I have created art from an early age. Years later, my studies in civil engineering allowed me to combine my love for the arts with my belief in an orderly world. Meanwhile, reading and writing have always been my favorite pursuits. While collaborating as an editor with other authors, assisting them in their writing endeavors, in 2014, I wrote and published my first book. Sharing my writing on Instagram gave birth to the idea of my first poetry book, something like, published in 2018. Since then, two more poetry collections have been published: A TriAngle in 2019 and something like in reverse in 2020.
Every letter of "Sweet Jane'' to her lover "Eleanor" could be a letter written to the person you love the most but you cannot be with, a letter to the person you think of to escape from your hard reality when isolated.
In each of those letters, I found the memories of the loved one blended with the day-to-day survival, written impeccably by Robin Sinclair, because I could sense the agony and the despair when all one has left is a pen, paper, and feelings.
A modern gothic tale of letters written by Sweet Jane to her lover, Eleanor, recounting and obscuring the dark secret that lead to Sweet Jane being committed.
PRAISE FOR LETTERS TO MY LOVER FROM BEHIND ASYLUM WALLS Written from an asylum, these epistles provide something more “delicate and wrathful” than the expectation that our interned speaker has a tenuous grip on reality. Instead, we witness moments of wisdom and lucidity made possible because the strength of Sweet Jane’s love for Eleanor is greater than the weight of her trauma. These poems guide us through the questions we must ask about…
I learned about Stoicism through its connection to Rational Emotive Behavior Therapy, whose founder, Albert Ellis, was influenced by Stoic philosophy. Since I had an interest in philosophy, I decided to look more into Stoicism, and—to my surprise—I learned that philosophy could be practical (who knew?!), and that others were trying to put Stoicism into practice today! This led me to try to find other Stoics by founding the New York City Stoics in 2013, followed by co-founding a non-profit—The Stoic Fellowship—to help other people do the same in 2016. I’ve now given talks on Stoicism worldwide in addition to co-writing a book on Stoic practice.
I first got into Stoicism the way most people do: to feel better and get control over my emotions. But after I studied and practiced it more, I realized that I got into it for the wrong reasons! Stoicism’s goal isn’t to get control over emotionsper se,but to eliminate a subset of them—the passions—because they stem from false beliefs. And you can’t control them; according to Stoic theory, once you let the passions arise by agreeing with the false underlying beliefs, they control you.Graver’s book was pivotal for my understanding of the Stoic theory of emotions in a deeper and more accurate way.
On the surface, stoicism and emotion seem like contradictory terms. Yet the Stoic philosophers of ancient Greece and Rome were deeply interested in the emotions, which they understood as complex judgments about what we regard as valuable in our surroundings. "Stoicism and Emotion" shows that they did not simply advocate a suppression of feeling, as stoicism implies in today's English, but instead conducted a searching examination of these powerful psychological responses, seeking to understand what attitude toward them expresses the deepest respect for human potential. In this work, Margaret R. Graver gives a compelling new interpretation of the Stoic position.…
I’m a bit of an anomaly in the author world because I didn’t find my passion for reading until I was a newly married adult. My husband, who is the coolest geek ever, introduced me to the DragonLance Chronicles, opening my eyes to the wonder that is the fantasy genre and turning me into an insatiable reader. It’s taken more than ten years to craft my own urban fantasy world, outline my first 6-book series in the world, and write the first book, but none of that would have been possible without the urban fantasy trailblazers listed above. I hope you enjoy these books as much as I have!
Although White Trash Warlock has fantastic world building and a fresh, unique take on supernatural people and creatures, it was the feels in this book that did it for me. I love a wounded protagonist, and the way Adam fights to live life on his own terms while still helping the family that doesn’t support his sexuality or his magic tugs on all my heartstrings.
Reading the West Book Award Nominee for Debut Fiction
“The complex world-building, well-shaded depictions of poverty, emotional nuance, and thrilling action sequences make this stand out. Slayton is sure to win plenty of fans.”--Publishers Weekly (starred review) on White Trash Warlock
Not all magicians go to schools of magic.
Adam Binder has the Sight. It’s a power that runs in his bloodline: the ability to see beyond this world and into another, a realm of magic populated by elves, gnomes, and spirits of every kind. But for much of Adam’s life, that power has…
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
In each of these stories, the protagonists grapple with their understanding of who they are, who and how they love, and what is ultimately most important to them. In almost every case, however, the quest to know or protect oneself is challenged by an external force, resulting in violence, crisis, or confusion, among other outcomes.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Though the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they're linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
Underpinning the project is a core belief - self-definition is fluid, but conflict arises because society often fails to keep pace with personal evolution. In each of these stories, the protagonists grapple with their understanding of who they are, who and…
I’m a lover of all things Victorian and an obsessive researcher. Academic libraries are my favourite places in the world and I like nothing more than uncovering some weird nugget of information that forces me to reappraise what I thought I knew. With a PhD in Victorian domestic murder and a fascination with the weirder elements of Victorian life, it was almost inevitable I’d turn my hand to writing crime fiction set in that era. The five books I’ve recommended are some of the best crime novels set in the nineteenth century, but written more recently.
