The most recommended painting books

This is a truly remarkable work. I was expecting a straightforward book of art but discovered a wonderful portrait of Syria in the 20th century. It is an original, creative, and deeply contextualized lens into the modern political history of Greater Syria. It successfully brings natural Syria, Bilad al Sham, into our frame of reference through the work of three main artists: Khalil Gibran, Adham Ismail, and Fateh al Moudarres. In its early chapters, it skillfully describes and analyses Syria’s interface with the late Ottoman period. The Interwar Mandate period is particularly well researched and articulated in drawing Syrian plastic arts into view, as France and other European diplomats, philosophers, and anthropologists’ influenced individual Syrian poets, and philosophers either during their sojourns in Europe or at home in Syria. Beautiful Agitation is an enchanting read, scholarly and lively, making sense for the first time of important Syrian artists’… show more.

This was a different book than the normal Erotic Romance. I loved the cover, it just says so much about the story itself.

When women started to die at a famous artist's castle, suspicion ran rampant in Alvarez and Elle's minds. Who did it? Who could they trust? The mystery surrounding them mounted and everyone was a suspect. With a woman locked in the attic and an older woman seeking human blood and human organs for her sacrifices, you had a suspenseful time dissecting all the twists and turns in the book.

This book is an absolute must-read for all painters. Kandinsky is known as the father of modern art who brought abstract painting into the realms of art history. As an important aside, there is now controversy over his title, as new information has come up about a woman painter Hilma af Klint, that preceded Kandinsky for abstract painting ideas. Even so, Kandinsky was the first to write about spirituality and art for painters. His ideas still feel fresh on how color plays an integral role to express emotion in painting. He originally wrote this book in German, and so the translation to English along with his determination to express inner motivation for painters, makes this read a bit of a challenge. A worthy task guaranteed to surprise even the savviest painter, on how Kandinsky points out our inner thoughts as contemporary painters, but more than a century ago.

David Hockney believes, rightly in my opinion, that European artists since the Renaissance have used optical aids - mirrors of different types, the camera obscura, the camera lucida - much more often than conventional art history has allowed. I like and admire this book for the wonderful choice of illustrations, and the deep knowledge and understanding of painting methods that Hockney betrays, with wit and elegance, in the text. His arguments are highly subversive and involve a complete re-thinking of the role of optics in Western art, before photography. I don't go along with all of Hockney's theories. But he has overturned the subject, and has got art historians thinking again.

I personally read everything Burns makes. He is one of my all-time favourite graphic novelists and I’m heavily inspired by his work. This penultimate work of his has again that sense of otherwordly weirdness to it that he does so well. I just adore the tight line work and moody nightmarish sequences he does. Painting a tale here that raises questions that only get answered when the entire trilogy is completed. Mind-bogglingly well-constructed and strange but very good.

The first time I saw a Pre-Raphaelite painting, I was immediately besotted and this was the first book I could find on the subject. Despite being over half a century old, this is the best starting book, filled with images and engagingly written, which will lead to a life-long passion for the subject. It's a handy size and like all the T&H World of Art books, it's an essential part of your Pre-Raphaelite library.

Art and Max is one of my favorite picture books because it contains humor, knowledge, great characters, and imagination. David Weisner is a master at capturing expression and pushing the limits of the imagination to amuse and surprise the reader. Art is a serious artist reptile, Max is an overexcited literal lizard that wants to learn to paint. He is a serious annoyance to Art. When Art finally agrees to let him paint, confusion on what to paint explodes into a mess. Each art mishap resembles famous artist styles and techniques. It’s a funny, clever, and imaginative book that both children and adults enjoy.

Anyone who admires the portraits of John Singer Sargent is sure to know his gorgeous Daughters of Edward Darley Boit, the exquisite grouping of four girls in white pinafores emerging from the shadowy rooms of an elegant Parisian apartment. But do you know the girls, and how Sargent came to paint them? And what became of them all? Erica Hirshler, a curator at Boston’s Museum of Fine Arts, where the painting is on permanent exhibition, has written a book that reveals all in a stylish and richly nuanced historical detective story.  

John Carlson, himself a noted American Impressionist painter and teacher, addresses all the common elements faced by landscape painters, including design, light, perspective, color, clouds, trees, and composition. While the book was first published in 1929, Dover has reprinted the 1958 edition, so the language is a little more accessible to the modern reader without sacrificing Carlson's forthright style. Although the 58 diagrams are in black and white, the book's chief value is its practical principles and insights.

Martin Kemp is the world's leading expert on the use of perspective, optical tools, and scientific knowledge in art. This encyclopaedic book follows developments from the Italian Renaissance to the nineteenth century, with a great wealth of illustrations, from Brunelleschi and Alberti to the colour theories of Goethe and Chevreul. I re-read and refer to this book repeatedly - as I am sure do many others - and am always finding new insights. Kemp's explanations are always clear and penetrating, even when the writers and artists he is writing about are not.