The most recommended metamorphosis books

Two of Sarduy’s most extraordinary writings from the 1970s, these twin works chart a territory of radical transformation. In the first part of the book, Cobra makes their gender transition with the support of a slew of unusual characters who also shape-shift via the mysterious and violent rites of a motorcycle gang and a group of Tantric Buddhist lamas. Metamorphosis continues in the second half of the book, wherein a Cuban-Chinese cook reincarnates as the Buddha, in the midst of the Cuban revolution. The wild tales create a distinctive space for being otherwise.

As someone who spends my happiest moments in entirely made-up places with people who, it pains me to write, don’t actually exist, I am obsessed with the wavy lines between the life we imagine and the life we live. And no one writes about that cloudy blue haze between reality and our interior world better than Neil Gaiman. Shakespeare is glimpsed in other parts of the epic Sandman saga, but it is in the stand-alone story A Midsummer Night’s Dream where he is the star. It is both delightful and disturbing in a way that Gaiman is a master of.

The Animorphs series combines two things I was fascinated with as a child—aliens and animals! In The Invasion mind-controlling aliens called Yeerks invade Earth. A group of teens accidentally sees proof of this invasion and are given the power to turn into animals in order to fight the Yeerks! Most adventure series take you to different worlds, but I really enjoyed how The Invasion was set in the real world. While Jake, Cassie, Marco, Rachel, and Tobias struggle with a powerful alien force bend on world domination, they’re also dealing with the typical challenges and stresses of teenage life like exams, parents, and prom! The Invasion also offers fascinating viewpoints of what it might be like to live as the animals that surround us. 

Not strictly a book about talking animals, in that the animal that talks is actually a human when the story begins. Lewis and Wren are going about their unassuming married life when Lewis is told by a doctor that he has one year until he turns into a great white shark.

A wacky premise that delivers so much more than expected, this beautiful, tender fable about love and mortality is packed with lovesick ocean creatures and mothers masquerading as Komodo dragons.

Locos is charming and cruel, tragic and hilarious, ambiguous yet direct, and written with clear, poetic prose. The experimental style on display never overwhelms the narrative. Despite the fact that Alfau directly declares the fictive nature of his characters, he made me care about them. The book contains a series of interconnected short stories with characters reappearing throughout and even when they are not featured, a brief mention may act as a dramatic revelation that changes significantly what you read before. And further, some of the characters seem to metamorphosize and serve different roles in subsequent stories.

The entirety manages to hold together as more of a novel than a collection partly thanks to the overlapping characters, partly through the consistent tone and style, and partly because Alfau is always in the background or making appearances as "the author." Some of the stories are quite hilarious, while some are devastating.… show more.

Shelman is one of the Godfathers of indie zompoc. He was an early adaptor to the Amazon self-publishing model and his series, Dead Hunger, was one of the first I read. It starts at the beginning of the outbreak and covers the ups and downs over decades in the 10-book series. Great characters, compelling science, and heartfelt situations kept me reading. The villains were unique, the heroes were likable and funny and the story moves along quickly. There is lots of action and some over-the-top situations as the band of survivors try to stay alive and rebuild a life for themselves. Shelman narrates his own books (and many others) and is one of the absolute best voice actors I’ve listened to.

This book offers a response to a deep longing to be in the world with childlike curiosity. It encourages our direct perception of life through the energetic heart field. Although it is meant as a knowledgeable guide for listening to and communicating with plants, it elicits a poignant call during a time of profound alienation. Encouraging the letting go of top-down linear thinking, Buhner offers a step-by-step somatic path for decolonizing the soul. I discovered by exchanging the word “psoas” for “plant” the book easily becomes a personal guide for increasing our core awareness as it inspires opening the heart by rooting into a reciprocal relationship with the living Earth. To me, re-wilding my relationship with the deepest aspects of self is vitally personal and imperative if all life is to truly flourish. 

Claire is an irreverent delight in person, but you won’t see much of that persona in her stories – this book is heavy with gooey and bizarre body horror that always has a deeply personal context for her characters.

She’s admitted that writing is a vehicle for talking about her epilepsy, but you don’t need to share that with her to relate to the strange changes that take place on her pages.

This is just her first collection, an opening salvo across the bow of Australian horror, so it will be interesting indeed to see how her work evolves and metamorphosises over time – to meet the creature that crawls, slime-slicked and hungry, from the casing of her next books.

The Metamorphoses, or Transformations, by the Roman poet Ovid is one of the most-read books of ancient literature because of its hundreds of wonderful stories as well as the charm of its witty and ironic author.

Since the stories he relates are all myths and legends, the Metamorphoses amounts to a virtual handbook of classical mythology. The theme of supernatural transformation runs through them all, portraying a world forever in flux, as someone or something is marvelously and surprisingly changed in some large or small way.

I like the vibrant new translation by Stephanie McCarter.

Not necessarily the world’s first novel (the world’s first novel is probably lost) nor even the world’s first great novel (that would be Petronius’ Satyricon, which you should also not get caught reading), The Golden Ass is definitely the world’s first great novel that has survived through the centuries intact.

It’s the story of a man who tries just one time to dabble in magic and accidentally turns himself into a donkey. The poor guy has a bunch of adventures as he tries to figure out how to, you know, stop being a donkey.

That doesn’t sound so bad, but no one’s ever going to let you read a book with the title The Golden Ass. It just means the golden donkey! There’s nothing filthy about it! But no one will believe you!