The events/developments that unsettle international politics of the Gulf are two kinds: internal and external to the region. Yet, no matter whether it is internal or external, its consequences concern us all, no matter where we live in. What happens in the Gulf does not stay in the Gulf. It unleashes ripple effects that reach directly or indirectly into our pockets and hence our lives. I am one of them and a non-resident scholar in the Middle East Institute, broadly speaking, writing on Turkey, the Persian/Arab Gulf, and the Middle East.
What are the constituents of the risk Iran poses to the Arab Gulf states? Military? Yes. Ideological? Yes. Rival in the regional influence game? Definitely. But, among all, in my personal view, the trans-border distribution of Shias in the Middle East and in the Gulf is the most serious one. For worse, this book shows, the Shias also constitute a transnational community linked through religious networks. Hence Iran’s hegemonic rise will seriously complicate the problem the presence of Shias poses for at least two, potentially three Gulf states: Saudi Arabia, Bahrain, and potentially Kuwait. To see the root cause of the Gulf’s Iran/Shia problem, read this book.
Laurence Louer, author of the critically acclaimed To Be an Arab in Israel, brings her extensive knowledge of the Middle East to an analysis of the historical origins and present situation of militant Shia transnational networks. She focuses on three key countries in the gulf: Kuwait, Bahrain, and Saudi Arabia, whose Shia Islamic groups are the offspring of various Iraqi movements that have surfaced over recent decades. Louer explains how these groups first penetrated local societies by espousing the networks of Shiite clergymen. She then describes the role of factional quarrels and the Iranian revolution of 1979 in defining the…
I have loved pirates since my first viewing of Mary Martin’s Peter Pan at age 5. My passion for learning about these outlaws led me to discover the hidden stories of women pirates—who have always sailed alongside their male counterparts yet never get the same glory. When I learned about Cheng I Sao, the greatest pirate who ever lived (who was a woman), I was so angry that her story wasn’t more well-known that I wrote a book about it! It has been a joy and an honor to share the stories of pirate women with the world and I have fully embraced my title of “crazy pirate lady.”
This is a picture book, but it’s absolutely lovely. Jane Yolen lends her considerable storytelling talent to this slim volume, which features both gorgeous illustrations of pirate women and bite-sized adaptations of their stories. This is a book I gift to most of the children in my life as a perfect introduction to the world of pirate women.
In 1963 Jane Yolen released a book called PIRATES IN PETTICOATS, because the idea of women as pirates fascinated her--but there wasn't much information about these women who made their livelihoods plundering on the high seas. Scholars have dug up a bounty of new information since then, and Jane, still fascinated, revisits the ladies who loot.
Discover such great pirates as Artemisia, the Admiral Queen of Persia who sailed the seas from 500 to 480 BC. At one point there was a 10,000 drachma prize for anyone who could capture her. There was Rachel Wall, who ran away from her…
I’m a writer who has traveled the world in real life and traveled through time in my research and imagination. In the past dozen years, I’ve researched historical women of the Bible for my own novels and have come to realize that women of the ancient world were much like women of today. Biblical women had dreams and fell in love. They worried about their children, politics, and the world around them. They wished for security and happiness just as we do. I have a special regard for historical fiction that brings these ancient women to life—honoring their lives and their struggles.
This is a lesser-known gem of a novel that has all the hallmarks of excellence in historical fiction. Roseanna White does a brilliant job of weaving solid historical research into a captivating story. This is based on the book of Esther, but is also a compelling story of Xerxes, the Persian king that was her captor and husband. Richly drawn historical detail, page-turning action, and a cast of fascinating characters will keep you reading late into the night.
How can she love the king of kings without forsaking her Lord of lords? Kasia grew up in a poor Jewish home with more siblings than luxuries. But when a chance encounter forces her to the palace of Xerxes, she becomes a concubine to the richest man in the world. She alone, of all Xerxes' wives, loves the man beneath the crown. She alone, of all his wives, holds the heart of the king of kings.
