I am not a naturalist but consider myself a practitioner of ”lyrical naturalism.” My interest is in the descriptions of nature by poets and artists in previous centuries. The dream is to inspire people to look at the natural environment through the lens of art and poetry rather than the somewhat dry frameworks of botany. My great hero is John Ruskin, a British writer whose lyrical prose has never stopped enchanting its readers. I was very happy to publish a book of essays titled Woodland Imagery in Northern Art, c. 1500-1800: Poetry and Ecology. I hope that its richly illustrated essays will inspire readers to look at the environment with renewed wonder.
This book accuses art historians of being indifferent to environmental issues… It is a wake-up call for the profession. I certainly took heed and experimented in my essays in a variety of ways to reconnect. The artistic vision of nature to great works of art.
In 2018 Andrew Patrizio published a book titled The Ecological Eye, which exposed the lack of environmental thinking in the practice of art historians. Here is what he wrote: “How can we awaken, define and orientate an ecological sensibility within the history of art?” Building on the latest work in the discipline, this book provides the blueprint for an 'ecocritical art history,' one that is prepared to meet the challenges of the Anthropocene, climate change, and global warming. Without ignoring its own histories, the book looks beyond – at politics, posthumanism, new materialism, feminism, queer theory, and critical animal studies – invigorating the art-historical practices…
In the popular imagination, art history remains steeped in outmoded notions of tradition, material value and elitism. How can we awaken, define and orientate an ecological sensibility within the history of art? Building on the latest work in the discipline, this book provides the blueprint for an 'ecocritical art history', one that is prepared to meet the challenges of the Anthropocene, climate change and global warming. Without ignoring its own histories, the book looks beyond - at politics, posthumanism, new materialism, feminism, queer theory and critical animal studies - invigorating the art-historical practices of the future.
My expertise comes through my work and degrees as an undergraduate, Master’s, and Phd student, in history and comparative historical sociology. It is demonstrated mainly in my two books, one on the Spanish, Yugoslav, and Greek Civil Wars, the other on Anti-Leftist Politics, listed above. It also comes through my teaching, which includes the entire world history sequence, in addition to numerous specialized courses and seminars. My passion could be described as a love for the world and its peoples, and a loathing for systems and politics of inequality and injustice.
The Age of Empire is a momentous history of Europe and the world in the era that contained the immediate origins and dynamics that led into World War One, but was also crucial in shaping world history to this day.
At the beginning of the book, Hobsbawm offers a grand-scale perspective on the ‘contradictions of liberal bourgeois society in the age of empire’, which, for me, is among the most helpful and insightful big – and dialectical – ideas about modern history.
In the form of ‘the contradictions of neoliberal bourgeois society’, I went so far as to update and apply his original idea to world history since WWI and right up to our own times.
Erica Hobsbawm discusses the evolution of European economics, politics, arts, sciences, and cultural life from the height of the industrial revolution to the First World War. Hobsbawm combines vast erudition with a graceful prose style to re-create the epoch that laid the basis for the twentieth century.
What are some countries rich and others are poor? I strongly believe that this is the most important question for modern economics. I've become an economist to understand this. I am happy that in recent decades economists – working closely together with other social scientists – have made so much progress in this field. And this is not abstract knowledge – it is being applied already to help developing countries catch up with the rich world. I have seen it myself when I took a leave from academia to work as a Chief Economist of a development bank (European Bank for Reconstruction and Development) – to learn more from and to contribute to this work.
This is a great textbook as well. But it has two important advantages.
First, it came out 10 years later than Why Nations Fail, therefore covering so much more recent research in this very vibrant field of interdisciplinary work on what drives and what slows down economic development.
Second, while the authors have worked on these issues themselves, they are much less focused on one of the explanations of development and provide a more balanced view of the field.
Very informative read even for those who (like me) have already read a lot on the subject. A treasure of previously unknown stories of development and underdevelopment to discuss with friends and students.