I’m kicking off with a novel that isn’t a conventional crime story, in that there’s no detective, but there are several heinous crimes, all of which are resolved by the end.
It’s not an exaggeration to say I envy anyone who hasn’t yet read Fingersmith. Unashamedly drawing on the sensation fiction of Wilkie Collins, it has a twist that saw me actually yelping out loud in surprise. But the book is so much more than that.
Starting in London, 1862, we are introduced to Sue Trinder, a young woman entrenched in the criminal underworld. When she agrees to join forces with the sinister Gentleman to hoodwink a young heiress, Sue has no idea exactly what she’s involving herself in.
This book has it all. It’s beautifully written, with phenomenal pace and intrigue, but also with a wonderful love story at its core. If you haven’t read it, what on…
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
There is so much to love about this book. It contains 26 stories of LGBTQ horror from some of my favourite authors, including Paul Tremblay and Hailey Piper. Each story is unique, but all share themes that reflect the very real threat of homophobia and/or transphobia. I enjoyed all three of the Unspeakable Horror books, but this is the only one I read in 2023; it came out in June for Pride Month.
Hailey Piper’s “Bad with Secrets” is a wonderfully weird tale set in the 1950s that casts McCarthy (yes, THAT McCarthy) as an evil sorcerer. Honestly, I got chills reading it.
And Paul Tremblay’s story “If Dillon Believed in any Kind of Ghosts” is brilliant. Nana is an adorable side character. I love the way it mixes mundane family interactions with moments of shocking violence and terror.
This book definitely brightened Pride Month for me.
The third terrifying volume in the award-winning anthology series of original queer horror.
Like the final girl in a slasher film, the LGBTQIA community knows first-hand what it’s like to fight for its survival. Beaten and bloodied after an extended chase scene through modern-day politics and the courts, we think we’ve triumphed and conquered our oppressors. We breathe a little easier knowing our rainbow is ascending in the distance. But—like the indestructible slasher villain—our enemies rise up again and again, as if on a looping third-act jump scare. It’s a seemingly never-ending return to battle as the pendulum of progress…
I’ve been pondering philosophical questions and trying to understand my queer sexuality since childhood. While checking out The Portable Nietzsche in my high school library, the librarian warned me the philosopher was “a bad man.” Then I had to read the book, which not only taught me to become critical of all forms of authority, but also, perhaps paradoxically, empowered me to embrace my queerness. As a college and graduate student, I studied many of the American academic movements based in Continental philosophy grouped under the rubric, “theory.” When queer theory emerged in the early 1990s’, I found a place for myself. I'm convinced that we should never stop putting our identities under critique.
Aberrations in Black is not the only important early queer of color intervention in queer theory, but I find it the most rewarding.
Showing how signal works in the African-American literary tradition pose important challenges to social norms and to the sociological discourse of their times, Ferguson advances an intersectional critique that forefronts race and also attends to gender, sexuality, and class.
The book’s brilliant close readings, such as the reading Toni Morrison’s Sula in the context of The Moynihan Report particularly stand out. The book is a corrective to the apparent colorblindness of much of early queer theory.
A hard-hitting look at the regulation of sexual difference and its role in circumscribing African American culture
The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture-sexual difference-can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology-Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson-has measured African Americans's unsuitability for a liberal capitalist…
I am a queer transgender woman living in the Appalachian South. When I moved here in 2015 I threw myself into doing community-based LGBTQ history. I co-founded the Southwest Virginia LGBTQ+ History Project, an ongoing queer public history initiative based in Roanoke, Virginia. As a historian and an avid reader, I am fascinated by how queer and trans people think about the past, how we remember and misremember things, and what role historical consciousness plays in informing the present and future.
Trans sci-fi? Yes, please. This delightful collection of short stories—which I have read twice now—consistently wows with its relatable queer and trans body-suffering, body-shifting protagonists. It is not so much a book about queer futures as it is a futurist rendering of the past twenty years, including climate disaster, endless wars, gentrification, digital subcultures, and a bit of high school nostalgia. A trans gay boy enters a portal in the woods; a young menstruating person pulls a screwdriver from their vagina; job opportunities on the moon entice anti-capitalist, ennui-filled teenagers. If Muñoz imagined queerness as a utopian space-time rupture, Jarboe reminds us that our queer dystopia is inescapably here. We wrestle now in our flesh in this fucked-up world.
