Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
What I really love about this novel is the voice of the main character, Ezekial “Easy” Rollins. Easy is not your typical P.I. A recently fired machinist in post-war Los Angeles, he’s just a guy trying to pay his bills. But he’s also a black man from the South trying to survive in a white, west-coast world. When a white gangster hires him to find a missing girl, Easy senses that he’s in extreme danger, but he has no choice but to take the job.
Told in the first-person, this book captures all of Easy’s doubt, dread, and defiance as he unravels the mystery.
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
I was impressed by how the author
seamlessly worked the dialogue into the story. The book was based on historical
events about the Nazis' attempt to take over Hollywood in the 1930s.
The author
brought the characters to life with personal backstories and natural conflicts
of what it meant to be German versus Jewish in the 1930s and the courage that
it took to stand up to a tyrant regardless of it being unpopular in your
community.
I learned about an aspect of our history that I was
unaware of and how the bravery of the few thwarted the diabolical plot of one
Adolph Hitler and his goons.
“What I am looking for―what I desperately need, Mrs. Weiss―is a spy.”
Adolf Hitler is still a distant rumble on the horizon, but a Jewish spymaster and his courageous spies uncover a storm of Nazi terror in their own backyard.
In the summer of 1933, a man named Adolf Hitler is the new and powerful anti-Semitic chancellor of Germany. But in Los Angeles, no-nonsense secretary Liesl Weiss has concerns much closer to home. The Great Depression is tightening its grip and Liesl is the sole supporter of two children, an opinionated mother, and a troubled brother.
I love book club.If I could make it a requirement for everyone in the universe to give it a try, I would. I was an English major in college, so that feeling of ending an amazing story and needing someone to discuss it with never fully went away. All book club books should be thought-provoking, but the best add that intricate and wholehearted understanding, I think, that only literature can. Why do the characters you least understood or felt a kinship with suddenly have your heart, what do they want, need, feel, think? I hope these novels help you better understand. The who and what are beside the point.
This book has everything a book club could ask for. Characters that you love, even when maybe you shouldn’t. Relationships that seem both familiar and endlessly fascinating. An epic dilemma that resonates and flourishes until the very end.It’ll definitely have you wondering,what would I do? At the end of the day, that question is all you really need for a lively book club discussion.
Brooklyn, 1947: in the midst of a blizzard, in a two-family brownstone, two babies are born minutes apart to two women. They are sisters by marriage with an impenetrable bond forged before and during that dramatic night; but as the years progress, small cracks start to appear and their once deep friendship begins to unravel. No one knows why, and no one can stop it. One misguided choice; one moment of tragedy. Heartbreak wars with happiness and almost but not quite wins.
As a social scientist, I've always been interested in how the communities we live in shape our values, priorities, and behavior. I also care about how institutional change—from small things like a college offering a new major to big things like a town choosing to incorporate—can shape communities. Each of these books has changed my thinking about how we influence, and are influenced by, the communities we live in, for better or worse. I'm a professor in the departments of Political Science and Quantitative Theory and Methods at Emory University in Atlanta, and I hold a Ph.D. in the Social Sciences from Caltech.
Between 1954 and 1981, when this book was written, the number of cities in L.A. County nearly doubled from 45 to 81. Many of these new cities contracted with the county for their basic public services, and were consequently able to maintain low property tax rates. Homeowners "voted with their feet" by moving to these new cities, and previously middle-class places like Compton saw their tax bases plummet while their need for public services skyrocketed. As a native Angeleno, I found Miller's account of the fragmentation of Los Angeles fascinating and devastating. A gem of a chapter entitled "Is the Invisible Hand Biased?" presents a withering critique of the argument—standard in economic theory—that more choices make people better off.
The battle line in the urban conflict lies between the central city and the affluent suburb. The city, needing to broaden its tax base in order to provide increasingly necessary social services, has sought to annex the suburb. The latter, in order to hold down property taxes, has sought independence through incorporation.
Cities by Contract documents and dissects this process through case studies of communities located in Los Angeles County. The book traces the incorporation of "Lakewood Plan" cities, municipalities which contract with the county for the provision of basic—which is to say minimal—services.
