My great-grand aunt Blanche Ames was a co-founder of the Birth Control League of Massachusetts. My grandmother marched in birth control parades with Blanche. My mother stood in the Planned Parenthood booth at the Minnesota State Fair and responded calmly to those who shouted and spit at her. As the lead author and associate editor of the monumental reference work Women’s History Sources: A Guide to Archives and Manuscript Collections in the United States, which helped to launch the field of women’s history in the 1970s, I learned to love American women’s history, and I’ve always loved writing. Lemons in the Garden of Love is my third award-winning historical novel.
This historical novel about the life of Margaret Sanger, founder of the birth control movement, is full of accurate details about the life of Sanger – a revolutionary who spent her life making it possible for women to choose the number of children they wish to bear. She was an intriguing character driven by her cause and her belief that women enjoy sex as well as men do. She was charismatic, generous, ruthless, compassionate, calculating, and, when it came to her children, conflicted.
In the spirit of The Paris Wife and Loving Frank, the provocative and compelling story of one of the most fascinating and influential figures of the twentieth century: Margaret Sanger, the founder of Planned Parenthood—an indomitable woman who, more than any other, and at great personal cost, shaped the sexual landscape we inhabit today.
The daughter of a hard-drinking, smooth-tongued free thinker and a mother worn down by thirteen children, Margaret Sanger vowed her life would be different. Trained as a nurse, she fought for social justice beside labor organizers, anarchists, socialists, and other progressives, eventually channeling her energy to…
My passion for Mars began when I stumbled upon an old newspaper article from 1926 about a lawyer who was in telepathic communication with a Martian woman named Oomaruru. How could I not be intrigued? As I dug into the story, I learned about his attempts to send telegrams to Mars, his disappointment at our scientists for not being smart enough to receive their responses, and the many other interesting beliefs about intelligent Martians that were prevalent at the time. The more I learned about this early history of Martians, the more fascinated I became. It all led me on the path to what became The Big Book of Mars.
There are so many science fiction books about Mars, so I wanted to choose at least one of the more obscure ones. This one is particularly interesting because it explores the idea of a universe in which the many famous Martian tales that came before it, like John Carter of Mars, were based on actual beings and events—the details were just embellished and perhaps misremembered a bit by the authors.
I'm particularly intrigued by the topic of artificial intelligence and whether an artificial brain can become conscious and how we'll be able to control a superintelligent AI. I follow all the developments in the field of artificial intelligence and have tried to incorporate some of them into my own fiction writing. I have a scientific background as a former professor of psychology and neuroscience researcher and published a book in the Johns Hopkins Series on Neuroscience and Psychiatry, and numerous scientific articles. I'm also a member of the Society of Philosophers in America. I've been a fan of science fiction since childhood. Science fiction has always seemed to me to be a perfect mixture of fiction and philosophy.
Stanislaw Lem, the Polish philosopher and science fiction novelist, had the talent of writing novels that raise profound questions about the human condition. One of the issues he tackled was whether our human form of intelligence is just one of many types of intelligence that might be found in the universe.
In one of his most gripping and mind-stretching novels, The Invincible, an Earth spaceship lands on an apparently uninhabited planet only to find that many years previously, another race had crash-landed on the planet, and their small, robotic assistants were the main survivors of the crash. Those automata evolved into a collection of tiny “flies,” which, although not individually conscious or possessed of reasoning, use evolved herd behaviors to destroy their surviving alien masters and all other living creatures on the planet’s surface. When the humans from Earth explore the planet, they encounter clouds of these tiny metallic…
A space cruiser, in search of its sister ship, encounters beings descended from self-replicating machines.
In the grand tradition of H. G. Wells and Jules Verne, Stanisław Lem's The Invincible tells the story of a space cruiser sent to an obscure planet to determine the fate of a sister spaceship whose communication with Earth has abruptly ceased. Landing on the planet Regis III, navigator Rohan and his crew discover a form of life that has apparently evolved from autonomous, self-replicating machines—perhaps the survivors of a “robot war.” Rohan and his men are forced to confront the classic quandary: what course…
Where do writers go for distraction? For me it’s usually into the work of other writers and, when I’m done escaping into fiction, I turn to nonfiction and particularly those writers who write about writing. Why? Because it helps refresh my own writing to read those writing with clarity, insight, and coherence when my own process is in danger of fragmenting. What’s more, many writers write so well about the components of writing - voice, structure, narrative or even something as prosaic as getting started - that I am reassured about what I’m trying to do with my own writing.
