Hi! I'm John Glynn, and I'm excited to share some book recommendations inspired by one of my favorite Taylor Swift songs, "Cruel Summer." To me, this song perfectly encapsulates the heightened emotions of summer love—a theme at the heart of my memoir Out East. I chose books that capture the "fever dream highs" of the season. But at the same time, as Taylor sings, "Summer's a knife," filled with longing and heartache, primed for nostalgia. All of these books carry the kind of moonlit shimmer I crave in a smart beach read. As a Swiftie, a beach lover, an avid reader, and a hopeless romantic, I hope you enjoy.
Jane Green is an icon in every sense, and this is my absolute favorite of her many bestselling books. I love stories with a strong sense of place, stories that transport me. This book does just that, whisking the reader to a forgotten scene from the Swinging 60s, an ex-pat community in Marrakesh once frequented in real life by the Rolling Stones, the Beatles, Yves Saint Laurent, and other luminaries of the era.
The narrator is an outsider who falls under the spell of Talitha Getty, a magnetic actress and model who presides over the whole swirling scene. This novel feels like the literary equivalent of a starry summer night.
A PARADE MOST ANTICIPATED BOOK OF THE YEAR A NEW YORK POST BEST BOOK OF THE WEEK
In her first novel inspired by a true story, Jane Green re-imagines the life of troubled icon Talitha Getty in this transporting story from a forgotten chapter of the Swinging '60s
From afar Talitha's life seemed perfect. In her twenties, and already a famous model and actress, she moved from London to a palace in Marrakesh, with her husband Paul Getty, the famous oil heir. There she presided over a swirling ex-pat scene filled with music, art, free love and a…
I am a scholar of international human rights and comparative genocide studies. My father was a refugee from the Holocaust. So I was always interested in genocide, but I did not want to be another Holocaust scholar. Instead, I introduced one of the first university courses in Canada on comparative genocide studies. From a very young age, I was also very interested in social justice: I was seven when Emmett Till was murdered in the US. So when I became a professor, I decided to specialize in international human rights. I read a lot of “world literature” fiction that helps me to empathize with people in places I’ve never been.
Fatima Mernissi was a Moroccan feminist. This book is her memoir of growing up in a harem (an enclosed all-female space) in Morocco in the 1940s and 50s.
It dispels many of the stereotypes and prejudices that many Westerners hold about how Islamic society treats women. The harem Mernissi grew up in was a warm and loving space. One of the elderly women living in it had been a slave, but was now cared for by the family. It was also a space where women could talk about their condition and consider ways of rebelling against it.
I assigned this book to a class on women’s human rights in the 1990s. It was very popular among the students, including the one man, whose background on his father’s side was Palestinian.
"I was born in a harem in 1940 in Fez, Morocco..." So begins Fatima Mernissi in this exotic and rich narrative of a childhood behind the iron gates of a domestic harem. In Dreams of Trespass , Mernissi weaves her own memories with the dreams and memories of the women who surrounded her in the courtyard of her youth,women who, deprived of access to the world outside, recreated it from sheer imagination. Dreams of Trespass is the provocative story of a girl confronting the mysteries of time and place, gender and sex in the recent Muslim world.
I am a history professor who is drawn to history out of a love of recovering and making accessible otherwise forgotten voices and stories of the past. I’m especially interested in relationships between Jews and Muslims and how they’ve dealt with minorityhood, displacement, colonialism, and modernization. I’ve written four books, two focusing on Muslims and two on Jews, as well as numerous articles. Among my greatest pleasures as a scholar is seeing my readers begin with an interest in the stories of one religious group (either Muslims or Jews) and then become so curious about the drama, joy, and conflicts of the era that they become interested in the stories of the other as well.
Daniel Schroeter’s The Sultan’s Jewfocuses on the colorful life of Me'ir Macnin (d. 1835), an ambassador-at-large for two successive Moroccan sultans. Schroeter uses Macnin’s life to discuss three main topics: the relationship between Jews and Muslims in Morocco; the relationship between Moroccan Jews and the Sephardic world beyond; and Morocco’s relationship with Europe. Macnin’s ambassadorial stint in London, which eventually saw him become the president of the city’s main synagogue, also allows Schroeter to talk about the complexities of Jewish life in Britain and of Sephardic/Ashkenazic rivalries. The power of Schroeter’s work is in presenting a sophisticated political and socio-economic study through the lens of a gripping biography.
This pathbreaking study uses the extraordinary life of Meir Macnin, a prosperous Jewish merchant, as a lens for examining the Jewish community of Morocco and its relationship to the Sephardi world in the late eighteenth and early nineteenth centuries. Macnin, a member of one of the most prominent Jewish families in Marrakesh, became the most important merchant for the sultans who ruled Morocco, and was their chief intermediary between Morocco and Europe. He lived in London for about twenty years, and then shuttled between Morocco and England for fifteen years until his death in 1835.