Since I was introduced to many authors published by Grove Press, I have been intrigued by transgressive literary fiction, especially stories and novels that feature narrators and protagonists whose unreliability and moral culpability fuel plots to surprising yet inevitable climaxes. Lesser writers of such works use the shocking and revolting as crutches for vapid prose, failing to lead readers to revelations that can be found in the darkest places and in the unlikeliest of people. What better accomplishment can any writer ask for except getting readers, in some way, to identify with characters whom they would avoid in real life?
Guideis the fourth book in Cooper’s George Miles Cycle. This short novel is packed with so much to think about, even if what that includes will make your skin crawl.
If you are unfamiliar with Cooper’s work, this isn’t the book I’d recommend you start with, but his language is so precise that it’s hard to imagine the sentences being written in any other way. The shifting POV chapters take readers on a tour of the seedier parts of L.A., forcing us to examine and interrogate not only how we all tell our own stories, but also how some people then use those to erase or justify their complicity.
Presents a disturbing and provocative exploration of four young men who want more than anything to be altered by drugs, the power of love, or the violently erotic experiences they share with each other.
Hi! I'm John Glynn, and I'm excited to share some book recommendations inspired by one of my favorite Taylor Swift songs, "Cruel Summer." To me, this song perfectly encapsulates the heightened emotions of summer love—a theme at the heart of my memoir Out East. I chose books that capture the "fever dream highs" of the season. But at the same time, as Taylor sings, "Summer's a knife," filled with longing and heartache, primed for nostalgia. All of these books carry the kind of moonlit shimmer I crave in a smart beach read. As a Swiftie, a beach lover, an avid reader, and a hopeless romantic, I hope you enjoy.
Yes, this is a book with “Christmas” in the title. Yes, it mostly takes place in the winter, not the summer. But you can practically hear the main character shouting the lyrics from Cruel Summer’s bridge, “I love you ain’t that the worst thing you’ve ever heard,” as she attempts to cling to the chosen family that has brought her comfort over the course of her twenties.
This is a book I’d read any time of year and one that carries the huge feelings and high-stakes drama of the best Taylor Swift songs. I loved it.
From bookfluencer and host of the BAD ON PAPER podcast, a riotous holiday rom-com about four friends in NYC who hold onto their unconventional Christmas tradition even when their paths diverge—but the changes they fear might be exactly what they need…
Hannah and Finn have spent every Christmas together since college. Neither has anywhere else to go—Hannah’s parents died, and Finn’s disowned him when he came out. Their tradition of offbeat holiday adventures only grows more outrageous with time. When the pair starts their adult lives in New York City, they add stylish Priya and mysterious Theo to the group,…
Growing up as a kid, I was obsessed with R.L. Stine’s Goosebumpsbooks, most of which took place in small-town settings. Horror could hide anywhere in those towns, whether out in the woods or on the shelf at the local general store. I loved those books to death because they taught me (or perhaps reminded me) that darkness existed within daily life. As I grew older, my passion for the subgenre led me to consume more stories and eventually write my own.
This Stoker Award-winner nearly caused me to miss a connecting flight to Los Angeles. I started reading it in an airport restaurant and got completely swept away until the final boarding call. In Covenant, a big-city journalist visits a small Midwest town to investigate a series of mysterious suicides. What unfolds is a gripping supernatural tale filled with mysterious characters, riveting conflict, and unthinkable twists.
In a small town with a strange history of teen suicides, a group of five women have made a pact with a demon and must sacrifice their firstborn.
To the residents of the sleepy coastal town of Terrel, the cliffs of Terrel's Peak are a deadly place, an evil place where terrible things happen. Like a series of mysterious teen suicides over the years, all on the same date. Or other deaths, usually reported as accidents. Could it be a coincidence? Or is there more to it? Reporter Joe Kieran is determined to find the truth.
I am a professional guitarist and music teacher specializing in American roots music. For more than 35 years I taught, wrote curriculum, and oversaw programs at Los Angeles' Musicians Institute (formerly Guitar Institute of Technology) while creating and directing instructional videos, writing method books, and publishing magazine articles and columns. Since 1996 I have been recording and touring as the guitarist for American music icons the Blasters. In 2014, I developed the online School of Electric Blues Guitar at Artistworks, where I interact every day with students from around the world.
