I’ve been an archivist at Canada’s national archives for more than twenty years. I love my job. Archives are, by their very nature, a collection of miscellany that weren’t created to be preserved or remembered. They are the scraps of paper and hurriedly sent emails produced while the world is out making history. As a result, they offer unselfconscious glimpses into the past. Archives are poorly understood, which means that the folks who decide to devote their professional lives to them are often a little quirky and a bit odd. This makes books featuring archivists celebrations of the off-kilter, the overlooked, and the frankly strange.
A dark meditation on guilt, love, and marriage, it intersperses the story of Matthias, the titular archivist with the life and work of T. S. Eliot, whose letters he’s charged with keeping. When a young scholar wants to read these letters ahead of their scheduled opening, Matthias must wrestle with his own repressed feelings about his past, with some incidents paralleling the poet’s. I enjoyed it for the meditation on how archives can bridge that gap between the past and the present.
A battle of wills between Matt, a careful, orderly archivist for a private university, and Roberta, a determined young poet, over a collection of T.S. Eliot's letters, sealed by bequest until 2019, sparks an unusual friendship and reawakens painful memories of the past
I am a member of an unfortunate tribe, the tribe of grieving mothers who write. Upon learning that my newborn son was profoundly brain-damaged, I kept a diary. Writing those pages helped me make sense of his prognosis and figure out how to care for him before he died. Later, my diary helped me write my memoir Holding Silvan: A Brief Life which went on to be named a “Best Book” of the year by both Library Journal and the Boston Globe. Today, I write and work with other writers trying to craft their own stories of loss. Each experience of grief is unique. The five memoirs I’m recommending give voice to a variety of maternal losses — from stillbirth to murder. While each of these memoirs is powerful in its own way, the love in them is universal.
Upon receiving the news that her two young daughters had been killed by a drunk driver, Genevieve Jurgensen didn’t think she could go on, let alone ever write about her loss. Fortunately for us, she eventually found a way to tell this story. Through letters to a friend, she draws us in, circling the pain of that terrible day, musing about the mysterious ways in which loss can coexist with a happy, ongoing life. With its raw and intimate feel, the book is a profoundly moving testimony to the complicated process of healing.
What do you do, how do you live, when both of your daughters are killed on the same afternoon?
On April 30, 1980, Genevieve Jurgensen found herself facing that question when she lost her four- and seven-year-old daughters to a drunk driver. Here she presents her search for an answer.
I am the Editor of the free online magazine The Stoic and the author of some twenty books on Stoicism. My day job is President, Leger Analytics, and I am also a Distinguished Visiting Professor at Ryerson University. I am not a professional philosopher. I study and write about Stoicism because it helps us to live better, free of fear, anxiety, worry, or anger.
Seneca was one of the last of the ancient Stoics who lived during the time of Nero. Towards the end of his life, he wrote several letters to a young prefect, Lucilius. These letters were not just meant to be read by Lucilius but the generations to come as well. Seneca’s letters are well written and cover a wide range of topics as they relate to the art of living. These essays are a ‘how to’ guide to living.
Why this translation? Although there are 124 letters in all, modern translators tend to translate just a selection. Robin Campbell is no exception. I chose this translation because it is as good as any and it is not pricey.
'It is philosophy that has the duty of protecting us ... without it no one can lead a life free of fear or worry'
For several years of his turbulent life, in which he was dogged by ill health, exile and danger, Seneca was the guiding hand of the Roman Empire. This selection of Seneca's letters shows him upholding the ideals of Stoicism - the wisdom of the self-possessed person immune to life's setbacks - while valuing friendship and courage, and criticizing the harsh treatment of slaves and the cruelties in the gladiatorial arena. The humanity and wit revealed in…
Julia P. Gelardi has obtained a Master’s degree in History and spent many years immersed in the world of European royal history. The author of numerous articles and seven books on European royalty, three of which have been published by St. Martin’s Press, Julia has done extensive research in various archives, including the Royal Archives at Windsor Castle. She continues to search the world for elusive books on royalty to add to her library and is always on the lookout for new topics to write about and share with her readers.