Most humans are significantly richer than their ancestors. Humanity gained nearly all of its wealth in the last two centuries. How did this come to pass? How did the world become rich?
Mark Koyama and Jared Rubin dive into the many theories of why modern economic growth happened when and where it did. They discuss recently advanced theories rooted in geography, politics, culture, demography, and colonialism. Pieces of each of these theories help explain key events on the path to modern riches. Why did the Industrial Revolution begin in 18th-century Britain? Why did some European countries, the US, and Japan…
I’m a political economist interested in development which I’ve been studying, researching, and writing about since my undergraduate days in the early 1990s.
The study of world development is often conflated with a particular image of capitalism, where the latter is associated with freedom – the freedom to buy and sell goods, including one's capacity to work.
In this book Eric Williams shows to the contrary, how capitalism was founded upon the vast expansion of unfreedom. He details how slavery provided much of the material resources that facilitated industrialisation in Britain and beyond.
In doing this Williams shows how the original division, between wealthy states in today’s ‘global north’ and impoverished states in the ‘global south’, was established and reproduced over several centuries.
Slavery helped finance the Industrial Revolution in England. Plantation owners, shipbuilders, and merchants connected with the slave trade accumulated vast fortunes that established banks and heavy industry in Europe and expanded the reach of capitalism worldwide. Eric Williams advanced these powerful ideas in Capitalism and Slavery, published in 1944. Years ahead of its time, his profound critique became the foundation for studies of imperialism and economic development. Binding an economic view of history with strong moral argument, Williams's study of the role of slavery in financing the Industrial Revolution refuted traditional ideas of economic and moral progress and firmly established…
I began my career as a foreign correspondent in Cold War Eastern Europe, under communist domination. I lived in Greece, a Cold War battleground, in the 1980s, from where I made regular forays into the Balkans and Central Europe. Those journeys left a vivid, lifelong impression on me.
This is a thick history of the Cold War that breaks new ground in that it shifts the emphasis from Europe, where the Cold War started and ended, to the Third World where it was actually fought in a bloody manner through a series of proxy wars, large and small.
'Odd Arne Westad's daring ambition, supra-nationalist intellect, polyglot sources, masterly scholarship and trenchant analysis make The Cold War a book ofresounding importance for appraising our global future as well as understanding our past' Richard Davenport-Hines, TLS, Books of the Year
As Germany and then Japan surrendered in 1945 there was a tremendous hope that a new and much better world could be created from the moral and physical ruins of the conflict. Instead, the combination of the huge power of the USA and USSR and the near-total collapse of most of their rivals created a unique, grim new environment: the…
I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
I’ll go ahead and admit that taking issue with David Johnson is one of my favorite pastimes. However, his work is the only work focused on eighteenth-century Scottish music, and as such is a major contribution. Johnson gives a very readable, very enjoyable (one needn’t know music…) overview of what was then known (1972) about Scottish musical culture. Arts and Enlightenment went hand in hand in Scotland, so read Broadie for the ideas and then Johnson for what these same philosophers were doing for entertainment.
I have written four books on London and its railway network. As well as Cathedrals of Steam, there is The Subterranean Railway, a history of the London Underground, and more recently, The Crossrail Story, which sets out the background to London’s newest and best railway that is due to open in 2022, and also, Down The Tube, the story of the way the London Underground was part-privatised and then taken back into state ownership. I have written a dozen other books on railways which are not technical tomes, nor aimed at trainspotters, but rather try to explain how railways were the catalyst for creating the modern world. The books on London combine my passion for the capital where I have lived all my life and my passion for the railways which has been a lifelong interest.
There are many books on individual London stations but this is by far the best. It explains the architectural background to the station as well as the story of why two major and rival railway stations were built next door to each other.
