When I was growing up, my favorite books were about kids getting lost in the wilderness. Now, as an artist and writer, I love to create stories about people’s connection to land and the plants and animals that inhabit natural spaces. The inspiration for my picture book biography, Alexander von Humboldt: Explorer, Naturalist & Environmental Pioneer, came after hiking many of the volcanoes that Humboldt had climbed some 200 years earlier in South America. Besides hiking, I occupy myself with drawing and watercolor painting, climate activism, and looking at bugs and rocks with my daughters. I’ve published four graphic novels, two picture books, and a cookbook about rice.
Besides the fact that the illustrations in On a Magical Do-Nothing Day are gorgeous, I love this story of a child turning a boring, lonely, rainy day into a magical (dare I say spiritual?) adventure—an encounter with “a world full of treasures that I could feel!”
I’ve often found that a life-changing experience of beauty comes after some difficulty or personal challenge, and this kid discovers—after being ignored by their parents, losing their favorite video game in a stream, and being drenched by cold rain—a breathtaking world that seems “brand-new, as if it had been created right in front of me.”
A compelling, magical picture book with whimsical, stunning art and heartfelt, charming text, from award-winning illustrator Beatrice Alemagna. "Hands down, Beatrice Alemagna is my favorite contemporary illustrator," said the Caldecott Honor-winning illustrator of Last Stop on Market Street, Christian Robinson. All I want to do on a rainy day like today is play my game. My mom says it's a waste of time, but without my game, nothing is fun! On the other hand, maybe I'm wrong about that...While reading On a Magical Do-Nothing Day, one gets the sense that the illustrator became lost in her drawings, and as a…
As an avid outdoors person and nature-lover, I found this gripping tale of Yellowstone wolves to be informative, inspiring, and sad all at the same time.
The book combines fascinating biology about wolves and ecosystems with stories about the scientists and volunteers who work to protect them. I found myself empathizing with individual wolves almost like people; each has such a distinct personality.
There’s a palpable tension throughout the book due to hunters’ guns bristling outside of Yellowstone’s protective borders. Ultimately, that begets tragedy.
The wolf stands at the forefront of the debate about our impact on the natural world. In one of the most celebrated successes of modern conservation, it has been reintroduced to Yellowstone National Park.
What unfolds is a riveting multi-generational saga, at the centre of which is O-Six, a charismatic alpha female beloved by park rangers and amateur spotters alike. As elk numbers decline and the wolf population rises, those committed to restoring an iconic landscape clash with those fighting for a vanishing way of life; hunters stalk the park fringes and O-Six's…
I’m an Irish novelist and poet. Fiction writers are perhaps better described by their fascinations than by any expertise as such. I can’t claim to be an expert in anything, but I am easily fascinated. My educational background is in philosophy, but I’ve always had a tremendous interest in the natural world too, and my writing tends to reflect that. When it comes to fiction, I love books that throw new layers on old surfaces. With nonfiction, I love anything that can explain something. Nonfiction loves to adorn itself with fiction, while fiction tends to cling to nonfiction like flesh on a bone. So my list is mostly bones, and one big sea pearl.
I’m biased here, because I translated this book from Portuguese, but it’s a slender little thing with a huge personality.
Ailton Krenak is an indigenous leader from Brazil, and this essay is his attempt to show where human civilization has gone wrong and what we might do to save it.
In a mix of sigh, outburst, yawn, and eulogy, Krenak suggests some simple paradigm shifts that could make all the difference, but the basic idea is clear: there’s no point in trying to change what we do without first changing how we see—and that’s maybe a stretch too far for us.
"Ailton Krenak's ideas inspire, washing over you with every truth-telling sentence. Read this book." - Tanya Talaga, bestselling author of Seven Fallen Feathers
Indigenous peoples have faced the end of the world before. Now, humankind is on a collective march towards the abyss. Global pandemics, extreme weather, and massive wildfires define this era many now call the Anthropocene.
From Brazil comes Ailton Krenak, renowned Indigenous activist and leader, who demonstrates that our current environmental crisis is rooted in society's flawed concept of "humanity" - that human beings are superior to other forms of nature and are justified in exploiting it…
As a child, one of my favorite places was in the top branches of a tree. From up there I could watch the world pass by, remaining invisible. I could make up stories about the world below and no one would challenge me. The second best place for me was inside the story of a book, the kind that took you to magical places where children always found a way to win the day. I knew when I “grew up” I would write one of those empowering books. I became a middle school teacher and have since read many wonderful books for this age. Enjoy my list of favorites.