Winner of the 2021 Lambda Literary Award for LGBTQ Science Fiction/Fantasy/Horror, this collection of body-horror fairy tales and mid-apocalyptic Catholic cyberpunk, memory and myth, loss and age, these are the tools of storyteller Jarboe, a talent in the field of queer fabulism. Bodily autonomy and transformation, the importance of negative emotions, unhealthy relationships, and bad situations amidst the staggering and urgent question of how build and nurture meaning, love, and safety in a larger world/society that might not be "fixable."
With 37 years as a professional umpire, the last 32 with MLB, you can’t help but have a ton of stories. The umpire books I recommend have those and more. Funny, entertaining, revealing, and educational, hearing what happened from the person it was happening to give a unique look to America’s pastime. Being the first active male big 5 sports official (Baseball, Football, Basketball, Hockey, Soccer) to come out as gay in 2014, I also understand the added stress that brings and the courage it takes to live your true self on such a big stage.
The day-to-day pressures as an MLB player are enormous. On the field, off the field, in the clubhouse, it’s nonstop.
Doing all of that while hiding who you are as a gay man, compounds everything. Billy Bean takes you with him, from the best player in little league to making it on a major league roster, all while hiding his true self.
Leaving baseball at his prime after the death of his partner, something he couldn’t tell a soul about, Billy’s story is heartbreaking yet triumphant and helped me when I publicly came out as an active MLB umpire.
Billy Bean is the first major league baseball player to publicly discuss his homosexuality and the first athlete in a professional American team sport to do so since all-pro football player Dave Kopay came out in 1975. By 1996, when Bean retired at age thirty-two from the game he loved after ten years as a pro ballplayer for the Tigers, Dodgers, and Padres, he had become disillusioned by the sport that had defined his life. Bean found himself forced to choose between his love of baseball and the man he loved. It was an agonizing end to a career in…
This is the sequel to one of my favourite books, The
Miseducation of Evie Epworth, a funny but moving coming-of-age story with an
irrepressible heroine.
In All about Evie, she’s grown up and making her way in
the London of the 1970s, grappling with the world of work, and with first love.
As someone who grew up in the 70s, it was brilliantly nostalgic, and meeting
Evie again was like catching up with an old friend.
Just as in the first book,
Matson Taylor conjures up a colourful but always utterly believable cast of
characters, who I was sad to say goodbye to when I turned the last page.
EVIE EPWORTH IS TEN YEARS OLDER. BUT IS SHE ANY WISER?!
'It's an uplifting, rip-roaring read, peppered with nostalgic detail and plenty of comic asides.' Daily Express
'A golden ray of sunshine. If you're after a funny, uplifting summer read then this is for you!' Libby Page, author of The Lido
'A joyous way to spend an afternoon.' Joannna Nadin, author of The Double Life of Daisy Hemmings
'Taylor's writing is sublime, effortlessly combining humour with pathos and spot-on period detail while sensitively exploring themes such as loss, grief, love and death. It's sure to be another hit.' Yorkshire Post…
All of my novels explore, in some way, how the characters are affected by trauma or loss, and how they respond to these difficulties over time. This comes partly from my impatience with the notion of “closure” and with the idea that we can ever truly find it after a traumatic event or a significant loss. I’m drawn to fiction and nonfiction that doesn’t shy away from the messiness of finding a way to live with these difficulties, or trying to. In addition to writing fiction, I’ve spent nearly ten years recommending novels and story collections through my Small Press Picks website.
This novel achieves something that, as a writer, I think is one of the hardest things to pull off: tackling troubling, emotionally fraught material yet finding moments to make readers laugh out loud. The novel’s protagonist, Alex, has plenty of challenges to deal with: the loss of her mother to an apparent drug overdose, a difficult relationship with her can’t-seem-to-grow-up brother, and an uncertain reconnection with an old flame. Through Alex, Michalski manages to both confront these challenges and find humor in them. As I read the book and thought of the difficulties in my own life, I considered how I needed to take a page from this character’s playbook. Another element that leavens the novel’s heavier material is a plot thread that will delight rom-com enthusiasts.
After her mother dies of an accidental overdose, Alex takes leave from her job as a writer for a Washington, DC, lifestyle magazine to return home to Maryland’s Eastern Shore. There, she joins her brother Owen, a study in failure-to-launch, in sorting out their mother’s whimsical and often self-destructive life.
Alex has proposed to her editor that while she is home she profile Juliette Sprigg, her former high school fling, owner of a wildly popular local restaurant, and celebrity chef in the making.
While working on the story and trying for a second chance with Juliette, Alex meets Carolyn Massey,…
