Ever since I was a kid, as the grandson of Italian immigrant farmers and the son of a Polish-immigrant father, I wondered how my family fit into the American story. As I grew older, I learned that the American story could not be limited to a single race, a single religion, or even a single generation. Rather, the essence of any culture lies in the story that gets passed down from one generation to the next. That is where my passion lies: tapping into the essence of multiple cultures by tracing the multigenerational family wisdom that is often imparted quietly, humbly, and painfully, which makes it durable, meaningful, and indelible.
A chronicle of four generations of women descended from Louisiana slaves. Grapples honestly with the turmoil within America’s Black community over issues of skin color.
This saga shows that while families can be longtime sources of anguish in our communities, they can also be long-term resources—and as I have experienced, sometimes the best and most sustainable resources—for challenging common assumptions about one another and growing beyond them.
A New York Times bestseller and Oprah's Book Club Pick-the unique and deeply moving saga of four generations of African-American women whose journey from slavery to freedom begins on a Creole plantation in Louisiana.
Beginning with her great-great-great-great grandmother, a slave owned by a Creole family, Lalita Tademy chronicles four generations of strong, determined black women as they battle injustice to unite their family and forge success on their own terms. They are women whose lives begin in slavery, who weather the Civil War, and who grapple with contradictions of emancipation, Jim Crow, and the pre-Civil Rights South. As she…
“War is hell” is a phrase heard often
enough that’s now a bloodless abstraction you think but never feel. This epic
World War II novel by the Pulitzer-winning columnist does not let readers off
so easily.
The
book’s title refers to humanity and sense of self, serving up graphic
descriptions of the sort of brutality usually described in politely neutered
legalese. But not here. And it does the same with Jim Crow-era lynchings in the
American South, connecting everything as part of the human race’s ongoing
struggle.
The
best “difficult” read I’ve encountered in years.
Could you find the courage to do what's right in a world on fire?
Pulitzer-winning journalist and bestselling novelist (Freeman) Leonard Pitts, Jr.'s new historical page-turner is a great American tale of race and war, following three characters from the Jim Crow South as they face the enormous changes World War II triggers in the United States.
An affluent white marine survives Pearl Harbor at the cost of a black messman's life only to be sent, wracked with guilt, to the Pacific and taken prisoner by the Japanese . . . a young black woman, widowed by the same events…
I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
I make no apology for including this immense and important work. So much of the music I love originated with the kidnapping of black people from Africa.
This book shows how not merely the music of Africa but whole swathes of culture now considered “American” were imported along with the slaves. How did they cope with being ripped from their homeland, transported across the Atlantic in chains, and forced to work in the fields of an alien land?
Levine lays it all out, including everything from Black religion to Black comedy, and despite what you might think, it’s a real page-turner.
When Black Culture and Black Consciousness first appeared thirty years ago, it marked a revolution in our understanding of African American history. Contrary to prevailing ideas at the time, which held that African culture disappeared quickly under slavery and that black Americans had little group pride, history, or cohesiveness, Levine uncovered a cultural treasure trove, illuminating a rich and complex African American oral tradition, including songs, proverbs, jokes, folktales, and long narrative poems called toasts-work that dated from before and after emancipation. The fact that these ideas and sources seem so commonplace now is in large part due this book…
I’ve been fascinated by how ordinary people can change the course of their own lives since I was a child. However, I had no idea until later in life that there were entire fields of study devoted to understanding how this process works historically. When I discovered “new labor history” many years ago, I knew I wanted to be part of it. It was the privilege of a lifetime to study under some of the best labor historians in the world at the University of Chicago. And I can’t describe how I felt when my dissertation won the Herbert Gutman Prize in Labor History. I hope these books spark your interest!
I’ve always been a sucker for a good labor strike.
But a labor strike of Black women in the South—only a decade removed from slavery—demanding dignity, equality, and a living wage so they could simply “enjoy their freedom” in a region where a rich, white, slaveholding regime was just recently toppled? That’s next-level stuff.
Hunter tells the story of this Black female majority who worked in domestic labor in the years following the Civil War. Can you imagine going to work as a wage-earning domestic laborer in the home of your former owner? And then collectively organizing to demand that “freedom” actually means something in this godforsaken region?
Come for the organized labor protests. Stay for the moment these women pack their bags and move to the North seeking the joy and pleasure they deserve.
