I first heard about Melungeons when a babysitter told me they would “git” me if I didn’t behave. She said they lived in caves outside our East Tennessee town and had six fingers on each hand. I consigned these creatures to myth and nightmares, until a cousin informed me that some of our shared ancestors were Melungeons and showed me scars from the removal of his extra thumbs. For the next ten years I visited sites related to Melungeons and interviewed many who claimed Melungeon ancestry, running DNA tests on some. This research yielded my memoir Kinfolks: Falling Off The Family Tree and my historical novel Washed In The Blood.
This is the most thorough compendium yet of the available information about Melungeons. Winkler covers the little that is known about Melungeon history, as well as exploring the many origin myths and theories – of descent from shipwrecked Potuguese sailors, from deserters from DeSoto’s exploring expedition, from survivors of Juan Pardo’s torched wilderness forts, etc. He also describes associated mixed race groups and relates some of the scientific efforts to pin down the genesis of the Melungeons.
Walking toward the Sunset is a historical examination of the Melungeons, a mixed-race group predominantly in southern Appalachia. Author Wayne Winkler reviews theories about the Melungeons, compares the Melungeons with other mixed-race groups, and incorporates the latest scientific research to present a comprehensive portrait. In his telling portrait, Winkler examines the history of the Melungeons and the ongoing controversy surrounding their mysterious origins. Employing historical records, news reports over almost two centuries, and personal interviews, Winkler tells the fascinating story of a people who did not fit the rigid racial categories of American society. Along the way, Winkler recounts the…
I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.
RM is famous for steamy romance, but this book was a shift in a more literary direction.
I love the challenges Zale Rowen faces in his dogged attempts to find deadbeat dads in Chicago. His personal struggle is not so much biracial as it is emotional since his own father left him.
The book is excellently written and is a definite page-turner for those who love suspense and want to discover who they are genetically and emotionally. RM is also a personal friend; his inspiration kick-started my fiction writing journey.
Zale Rowan, devoted to his career of tracking down fathers who have abandoned their children and forcing them to own up to their deeds, begins to realize that his reasons for his obsession go beyond what he has let himself believe. By the author of The Harris Men.
I'm a former novelist who now writes historical narrative nonfiction, mainly about American cities and the people who give them life. Each book focuses on an important turning point in the history of a specific metropolis (I've written about Chicago, New Orleans, Los Angeles, and San Francisco), often when the city goes from being a minor backwater to being someplace of significance. And I try to tell this story through the lives of real individuals who help to make that transformation happen. My goal is to use the skills I developed as a fiction writer to create historical narratives that maintain strict standards of scholarship while being as compelling and compulsively readable as novels.
As any objective historian can tell you, there are very few spotless heroes in history, and very few villains whose wrongdoing isn't firmly rooted in the psychological and sociological forces that shaped them.
So I really admire writers who, like Kali Nicole Gross, take pains to put the bad actions of their subjects in the context of their time and circumstances. In this measured and nuanced account of a sensational 19th-century murder, Gross carefully examines Gilded Age attitudes toward race and gender, tracing their influence on the crime, its investigation, and its punishment.
The result is a book both scholarly and absorbing – not an easy feat for any author to pull off.
Shortly after a dismembered torso was discovered by a pond outside Philadelphia in 1887, investigators homed in on two suspects: Hannah Mary Tabbs, a married, working-class, black woman, and George Wilson, a former neighbor whom Tabbs implicated after her arrest.
As details surrounding the shocking case emerged, both the crime and ensuing trial-which spanned several months-were featured in the national press. The trial brought otherwise taboo subjects such as illicit sex, adultery, and domestic violence in the black community to public attention. At the same time, the mixed race of the victim and one of his assailants exacerbated anxieties over…
I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.
The biracial Vigne twins in this book struggle with the choices before them as to which race they will embrace. I loved the book for its poignancy and honest exploration of the sensitivity involved in having a choice to make, no matter the generation.
This book is similar to the movie Imitation of Life but on a grander scale. The stories moved me and hurt me at the same time.
