As an only child of a working mother, I spent a lot of Saturday afternoons with John Wayne. I graduated to movie nights at the theater with Clint Eastwood. My hero-worshipping crush on tough guys combined with my passion for romance novels and my fascination with the history of the American West made me the perfect candidate to write gritty, romantic westerns. My very first book, written over 30 years ago, was a western.
It has been years since I read this novel and I still vividly remember the “Wow, this is good stuff and I want to write something just like this” feeling it gave me.
Take a strong woman beset by unbelievable odds, add a dark, dangerous, tortured anti-hero. Sprinkle a little vengeance on top, then mess it all up with love.
Lily lost her childhood the day the Sharpe gang murdered her parents and “adopted” her. Soon, she was “Lily the Cat,” a wanted outlaw herself, ruthless and smart. But Lily bided her time and planned her revenge, betraying them all and making her escape, running for the life that should have been hers.
But she reckoned without Texas Sharpe, the man who loved her, married her and defied his father for her. And Texas was about to show Lily just how ruthless a man betrayed could be....
I’ve always sought to escape this world for another; one more exciting. Whether it was reading, or playing D&D, I constantly looked for new places to explore. Building my own has become one of my favorite things about writing. What starts as a simple ‘What if...’ turns into a place I find myself in daily. I’m no longer just an explorer, but a builder, and my craving for unique worlds hasn’t gone away. I’m still learning, still creating new worlds beyond my first, and always still walking new ones. I hope you love escapism as much as I do, because these books will transport you.
This book promised me high fantasy with tomb raiding and boy, did it deliver! Sangster’s world is simply named the Commonwealth, but it is anything but simple. Twin moons, ancient lore circling around monstrous shapeshifters, a forbidden magic opposing a heavily religious relegated one, carnivorous unicorns, deadly tombs, and swords carrying the souls of those it killed, She Who Rides the Storm is chock full of detailed worldbuilding. With a beautiful cast of four amazingly well-written characters you actually grow to care about, their individual heists to get into the tomb of the shapeshifter king are loaded with high stakes and dangers. Even better? The plot twists that connect them are glorious and had my jaw on the floor. Conclusion: a humble epic waiting to be discovered.
In this atmospheric YA fantasy that is Wicked Saints meets There Will Come a Darkness, four teens are drawn into a high-stakes heist in the perilous tomb of an ancient shapeshifter king.
Long ago, shapeshifting monsters ruled the Commonwealth using blasphemous magic that fed on the souls of their subjects. Now, hundreds of years later, a new tomb has been uncovered, and despite the legends that disturbing a shapeshifter's final resting place will wake them once again, the Warlord is determined to dig it up.
But it isn't just the Warlord who means to brave the traps and pitfalls guarding…
I’m the youngest of five, and my siblings are what shaped me and my world. Growing up, I never felt alone, except climbing the stairs to bed half an hour before anyone else (such an injustice!). We played cards and games and had noisy discussions throughout my childhood and youth, and we still do. I wouldn’t be me without siblings. It’s the relationship that most fascinates me. There are siblings in all the books I’ve written and probably in all the books I’ll ever write. It’s not a theme I look for when I read, but I recognize the feeling when I encounter it and it feels like home.
I read this book accidentally. When ordering The Witch’s Boy by Michael Gruber (so good! no siblings), this title came up alongside it. Barnhill won the Newbery with The Girl who Drank the Moon, but this one won my heart first. I loved the woods that separated the two worlds and the two main characters; I loved the image of magic pulsing in the veins; and I loved the subtle sibling theme. The title character, Ned, is defined in part by his dead twin. He fears that the villagers are right in saying the wrong boy survived. Having siblings is not all cozy belonging. There’s guilt and insecurity and competition and heartbreak too. This book captures some of those lost feelings among its thrills and terrors, while being ultimately uplifting.
When Ned and his identical twin brother tumble from their raft into a raging river, only Ned survives. Villagers are convinced the wrong boy lived. But when a Bandit King comes to steal the magic Ned's mother, a witch, is meant to protect, it's Ned who safeguards the magic and summons the strength to protect his family and community. Meanwhile, across the enchanted forest that borders Ned's village lives Aine, the resourceful and pragmatic daughter of the Bandit King, who is haunted by her mother's last words to her: "The wrong boy will save your life and you will save…
I am the author of eleven books for middle-grade readers, including three books from a dog’s point of view. These books have won five state book awards between them, and have been published in other languages. I’ve been writing for young readers for over 20 years. I also live with four furry friends of my own: Cookie (a cockapoo), Myrtle (a pug), Nala (a calico cat), and Daisy (a sweet mutt cat). I miss my big-hearted goldendoodle Lucky every day. And, like my dogs, I can be bribed with cheese.
