The most recommended books about Indonesia

The articles in this book provide a thorough understanding of the diversity of the local communities in this area of Borneo, their characteristics, and their conflictual interactions with government, industry, and other outside actors. The location is just north of the area of Borneo with which I myself have been periodically involved, research-wise, since 1979. Although the adaptive collaborative management program discussed in my own book initially intended to use this site as one of their own, the researchers involved chose a different path. Still, the book addresses issues of collaboration and adaptation, from a variety of perspectives; and I found the similarities and differences with the nearby area I know well fascinating. The book also documents a fascinating period in Indonesia’s recent history.

Although I have done very little ethnographic research in Java, I worked closely with Javanese transmigrants in West Sumatra. Peluso’s book provided me with additional understanding of the world from which these folks were likely to have come.  It also provided useful historical and contemporary material on Indonesian policies relating to forests that were very useful for me to know. The book has become a classic in the field!

I’ve travelled to more than 40 countries, and written about many, but when I’m asked which I’d like to explore more, my answer is always Indonesia. Elizabeth Pisani, a journalist turned epidemiologist, travelled across the vast archipelago, clocking more than 21,000 miles by boat, bus, and motorbike, and as many by plane. More than half a century since gaining independence from the Dutch, the world’s fourth most populous country, with more than 300 ethnic groups, is still struggling to establish its identity amid regional conflicts, the depletion of natural resources, and a growing wealth gap. With insight and wit, Pisani takes the reader on an enthralling, sometimes maddening journey from crowded cities to remote islands, where she bumps into people from many walks of life—from politicians to peasant farmers—as she tries to make sense of an “improbable nation.” 

I share with John McCarthy an interest in how power operates in Indonesian communities and forests and this book provides a view of this as it plays out in northern Sumatra, ‘up close and personal.’ For me, it provided glimpses of very different ethnographic realities than what I had seen myself in other areas of Sumatra (West Sumatra, Riau) where I had lived for four years and supervised others’ research (in Jambi) as well. The recency of the 2004 tsunami and the separatist movement underway when the book was published lent urgency and excitement to McCarthy’s observations.

A remarkable and incredibly brave epic saga of a young woman struggling with the inheritance of her father who grew up in the colonial era of the Netherlands in the Dutch East Indies and who had been interned in a concentration camp by the Japanese as a child and her mother who had been abandoned as a little girl at the end of WWII because her parents were Nazi sympathizers and were therefore imprisoned. The author grew up in California, USA, with many questions about her family’s identity and secrets in the war. A courageous book breaking the taboo of shedding light on ‘the other side.’ The author is a personal friend of mine.

Although broaching many more themes than slavery, this book gives us a unique insight into how local patterns of enslavement linked up with the growing colonial presence of the Dutch and Portuguese in Timor (East Indonesia). The book has been thoroughly researched by the world’s most knowledgeable scholar on this subject. For me, it is a source of inspiration for how local forms of enslavement can be studied in interaction with European colonial expansion.  

Since the 1980s, anthropologists have been confronting the fraught ethics of representing other people, other places, other cultures much more directly than their counterparts in journalism or travel writing. Will Buckingham didn’t stick with anthropology, and this book about his fieldwork with woodcarvers in eastern Indonesia – written two decades after the events it describes – goes some way to explaining why. It’s wry, funny and thought-provoking. The title refers to the theft committed by every travelling writer.

When 11-year-old Jingwen moves to a new country, he distracts himself from his loneliness by attempting to bake every cake on the menu of Pie in the Sky, the bakery his recently deceased father dreamed about opening.

Part prose, part graphic novel, and a hundred percent heartwarming, this book is studded with delightful bakes that you’ll want to try out at home. 

This book is a captivating journey of self-discovery and inner strength that resonates deeply with anyone seeking meaning and fulfillment in their lives.

Through Elizabeth Gilbert's immersive storytelling, we are transported across three continents as she embarks on a quest for self-discovery following a difficult divorce. Her journey is both inspiring and transformative in a way that is very similar to my own memoir. 

What sets this book apart is the unwavering honesty and vulnerability. Another aspect that inspired how I wanted to write my story. She fearlessly confronts her fears, doubts, and insecurities, inviting readers to join her on a deeply personal journey of introspection and growth. Throughout the book, her willingness to embrace discomfort and uncertainty ultimately leads to a deeper understanding of herself and the world around her.

At its core, it is a testament to the resilience of the human spirit and the transformative power of… show more.

The title is a pun: in 1676, Cornelia van Nijenroode married Johan Bitter in “Batavia” (then capital of the Dutch East Indies, now Jakarta) and thereafter tried unsuccessfully to break the bonds of matrimony, first in Indonesia and then in the Netherlands.

The story is such a page-turner because it links Dutch sources in both Indonesia and the Netherlands with material from Japan (where Cornelia was born to a Japanese mother and a Dutch father).

It includes a family portrait from 1663, in which Cornelia stands proudly beside her first husband, a prosperous Dutch official, with their two daughters (left in the family portrait) and two of their enslaved people (right). This book tells her astonishing life story from penury (as an orphan) to wealth and then (thanks to her Bitter experience) back to penury.