Where do you turn when the only adult who gets you, your grandpa, is gone, and the world seems to be in self-destruct mode?
On his 12th birthday, Thomas runs away to the forest he used to visit with Grandpa. It is dying. Will saving it from a deadly parasite bring him closer to Grandpa or make his world safer? Before he can find out, he is enticed into a magical world under an attack of a different kind.
Welcomed by a garden of talking plants, mind-reading creatures, tree-climbing, nature-loving beings, Thomas conquers the stinging, prickly hedge that guards the portal to this alternate world. At last, a place where he fits in. A place that needs him. But what about his and Grandpa’s forest?
“…a magical book...” John Perkins, New York Times best-selling author
Belden Lane is a wilderness backpacker and storyteller who has written extensively on the connections between human spiritual experience and the power of place. As Professor Emeritus of Theological Studies at Saint Louis University he taught theology and spirituality for thirty-five years with the Jesuits. Drawing on backpacking trips in the canyonlands of Utah, the Wind River Range of Wyoming, and the Australian outback, his books include Landscapes of the Sacred, Backpacking with the Saints: Wilderness Hiking as Spiritual Practice, and The Great Conversation: Nature and the Care of the Soul.
A Buddhist activist and Pulitzer Prize-winning beat generation poet, Snyder celebrates “wildness” as a moral principle. It gives value to the living world and invites us to the wild places within, the inner wilderness that carries us beyond the comforting assurances of the mind. He cautions against looking for metaphorical and spiritual meanings “beyond and through” the natural world. This risks our not “seeing what is before our very eyes: plain thusness” … which in itself is more than enough to astound!
"This is an important book for anyone interested in the ethical interrelationships of things, places, and people, and it is a book that is not just read but taken in." ―Library Journal
Featuring a new introduction by Robert Hass, the nine captivatingly meditative essays in The Practice of the Wild display the deep understanding and wide erudition of Gary Snyder in the ways of Buddhist belief, wildness, wildlife, and the world. These essays, first published in 1990, stand as the mature centerpiece of Snyder’s work and thought, and this profound collection is widely accepted as one of the central texts…
Chris Fitch is a writer, geographer, and storyteller. Formerly a senior staff writer at Geographical, the magazine of the Royal Geographical Society, he has reported from Australia to Kenya, Arizona to the Galápagos Islands, covering global stories on climate change, ecological urbanism, wildlife conservation, cultural revitalisation, sustainable development, geopolitics, science, travel, and more.
A profoundly depressing but important explanation of the paradox that the more power humans gain over the Earth, the more the planet we call home will turn against us, a fundamental shift in humanity's relationship with nature, and making our existence ever more precarious.
Humans have become so powerful that we have disrupted the functioning of the Earth System as a whole, bringing on a new geological epoch the Anthropocene one in which the serene and clement conditions that allowed civilisation to flourish are disappearing and we quail before 'the wakened giant'. The emergence of a conscious creature capable of using technology to bring about a rupture in the Earth's geochronology is an event of monumental significance, on a par with the arrival of civilisation itself. What does it mean to have arrived at this point, where human history and Earth history collide? Some…
This year I travelled through northern Spain crossing through the Pyrenees to France and back by train.
I always like to read about the area I’m travelling through and so much better when these are stories by local authors. Irene Solà is a Catalan writer, artist, and award-winning poet and this collection of interlinked short stories combines nature writing, magical realism, and literary fiction into a distinctive and innovative work of imagination unlike anything I’ve ever read before.
I particularly admire writers who try to capture the non-human and non-living voices in the landscape and I love the way Sola gives voice to the dead, the mythic, the elements, and the animals as much as she does to the human characters in her multigenerational story of mountain life.
"Sola pushes past the limits of human experience to tell a story of instinct and earth-time that is irresistible in its jagged glory." - C Pam Zhang, author of How Much of These Hills is Gold
When Domenec - mountain-dweller, father, poet, dreamer - dies suddenly, struck by lightning, he leaves behind two small children, Mia and Hilari, to grow up wild among the looming summits of the Pyrenees and the ghosts of the Spanish civil war.
But then Hilari dies too, and his sister is forced to face life's struggles and joys alone. As the years tumble by, the…
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
A comprehensive natural world storytelling collection comprising ten chapters, organised by themes such as Earth, Fire, Water, Plants, Animals, and Stewardship.
A page of 'Lessons' at the end of every chapter helps you explore the environmental meaning within the stories. Plus an 'Activities' section at the end of the book. The stories are from over forty countries, retold sensitively by Caduto, an ecologist and master storyteller.