As the Civil War drew to a close, newly emancipated black women workers made their way to Atlanta--the economic hub of the newly emerging urban and industrial south--in order to build an independent and free life on the rubble of their enslaved past. In an original and dramatic work of scholarship, Tera Hunter traces their lives in the postbellum era and reveals the centrality of their labors to the African-American struggle for freedom and justice. Household laborers and washerwomen were constrained by their employers' domestic worlds but constructed their own world of work, play, negotiation, resistance, and community organization.
Whether I read fiction, non-fiction, poetry, or prose, I especially love books by authors whose voices resonate with authenticity and originality, and who write imaginative page-turners about characters who change and grow personally, regardless of the difficulties they face in life. When their changes lead to creating conducive conditions for others to thrive, I feel gratified and inspired by them. As a practicing psychotherapist and writer I have devoted my career to supporting people in discovering and nurturing the creative sparks within themselves. My PhD in psychology and Post-Doctoral studies, presentations, and publications over the past 45 years have focused on the healing aspect of the creative process.
Barbara Small’s novel is about the interwoven lives of a Black family and a White family facing the challenges of surviving while raising their children in the Jim Crow South during the Great Depression.
The vivid language and sense details of Faith’s Reckoning transported me completely into the very different worlds the characters experienced in this riveting page-turner. What I loved most was how they transformed their suffering into a desire to improve the worlds they inhabited, not only for themselves but also others. The personal reckonings they made by changing their lives evoked a depth of empathy that has changed me.
These characters continue to stay in my heart, and like friends I cherish them still. In fact, I hope to see a sequel and a movie one day!
The Bluest Eye by Toni Morrison,
which was first published in 1970, is a short, utterly astounding, beautifully
crafted novel. As with Morrison’s other works of fiction, The Bluest Eye reveals in stark, sometimes harsh, occasionally exquisite
detail, the hardships and traumas suffered by her characters.
Morrison
won the Pulitzer
Prize for Beloved; she was awarded
the Nobel
Prize in Literature in 1993.
The
Bluest Eye takes place mostly in
Lorain, Ohio, Morrison’s own hometown. As such, it is semi-autobiographical,
while, at the same time, offering a window into the struggles of countless
other African Americans living in post-World War II America.
Read the searing first novel from the celebrated author of Beloved, which immerses us in the tragic, torn lives of a poor black family in post-Depression 1940s Ohio.
Unlovely and unloved, Pecola prays each night for blue eyes like those of her privileged white schoolfellows. At once intimate and expansive, unsparing in its truth-telling, The Bluest Eye shows how the past savagely defines the present. A powerful examination of our obsession with beauty and conformity, Toni Morrison's virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterised her writing.
Teachers and children’s writers are some of each other’s biggest fans, and I have been both, so I couldn’t resist putting a teacher in my book. Besides that, teachers are very useful characters because they can make kids in books do things like write reports or keep a journal. Initially, my main character, Patsy, doesn’t especially like her teacher, Miss Ashman. Patsy thinks she’s too strict. But by the end of the book, she realizes that challenging students and having high expectations are some of the things that make a great teacher. If you’ve ever had a teacher you loved, you’ll want to check out the books on this list.
I immediately fell in love with Cassie Logan, the spunky, resourceful main character in this classic novel. But by the end of the book, I had as much affection for her courageous mother, Mrs. Logan, a teacher who, in depression-era Mississippi, runs a school for African-American kids.
Among her pupils are some her own children, which I know from personal experience can be complicated. Of all the powerful themes in this book, an important, but often overlooked one is the power of teachers and schools to build community and respect for self and others.
Readers should know this book, written by a Black woman based on her childhood experiences, uses strong racial epithets, and young readers could benefit from thoughtful discussion with an adult.
The stunning repackage of a timeless Newbery Award Winner, with cover art by two-time Caldecott Honor Award winner Kadir Nelson!
With the land to hold them together, nothing can tear the Logans apart.
Why is the land so important to Cassie's family? It takes the events of one turbulent year-the year of the night riders and the burnings, the year a white girl humiliates Cassie in public simply because she is black-to show Cassie that having a place of their own is the Logan family's lifeblood. It is the land that gives the Logans their courage and pride, for no…
Music has always spoken to my innermost being, and coming of age in the late 1960s, I’ve been drawn to the quest for justice and equality in politics. In my undergraduate studies at Berkeley, the late political theorist Michael Rogin, who interpreted Moby Dick as a parable of 19th Century race relations, taught me that my two interests could be combined. As a professor of Political Science I’ve written books and articles that explore music’s ability to express ideas about politics, race, and ethnicity in sometimes unappreciated ways.
