The most recommended books about Manhattan

A novel about a young woman who worked on the atomic bomb and fell in love with one of the other scientists on the project who breaks her heart into a million pieces so she abandons her career and takes up as a shop-girl? Add in an FBI agent who is on the tail of the cad and wants her help in finding him? Count me in!

Fields is terrific at creating mood and the 1950s milieu. And the unexpected romance between Rosalind, the one-time scientist, and Charlie, the FBI agent, is both moving and immensely satisfying—these are two wounded souls who manage to find each other and by the end, you’re out of your chair and cheering.

I have a background in art and design and have always loved Tiffany’s stained glass creations. Like so many people, I thought he was solely responsible for the designs that bore his name.

The Tiffany Girls tells the story of the talented women responsible for many of the works attributed to him. This meticulously researched historical novel is a brilliant blending of fact and fiction. It goes a long way toward giving these talented women the recognition they so rightly deserve by weaving their story into a page-turning fictional tale about a young Parisian artist who travels to America in the hope of working for Tiffany.

Who doesn’t love a crossover? When two intellectual titans clash with an apocalyptic adversary, sparks fly. Mastermind merges Andrew Mayne's standout characters—FBI's Jessica Blackwood and the genius Dr. Theo Cray—in a high-stakes game against a cultist serial killer named the Warlock. With cities vanishing amidst chaos, and a mystery as deep as the voids themselves, this is not just a read; it's an experience.

Dive into a narrative where every twist is meticulously plotted, and where the line between genius and madness blurs. For those craving a crossover with intelligence and suspense at its core, this thriller is not to be missed.

I heard Marilyn Monroe in everything Holly Golightly said. I heard her witticisms. Turned out Truman Capote wrote it using Marilyn’s voice.

Holly, a hooker, her protagonist (apartment neighbor) was an in-the-closet gay man. Holly would climb the fire escape and crawl into his room and snuggle in bed with him as if they were lovers. She never denied she was a hooker – but never hid that she had standards and would expect fifty-dollar tips for washroom attendants.

This novella, as does Grapes and Old Man, demonstrates to me the stage play of life we choose to be in is in acts—we know our assets, limitations and to survive we follow them—in Grapes pickers followed a dream to orange groves—in Old Man—a fisher needed to prove he could get his luck back—and in Tiffany—if she could find playgrounds of the rich, she’d survive.

John Edgar Wideman is the first African-American writer I can clearly point to who took microfiction seriously enough to write an entire collection. His stories are filtered through the lens of Blackness, but that is not the major reason why I like this book. Wideman does things with language that force me to completely step back and rethink things. I find myself reading his words aloud, simply because they feel as though they transcend the page. If it were not for Wideman, I would not feel as comfortable revealing the authenticity of my experience in my work.

I have to admit, if I had the ability to see vamps, that would be both fascinating and scary. And apparently, SPI (Supernatural Protection and Investigation) feels the same way.

Makenna Fraser is a supernatural detective for SPI who is tasked with discovering who’s behind a magic-infused drug that allows humans to see vamps, monsters, and other creatures. The clock is ticking, and the city of New York’s—and the entire world’s fate rest in her hands.

Who knew a book about sleeping could be so funny and engaging?

As someone who constantly wants and needs more rest, I related to the protagonist’s hunch that a year of (almost uninterrupted) sleep would change her life. And it does, though not at all in the way she expects.

Moshfegh writes about trips to the local bodega and the edgy conceptual art scene in such a brilliant way that the book will (perhaps, unfortunately!) keep you up late.

Such a peculiar book. The Horned Man is not for those who want answers or resolutions. By the time the final page is turned you'll find yourself with more questions than you had at any other point in the book. It takes the Unreliable Narrator device to the extreme, to the point where you don’t really believe anything from the get-go, a unique way to tell a story, but it works here. This book is dark, smart, uncomfortable, and it is unlike anything you'll ever read. Lasdun’s prose is also exceptional, and I’ve often found myself getting lost in his paragraphs, enjoying how I can stop and really take the time to re-read how the author has crafted his story, and lead you exactly where he wanted to.

I’m a sucker for a cool historical setting and also for romance with a social-status difference as a main obstacle, and this novel delivers on both! In 1920s-era New York City, amid Prohibition and jazz and snazzy fashions—and, in this version of things, an underworld of secret magic—wealthy Arthur meets working-class Rory, and the sparks begin. Both of the men are utterly endearing (another feature I’m soft on) and bring different paranormal powers to the problem of a lethal magical relic on its way to New York. There are two more books in the series, so if you fall for this pair, hurray! There’s more to read.

This is a collection of Oppenheimer’s essays and speeches, a good thing to read to get a sense of the man himself, how he thinks, how he handles language.

How he struggles to suggest how civilization might begin to cope with the reality that new weapons now exist capable of annihilating civilization... “unless we show,” he says, ”urged by our own example and conviction, that we regard nuclear armament as a transitory, dangerous and degrading phase of the world’s history.”

He said that forty years ago, and counting.