One review of my books mentioned that I make heroes out of damaged people, so it’s natural I would read that kind of book. I love to see lost souls, losers, battlers for justice, and the underdogs rise above all the elements that hold them down. I think most people root for the underdogs, whether in life, in sports, or the weaker in any competition. It’s in our nature to do so. I’m a wife, mother, writer, former commercial artist, former store owner, former importer, which makes me ripe to be something new. But I think I’m done. I’ve shot my wad, done my best at whatever, and it’s always been fun.
Iron House, short for the Iron Mountain Home for Boys, is a thriller that features orphaned brothers: weakling Julian, and his strong and fiercely protective brother, Michael. After being bullied to the point of cracking, Julian kills his abuser. Michael escapes Iron House and takes the blame as he leaves.
This leads the brothers on two very different paths. Julian is adopted and, though mentally unbalanced, becomes a writer of dark children’s stories. Michael is also adopted off the streets by the head of a crime syndicate who teaches him how to kill. Iron House is a complicated story of abuse, torment, and love. The book is not for the faint of heart.
John Hart has written three New York Times bestsellers and won an unprecedented two back-to-back Edgar Awards. His books have been called "masterful" (Jeffery Deaver) and "gripping" (People) with "Grisham-style intrigue and Turow-style brooding" (The New York Times). Now he delivers his fourth novel—a gut-wrenching, heart-stopping thriller no reader will soon forget.
HE WOULD GO TO HELL
At the Iron Mountain Home for Boys, there was nothing but time. Time to burn and time…
I am a Minnesota writer of cozy mysteries and contemporary fiction. I love the magical and care deeply about nature, the environment, and what is happening due to climate change. My novel was a chance to combine both interests. I wrote the first draft of Up There during the pandemic. While we were locked down, I spent time with a character who could fly. But while she was free, I discovered she was still lost. I spent so much of that year walking in the woods—thinking about how our world is changing, how confusing it is, and how we all are a little lost in these times.
I fell in love with this book from the very beginning.
When by-the-book case worker Linus Baker from the Department in Charge of Magical Youth comes to investigate a home for six dangerous magical children, he discovers an unlikely family in an unexpected place. As a mother, I was smitten by the insecure yet powerful children and was cheering for Linus to save them. I’ve been out of my element with kids too, Linus; I understand.
Best of all, I could feel the compassion and love on the pages of this amazing book.
Linus Baker leads a quiet, solitary life. At forty, he lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of children in government-sanctioned orphanages.
When Linus is unexpectedly summoned by Extremely Upper Management he's given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children reside: a gnome, a sprite, a wyvern, an unidentifiable green blob, a were-Pomeranian, and the Antichrist. Linus must set aside his fears and determine whether or not…
A former special assistant to Maryland’s attorney general, I reluctantly gave up my three-decade legal career to tell two remarkable stories I was uniquely qualified to tell. Orphaned at age 11, I grew up in New Orleans as a foster care client of the Jewish Children’s Regional Service, the agency that formerly ran the orphanage in which my mentor, legal trailblazer Bessie Margolin, was raised. It was also the orphanage in which I would've been raised had it not closed in 1946. During the time I spent with Bessie Margolin she inspired me to both become her future biographerand go on to write the first comprehensive history of the nation’s earliest purpose-built Jewish orphanage.
Newberry Honor book winner Gail Carson Levine beautifully captures the life of eleven-year-old Dave, a troublemaking orphan in 1926, and his time in New York’s Hebrew Home for Boys.
When I years ago read this book to my son, who was abut Dave’s age, both of us became enthralled with not only the vivid description of the sometimes tough and rigid orphanage in the Lower East Side, but also Dave’s late-night adventures into the beautiful music and among the kind strangers and leading figures of the Harlem Renaissance.
Loosely based on her father’s time in New York’s Hebrew Orphan Asylum, Levine opens a window and lets us hear the Yiddish sounds and lets us peak into the early twentieth-century world of Jewish orphanages, while also celebrating the boisterous joys of friendship with unlikely partners.
If nobody wants him, that's fine.He'll just take care of himself.
When his father dies, Dave knows nothing will ever be thesame. And then it happens. Dave lands in an orphanage—the cold and strict Hebrew Home for Boys in Harlem—far from the life he knew on the Lower East Side. But he's not so worried. He knows he'll be okay. He always is. If it doesn't work out, he'll just leave, find a better place to stay. But it's not that simple.
Outside the gates of the orphanage, the nighttime streets of Harlem buzz with jazz musicians and swindlers; exclusive…
When a novel unfolds in my mind’s eye like a
movie, I know I have found gold!
