Evanovich’s Stephanie Plum books are fast-paced, light reads that can
pull me out of the deepest reading slump. I think of them as reading chocolate because
of the level of enjoyment and satisfaction they give me.
I’ll admit, I’ve read
the series out of order. Fortune and Glory was one of the best. There’s lots of
action, all my favorite characters pitched in, and there was a mystery that was
twisty but resolved in a way that was entertaining and satisfying.
From “the most popular mystery writer alive” (The New York Times), the twenty-seventh thrilling entry in the #1 New York Times bestselling series isn’t just the biggest case of Stephanie Plum’s career. It’s the adventure of a lifetime.
When Stephanie’s beloved Grandma Mazur’s new husband died on their wedding night, the only thing he left her was a beat-up old easy chair…and the keys to a life-changing fortune.
But as Stephanie and Grandma Mazur search for Jimmy Rosolli’s treasure, they discover that they’re not the only ones on the hunt. Two dangerous enemies from the past stand in their way—along…
I’m a lifelong New Jerseyan married to a man whose family comes from Georgia. It gave me an opportunity to observe the white, Southern, upper-class weltanschauung, up close. To hear them talk, you’d think the Civil War had ended just a few days earlier, and if the Yankees had only respected states’ rights, none of that mess would have happened. My book is about a dysfunctional Georgia family who has far too much money than is good for them. Hijinks ensue.
The action is set in the fictional east Texas town of New Long Lincoln, where Daniel Russell returns after a long absence. He was 13 when his father tried to kill them both by driving his car into Moon Lake. Now a drought has caused the lake to evaporate and the car’s been found, with the remains of Daniel’s father inside, as well as an extra body in the trunk. Daniel teams up with a childhood friend who’s become a police officer to untangle a web of old grudges and strange murders.
Drowned towns – ones that are deliberately submerged in order to build dams and reservoirs – fascinate me. There’s one in Sussex County, New Jersey, called Walpack. It was intended to be buried under a man-made lake in the nineteen-seventies, as part of a project to build a dam across the Delaware River. It was a cause célèbre…
Daniel Russell was only thirteen years old when his father tried to kill them both by driving their car into Moon Lake. Miraculously surviving the crash- and growing into adulthood- Daniel returns to the site of this traumatic incident in the hopes of recovering his father's car and bones. As he attempts to finally put to rest the memories that have plagued him for years, he discovers something even more shocking among the wreckage that has ties to a twisted web of dark deeds, old grudges, and strange murders.
As Daniel diligently follows where the mysterious trail of vengeance leads,…
The In-Betweens is a memoir about growing up Black and Jewish in 1980s America. Davon Loeb’s prose is so exquisite that it literally made me hold my breath, re-read the most gorgeous lines, rethink the direction of my own writing.
His book is unforgettable and powerful in scope but built on the most banal blocks. I did not grow up Black and Jewish, but I could relate to so many details common to our generation: baggy jeans, boxes of Kool-Aid, high hair, and excessive hairspray. He uses the everyday to build empathy and change the way you will see the people around you.
The biracial coming-of-age journey of a boy from Black and Jewish families-a "brilliant, devastating book."
The In-Betweens tells the story of a biracial boy becoming a man, all the while trying to find himself, trying to come to terms with his white family, and trying to find his place in American society. A rich narrative in the tradition of Justin Torres's We the Animals and Bryan Washington's Memorial, Davon Loeb's memoir is relevant to the country's current climate and is part of the necessary rewrite of the nation's narrative and identity.
I love reading complicated women. Messy, difficult, sarcastic, strong, clever, unusual, prickly women—works in progress who don’t always make good decisions and defy expectations. Characters shaped by their circumstances—good or bad—who use their considerable talents to figure their way out of difficult situations. I crave books that make me look anew at familiar genres or subjects. An element of mystery is the secret ingredient that makes me fall hard for a story; add a memorable female lead, and you’ve got the perfect book. It wasn’t long before I switched from reading female-led mysteries to writing them. I haven’t looked back.
Constance Kopp was a real person, one of the first female deputy sheriffs in the United States, and the inspiration for this book.
I love how Stewart plays off brief mentions in the historical record and brings her fully to life. Constance doesn’t fit the expectations of a proper lady in 1914 New Jersey—she’s too outspoken, too tall, too independent. This is a feminist story, a finding-your-purpose story, and a wonderful historical snapshot.