THE SUNDAY TIMES TOP BESTSELLER #1 NEW YORK TIMES BESTSELLER
SHORTLISTED FOR THE WOMEN'S PRIZE LONGLISTED FOR THE ORWELL PRIZE
'An utterly mesmerising novel..I absolutely loved this book' Bernardine Evaristo, winner of the Booker Prize 2019
'Epic' Kiley Reid, O, The Oprah Magazine
'Favourite book [of the] year' Issa Rae
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years…
I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.
Birdie and Cole are sisters with biracial parents on the brink of danger during the turbulent 1960s.
Despite their attempts to cling to each other, their parent’s involvement with a violent anti-establishment group will eventually separate them: Cole with her dark-skinned father and Birdie with her white mother.
The girls' desperate attempt to remain together and later find each other is heartbreaking and encouraging. This book made me cry.
From the author of New People and Colored Television, the extraordinary national bestseller that launched Danzy Senna’s literary career
“Superbly illustrates the emotional toll that politics and race take … Haunting.” —The New York Times Book Review
Birdie and Cole are the daughters of a black father and a white mother, intellectuals and activists in the Civil Rights Movement in 1970s Boston. The sisters are so close that they speak their own language, yet Birdie, with her light skin and straight hair, is often mistaken for white, while Cole is dark enough to fit in with the other kids at…
I can’t guess how many great poems I have committed to memory. In waiting rooms, or in the checkout line, I recite them to myself. In this way, poetry helps me not only understand the world we live in, but live in it without going crazy. And while I love all poetry, I’ve always found that poetry in traditional forms—with meter and rhyme—is easier to remember. That’s one reason why I’ve always been drawn to formal verse. In my own poetry, I strive to uphold that tradition, while inventing new forms that spring organically from the subject at hand. I trust these books will demonstrate I’m not alone.
This book, justly honored with the Pulitzer Prize, surprised me with its formal range and intensity of experience.
Trethewey is celebrated as a chronicler of our collective history, but I was far more taken with the poems of personal history—and, more specifically, personal loss. The poems that examine the absence left by her mother’s untimely death are, to me, the defining poems of the book. These often exemplify her gift for presenting the most telling detail or selecting the word that will resonate on the broadest level.
Let me hone in on one poem, “Myth,” a recasting of the Orpheus story. What astonished me about this poem was the formal structure. It consists of two sections of nine lines, each arranged in terza rima stanzas. The second section rewrites the first half—in reverse! The effect is to convey the experience of descending into the darkness of the underworld and then…
Winner of the 2007 Pulitzer Prize for poetry and former U.S. Poet Laureate, Natasha Trethewey's elegiac Native Guard is a deeply personal volume that brings together two legacies of the Deep South. The title of the collection refers to the Mississippi Native Guards, a black regiment whose role in the Civil War has been largely overlooked by history. As a child in Gulfport, Mississippi, in the 1960s, Trethewey could gaze across the water to the fort on Ship Island where Confederate captives once were guarded by black soldiers serving the Union cause.? The racial legacy of the South touched Trethewey's…
Father-daughter relationships have always fascinated me. I wrote my first book to explore what it might be like for a girl to have a father with whom communication is, if not easy, possible. Although my own father was around when I was growing up, he was a distant figure. A mechanical engineer, he lost himself in ruminations on machines and mathematics and was made still more distant by his alcoholism. As a kid, I tried to glean from books what having a “regular” father might be like. I still haven’t figured it out, but I love seeing other authors capture the formative effects of this particular parental relationship.
This historical novel has been heralded as a fresh look at the era of the Little House books, and it does a wonderful job of looking at frontier life in Dakota Territory in 1880 from the perspective of Chinese-American Hanna. It’s also an examination of a daughter trying to navigate an often prickly relationship with her white father, made even more difficult after the death of Hanna’s Chinese-Korean mother. I love Hanna’s careful study of everyone around her—observances that are borne from a need to protect herself from racism, but which are also windows to empathy and understanding. Despite her father’s resistance to Hanna following her dream to become a dressmaker, Hanna prevails, using her knowledge of her father’s own nature to win him over.