Amongst my favourite stories are: Earth Words from France, about a secret language hidden in fern roots and what is lost when we become separated from nature; The First Bats from Guatemala and Mexico, a funny tale which can be adapted to any place on Earth that has bats, and The Seven Sisters an Aboriginal story which introduces the origin of the Pleiades constellation.
Born in 1969 as the seventh of eight children to two Harlem-raised parents, I benefited from both the inner-city life of Queens, New York and childhood summers spent on a farm in rural upstate New York. Academic, professional, and physical accomplishments have punctuated my life. An adventurer by nature, I became the first African American to hike to the top of every mountain in the northeast US over 4,000' (115 of them) by September of 2000. At that time, less than 400 people had accomplished this feat; whereas thousands have scaled Mount Everest. My home city’s iconic landmarks create a psychological veil that blinds people to the vast open spaces that dominate New York State.
This book can be more aptly titled “Life”. Klinkenborg’s musings over an eleven-year span while maintaining his farm in upstate New York’s Hudson Valley go well beyond the allotted time and location. His many astute observations about nature, animals, and people are expertly framed with blunt and humorous analogies. The Interlude and final chapter ("Coda") state the importance of the sciences exploring cosmology, biology, and archeology and why knowledge morphs through history. A must-read for any urbanite or suburbanite curious about country living.
Verlyn Klinkenborg's regular column, The Rural Life , is one of the most read and beloved in the New York Times. Since 1997, he has written eloquently on every aspect, large and small, of life on his upstate New York farm, including his animals, the weather and landscape, and the trials and rewards of physical labor, as well as broader issues about agriculture and land use behind farming today. Klinkenborg's pieces are admired as much for their poetic writing as for their insight: peonies are the sheepdog of flowers," dry snow "tumbles offthe angled end of the plow-blade as if…
Ever since my childhood on a farm poetry has helped me pay attention to the world around me. Like a naturalist’s field guide, nature poems name, depict, and explore what might otherwise pass unnoticed. Now in the midst of environmental crisis I believe poets have a role alongside ecologists, farmers, and foresters to protect and restore our threatened habitats and species. Writing nature poetry helps me face and express loss while celebrating what still survives. I value poetry that connects us to what we love and gives us courage to imagine different ways of living.
This is an exciting and important poetry anthology.
Spanning the history of black poetry in America, the editor Camille T. Dungy has collected one hundred and eighty poems by ninety-three poets. Her introduction radically enlarges the realm of eco-poetry as she considers the exclusion of African-American poets from the nature poetry genre while also exploring the complexity of their relationship with the land that witnessed or abetted centuries of racist subjugation.
Thought-provoking essays by Alice Walker, Marilyn Nelson, and others, introduce each of the ten sections in which I found a treasure trove of poets I’ve long admired, such as Rita Dove and Ross Gay, and poets I’ve never come across before, such as Kamilah Aisha Moon.
This book presents the natural world seen through the eyes of black poets. ""Black Nature"" is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry - anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the…
Saving the planet one death at a time is truly what the world needs now: to reduce our carbon footprint and go out in eco-friendly style. As the one-woman funeral service in the rural town of Boring, Oregon, I support the philosophy of old-school burial practices that are kinder to both humans, the earth, and our wallets. I have humbly been baptized the Green Reaper for my passionate advocacy of green burial, and as an undertaker and the owner and undertaker of Cornerstone Funeral, the first green funeral home in the Portland area. I love to devour all literature possible on green burial and environmentally friendly death care.
A great anthropological read about the past 150 years of death care in this country. She discusses the ingrained traditions held so closely by the public over decades of death. There are so many destructive practices we cling to when someone dies. Suzanne unpacks the sack of societal behaviors that have been none-too-friendly on our precious environment. Our customary American demise practices, which include the procedure of embalming, hardwood and metal caskets, and concrete burial vaults and grave liners, only strengthen this saga.
We once disposed of our dead in earth-friendly ways-no chemicals, biodegradable containers, dust to dust. But over the last 150 years death care has become a toxic, polluting, and alienating industry in the United States.
Today, people are slowly waking up to the possibility of more sustainable and less disaffecting death care, reclaiming old practices in new ways, in a new age. Greening Death traces the philosophical and historical backstory to this awakening, captures the passionate on-the-ground work of the Green Burial Movement, and explores the obstacles and other challenges getting in the way of more robust mobilization. As the…