Traveling with Xerxes through Europe as he mounts a war against Greece, Kasia knows enemies surround her, but they re not the Spartans or…
I was born in New Jersey to an American mother and an Iranian father. I spent the first twenty years of my life living both in Tehran and New York, striving to fit and blend into whatever culture I happened to occupy at a given moment. I whined about this, wishing I was one thing or another. But after the 1979 Islamic Revolution erupted and my family was permanently exiled, I learned the true meaning of being careful about what you wish for. To connect with my lost Persian heritage, I began to write about it, and to write about living in the diaspora. It’s how I make sense of the world.
This is a memoir by a 32-year-old Iranian-American journalist who, in 2009, was accused and sentenced to 8 years in Evin Prison for being an American spy. Paraphrasing my review inThe San Francisco Chronicle, Saberi's skillful reconstruction of dialogue leads to a spot-on chronicle of the paranoia and utter buffoonery of the Iranian government and its apparatchiks. I was especially impressed by the way she survives her time in solitary confinement – the resources of her mind that keep her sane. Beyond that, this memoir is a kind of coming-of-age story for those of us in the diaspora who can be a bit naïve about how safe we are as journalists and US citizens in dictatorships. Saberi is freed after 4 months, thanks to international pressures, but she’s haunted by those she met in prison who are left behind.
“Between Two Worlds is an extraordinary story of how an innocent young woman got caught up in the current of political events and met individuals whose stories vividly depict human rights violations in Iran.” — Shirin Ebadi, winner of the Nobel Peace Prize
Between Two World is the harrowing chronicle of Iranian-American journalist Roxana Saberi’s imprisonment in Iran—as well as a penetrating look at Iran and its political tensions. Here for the first time is the full story of Saberi’s arrest and imprisonment, which drew international attention as a cause célèbre from Barack Obama, Hillary Clinton, and leaders across the…
I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, I’m drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
The cross-cultural stories in this anthology are painful, funny, and heartbreaking. You’ll find famous and little-known writers exploring migration, immigration, othering, and otherness. We know these problems, but sometimes stories help us imagine alternate ways of solving them, making connections we can build from our common humanity.
Thirty acclaimed writers of international fiction explore the stranger in tales of cultural clashes and bonds. These stories of disparate experience travel beyond politics and multicultural manners to become an essential discussion of otherness. Contributors include Nathan Englander, Laila Lalami, Ana Menendez, Josip Novakovich, Wanda Coleman, Tony d'Souza, Samrat Upadhyay, Mary Yukari Waters, Luis Alfaro, and Amanda Eyre Ward, as well as other accomplished writers from Azerbaijan, Bangladesh, Iran, Israel, Pakistan, and Zimbabwe, some published for the first time in the United States.
I was born in New Jersey to an American mother and an Iranian father. I spent the first twenty years of my life living both in Tehran and New York, striving to fit and blend into whatever culture I happened to occupy at a given moment. I whined about this, wishing I was one thing or another. But after the 1979 Islamic Revolution erupted and my family was permanently exiled, I learned the true meaning of being careful about what you wish for. To connect with my lost Persian heritage, I began to write about it, and to write about living in the diaspora. It’s how I make sense of the world.
This is a historical novel that takes place in Isfahan during the 17th century, the height of that city’s artistic renaissance. Think: turquoise mosaics and sumptuous paisley textiles. The protagonist, a young girl whose fate changes when her father dies and leaves her without a dowry, is forced to work as a carpet weaver. Through hard work and study, she becomes a sought-after carpet designer at a time when Persian carpet design was at its pinnacle and an occupation relegated solely to men. There are some very well-crafted sex scenes, if you’re into that.
A sensuous and richly-imagined historical novel that centers on a skilled young carpet weaver, her arranged marriage, and her quest for self-determination in 17th-century Persia.
In 17th-century Iran, a 14-year-old woman believes she will be married within the year. But when her beloved father dies, she and her mother find themselves alone and without a dowry. With nowhere else to go, they are forced to sell the brilliant turquoise rug the young woman has woven to pay for their journey to Isfahan, where they will work as servants for her uncle, a rich rug designer in the court of the…
I began reading spy and political thrillers at a young age—I was captivated by the thrill and mysteriousness of the clandestine world. I would go on to earn my Master’s in International Affairs, learning French and German along the way. I was a combat pilot and flew all over the globe. At the Pentagon, I regularly liaised with foreign diplomats to create and improve international cooperation and security. I then became a diplomat myself, working for the Defense Intelligence Agency. It was my time with the DIA and working at U.S. embassies in Europe and Africa that was the inspirational capstone for writing Devolutionand The Devolution Trilogy.