Talking of voice, finding your writer’s voice lies in the confidence that comes from effort and application. Alvarez was a poet, writer, critic, and poetry editor at The Observer newspaper in the 1960s, where he nourished the writing of Sylvia Plath and others. When you think of your favourite writers it’s usually their voice that grabs and sustains interest and trying to figure out your own, as a writer, can take time. Playing with other voices, trying them on for size, making one your own, is something Alvarez explores through his own insights about the work of Plath, Yeats, Jean Rhys, Freud, and others.
'For a writer, voice is a problem that never lets you go, and I have thought about it for as long as I can remember - if for no other reason than that a writer doesn't properly begin until he has a voice of his own.' What makes good writing good? In his brilliant new book, Al Alvarez argues that it is the development of the voice - voice as distinct from style - that makes a writer great. A poet as well as a critic, Al Alvarez approaches his subject both as an informed observer and an insider. Here…
Short stories suit the speed of modern society. I began writing them as a child and began to get them published in magazines. My first collection of stories in 2009 got quite a lot of press in the UK and two more collections followed. Initially, they were darkly-themed backfiring scenarios for the anti-hero and I redressed the balance in Out on Top. We all deserve some good Karma!
During a lengthy hospital stay once, I needed to escape. Magazines were formulaic and newspapers dark. This book materialized on a library trolley. A plain dark blue hard cover looking dull and aged amongst the same-old paperbacks. After only the first story of this magical collection I was hooked away from all around me and into Wells’ tales of incredible imagination. Wells’ other shorts have become well known to the masses but here contained over forty lesser-known proto-sci-fi gems. In the way that Dickens did with characters that others could not, Wells was not constrained by conventions of science. The thought-provoking The Door in the Wall and The Red Room remain today are examples of skill for all contemporaries to aspire to.
Though religious violence is an odd obsession for a nice guy like me, the topic was forced on me. Having lived for years in the Indian Punjab, I was struck by the uprising of Sikhs in the 1980s. I wanted to know why, and what religion had to do with it. These could have been my own students. It is easy to understand why bad people do bad things, but why do good people—often with religious visions of peace—employ such savage acts of violence? This is the question that has propelled me through a half-dozen books, including the recent When God Stops Fighting: How Religious Violence Ends.
Those who know the field of religious violence may find my choice of Ashis Nandy’s book of essays to be a peculiar one since it deals with a variety of issues besides religious violence. But one of his essays, “The Discrete Charms of Indian Terrorists,” is worth the price of the book. In it, Nandy describes the remarkably civil behavior of young Sikh activists who hijacked an Indian plane in the 1980s. He then goes on to disagree with Gandhi that terrorism necessarily absolutizes a conflict, and he rejects the common perspective, especially in the West, that terrorism is always evil. Though Nandy’s analysis does not fit all, or perhaps most, instances of religion-related terrorism it makes us reconsider our assumptions about the use of violence in certain situations.
One of India's leading public intellectuals, Ashis Nandy is a highly influential critic of modernity, science, nationalism, and secularism. In this, his most important collection of essays so far, he seeks to locate cultural forms and languages of being and thinking that defy the logic and hegemony of the modern West. The core of the volume consists of two ambitious, deeply probing essays, one on the early success of psychoanalysis in India, the other on the justice meted out by the Tokyo War Crimes Tribunal to the defeated Japanese. Both issues are viewed in the context of the psychology of…
My twenty books have won top awards for lifetime scholarship in American studies, science fiction, prison literature, the Vietnam war, and marine ecology. My writing is just part of my six decades as an activist for peace and justice, which made me a major target of the FBI’s operation COINTELPRO and led Stanford to fire me from my tenured professorship. I then taught for 40 years at Rutgers University in Newark as The John Cotton Dana Professor of English and American Studies.
No other book has influenced me so deeply. Arthur C. Clarke wrote it is "probably the most powerful work of imagination ever written." As I now reread Star Maker, published in 1937 when I was three years old, I still find passages so profound that they send my mind into orbit. The book takes us through time and space to a future when that entire conscious cosmos yearns to meet its creator. It ends with a prophetic awareness that “the struggle of our age was brewing” and the hope that our species can make it “before the ultimate darkness.”