An indispensable work to anyone interested in the Romanovs, and especially in the life and reign of Tsar Nicholas II. Here, in their own words from diaries and letters are the thoughts and inner-most feelings of Tsar Nicholas II and his wife, Tsarina Alexandra, as well as numerous royal relatives – though the main focus is on Nicholas and Alexandra. Through these written words, the imperial couple and their families are revealed; they’re given a voice and come alive across more than six hundred pages of text. Interspersed as well are a variety of primary sources such as memoirs, documents, diplomatic letters, and the like. But it is the letters and diaries which take center stage and deliver an emotional read.
Russian historians Maylunas and Mironenko (he was Director of the State Archive of the Russian Federation) have done an admirable job of culling through an enormous amount of material…
In the darkest days of the Stalinist era of the Soviet Union, when all talk of the Romanovs was punishable at the very least by banishment to Serbia, a group of archivists were exempt. They sorted and filed the thousands of letters and photographs of the last Tsar of Russia, Nicholas II, his wife, Alexandra (a granddaughter of Queen Victoria), and their five children. In all, some 13,000 letters have survived. Those between 1889 and 1914 have never before been published. They run the gamut from matters of state to intimate expressions of love and longing. In addition there are…
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
Jane Austen is known mainly from her novels, but her surviving letters provide a wonderful insight into her life and character. Most of them were written to her sister, Cassandra, whenever they were separated. This edition, by Deirdre Le Faye, is the most complete and accurate collection of the known letters, and it also includes invaluable notes on what she wrote and the people who were mentioned.
Jane Austen's letters afford a unique insight into the daily life of the novelist: intimate and gossipy, observant and informative, they bring alive her family and friends, her surroundings and contemporary events with a freshness unparalleled in biography. Above all we recognize the unmistakable voice of the author of Pride and Prejudice, witty and amusing as she describes the social life of town and country, thoughtful and constructive when writing about the business of literary composition.
R. W. Chapman's ground-breaking edition of the collected Letters first appeared in 1932, and a second edition followed twenty years later. A third edition,…
I am a returned U.S. Peace Corps volunteer who served as a community health worker and educator in Zambia from 2004-2006. My highly-anticipated debut memoir, The Color of the Elephant: Memoir of a Muzungu, a Zola Award finalist, releases January 2022. As an avid reader of adventurous, fish-out-of-water tales, I’ve read dozens of memoirs by fellow Peace Corps volunteers who’ve served all around the world from the 1960s to the present day. These are my top picks based on literary merit, engaging storytelling, and pure heart.
This story is told in a series of letters exchanged between two former college roommates, one who marries and joins the Peace Corps in Kenya with her husband, the other striking out on her own in New York City. Each writer has a magic in her writing style that is all her own, which would make either of their tales a standalone success, but the “secret sauce” of this book lies in the juxtaposition of their two very different lives. Each writer’s tales of triumph and woe—lifestyles that could not be more polar opposite—play off one another in the most hilarious and tender way. With acerbic wit and disarming candor, this offbeat correspondence is bound to delight even the most jaded Sex-in-the-City-ish Manhattanite’s heart.
A funny and moving story told through the letters of two women nurturing a friendship as they are separated by distance, experience, and time.
Close friends and former college roommates, Hilary Liftin and Kate Montgomery promised to write when Kate's Peace Corps assignment took her to Africa. Over the course of a single year, they exchanged an offbeat and moving series of letters from rural Kenya to New York City and back again.
Kate, an idealistic teacher, meets unexpected realities ranging from poisonous snakes and vengeful cows to more serious hazards: a lack of money for education; a student body…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
I maintain that the only way to gain a true understanding of Vincent van Gogh is to identify his role in seemingly peripheral narratives.
This book considers the Van Gogh sisters, and gives stunning voices to their previously untold narratives. An intimate and necessary insight into the siblings’ relationship, their struggles with mental health, and their intelligent observations of the changing social climate are given.
Without doubt, to recognise Vincent fully, there’s a need to both navigate and to appreciate the female relationships that influenced him.
The lively and revealing correspondence that Vincent van Gogh maintained with his art-dealer brother Theo is famous as a source of insight into the mind of one of the most celebrated artists of all time. But what of Anna, Lies and Willemien van Gogh, with whom Vincent had intimate and sometimes turbulent relationships? It was an argument with his oldest sister, Anna, in the aftermath of their father's death that provoked Vincent to leave the Netherlands and never return.
