I am a multicultural published author from California. I attended different schools growing up, reading classic literature that I couldn't relate to, resulting in becoming a reluctant reader. I didn't live in historical time periods. My skin was a lighter shade of brown. In my world, I met kids from diverse backgrounds, who spoke slang and had personal hardships. Where were the books like that? That's why I wrote Graffiti Girl. To share a realistic, multicultural approach so the reluctant reader could have characters they could see themselves in. That's why I chose these books, in no specific order, that share contemporary, urban stories involving people of different cultures, who face unique hardships.
Street Pharm is a dark, cultural, and realistic look into Tyrone's life as a teenage drug dealer. A raw and urban story of a teen who inherits a life of crime because of the situation he was born into and the harsh awakening that comes with it. An intense and page-turning read that had me glued till the very end.
A successful teen drug dealer is forced to reexamine it all in this riveting novel, now in trade paperback with a new cover, from the author of Snitch.
Ty Johnson knows survival. The supply game’s in his blood. And now that he’s taken over his pop’s business, Ty’s smarts and skills have earned him some serious street cred. But Alyse knows nothing about Ty’s reputation, and he’s determined to keep it that way. She’s too beautiful, too brainy, too straight-laced to ever get involved with someone who deals. As long as Ty walks the line, life’s pretty sweet.
I grew up in Latin America (& briefly in Europe) and my connections and regard for the people, culture, and natural setting resulted in my novel, A Place in the World. I have lived in six countries and appreciate the experiences. I love languages and history and like to travel, at least vicariously with a good book. I hope you enjoy my book picks as much as I have! I am a writer, former university lecturer, and environmental scientist, with an MS in geology and a passion for botany. This background enabled me to weave aspects of natural science, as well as Latino culture, into my writing.
I love this tale narrated by a young academic who teams up with an exuberant, older working man named Zorba, “a passionate lover of wine, women and song” ...and dance. The younger man is more of a staid introvert. They are in a village in Crete to develop a mine. Their interactions are both amusing and philosophical. This contrasts with one horrific event where the appalled narrator struggles to understand the village’s moral codes which conflict with his own. In the final scene as he comes out of his shell, he asks Zorba to teach him to dance.
This is one of my favorite all-time novels. Kazantzakis words are to be savored.
This moving fable sees a young Greek writer set out to Crete to claim a small inheritance. But when he arrives, he meets Alexis Zorba, a middle-aged Greek man with a zest for life. Zorba has had a family and many lovers, has fought in the Balkan wars, has lived and loved - he is a simple but deep man who lives every moment fully and without shame. As their friendship develops, he is gradually won over, transformed and inspired along with the reader.
Zorba the Greek, Nikos Kazantzakis' most popular and enduring novel, has its origins in the author's…
I spent 16 years teaching in NYC public schools, six of them on Rikers Island the world's biggest jail where I helped incarcerated teens improve their reading and writing skills. That experience helped to launch me on my own writing career. The job of the author? To hold up a mirror to society and reflect upon the page what the reader may not have experienced yet or missed seeing in the world outside the borders of a book.
Booth is an extraordinary writer and Tyrell is her signature story. Tyrell is a young man living under incredible pressure with a family that needs him to have both feet on the ground. But he's always on the verge of going the wrong way. Will the need for fast money put him in prison like his father? Booth is in complete command of her characters, story and pacing here. A marvelous book that will make you grateful for your own choices in life.
An astonishing new voice in teen literature, writing what is sure to be one of the most talked-about debuts of the year.
Tyrell is a young African-American teen who can't get a break. He's living (for now) with his spaced-out mother and little brother in a homeless shelter. His father's in jail. His girlfriend supports him, but he doesn't feel good enough for her -- and seems to be always on the verge of doing the wrong thing around her. There's another girl at the homeless shelter who is also after him, although the desires there are complicated. Tyrell feels…
As a child, I was inspired by the feats of the first astronauts and cosmonauts, culminating with the Apollo expeditions to the Moon. As I grew up, I found that I was more of a historian than an engineer or a physicist. So, I began writing the stories of some of the people who were involved in the 1960s space race. I have since written about topics ranging from the strategic missiles that kicked off the space race to the Hubble Space Telescope, and today, I am the editor of Quest: The History of Spaceflight Quarterly.
The Space Shuttle program opened up space travel to women and visible minorities, changing the whole meaning of who astronauts are.
This book tells the story of the first group of shuttle astronauts and their exploits in the Space Shuttle era in a form that I enjoyed, and that will appeal to readers who aren’t familiar with the history of the shuttle program.