Kerry Chaput’s Chasing Eleanor is the hopeful
tale of newly orphaned Magnolia Parker who took me by the hand and walked me
through hardship, friendship, love, and what it means to do your best in a
world gone astray. As Magnolia and friends traveled from state to state
searching for Eleanor, I felt as though I was tagging along and seeing it all
through my own eyes.
Bursting with words of wisdom from none other than Eleanor
Roosevelt, herself, this beautifully told, emotion filled, coming-of-age story reminds
us that love doesn't always come from the places we expect but if we open our
hearts, love will surely find us anyway.
Newly orphaned Magnolia Parker must protect her sick little brothers, but when the authorities send the boys to an unknown orphan asylum, Magnolia calls on her unwavering grit to bring them home. She's lost everything but still has a secret weapon—a promise from Eleanor Roosevelt, the most famous woman in America. Setting out on a cross country quest, she befriends two unlikely travelers: Hop, a migrant worker with a big heart, and Red, a young girl traumatized into silence. Hunger and dust storms aren't the only dangers this found family faces on the rails. After an assault, they're forced to…
I was a late reader. I was, in fact, forcefully against reading. You’d have had to drag me by my ear to get me anywhere near a book. I was dyslexic, suffered with Irlen syndrome, and detested the embarrassing fact that I found reading too difficult. I thought my mother had invented some kind of cruel torture when she insisted I read to her every day. It never worked. And then… it did. I read my first book at the age of 12, and it was written in the form of letters. It was Animorphs Book 1 by KA Applegate, and the rest, as they say, is history.
Thornhill tells the story of two girls—Ella, recently moved into a new house, which has a perfect view of the abandoned Thornhill Institute next door, and Mary, the mysteriously evasive girl who seems to live in the dilapidated building. Ella’s narrative is told in a graphic novel style with blackwork drawings, heavy and bold, while Mary’s narrative is told via diary entries. Each narrative informs the other until they eventually meet to reveal the truth on both sides. Thornhill was one of those rare gems that pull me firmly into the story by use of the unusual format—and keeps me there until the end.
Parallel stories set in different times, one told in prose and one in pictures, converge as a girl unravels the mystery of the abandoned Thornhill Institute next door.
1982: Mary is a lonely orphan at the Thornhill Institute For Children at the very moment that it's shutting its doors. When her few friends are all adopted or re-homed and she’s left to face a volatile bully alone, her revenge will have a lasting effect on the bully, on Mary, and on Thornhill itself.
2017: Ella has just moved to a new town where she knows no one. From her room…
I've been writing Spooky Middle Grade for a number of years, and before that, I wrote horror for Hollywood. Living in Sleepy Hollow, spooky is in my blood, and if I didn't write creepy stories, they'd kick me out. I'm also a professional storyteller and have scared the bejeebus out of kids and adults in places like Sleepy Hollow Cemetery, Rockefeller State Park Preserve, and Washington Irving's Sunnyside. Halloween is my favorite time of year. It more or less becomes a month-long village-wide celebration in October. Being inundated with all this crazy rubs off on you, and I have been well-steeped.
When I read this book, I was thrown sideways and bowled over. It is just so unique! The creep factor is ridiculously high, and it goes places that are totally unexpected and unheard of in a middle-grade novel. This is not your standard spooky tale, but rather one that will eat into your soul and give you series willies.
At the Cavendish Home for Boys and Girls, you will definitely learn your lesson. An atmospheric, heartfelt, and delightfully spooky novel for fans of Coraline, Splendors and Glooms, and The Mysterious Benedict Society.
Victoria hates nonsense. There is no need for it when your life is perfect. The only smudge on her pristine life is her best friend Lawrence. He is a disaster-lazy and dreamy, shirt always untucked, obsessed with his silly piano. Victoria often wonders why she ever bothered being his friend. (Lawrence does, too.)
But then Lawrence goes missing. And he's not the only one. Victoria soon discovers…
A former special assistant to Maryland’s attorney general, I reluctantly gave up my three-decade legal career to tell two remarkable stories I was uniquely qualified to tell. Orphaned at age 11, I grew up in New Orleans as a foster care client of the Jewish Children’s Regional Service, the agency that formerly ran the orphanage in which my mentor, legal trailblazer Bessie Margolin, was raised. It was also the orphanage in which I would've been raised had it not closed in 1946. During the time I spent with Bessie Margolin she inspired me to both become her future biographerand go on to write the first comprehensive history of the nation’s earliest purpose-built Jewish orphanage.
