understanding of where the hurt resides. Cohen answers that question, documenting for the reader how our desire to be a contributing member of a community is at the center of our striving, and how the surest way to wound another is by pushing them outside the inner circle. The cruelest of all acts is to revoke someone’s belonging to their community, and more tragically, themselves.
In Cohen’s masterful book, he shares stories and details the research on why our need to belong is an essential ingredient of being human and offers the reader fruitful ways to form more meaningful connections.
Stanford University psychology professor Geoffrey L. Cohen has used science to show that when people don't have a sense of belonging, negative consequences often follow: diminished performance at school and work, poorer health, increased levels of hostility and more divisive politics. This book offers concrete steps that we can all take to foster belonging.
Cohen is known for major studies revealing practical actions ("wise interventions") that creatively reduce conflict in all areas of life. Something as simple as affirming your core values before a test can markedly increase your score. Helping others in even small matters can improve health and…
As a journalist, lawyer, and writer, I've been thinking and writing about state regulation of sexuality for 20 years. Political writing about sex can easily fall into orthodoxy; whether conservative or liberal, each side has its expected talking points. When I began investigating ways of thinking about public displays of sexuality in Park Cruising, I returned to the cache of sex-positive writing of the 1980s and 1990s. Some of it was invigorating, and some stale. So I sought out new writing about sex and sexuality, and I was richly rewarded. These books are just the tip of the iceberg; there's a feast of contemporary writing and thinking. So much to think through and explore!
I spent a lot of the last year pressing The Right to Sex into the hands of my smartest friends.
This book tackles some of the thorniest issues in sexual politics today, teasing out the seeming contradictions in feminist thought on campus sexual assault investigations, the Me Too movement, incels, and more. It’s compulsively readable; I was hooked from the first essay.
“Laser-cut writing and a stunning intellect. If only every writer made this much beautiful sense.” —Lisa Taddeo, author of Three Women
“Amia Srinivasan is an unparalleled and extraordinary writer—no one X-rays an argument, a desire, a contradiction, a defense mechanism quite like her. In stripping the new politics of sex and power down to its fundamental and sometimes clashing principles, The Right to Sex is a bracing revivification of a crucial lineage in feminist writing: Srinivasan is daring, compassionate, and in relentless search of a new frame.” —Jia Tolentino, author of Trick Mirror: Reflections on Self Delusion
I am an artist-filmmaker, writer, and Professor of Experimental Film at the University for the Creative Arts in Canterbury, Kent, UK. I have worked at the London Filmmakers’ Co-op and BBC TV. I have been making films since 1974 and teaching since 1988. I have published extensively on Artists’ Film / Experimental Cinema. I have edited and contributed chapters to numerous other books and journals, including Millennium Film Journal, MIRAJ, Film Quarterly, Sequence, and others. I have completed over 70 single screen works in 16mm and video, gallery film and video installations, and multi-projector film performances. These have been screened worldwide.
David Curtis’ copiously illustrated book is a wide-ranging yet detailed introduction to the world of artists’ film, with over 400 filmmakers discussed. The survey is rooted in the historical avant-garde of the 1920s and ‘30s but covers work up to the present day. While major figures such as Steve McQueen and Bill Viola are mentioned, equal space is devoted to little-known filmmakers from France, Poland, and elsewhere.
This detailed survey presents for the first time an alternative history of the moving image, chronicling artists' ever-evolving fascination with filmmaking from the early twentieth century to now.
From early pioneers to key artists of the present, leading authority and film expert David Curtis offers a vivid account of the numerous individuals who have been inspired by the cinematic medium and felt compelled to interpret and respond to it in their own way. In doing so, he discusses artists' widely differing achievements, aspirations, theories and approaches.
Featuring over 400 international moving-image makers and drawing on examples from across the arts,…
I have been studying, writing, and teaching economic history for nearly four decades. I was drawn to the field because it let me combine my passion for understanding how the past and present are connected with my fascination with the insights derived from the natural sciences. When I started studying economic history, the discipline was still relatively new, having grown out of pioneering research in the 1950s and 1960s by a small band of innovative scholars. During my career, I have met many of these intellectual giants personally, and I have watched the discipline of economic history mature and grow in both its methods and intellectual scope.
The modern world is defined by the relentless pace of technological change. But what is technology and how in the world does progress occur? Economists often treat the process of innovation as a “black box” out of which new products and processes emerge. Arthur opens the lid of this box and provides an eye-opening set of insights about how things work inside the box, and how that affects the rate and direction of innovation.