The never-before-told story of NASA’s 1978 astronaut class, which included the first American women, the first African Americans, the first Asian American, and the first gay person to fly to space. With the exclusive participation of the astronauts who were there, this is the thrilling, behind-the-scenes saga of a new generation that transformed space exploration
The story of NASA’s Astronaut Class 8, or “The F*cking New Guys,” as their military predecessors nicknamed them, is an unprecedented look at these extraordinary explorers who broke barriers and blasted through glass ceilings. Egos clashed, ambitions flared, and romances bloomed as the New Guys…
My interest in empires began as an undergraduate taking a course in International Political Economy. We were asked to view poverty and ‘underdevelopment’ in the historical perspective of European colonization but asked to see development economics as something entirely new. I couldn’t see the difference. I have since become fascinated not just by the world historical recurrence of this particular type of politics, but also why our understanding of it is occluded through repeated framing of global politics via the nation state. Unless we understand this global history we are at risk of misdiagnosing contemporary problems, and repeating historical patterns. Moreover, we can’t build a world that is truly non-imperial without sustained comparative study.
This is another engaging and accessible contribution to global history and comparative work on empires.
This book is great because of its focus on a few important case studies and because Kumar makes the excellent point that if you focus exclusively on the modern contemporary territorial configuration of Russia, Britain, or the US, you will miss the long patterns of imperial expansion out of which the modern core is a consolidation.
This raises the possibility of a revision of the epitaph above to read: empires make states, and states make empires. Of particular value is Kumar’s focus on the politics of governing different peoples differently particularly when imperial expansion incorporates different faith communities as happened in the Russian case.
This is yet another book that demonstrates how much more sense can be made of global politics when viewed through the lens of empire.
What the rulers of empire can teach us about navigating today's increasingly interconnected world The empires of the past were far-flung experiments in multinationalism and multiculturalism, and have much to teach us about navigating our own increasingly globalized and interconnected world. Until now, most recent scholarship on empires has focused on their subject peoples. Visions of Empire looks at their rulers, shedding critical new light on who they were, how they justified their empires, how they viewed themselves, and the styles of rule they adopted toward their subjects. Krishan Kumar provides panoramic and multifaceted portraits of five major European empires--Ottoman,…
I'm intrigued by boundaries and the relationships between different ideologies, or isms. In 1992, I joined the European Project at The Van Leer Jerusalem Institute. This was a fascinating group of people from Israel, Palestine, and Germany who studied the connections between Europe and the Middle East. Then I opened a new field of studies that continues to engage me: multiculturalism. In my books and articles (most recent:The Republic, Secularism and Security: France versus the Burqa and the Niqab), I examine the extent to which democracy may interfere in the cultural affairs of minorities within democracy, how to find a balance between individual rights and group rights, and whether liberalism and multiculturalism are reconcilable.
Studying at Oxford, I was surprised that quite a few of my lecturers, including Ronald Dworkin and Jerry Cohen, hardly ever discussed the importance of culture in our lives. As someone who believes in the motto Know from where you are coming in order to know where you are going, I do not underestimate the power of culture, religion, and tradition in shaping communities. My library research discovered the excellent DPhil dissertation that Kymlicka wrote while he was in Oxford. This dissertation was a fresh air for me, accentuating the need to take culture seriously. Kymlicka reshaped his dissertation into this book which I regard as one of his very best books. Kymlicka presents the liberal view about the nature and value of community culture and bridges between liberalism and multiculturalism. I share this view and promote it in my own studies.
Kymlicka and I later cooperated in writing together…
Liberalism is often described as a theory about the proper relationship between the individual and the state, but it also contains a broader account of the relationship between the individual and society. This book presents the liberal view about the nature and value of community and culture in an unusually explicit and systematic way, and links it to more familiar liberal views on individual rights and state neutrality.
The library has always been my favorite place to visit. As a child, I would travel the world through books. I learned about different cultures and studied other languages. Through these experiences, I gained a deep appreciation for cultures around the world. I also learned an important lesson that inclusion is the thread that weaves together a rich multicultural tapestry. Fast forward to today, I share these lessons through my work as an author, leadership scholar, and law professor. My booklist reflects a celebration of diverse cultures, introduces learning tools for becoming an inclusive leader, and provides an invitation to join me in taking intentional action for justice and equity.
It introduced children from all backgrounds to the possibility of what they can become.
It challenges the limitation of stereotypes and biases. It is a reminder that you can be not just who you want to be, but also fulfill the destiny of who you oughtto be.
A melodic mantra with a powerful message: Black boys can be a doctor, a judge, the president . . . anything they want to be!
Each page depicts a boy looking into the future, seeing his grown-up self, and admiring the greatness reflected back at him. This book is created to teach Black boys there are no barriers--if you can dream it, you can be it!
This book is for Black boys so they see themselves as the heroes of the story.