I highly recommend Keith Madsen’s Searching for Eden. It is not a spy thriller, but it is a thrilling story with deep characters, moral, philosophical, and theological undertones, and a level of adventure that far exceeds that of the vast majority of similar titles.
In the book, three Americans are thrown into the turbulent chaos and political turmoil surrounding Iran’s nuclear program. Evan and his friends travel through Iran, Iraq, and Bahrain looking for clues to the Garden's reality. They dig in ancient cemeteries, climb ziggurats, race through war zones, and examine bizarre art carved into human skulls, all the time seeking the original Garden of Eden and therein the secrets to humanity's foundational story.
When Evan Jordan's 14-year old daughter dies of cancer, he goes on a quest to find a place where children don't die, and where life is still good. His dying daughter had expressed an interest in the Garden of Eden. Could it be that such a place still exists? He goes searching for that garden, hoping thereby to rediscover the goodness and innocence he lost with his young daughter's death.
Evan's story intersects with those of a beautiful divorced archaeologist (providing his romantic interest) and a 14-year old Hispanic prostitute; both of whom join Evan in his quest. The three…
Richard Foltz is a cultural historian specializing in the broader Iranian world. He holds a Ph.D. in Middle Eastern History from Harvard University and has published eleven books and over one hundred articles on topics ranging from animal rights to Zoroastrianism. He is currently Professor in the Department of Religions and Cultures at Concordia University in Montréal, Canada.
Against the backdrop of an unlucky courtship between two young students in today’s Tehran, this entertaining novel uses humour to ridicule the myopic mentality of contemporary Iran’s religious leadership that wishes to see itself as cultured and intellectual.
Truly original, Censoring an Iranian Love Story is an incredibly imaginative yet always charming love story set in contemporary Iran that crackles with wit, verve and social comment: Sara falls in love with Dara through secret messages hidden in code in the pages of books that have been outlawed, but then something quite extraordinary and unexpected happens. Through adeptly handled asides to the reader, as well as anecdotes, codes and metaphors, and cheeky references to the wonderfully rich Iranian literary heritage, the novel builds to offer a revealing yet often playful and hopeful comment on the pressures of writing within…
Richard Foltz is a cultural historian specializing in the broader Iranian world. He holds a Ph.D. in Middle Eastern History from Harvard University and has published eleven books and over one hundred articles on topics ranging from animal rights to Zoroastrianism. He is currently Professor in the Department of Religions and Cultures at Concordia University in Montréal, Canada.
An engagingly written, fair and balanced history for readers interested in more detail and analysis than is found in my own slim introductory volume. In my view the single best scholarly history of Iran ever written.
Iran is a land of contradictions. It is an Islamic republic, but one in which only 1.4 percent of the population attend Friday prayers. Iran's religious culture encompasses the most censorious and dogmatic Shi'a Muslim clerics in the world, yet its poetry insistently dwells on the joys of life: wine, beauty, sex. Iranian women are subject to one of the most restrictive dress codes in the Islamic world, but make up nearly 60 percent of the student population of the nation's universities. In A History of Iran, acclaimed historian Michael Axworthy chronicles the rich history of this complex nation from…
I am a novelist, whose Persian family is comprised of a colorful cast of characters, who supply me with invaluable fodder for my historical novels. Years ago, my grandfather, Dr. Habib Levy, recounted how, when he was the dentist of Reza Shah Pahlavi, the King of Iran, the king commanded him to convert to Islam. Aware he might be uttering his last words, my grandfather had replied, “Your Majesty, a man who turns his back to his faith is a traitor, and his Majesty will not want a traitor for a dentist.” Now, after decades, this long past scene became the inspiration for my fifth historical novel, Love and War in the Jewish Quarter.
Dr. Habib Levy, the author of this book, is my grandfather, who spent half a century researching and writing the first comprehensive source on the history of the Jews of Iran.
I have often referred to this wealth of information for my historical novels. But never has it been a more important source and inspiration than for my most recent novel.