There are so many things to love about this funny, fast-paced story: the pets refer to their human as Mrs. Food. The sneaky plan they devise and why. The relationships between the entire cast of characters which includes not just Butterbean the dog but also Oscar the mynah bird, Walt the cat, a pair of rats named Marco and Polo, and others.
It is delightful, and you and your young reader will chuckle all the way through this one.
Ocean’s Eleven meets The Secret Life of Pets in this “classic caper” (Booklist) following a ragtag group of pets who will do whatever it takes to avoid being sent to the pound.
Butterbean knew she wasn’t always a good dog. Still, she’d never considered herself a BAD dog—until the morning that her owner, Mrs. Food, fell in the hallway. Admittedly the tile was slipperier than usual, mostly because Butterbean had just thrown up on it.
Now Butterbean and her fellow pets have to come up with a grand plan to support themselves in case Mrs. Food is unable to keep…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.
Estleman has taken a well-known story—the chase, capture, and assassination of Billy the Kid—and given it new life by exploring the occult and its effect on Sheriff Pat Garrett as he stumbles toward his destiny as the killer of the Kid.
This novel is a perfect example of how fiction can sometimes offer a richer probe into history by exposing the inner workings of the characters.
In Loren D. Estleman's Journey of the Dead, when Pat Garrett killed his poker buddy, Billy the Kid, he had no idea what a terrible emotional price he would pay. Haunted by memories of Billy, Garrett wanders the New Mexico desert in a fruitless pursuit of peace.
Deep in the same desert, an ancient Spanish alchemist searches for the fabled philosopher's stone. Resolutely alone in his quest he devotes his long life to hunting the secrets of the old gods.
As these two men seek answers to questions that have confounded mankind for centuries, their stories encompass the panorama of…
I’ve been fascinated by the Wild West since I was a little boy, playing Cowboy vs Indian with a plastic six-shooter and bow-and-arrow set. I grew up watching movies and reading books about the Wild West, and probably that sense of adventure and necessary courage required in such settings helped build the foundation that led me to join the Marines. It took guts to move out West. (Or desperation.) But either way, the settling of the Wild West is one of our core American stories. To me, the stories of the West are even more enthralling today than they were even fifty years ago.
This book is the perfect example of a great Western. A stern, courageous lawman, tougher than forged steel. A young sidekick by his side. A beautiful woman in town that everyone wants.
Put those elements onto the page and then throw into it a cruel, evil rancher, who’s already killed the city marshal and one of his deputies. What do you end up with? A kick-ass Western.
When Virgil Cole and Everett Hitch arrive in Appaloosa, they find a town suffering at the hands of a renegade rancher who's already left the city marshal and one of his deputies dead. Cole and Hitch are used to cleaning up after scavengers, but this one raises the stakes by playing not with the rules-but with emotion.
Ever since I can remember, I have been fascinated by scary movies, creature features, and books that tell tales of the strange and supernatural. Years later, my own books explored those things that scare us, from monsters of the deep and the ways we die to the mythology of blood. Research for those books led me into realms that explained why we fear the things we do. Many of those fears are found in horror novels, which provide an endless source of fright, release, and entertainment within their haunting pages. I can’t think of any other genre of writing that takes its readers on such a joyously terrifying ride.
When I first read Cormac McCarthy, I was awestruck by the brutal beauty of the way he used language. His way with words is almost enough to make you look past the truly horrendous things he describes in this book . . . all while telling what appears to be a simple “tale of the Old West.”
I have never read a singularly more elegantly written book, yet I’ve never read anything as mind-numbingly horrific. This book is so intense and complex that it is considered the only Cormac McCarthy book that can never be made into a movie. (He also wrote All The Pretty Horses, The Road, and No Country For Old Men.)