In 1866 the ancient churchyard of St Pancras was excavated for the new Midlands Railway line into London. Both the train shed and the Midland Grand Hotel, the constituent parts of the new station, are outstanding structures: the train shed for its structural daring and drama, the hotel for its heroic attempt to adapt Gothic architecture for the requirements of modernity. In 2002 more of the churchyard was excavated as part of the station's transformation for the Channel Tunnel terminus. The work, to be finished in 2007, will reinvent St Pancras as the main hub for rail travellers between the…
I am not a naturalist but consider myself a practitioner of ”lyrical naturalism.” My interest is in the descriptions of nature by poets and artists in previous centuries. The dream is to inspire people to look at the natural environment through the lens of art and poetry rather than the somewhat dry frameworks of botany. My great hero is John Ruskin, a British writer whose lyrical prose has never stopped enchanting its readers. I was very happy to publish a book of essays titled Woodland Imagery in Northern Art, c. 1500-1800: Poetry and Ecology. I hope that its richly illustrated essays will inspire readers to look at the environment with renewed wonder.
This book has given me more delight than just about any other book dealing with the woodlands. It is not a herbarium or any other dry enumeration of plants. The Oxford Don takes us by the hand and shows us enchanted spinneys, lovely copses, ancient savannas, woodland pastures, and so much more that were once enchanting. In the everyday environment, the inspiration of poets, the meeting place of lovers, and the haunt of human beings seeking solitude.
"A state-of-the-art survey of Britain’s woods by the acknowledged expert in the field… He seems to know woods like old friends, each with its unique past, its cranky or capricious personality, and its hoard of secrets. And he writes like an angel.” - The Times
'Trees are wildlife just as deer or primroses are wildlife. Each species has its own agenda and its own interactions with human activities ..., Written by one of Britain,s best-known naturalists, Woodlands offers a fascinating new insight into the trees of the British landscape that have filled us with awe and inspiration throughout the centuries. Looking at such diverse evidence as the woods used in buildings and ships, and how woodland has been portrayed in pictures and photographs, Rackham traces British woodland through the ages, from the evolution of wildwood, through man,s effect on the landscape, modern forestry and its…
This is nonfiction and takes a hard look at the
state and the future of higher education. As someone who is still holding on to
a professorship, I’m very aware of the strains and difficulties of higher
education. I think these authors hit on some really good points.
They land on
an idea of higher education that doesn’t necessarily involve the current
university system at all. And that sounds great to me.
How will America's colleges and universities adapt to remarkable technological, economic, and demographic change?
The United States is in the midst of a profound transformation the likes of which hasn't been seen since the Industrial Revolution, when America's classical colleges adapted to meet the needs of an emerging industrial economy. Today, as the world shifts to an increasingly interconnected knowledge economy, the intersecting forces of technological innovation, globalization, and demographic change create vast new challenges, opportunities, and uncertainties. In this great upheaval, the nation's most enduring social institutions are at a crossroads.
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
Robinson’s book is alternate history on the boldest scale, covering hundreds of years after a very dramatic change indeed: around the year 1400, 99% of Europeans have been killed by a double whammy of plagues, leaving the rest of the world’s story to go on without them.
Such a saga in other hands might be too far removed from the human, character-driven level to be enjoyable, but Robinson has a clever solution to that problem—reincarnation. The main characters are reborn again and again, for the most part lacking memories of their past lives, but identifiable by the initial letter/sound of their names (e.g., there’s a “K” character).
An emotionally moving view of humans struggling to meet the challenges of their times to build a better world.
With the incomparable vision and breathtaking detail that brought his now-classic Marstrilogy to vivid life, bestselling author KIM STANLEY ROBINSON boldly imagines an alternate history of the last seven hundred years. In his grandest work yet, the acclaimed storyteller constructs a world vastly different from the one we know....
The Years of Rice and Salt
It is the fourteenth century and one of the most apocalyptic events in human history is set to occur–the coming of the Black Death. History teaches us that a third of Europe’s population was destroyed. But what if? What if the plague killed 99 percent…