Prairie Lotus is a powerful, touching, multilayered novel about a girl determined to fit in and realize her dreams: getting an education, becoming a dressmaker in her father’s shop, and making at least one friend.
Acclaimed, award-winning author Linda Sue Park has placed a young half-Asian girl, Hanna, in a small town in America’s heartland, in 1880. Hanna’s adjustment to her new surroundings, which primarily means negotiating the townspeople’s almost unanimous prejudice against Asians, is at the heart of the story.
Narrated by Hanna, the novel has poignant moments yet sparkles with humor, introducing a captivating heroine whose wry, observant…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Oreo (originally published in 1974, then out of print, and finally repopularized by Harriette Mullen and republished in 2000), a satirical novel by Fran Ross, a journalist and, briefly, a comedy writer for Richard Pryor, is widely considered to be “before its time.” This aching and hilarious, experimentally structured story is about a girl, Oreo, with a Jewish father and a Black mother, who ventures to New York City to find her father only to discover there are hundreds of Sam Schwartzes in the phonebook, and then goes on a quest to find him.
Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering…
Since childhood, I’ve been a consumer of fiction entertainment. I’m a fan of comic books, anime, television series, fiction books, movies, video games, etc. Influenced by all of these forms of storytelling, I seek to entertain people with my science fiction books and help take their minds off their troubles. At a young age, I also realized fiction can be a gateway into exploring and bringing awareness to crucial issues. With an MFA from Howard University, I’m naturally a creative person, and if I’m not creating, I’m not living. I hope readers will check out my latest book, and best so far, Republic Falling: Advent of a New Dawn.
For me,The Blood Trialsaccomplishes what many fiction books are rarely able to, blend the genres of science fiction and fantasy, while exploring complex social themes, such as racism, discrimination, and classism. As an African American, I often search for good action books with black protagonists. As a young black woman, protagonist Ikenna Amari becomes the target of demoralizing treatment, while fighting through the trials to earn the military rank and status of Praetorian. Written in first person, I was easily transported inside the tempest that is Ikenna’s thoughts. I was able to feel and connect with every bit of her rage, pain, and spiritual unrest from the discriminatory treatment she faces. This book is a prime example of how to explore social themes while still being a solid action story.
Blending fantasy and science fiction, N. E. Davenport's fast-paced, action-packed debut kicks off a duology of loyalty and rebellion, in which a young Black woman must survive deadly trials in a racist and misogynistic society to become an elite warrior.
It's all about blood.
The blood spilled between the Republic of Mareen and the armies of the Blood Emperor long ago. The blood gifts of Mareen's deadliest enemies. The blood that runs through the elite War Houses of Mareen, the rulers of the Tribunal dedicated to keeping the republic alive.
The blood of the former Legatus, Verne Amari, murdered.
When I was researching for my own book Girl Giant and the Monkey King, I was disappointed in how few books there were out there on Asian mythology. Not just because that really limited my ability to find legitimate sources for my novel, but because that meant so many readers were missing out on a complex and rich history of so many wonderful cultures. Since then, lots of books have been published and I’m so glad that I’m able to read and share them with so many others, and I’m looking forward to even more of these books coming out in the future that will give readers glimpses into our lives and stories.
Katie Zhao’s Dragon Warrior series features characters from Chinese mythology and incorporates them into our contemporary world in a fun, humorous adventure. Think Percy Jackson meets Journey to the West. You might recognize some of the same characters from Girl Giant and the Monkey King because Vietnamese and Chinese cultures have lots of similarities! I learned so much while reading this book, was delighted by the crossover characters that showed up in both our stories, and was so inspired, I wish there were more books like it.
"An exhilarating tale. . . Readers will be enthralled." --J.C. Cervantes, New York Times bestselling author of The Storm Runner
A debut novel inspired by Chinese mythology, this middle-grade fantasy follows an outcast as she embarks on a quest to save the world from demons--perfect for fans of Aru Shah and the End of Time and The Serpent's Secret.
As a member of the Jade Society, twelve-year-old Faryn Liu dreams of honoring her family and the gods by becoming a warrior. But the Society has shunned Faryn and her brother Alex ever since their father disappeared years ago, forcing them…