This bold exploration of the cosmos ventures into intelligent star clusters and mingles among alien races for a memorable vision of infinity. Cited as a key influence by science-fiction masters such as Doris Lessing, this classic has left its mark not only in modern literature but also in the fields of social anthropology and philosophy. Olaf Stapledon's 1937 successor to Last and First Men offers another entrancing speculative history of the future. Its narrator, a contemporary Earthman, joins a community of explorers who travel to the farthest reaches of the universe, seeking traces of intelligence. Along the way, they encounter…
I've been writing Spooky Middle Grade for a number of years, and before that, I wrote horror for Hollywood. Living in Sleepy Hollow, spooky is in my blood, and if I didn't write creepy stories, they'd kick me out. I'm also a professional storyteller and have scared the bejeebus out of kids and adults in places like Sleepy Hollow Cemetery, Rockefeller State Park Preserve, and Washington Irving's Sunnyside. Halloween is my favorite time of year. It more or less becomes a month-long village-wide celebration in October. Being inundated with all this crazy rubs off on you, and I have been well-steeped.
I like a little humor with my spookiness and this book has humor to spare. Just the idea of a horde of demonic stuffed animals brings a smile to my face. Rosen does a fantastic job creating a fully-fleshed out world and filling it with interesting and engaging characters. But seriously, it's the bunnies that make this shine. Even now, just writing about them brings a smile to my face.
Twelve-year-old Devin Dexter has a problem. Well, actually, many of them. His cousin, Tommy, sees conspiracies behind every corner. And Tommy thinks Devin's new neighbor, Herb, is a warlock . . . but nobody believes him. Even Devin's skeptical. But soon strange things start happening. Things like the hot new Christmas toy, the Cuddle Bunny, coming to life.
That would be great, because, after all, who doesn't love a cute bunny? But these aren't the kind of bunnies you can cuddle with. These bunnies are dangerous. Devin and Tommy set out to prove Herb is a warlock and to stop…
I was born in 1957, the year the Space Race started when the USSR launched its first satellite and grew up with astronauts and cosmonauts on the TV. Yuri Gagarin and Gordon Cooper were familiar names to me as a child but I only really started to take notice as the Apollo programme ramped up. Science fiction influenced me at an very early age with books like Kemlo and Tom Swift and, having pestered my English teacher with my embryonic works decided at seventeen to write my own novel. Some years later and just short of sixty I finally wrote Sirkkusaga and now have seven published works out there - as well as two anthologies.
I read these as a young teenager and loved them, they’re star-spanning, rip-roaring tales of civilisations pitted against each other across the universe. Triplanetary is the first book of the Lensman series but we have to wait until book two; First Lensman, for the arrival of the titular characters.
The good guys (Hooray! Including Earth, of course) have an advantage in that certain of them have been selected by the Arisians to wear a device called the Lens - which allows them to harness their mental powers against the Boskonians (the bad guys - boo!), who are assisted by the evil Eddorians.
It’s all good fun, and I admit to the stories having influenced me slightly.
Triplanetary is a space opera by E. E. Smith. This is the original version first serialized in Amazing Stories magazine in 1934. Smith later reworked the story into the first of two Lensman prequels which was then published in 1948. Triplanetary covers an eons-long eugenics project of the super-intelligences of the Arisians an alien race breeding two genetic lines to become the ultimate weapon in their cosmic war with the Eddore.
I’m a researcher, writer, and designer who has spent most of the past twenty-five years working in the technology industry, following an earlier career as a journalist and academic librarian. I've developed an abiding interest in the history of knowledge networks. I've written two books on the history of the information age, as well as a number of newspaper and magazine articles on new and emerging technologies. While the technology industry often seems to have little use for its own history, I have found the history of networked systems to be a rich source of inspiration, full of sources of inspiration that can help us start to envision a wide range of possible futures.
Wells’s incredibly prescient 1937 collection of essays on the future of information predicts the emergence of a global knowledge network – a “world brain” – that promises to transform the human experience.
Though better known today as a science fiction writer (War of the Worlds, The Time Machine), Wells was also a prolific essayist, political activist, and social polemicist. He believed that humanity could take a great leap forward by creating a new kind of connected information network, “a permanent central Encyclopaedic organisation” that would be freely available to everyone on earth.
Such a system would enable citizens to become more informed, ensuring that societal disparities in education levels and access to information would slowly disappear - paving the way for a more egalitarian, enlightened society.
World Brain is an article written by H. G. Wells and first contributed to the new "Encyclopédie Française" in 1937. It explores the idea of a "permanent world encyclopaedia" that would contain "the whole human memory" and that would be "a world synthesis of bibliography and documentation with the indexed archives of the world." Fascinating and arguably prophetic reading, "World Brain" will appeal to fan Wells' work. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for…