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
Before I wrote crime novels, I was a lawyer. Legal mysteries back then were mostly set in traditional firms, with just enough lawyering to set up final courtroom scenes. I preferred novels that showed more of the nitty-gritty, the conflicts, and temperaments peculiar to different workplaces. I’d been binging Dick Francis, with his deep dives into jobs connected to racing, and I wished there were books with his level of detail in settings I knew—students scrabbling to make law review, firebrand litigators in labor firms, double-crosses in corporate practice, the horrors of bank law retreats. When I finished Francis’s excellent Whip Hand, I decided to try writing one myself.
What is it like to be a thief? I picked up Ghostman after writer Barbara Ehrenreich (Nickel and Dimed) joked on Facebook that the book taught her how to rob a casino. This exciting story does that and much more. The protagonist is forced to untangle a caper gone FUBAR and then disappear without a trace. Through multiple twists and backstabbings, readers learn the fine points of pulling off grand thefts and long cons, the tricks and trials of becoming a permanent “ghost.” The information is offered seamlessly, with no jarring breaks from action or characterization. In my opinion, there’s never been a better heist novel, though its sequel, Vanishing Games, comes close. (Sadly, Hobbs died when he was only 26, leaving behind no additional manuscripts.)
'Fast, hard and knowing: this is an amazing debut full of intrigue, tradecraft and suspense. Read it immediately!' Lee Child
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I make things disappear. It's what I do. This time I'm tidying up the loose ends after a casino heist gone bad. The loose ends being a million cash. But I only have 48 hours, and there's a guy out there who wants my head in a bag.
He'll have to find me first. They don't call me the Ghostman for nothing...
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'Brilliantly clever, gripping and action-packed. Utterly original and bound to become a big-budget movie.' SUNDAY MIRROR…
I’d already read her first novel, The Outlander, and was excited to
discover this sequel. It could easily be enjoyed as a stand-alone read, but I
recommend the first novel as equally wonderful.
I am an outside person (when
I’m not writing) and love books that describe nature and the elements. This book, set in 1917, is told against the backdrop of the Rocky Mountains and
Montana, but the scenery is much more than a backdrop. We’re immersed in the
sounds, smells, and feel of the deepest, wildest parts of this landscape
(including encounters with bears.)
It’s an adventure tale drawing on the
traditions of literary Westerns, filled with vivid characters and written in
poetic, yet page-turning, prose. I hope she writes a third novel following on
from this one. I’ll be first in line if she does.
Part literary Western and part historical mystery, Writers’ Trust Fiction Prize winner Ridgerunner is now available as a paperback.
November 1917. William Moreland is in mid-flight. After nearly twenty years, the notorious thief, known as the Ridgerunner, has returned. Moving through the Rocky Mountains and across the border to Montana, the solitary drifter, impoverished in means and aged beyond his years, is also a widower and a father. And he is determined to steal enough money to secure his son’s future.
Twelve-year-old Jack Boulton has been left in the care of…
Fer over ten years I skippered a small book publishing company. During them years I inspected countless book proposals, most which got tossed overboard. I kin quickly gauge whether a manuscript be ripe fer publication. I bring that same skill ter reading YA and middle grade fiction. Ter be honest, it be a good deal easier ter judge the work of others than write great ficiton. But since “voice” be the reflection of the author’s soul, it helps ter know that those who be crafting the tales ‘ave thar moral compass aligned ter true north. These four authors be stand up in my book.
I read this book years ago after a writer's conference and it stuck with me. The three characters have to choose between doing what’s right, which will put them in danger, or keeping quiet, which may save their lives. It’s a gritty theme for early YA readers but one I think that’s more important today than ever before. Normally I wouldn’t recommend two titles by the same author but it’s hard to find contemporary YA boy books that treat young men with respect. Tim’s books present an accurate portrait of how the boys I know roll. Tempted and sometimes fallen, but always stepping up to do the right thing. The boys in Tim’s book serve as good role models… eventually.
"Like many a crackerjack thriller, this one boasts a breakneck beginning...Rarely are kids in thrillers portrayed this realistically...Deliberate, plausible, and gritty whodunit."
-Booklist Starred Review
Telling the Truth Could Get Them Killed. Remaining Silent Could Be Worse.
When Cooper, Hiro, and Gordy witness a robbery that leaves a man in a coma, they find themselves tangled in a web of mystery and deceit that threatens their lives. After being seen by the criminals-who may also be cops-Cooper makes everyone promise never to reveal what they have seen. Telling the truth could kill them. But remaining silent means an innocent man…