I always felt that Middle Eastern studies is different from other fields of history. Its ever-presence in our life, the news cycle, religious life, political life, yet, because of language barriers and other filters, there’s a gap in knowledge that is highly conspicuous when forming one’s opinion. When I started my academic training, I felt like I was swimming in this ocean of histories that were completely unknown to me. I studied the Jewish histories of the region only later in my training and found that this gap is even more visible when talking about the history of Jews in the Middle East, because of misconceptions of antisemitism, the Israel-Palestine conflict, political tilt of media outlet, and more. For me, entering this field was a way to understand long-term processes in my own society, and expand the body of scholarship to enrich the public conversation on top of the academic one.
When we talk about the need to read Jewish history in the Middle East within its original context, and within the understanding that Jews lived among non-Jews, interacted with non-Jews, and had a tremendous influence on their respective societies, from time to time, we need to change the perspective and see how their non-Jewish compatriots viewed them and remember them. In this book, Aomar Boum recorded the ways in which the Muslims of Morocco remember the large Jewish communities that lived in that country for millennia and shrunk to a fraction of their former self after 1956-1967. This book allows us to examine multiple perspectives simultaneously. The national and colonial identities, the essence of Middle Eastern Zionism, and the place of the memory of Jews after they had left in the modern societies.
There is a Moroccan saying: A market without Jews is like bread without salt. Once a thriving community, by the late 1980s, 240,000 Jews had emigrated from Morocco. Today, fewer than 4,000 Jews remain. Despite a centuries-long presence, the Jewish narrative in Moroccan history has largely been suppressed through national historical amnesia, Jewish absence, and a growing dismay over the Palestinian conflict.
Memories of Absence investigates how four successive generations remember the lost Jewish community. Moroccan attitudes toward the Jewish population have changed over the decades, and a new debate has emerged at the center of the Moroccan nation: Where…
When I say I enjoy stories of ordinary people in extraordinary situations, I’m talking about characters who don’t have law enforcement or Special Forces training, who aren’t martial arts experts, KGB agents, or CIA officers. I like those characters too, but they typically engage my head, not my heart. Thrown into dangerous situations, “ordinary” individuals can show tremendous courage and quick-wittedness. I can easily put myself in their shoes and empathize with their plight, which gives me a real stake in the story’s outcome. If a story is well-written, the creative ways characters respond and the strengths they discover within themselves make them true heroes to me.
Two American housewives—sisters—are on vacation in Morocco (a place I’ve really enjoyed visiting) and one of them disappears. Her sister is determined to find her, but neither has any preparation for the dangers they face. A foreign setting is mysterious, exotic, and always holds unknown possibilities. Finding themselves in a rural area, the women don’t know whom to trust, and they cannot rely on the usual social safeguards. The police and military are actually a threat. For me, a standalone thriller like this packs extra tension because you can’t be certain the characters will survive!
These two sisters are about to be permanently "disappeared"
Julie Welch's sister, Fay Lariviere, disappears from their hotel in Morocco. Although she leaves a note that she'll be back in two days, Fay doesn't return.
Julie's anger shifts to worry—and to fear when she discovers a stalker. Then, an attack meant for Julie kills another woman. Searching Fay's luggage and quizzing the hotel staff, Julie discovers Fay's destination—a remote village in the Saharan desert. Convinced her sister is in danger and propelled by her own jeopardy, Julie rushes to warn Fay.
Steven Casey is Professor in International History at the LSE. A specialist in US foreign policy, he is the author of ten books, including Cautious Crusade, which explored American attitudes toward Nazi Germany during World War II; Selling the Korean War, which won both the Truman Book Award and the Neustadt Prize for best book in American Politics; and When Soldiers Fall which also won the Neustadt Prize. In 2017, he published War Beat, Europe: The American Media at War against Nazi Germany, which won the American Journalism Historians Association 2018 book of the year, the panel judging it “a landmark work.”
Atkinson’s Pulitzer Prize winning opener to his World War II trilogy reads like a novel. It also succeeds in the almost impossible task of bringing military history alive, weaving expertly drawn biographies of individuals at all levels of the US military into a grand narrative of the campaign to liberate North Africa in 1942-43.
The liberation of Europe and the destruction of the Third Reich is a story of courage and enduring triumph, of calamity and miscalculation. In this first volume of the Liberation Trilogy, Rick Atkinson shows why no modern reader can understand the ultimate victory of the Allied powers without a grasp of the great drama that unfolded in North Africa in 1942 and 1943. Beginning with the daring amphibious invasion in November 1942, An Army at Dawn follows the British and American armies as they fight the French in Morocco and Algeria, and then take on the Germans and Italians in…
I have been a student of the history of ideas, with a particular interest in political thought, for over forty years. I have read countless books, both ancient and modern, and in several languages, that explore themes related to public life. I am a dedicated citizen of a contemporary liberal democracy, but today, I live in fear of a growing backlash against liberal democracy. The risk of democratic backsliding in the contemporary US is real as citizens become more disillusioned with politics. In other liberal democracies, some party leaders are adopting populist rhetoric to enhance their electoral appeal, but in doing so, they are undermining some of the established norms of public life.