The author of nearly three dozen nonfiction books for young people, Catherine Reef reveals through her clear writing, first-hand accounts, and photographs what it was really like for a child to grow up in an orphanage in America from the mid-1850s to the early 20th century when nearly all of these congregate dependent childcare institutions closed.
Reef also includes a satisfying Afterword that lets us know “where life led some of the children” who appeared in her book. Although intended for a young reader, Alone in the World also proved a strong resource to me in writing my book and will interest anyone who wants a thoughtful and deeply-researched overview of this topic.
Uncovers the true history of American orphanages, revealing what it was like to eat, sleep, study, and play in such institutions, why children were sent to live there in the first place, what happened to them after they left, and more.
A former special assistant to Maryland’s attorney general, I reluctantly gave up my three-decade legal career to tell two remarkable stories I was uniquely qualified to tell. Orphaned at age 11, I grew up in New Orleans as a foster care client of the Jewish Children’s Regional Service, the agency that formerly ran the orphanage in which my mentor, legal trailblazer Bessie Margolin, was raised. It was also the orphanage in which I would've been raised had it not closed in 1946. During the time I spent with Bessie Margolin she inspired me to both become her future biographerand go on to write the first comprehensive history of the nation’s earliest purpose-built Jewish orphanage.
Perhaps the standard bearer in scholarly research about the history of orphanages in America, U Mass Boston Professor Timothy Hacsi’s Second Home is essential reading for anyone seriously studying the subject.
Armed with tables that cogently summarize – by decade - the number and types of orphanages, their populations, funding sources, and staffing ratios, Hacsi surveys the landscape of American public policy in the 19th and 20th centuries as religious groups, Progressives, and ultimately government responded to the needs of dependent children and families.
As orphan asylums ceased to exist in the late 20th century, interest in them dwindled as well. Yet, from the Civil War to the Great Depression, America's dependent children - children whose families were unable to care for them - received more aid from orphan asylums than from any other means. This omission in the growing literature on poverty in America is addressed in this book. As Timothy Hacsi shows, most children in 19th-century orphan asylums were half-orphans, children with one living parent who was unable to provide for them. The asylums spread widely and endured because different groups -…
I love reading crime but oh, it does annoy me when an otherwise competent sensible female detective insists on going into the lonely house to tackle the murderer without backup, and needs to be rescued by her male sidekick. Cass is the cool-in-a-crisis heroine we’d all like to be. Like her, I’m a solo sailor (I’ve lent her my yacht for the series) and I’d love to say I’ve learned to be quick-thinking, self-reliant, and prudent—the sea doesn’t forgive stupidity. I also live in a village where everyone sees the lifeboat going out, and having to be rescued would be the ultimate embarrassment.
Through Covid I revisited childhood favourites, and found I still loved this series. Cathy has grown up in a Birmingham orphanage, and the only clues to her identity are a locket with a portrait of a Highland lady and a torn luggage label. She escapes north, where she meets Ian and Sovra. They spend their time messing about in their boat on the loch or camping in a remote bothy. Their determination to help Cathy gets them all into trouble, but it’s Cathy’s own character that gives her the chance of a happy ending.
In this, the third Ian and Sovra story, the pair discover that life in Edinburgh can be as thrilling as life in their own Western Highlands. For there they meet Cathie, who's escaped from an orphanage. They smuggle her out to a secret hut on the coast, where, after her rides in lorries and rolls of carpet, she's only too delighted to enjoy the free outdoor life of her new friends, while Ian and Sovra do a spot of detection for her. How they solved the mystery and found that this land of mountains, lochs and white sand really was…
This book left a deep emotional impact on me. Many times, it reduced me to tears so be sure to have a box of tissues handy as you read it.
Lily Graham’s heart-breaking, descriptive passages of life in Auschwitz and the fact that anyone, let alone a child born into that horror, could survive, were beyond remarkable.
Graham shows us strong characters like Eva, Sofie, and Helga, who by helping one another and coming together, managed to get through the worst things that could ever happen to a human being. This is a story that should be read by all generations to ensure that such horrendous things can never ever happen again.
For readers of Lilac Girls and The Tattooist of Auschwitz, a heartbreaking story of survival, where life or death relies on the smallest chance and happiness can be found in the darkest times.
It is 1942 and Eva Adami has boarded a train to Auschwitz. Barely able to breathe due to the press of bodies and exhausted from standing up for two days, she can think only of her longed-for reunion with her husband Michal, who was sent there six months earlier.
But when Eva arrives at Auschwitz, there is no sign of Michal and the stark reality of the…