This punningly-titled book is an act of historical excavation, uncovering the hundreds of all-female swing bands that have been erased from jazz history. But Tucker goes beyond this, asking how the lenses of gender, race, class, and sexuality affected how these bands were seen and heard and, equally important, how they forged their destinies within those constraints. They had difficulties to overcome – wearing gowns that made it more difficult to play and caused them to be taken less seriously as musicians, and risking arrest by having white members “passing” as Black in the South. But Tucker’s “counternarrative” shows how these bands found creative ways to evade such barriers, by using stereotypes of femininity and masculinity to their advantage or presenting themselves as “international” to push against the color line.
The forgotten history of the "all-girl" big bands of the World War II era takes center stage in Sherrie Tucker's Swing Shift. American demand for swing skyrocketed with the onslaught of war as millions-isolated from loved ones-sought diversion, comfort, and social contact through music and dance. Although all-female jazz and dance bands had existed since the 1920s, now hundreds of such groups, both African American and white, barnstormed ballrooms, theaters, dance halls, military installations, and makeshift USO stages on the home front and abroad. Filled with firsthand accounts of more than a hundred women who performed during this era and…
I have written widely on themes related to race, slavery, 19th-century politics, the Civil War, and its aftermath. The Reconstruction era has sometimes been called America’s “Second Founding.” It is imperative for us to understand what its architects hoped to accomplish and to show that their enlightened vision encompassed the better nation that we are still striving to shape today. The great faultline of race still roils our country. Our forerunners of the Reconstruction era struggled to bridge that chasm a century and a half ago. What they fought for still matters.
Nearly fifty years ago, Eric Foner jumpstarted popular interest in the post-Civil War era with his magisterial Reconstruction.
Egerton’s engagingly-written work is the best recent history of the period, and a fitting heir to Foner’s accomplishment. I’m impressed by how much new scholarship Egerton incorporates, particularly on the activism of African Americans, and I like how clearly he shows how forward-looking legislation on education, election law, and civil rights advanced by the architects of Reconstruction set the stage for enlightened policies that would only come to full fruition in the 20th century. Reconstruction was ultimately choked by conservative reaction and the oppression of the Jim Crow era.
Egerton sees the Reconstruction era, as I do, as a great lost opportunity to overcome the legacy of slavery and strengthen democracy.
By 1870, just five years after Confederate surrender and thirteen years after the Dred Scott decision ruled blacks ineligible for citizenship, Congressional action had ended slavery and given the vote to black men. That same year, Hiram Revels and Joseph Hayne Rainey became the first African-American U.S. senator and congressman respectively. In South Carolina, only twenty years after the death of arch-secessionist John C. Calhoun, a black man, Jasper J. Wright, took a seat on the state's Supreme Court. Not even the most optimistic abolitionists had thought such milestones would occur in their lifetimes. The brief years of Reconstruction marked…
I don’t know when I became aware of and bothered by racial inequality but looking back, I see touchstones that lighted my path even before Martin Luther King’s “I Have a Dream” speech stiffened my spine in middle school. I participated in sit-ins at lunch counters and sat in the back of buses. Even though I was a white kid in a predominately white school, it became personal to me. The injustice and unfairness of prejudice and discrimination was the antithesis of what I believed was the promise of America. In recent years, the quiet background noise of racial inequity has amplified to an ugly level. I recommend these books as a start to understanding and rectifying the current unacceptable situation.
A riveting true story about a freed slave and a confederate soldier who fought for justice in the Jim Crow South. The freed slave became the first man to beat a lynch mob in court. His small blow to racism made him a hero but one few know. I cried at his setbacks and cheered for every small victory along the way. Once I started reading, I could not put it down.
After moonrise on the cold night of January 21, 1897, a mob of twenty five white men gathered in a patch of woods near Big Road in southwestern Simpson County, Kentucky. Half carried rifles and shotguns, and a few tucked pistols in their pants. Their target? George Dinning, a freed slave who'd farmed peacefully in the area for 14 years, and had been wrongfully accused of stealing livestock from a neighboring farm. When the mob began firing through the doors and windows of Dinning's house, he fired back in self-defense, shooting and killing the son of a wealthy Kentucky family.…