Howard was a top Los Angeles session guitarist (one of the fabled Wrecking Crew), jazz stylist, and brilliant visionary who combined his skills to create the Guitar Institute of Technology, an innovative, intensive program that trained thousands of professionals and transformed guitar education.
The Guitar Compendium is the result of Howard’s decades of research into learning theory and information flow applied to the guitar. It’s not a standard guitar method (and not designed for raw beginners), but rather a collection of practical, thought-provoking solutions to the universal challenges of learning and playing the instrument, from developing technique to breaking through creative roadblocks. If you’re an aspiring, curious, and perhaps frustrated guitarist, The Praxis System is a unique source of wisdom and inspiration from one of the greatest.
This is the first instructional book of its kind, taking a strikingly new and refreshing approach to learning guitar, carefully designed to guarantee efficient practice with rewarding results. Whether your playing falls under one of the more traditional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, The Praxis System has what you need. The name of the system (Praxis" comes from the Greek word meaning "practice" and "to do") accurately reflects its general orientation. Play it first, getting sound and satisfaction…
I’m an awkward academic who thinks, writes, and teaches about US immigration and imprisonment regimes and their growth out of racism, imperialism, and nationalism. I’m strongly motivated by things that I hate. I want to understand how and why we are facing such catastrophic problems, so that we can figure out how to undo them. My work is partly motivated by my personal history as the daughter of immigrants who moved to support their families and survive in the aftermath of war. As a privileged person in the US, I'm not directly affected by the state violence I study. I also know that we're not going to have a future unless we get there together.
This book has hugely influenced my thinking on US racism, imprisonment, and immigration, especially my second book. By studying a long history of incarceration in Los Angeles, Lytle Hernandez demonstrates how “mass incarceration is mass elimination.” This argument was a revelation that opened new ways for me to see the connections among different people swept away into cages. Like Dunbar-Ortiz, she reveals how settler colonialism connects working-class white, Black, Indigenous, Chinese, and Mexican people targeted for arrest, imprisonment, and removal. Crucially, she reads “rebel archives” of those people who resisted their subjugation and fought for justice, showing how they never relinquished themselves to racist incarceration.
Los Angeles incarcerates more people than any other city in the United States, which imprisons more people than any other nation on Earth. This book explains how the City of Angels became the capital city of the world's leading incarcerator. Marshaling more than two centuries of evidence, historian Kelly Lytle Hernandez unmasks how histories of native elimination, immigrant exclusion, and black disappearance drove the rise of incarceration in Los Angeles. In this telling, which spans from the Spanish colonial era to the outbreak of the 1965 Watts Rebellion, Hernandez documents the persistent historical bond between the racial fantasies of conquest,…
USA Today and #1 internationally bestselling author of The Marsh King's Daughter - “Subtle, brilliant and mature . . . as good as a thriller can be.” – The New York Times Book Review, and soon to be a major motion picture starring Daisy Ridley and Ben Mendelsohn, and The Wicked Sister, a Publishers Weekly Best Book of 2020. "Massively thrilling and altogether unputdownable. Dionne is proving to be one of the finest suspense writers working today.” – Karin Slaughter
Rose Carlyle’s debut psychological suspense left me gobsmacked.
Set against a backdrop of sparkling tropical islands, ocean storms, and outrageous wealth, the novel explores the terrible consequences of greed, deadly lies, and out-of-control jealousy. With an ending I absolutely did not see coming, Carlyle doesn’t just knock the ball out of the park—she sends it flying into the next universe.
* * THE INTERNATIONAL BESTSELLER * * ________________________________
'Fresh, flavorful, and utterly intoxicating' A. J. Finn, author of The Woman in the Window
'It's impossible to do justice to the twists and turns ... riveting' New York Times ________________________________
She already has your looks. Now she wants your life...
Beautiful twin sisters Iris and Summer are startlingly alike, but beneath the surface lies a darkness that sets them apart. Cynical and insecure, Iris has long been envious of open-hearted Summer's seemingly never-ending good fortune, including her perfect husband Adam.
Called to Thailand to help sail the beloved family yacht to…
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