The next book in the series is called Lady Cop Makes Trouble, and if you haven’t figured it out yet, I love women who make trouble.
From the New York Times best-selling author of The Drunken Botanist comes an enthralling novel based on the forgotten, true story of one of the US's first female deputy sheriffs.
Constance Kopp doesn't quite fit the mould. She towers over most men, has no interest in marriage or domestic affairs, and has been isolated from the world since a family secret sent her and her sisters from the city to the country fifteen years before. When a powerful, ruthless factory owner runs down their buggy, a dispute over damages turns into a war of bricks, bullets, and threats as he…
I came of age during the tumult of the 1960s and 1970s. I stood more on the sidelines than at the burning center, so I’ve always wondered what it was like for those who did. That’s why I wrote my first novel, to go beyond the borders of my own experience. The 60s/70s era of political and sexual upheaval has reduced itself over time to a series of cliches. What I love about the books on my list is how willing they are to break through to real feelings and events and sensations. Hope you like them, too.
I’ve always loved how Philip Roth populates his fiction with transgressors. It’s hard not to envy their boldness, bad as they may be. Narrated by Roth’s stand-in, bad boy Nathan Zuckerman,American Pastoral focuses on Zuckerman’s high school idol, ‘Swede’ Levov. Swede’s triumphs on the sporting field and later in business, anoint him for a life marked by pure American success. His inevitable fall from grace feels moving and tragic and infuriating. Swede can’t comprehend how his darling teenage daughter has become an anti-Viet Nam War terror bomber, responsible for bystander death. No happy lessons here. Read American Pastoral if you like books that leave you with as many questions as answers—the way life does.
Philip Roth's fiction has often explored the human need to demolish, to challenge, to oppose, to pull apart. Now, writing with deep understanding, with enormous power and scope and great storytelling energy, he focuses on the counterforce: the longing for an ordinary life. Seymour 'Swede' Levov - a legendary high school athlete, a devoted family man, a hard worker, the prosperous inheritor of his father's glove factory - comes of age in thriving, triumphant, postwar America. He has a beautiful wife - Miss New Jersey 1949 - and a lively, precocious daughter, Merry. She is the apple of his eye…
When I finished my second book, which followed the life course of women in the U.S. in the early 20th century, I was left with questions and some confusion about women’s sexuality in the period. Books and magazine articles at the time obsessively discussed young women and their sexual freedom. But young women’s journals, and the psychological literature showed that publicly, young women performed a heterosexual script, but privately, and emotionally, they often remained far more comfortable with other girls and young women. Slowly it became clear that the real sexual revolution of the 20th century was the triumph of heterosexual relations and norms during the 1920s until the 1940s.
Michael Moffatt was a professor of anthropology when he embedded himself in the Rutgers student dorms to begin a years-long investigation of what entering adulthood meant for undergraduates at the State University of New Jersey.
Moffatt’s research included survey data, perceptive description of his own experience, and student journals (used with permission, of course). In the great tradition of social science, Moffatt identifies a range of sexual types among the young people he studied.
Coming of Age is about college as students really know it and-often-love it. To write this remarkable account, Michael Moffatt did what anthropologists usually do in more distant cultures: he lived among the natives. His findings are sometimes disturbing, potentially controversial, but somehow very believable. Coming of Age is a vivid slice of life of what Moffatt saw and heard in the dorms of a typical state university, Rutgers, in the 1980s. It is full of student voices: naive and worldy-wise, vulgar and polite, cynical, humorous, and sometimes even idealistic. But it is also about American culture more generally: individualism,…
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Nominated for a Pulitzer, Ortiz-Cofer’s book is an eclectic collection of poetry, creative nonfiction and fiction. She weaves these genres masterfully into a mosaic of diasporican life, especially from a woman’s perspective. Published in 1993, The Latin Deli breaks from the traditional, bleak picture of Puerto Rican urban life in the States. Growing up in Paterson, New Jersey, and then Georgia, Ortiz Cofer focuses on the more typical stories of growing up in a middle-class home and what she casts as the daily struggle “to consolidate my opposing cultural identities.” A subtextual element of the book is Ortiz Cofer’s developing identity as a Latina writer in a country that sees you as an “other.”