Ben Jelloun was a political prisoner in Morocco for several years and was imprisoned in a dark cell in the ground in unimaginably horrific conditions. This book demonstrates politics gone wrong and the extent of the brutality that can be ravaged on other human beings in a system lacking justice or any sense of human rights and dignity.
Despite the intensely inhumane conditions of imprisonment, Ben Jelloun carries us along his journey and offers his readers an inspiring account of endurance and courage.
This book needs to be read by people in an era of democratic backsliding because it helps to demonstrate some of the things that are at stake when electorates become tempted by authoritarian leaders.
An immediate and critically acclaimed bestseller in France and winner of the 2004 International IMPAC Dublin Literary Award, This Blinding Absence of Light is the latest work by Tahar Ben Jelloun, the first North African winner of the Prix Goncourt and winner of the 1994 Prix Mahgreb. Ben Jelloun crafts a horrific real-life narrative into fiction to tell the appalling story of the desert concentration camps in which King Hassan II of Morocco held his political enemies under the most harrowing conditions. Not until September 1991, under international pressure, was Hassan's regime forced to open these desert hellholes. A handful…
I grew up living in a housing co-op on Vancouver Island, BC. While not technically a commune, it did have some of the hallmarks. There were gangs of partially clothed kids roaming wild. There were a bunch of idealistic adults who had dreams of shared land stewardship and, well, shared everything. The housing project succeeded in many ways (it still exists today) and, it failed in other ways (over the years there were many fractures in the community). I’ve always been fascinated by attempts at communal living. I suppose my obsession with cult life is just an extension of this. It is my life imagined one step further.
This book is about a young mother who takes her two daughters to Marrakech, Morocco in the 1960s so she can study Sufism, which, although not technically a “cult” does seem rather cult-like when described from the point of view of a five-year-old child who is watching her mother do strange ritual spinning to try to annihilate her ego.
You might remember the 1998 movie adaptation of this book starring Kate Winslet, but I think the book is better because of its dreamy, almost other-worldly descriptions of street life in Marrakech. This gem of a book is steeped in childlike wonder and longing and it will be over far too soon.
Working as a social anthropologist in Uganda, Ghana, Malaysia, and Catalonia, I became fascinated by villages as microcosms of broader social change, places where history can be observed in the making through the lives and histories of families and of their members. Villages are anything but ‘natural’ communities or social backwaters. They survive (or perish) because people, beliefs, and goods are continually moving in and out. Village lives are certainly shaped by state and society, but the impact goes both ways. Each of my selected books tells a gripping and distinctive story of villagers grappling with social and cultural tension, the forces of change, and the challenges of survival.
The Berber village of Tadrar clings to the steep slopes of the High Atlas. Lives are hard.
Women, men and children labor to bring precious water to homes, fields, and byres, to coax barley from narrow terraces, keep houses warm, feed families, tend the sick, and support the mosque and school. Most younger people go to the city for work, at least for a while, sending money home to help their families.
So how do families and individuals view their options, their place in the village and in the world?
Vivid interviews and observations stud Crawford’s affectionate and perceptive account of how people in Tadrar decide to become involved in the larger world economy, and their views on what it does for them and to them.
In the High Atlas Mountains of Morocco, far from the hustle and noise of urban centers, lies a village made of mud and rock, barely discernible from the surrounding landscape. Yet a closer look reveals a carefully planned community of homes nestled above the trees, where rock slides are least frequent, and steep terraces of barley fields situated just above spring flood level. The Berber-speaking Muslims who live and farm on these precipitous mountainsides work together at the arduous task of irrigating the fields during the dry season, continuing a long tradition of managing land, labor, and other essential resources…
Tahir Shah has spent his professional life searching for the hidden underbelly of lands through which he travels. In doing so he often uncovers layers of life that most other writers hardly even realise exist. With a world-wide following, Tahir’s work has been translated into more than thirty languages, in hundreds of editions. His documentaries have been screened on National Geographic TV, The History Channel, Channel 4, and in cinemas the world over. The son of the writer and thinker Idries Shah, Tahir was born into a prominent Anglo-Afghan family, and seeks to bridge East with West through his work.
Good writers of historical fiction blend layers of fact and fantasy together into an irresistible kaleidoscope. The very best of them are time travellers. And, that’s what Jane Johnson certain is… for her magical novel, set in the days of Sultan Moulay Ismail, sucks the reader back through centuries to a time when the Barbary Coast was a wild rumpus of a place – peppered with palaces and pirates, treasure, secrets, intrigue, and danger. I love this book because it’s not a dry historical read, so much as an intricate observation on the relationship between people, both elegant and deeply touching.
The author of The Salt Road and The Tenth Gift Jane Johnson returns with a captivating historical novel set in Morocco, The Sultan's Wife.
The year is 1677. Behind the magnificent walls and towering arches of the Palace of Meknes, captive chieftain's son and now a lowly scribe, Nus Nus is framed for murder. As he attempts to evade punishment for the bloody crime, Nus Nus finds himself trapped in a vicious plot, caught between the three most powerful figures in the court: the cruel and arbitrary Sultan Moulay Ismail, one of the most tyrannical rulers in history; his monstrous…