When I was a child, I grew up in a very crowded house in suburbia with three sisters. Reading was the best way to escape all the mayhem. By the age of eight I was reading my parents’ novels, whatever books I could find. I wanted to move to a big city like the ones in their novels. At night I would tell myself Cinderella-type stories where I lived in a fabulous apartment and got to be the heroine. I took a class at Harvard Extension, and the professor read my story aloud to the group. From that day on I was hooked.
I was driving across country to move to Miami. When we stopped in Austin, I picked up a copy of Back to Blood by Tom Wolfe.
I was thrilled to find a novel about the city I was moving to. A thick book meticulously researched I settled back and immersed myself into a brilliant novel about multicultural Miami. The Cuban police officer, a Creole professor, Russian criminals, artists from Miami Art Basel, retired New York Yentas, and many more call Miami home.
It was a great primer for my move. That first year I went to Art Basel, visited Little Havana for pastries, and celebrated my birthday at a Russian nightclub all because of Back to Blood.
As a police launch speeds across Miami's Biscayne Bay - with officer Nestor Camacho on board - Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, an ambitious young journalist and his Yale-marinated editor; a psychiatrist who specialises in sex addiction and his Latina nurse by day, mistress by night - until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the `hoods, `de-skilled' conceptual artists at the Miami…
As a quiet and very shy child, I found myself sitting alone reading books rather than playing with other kids. My love for reading at the time was restricted to children’s books like The Lion The Witch and the Wardrobe or Roald Dhal stories until I upgraded to Enid Blyton Books and Mills & Boon romances as a teen. It wasn’t until I reached my twenties when I actually found the genre I loved. It was through my love of these stories I came to realise I didn’t have to hide anymore, and my love for these stories planted a small seed in my mind that I would have the courage to write my own.
Carty-Williams tells a very clever and witty story of Queenie’s struggles navigating life as a young black woman in South East London, right where I grew up. I can relate to her work life, friendships, and love life so much it’s unreal. Whilst reading this book I could really feel myself within the plot as I’ve walked on some of the streets she talks about, been to places she talks about and of course, we all have a past and a story about our childhoods that make us who we are today, especially when they have been challenging.
ONE OF TIME’S 100 BEST BOOKS OF THE YEAR ONE OF NPR’S BEST BOOKS OF 2019
NAMED ONE OF THE MOST ANTICIPATED BOOKS OF 2019 BY WOMAN’S DAY, NEWSDAY, PUBLISHERS WEEKLY, BUSTLE, AND BOOK RIOT!
“[B]rilliant, timely, funny, heartbreaking.” —Jojo Moyes, #1 New York Times bestselling author of Me Before You
For fans ofLusterandI May Destroy You,a disarmingly honest,unapologetically black, and undeniably witty debut novel that will speak to those who have gone looking for love and found something very different in its place.
Queenie Jenkins is a twenty-five-year-old Jamaican British woman living in London, straddling two cultures and slotting…
I'm intrigued by boundaries and the relationships between different ideologies, or isms. In 1992, I joined the European Project at The Van Leer Jerusalem Institute. This was a fascinating group of people from Israel, Palestine, and Germany who studied the connections between Europe and the Middle East. Then I opened a new field of studies that continues to engage me: multiculturalism. In my books and articles (most recent:The Republic, Secularism and Security: France versus the Burqa and the Niqab), I examine the extent to which democracy may interfere in the cultural affairs of minorities within democracy, how to find a balance between individual rights and group rights, and whether liberalism and multiculturalism are reconcilable.
This is an excellent collection of essays. Susan Moller Okin and some other world's leading thinkers discuss the tensions between feminism and multiculturalism. This book served for me as a point of departure when I wrote my book. One of the major criticisms of multiculturalism is that it is bad for women. I examined whether this is necessarilythe case, and whether it is possible to resolve the tensions between group rights and individual rights.Is Multiculturalism Bad for Women? raises serious concerns as many cultural rites are, indeed, harmful to women. They include polygamy, forced marriage, female genital mutilation, punishing women for being raped, differential access for men and women to health care and education, unequal rights of ownership, assembly, as well as political participation, and unequal vulnerability to violence. While as liberals we want to respect the customs of minority cultures, we also do not wish to…
Polygamy, forced marriage, female genital mutilation, punishing women for being raped, differential access for men and women to health care and education, unequal rights of ownership, assembly, and political participation, unequal vulnerability to violence. These practices and conditions are standard in some parts of the world. Do demands for multiculturalism--and certain minority group rights in particular--make them more likely to continue and to spread to liberal democracies? Are there fundamental conflicts between our commitment to gender equity and our increasing desire to respect the customs of minority cultures or religions? In this book, the eminent feminist Susan Moller Okin and…