A community transplanted from what they now view as an island paradise, these Puerto Rican families yearn for the colors and tastes of their former home. As they carve out lives as Americans, their days are filled with drama, success, and sometimes tragedy. A widow becomes crazy after her son is killed in Vietnam, her remaining word "nada." Another woman carries on after the death of her husband, keeping their store, filled with plantain, Bustello coffee, jamon y queso, open as a refuge for her neighbors. And there are Cofer's stories of growing up with a dictatorial and straying father,…
I grew up in New Jersey and my paternal ancestors have lived here since 1732. My ancestors served in the Civil War, my father served in World War II and I also served in the military. From an early age, I wanted to be a writer, and that ambition, as well as my experience as an army officer in the Vietnam War, provided the sparks that ignited my writing career.
Most people were drawn to this work because of the HBO television series of the same name. While there was, to be kind, a great deal of exaggeration in the series, Johnson’s thorough research for the book provides an accurate and fascinating account of the history of Atlantic City and its legendary political boss Enoch “Nucky” Johnson.
"When I was first approached by HBO to use Nelson Johnson's book as the basis for a TV series, my biggest challenge was choosing a time period in which to set it...Ultimately I settled on the 1920s of Atlantic City's legendary treasurer Nucky Johnson...A place of spectacle, shady politics, fast women and backroom deals". (Terence Winter, Emmy Award-winning writer of "The Sopranos" and Executive Producer of Boardwalk Empire). From its humble beginnings as a fledgling seaside resort, Atlantic City grew to be America's playground - loud, brash, and dedicated to the pursuit of pleasure. In 1920 alcohol was banned across…
I’m a proud Jersey girl who grew up walking to the ice cream shop where Tony Soprano took his last breath and spending summers “Down the Shore,” near the MTV house, where Snookie and Co. tried to claim the Jersey Shore as their own. When I was younger, outsiders almost had me convinced those overdone jokes about New Jersey were on to something. After traveling the world and living in other places, I realized how much my home state had to offer. My four young adult novels feature proud Jersey girl protagonists and two of my books are set at the real Jersey shore—The Summer After You and Me and August and Everything After.
Set at the Jersey Shore, this book by fellow New Jersey native Robin Constantine, is my book’s soul sister (right down to the cover) and Robin is my kindred author spirit. We both write about our home state, rock bands, and first loves in a way that only Jersey girls can. By chance, I read this book while vacationing in Cape May, the town that formed the template for the backdrop of this wonderful love story, which made both experiences even more memorable. Needless to say, I was thrilled when Robin invited me to do a book signing with her in her hometown of Bayonne, New Jersey at an amazing indie bookstore called The Little Boho Bookshop.
From Robin Constantine, author of The Promise of Amazing and The Secrets of Attraction, comes a funny and heartfelt summer romance set in New Jersey. Perfect for fans of Sarah Mlynowski, Jenny Han, and Morgan Matson. Cassidy Emmerich is reeling from a sudden, humiliating breakup. The last thing she wants to do is stick around and be reminded of her ex everywhere she goes. On impulse, she decides to spend the summer with her father and his family at their Jersey Shore bed-and-breakfast. A different scene and a new job working as a camp counselor seem like the perfect recipe…
While I’ve been a voraciously omnivorous reader my whole life, I’ve always been drawn most to stories that take me into the darkest of dark places, and that sometimes leave me there, alone and without a light. Horror, weird fiction, and the contemporary gothic all have a permanent home in my heart, and they’re the genres in which I most like to play as a writer. Most of all, I love those dark stories that stretch boundaries and defy conventions, that wield language as the beautifully vicious weapon it can be, and challenge me to do the same.
As an author, Warren possesses the enviable power to create complex, flawed, and often deeply unlikeable characters – at least when you first meet them on the page – who remain utterly and irresistibly engaging to the reader. Theresa, the protagonist inThe Grief Hole, is no exception.Not only can she see ghosts, but she can also tell how a person is going to die, but what she does – and doesn’t do – with these abilities isn’t what you might expect. I’ve been reading Warren’s fiction for decades and this novel is among her finest and most challenging work – which is no small thing, believe me! Dark and disturbing, weird and wry, The Grief Hole is a ghost story that will haunt you for a very, very long time.
Winner, Best Horror Novel, 2016 Aurealis Awards Winner, Best Novel, 2016 Shadow Awards Winner, Best Novel, 2016 Ditmar Awards
There are many grief holes. There's the grief hole you fall into when a loved one dies. There's another grief hole in all of us; small or large, it determines how much we want to live. And there are the geographical grief holes, the buildings that attract sorrow and loss and are filled with ghosts. Theresa sees these ghosts better than most, but can she figure out how to close the holes?