The Van Gogh siblings grew up at a time when long-distance travel by train first became possible. As each went their…
I’m a historian who loves watching the Founding Fathers do not-so-Founding-Fatherish things, like John Adams and Thomas Jefferson bonding over how awful Alexander Hamilton was, James Madison reporting how the king of Spain liked to relieve himself daily by the same oak tree, and George Washington losing his temper, asking his cousin to look for the teeth he just knew he’d left in his desk drawer, or spinning out a conspiracy theory. It’s details like this that reveal that even the most revealed figures were real people, like us but often very different. Figuring out how it all makes sense is a challenge I enjoy.
One of the most interesting people I met in my research was Benjamin Gilbert, a young officer from Massachusetts, whose letters were edited and published for the first time in 1989. Gilbert writes openly about the trials and tribulations of camp life, including his attempts to woo the daughters of local gentlemen—and his visits to houses of ill repute. On one furlough home, Gilbert got a girl pregnant, and a recurring storyline in the letters is his attempt to weasel out of marrying her. Though full of colorful details, there’s one major way Gilbert failed me as an author: he was present in camp during the climactic moment of the Newburgh Conspiracy—Washington’s speech to the officers—but he says nothing about what happened. Come on, Lieutenant Gilbert. Think of the historians!
I’m a doctor working in the NHS and for a national cancer charity. I’m particularly interested in the care of the terminally ill. I‘ve worked closely with hospice teams, feeling enormously privileged to be with patients considering their options at the end of life. I’ve noticed how often people die without having even mentioned their wishes to loved ones, they are reluctant to speak of their fears, and as a result, these discussions never occur. I believe we need to open up the conversation about dying by bringing it into the public domain, dragging it into popular culture, and making it a feature of our films, television, and books.
Flatshare is one of the only romantic comedies on the market to include a hospice setting, which is one of the reasons I love it. The story features two characters forced to share a one-bedroom flat due to financial constraints. Tiffy gets the flat overnight while Leon works in the hospice, and when he comes home from his night shift the flat is his until Tiffy returns.
The premise (they share a bed, but they’ve never met) is often cited by those in the publishing world as ‘the perfect hook’ – grabbing your attention and making you want to read on. But Flatshare is about much more than a good hook - O’Leary delivers a perfectly executed, smart, sassy novel that’s guaranteed to bring a smile to your face.
'Beth O'Leary crafts novels with such wit, heart and truth' Sophie Kinsella
'Beth O'Leary is that rare, one-in-a-million talent who can make you laugh, swoon, cry and ache all in the same book' Emily Henry
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Tiffy and Leon share a flat Tiffy and Leon share a bed Tiffy and Leon have never met...
Tiffy Moore needs a cheap flat, and fast. Leon Twomey works nights and needs cash. Their friends think they're crazy, but it's the perfect solution: Leon occupies the one-bed flat while Tiffy's at work in the day, and she has the…
I am a professional historian who has been writing books for more than forty years. Most of the books have been about war and dictatorship in the first half of the twentieth century. My last book, The Bombing War: Europe 1939-1945, developed my long interest in air war history, which goes back to my first major book written in 1980 on air warfare in World War II.
The big question for World War II is what kept men fighting in appalling conditions, with high losses against an implacable enemy. McManus focuses on the American army to answer this question, but his answers could apply to many of the fighting men in other armies as well. The book explores the nature of combat and the psychological mechanisms used to cope with the conditions of modern war. This is a dimension of the history that too often gets overlooked as divisions and units are moved around on the historians’ map of the war, yet it is a central issue to understand what motivates soldiers and keeps them fighting effectively. Sadly, a great many did, indeed, end up as psychological casualties.
In his book Men Against Fire, [historian S. L. A.] Marshall asserted that only 15 to 25 percent of American soldiers ever fired their weapons in combat in World War II. . . . Shooting at the enemy made a man part of the “team,” or “brotherhood.” There were, of course, many times when soldiers did not want to shoot, such as at night when they did not want to give away a position or on reconnaissance patrols. But, in the main, no combat soldier in his right mind would have deliberately sought to go through the entire ear without…