“More than anything else technology creates our world. It creates our wealth, our economy, our very way of being,” says W. Brian Arthur. Yet despite technology’s irrefutable importance in our daily lives, until now its major questions have gone unanswered. Where do new technologies come from? What constitutes innovation, and how is it achieved? Does technology, like biological life, evolve? In this groundbreaking work, pioneering technology thinker and economist W. Brian Arthur answers these questions and more, setting forth a boldly original way of thinking about technology.
The Nature of Technology is an elegant and powerful theory of technology’s origins…
I’m a political theorist recently retired from the University of Toronto. Around fall 2014, I became aware that a hyper-energetic, well-educated intelligentsia was trying to move heaven and earth to make fascism intellectually respectable again. I resolved to educate myself about these scary characters. I was truly alarmed, and wrote my book to convey my alarm to fellow citizens who hadn’t yet woken up to the threat. Sure enough, within a couple of years, Richard Spencer rose to media stardom; and one of the first things that Trump did after being elected in November of 2016 was to decide that a crypto-fascist Steve Bannon was worthy of a senior position in the White House.
Waite’s book is an often brilliant account of how Nietzsche (and Heidegger too) have duped the philosophical and cultural Left. The book is too long, and also often unwieldy and self-indulgent. Yet it contains many gems. Part of what I was trying to do in my book was to make some of Waite’s best insights accessible by writing a much shorter, more punchy book.
Appearing between two historical touchstones-the alleged end of communism and the 100th anniversary of Nietzsche's death-this book offers a provocative hypothesis about the philosopher's afterlife and the fate of leftist thought and culture. At issue is the relation of the dead Nietzsche (corpse) and his written work (corpus) to subsequent living Nietzscheanism across the political spectrum, but primarily among a leftist corps that has been programmed and manipulated by concealed dimensions of the philosopher's thought. If anyone is responsible for what Geoff Waite maintains is the illusory death of communism, it is Nietzsche, the man and concept. Waite advances his…
I’m a philosopher based in Tartu, Estonia. In my work I’ve always been interested in value and value judgments, and how value gets us to act, sometimes, though by no means always. But only recently have I become puzzled by what happens when value motivates us the wrong way, as when we are drawn to something (an action, an event) for its badness, not for its goodness. And that’s how I gradually uncovered the fascinating, centuries-long philosophical (and sometimes literary) history narrated in my book and partially represented in the booklist.
Aristotle is an obligatory milestone in the history of the main idea of my book: all desire the good or the apparent good.
The Nicomachean Ethics also provides a gallery of interesting and puzzling characters: the akratic, who wants the good but, being weak, goes for what they know to be worse; or the outright vicious, who wholeheartedly chooses the bad, but still under the guise of the good, being misled by pleasant associations with the wrong things.
"The Nicomachean Ethics", along with its sequel, "the Politics", is Aristotle's most widely read and influential work. Ideas central to ethics - that happiness is the end of human endeavor, that moral virtue is formed through action and habituation, and that good action requires prudence - found their most powerful proponent in the person medieval scholars simply called 'the Philosopher'. Drawing on their intimate knowledge of Aristotle's thought, Robert C. Bartlett and Susan D. Collins have produced here an English-language translation of the Ethics that is as remarkably faithful to the original as it is graceful in its rendering. Aristotle…
I have always been fascinated by beauty and art. As a child growing up in India, I sketched frequently. Later, I became obsessed with photography. In 1999, I moved from my first academic job to join the newly forming Center of Cognitive Neuroscience at the University of Pennsylvania.The move was an opportunity to rethink my research program. In addition to studying spatial cognition, attention, and language, I decided to investigate the biological basis of aesthetic experiences. At the time there was virtually no scholarship in the neuroscience of aesthetics. It has been an exciting journey to watch this field grow. And, it has been exhilarating to start the Penn Center for Neuroaesthetics, the first research center of its kind in the US.
This book is an excellent example of interdisciplinarity. Gabrielle Starr is a humanist—a literary scholar, by training—who probes neuroscience methods and how brain sciences can contribute to our understanding of aesthetics. She addresses literature, poetry, music, and visual art with ideas informed by experimental neuroaesthetics work.
A theory of the neural bases of aesthetic experience across the arts, which draws on the tools of both cognitive neuroscience and traditional humanist inquiry.
In Feeling Beauty, G. Gabrielle Starr argues that understanding the neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and the arts. Drawing on the tools of both cognitive neuroscience and traditional humanist inquiry, Starr shows that neuroaesthetics offers a new model for understanding the dynamic and changing features of aesthetic life, the relationships among the arts, and how individual differences in aesthetic judgment shape the varieties of aesthetic experience.
