I am a dark fiction author. As far back as anyone can remember I have been an introverted creature, with a rapacious appetite for knowledge, a dark sense of humour, and an insatiable appetite for books. Having written eight darkly humorous works of fiction and read dozens of titles that fall into this genre, I believe that I am the ideal person to provide you with recommendations for darkly humorous fiction stocking fillers this Christmas. Think of me as the Santa of darkly humorous fiction. My titles include theNecropolis Series. Their protagonist is Dyson Devereux – a cultured council worker and compulsive murderer with sardonic tendencies.
Skagboys is the prequel to Trainspotting. Its colourful cast of characters hails from the Edinburgh port suburb of Leith. The book is set in the 1980s against a backdrop of HIV, Thatcherism, and the rise of dance music. The extensive employment of Scottish vernacular makes traversing this tome (548 pages) challenging but rewarding.
I was mesmerised by the lurid descriptions, dark humour, diverse prose, and the memorable, amoral characters. Skagboyswill appeal to all fans of darkly humorous fiction and transgressive fiction.
Mark Renton has it all: he's good-looking, young, with a pretty girlfriend and a place at university. But there's no room for him in the 1980s. Thatcher's government is destroying working-class communities across Britain, and the post-war certainties of full employment, educational opportunity and a welfare state are gone. When his family starts to fracture, Mark's life swings out of control and he succumbs to the defeatism which has taken hold in Edinburgh's grimmer areas. The way out is heroin.
It's no better for his friends. Spud Murphy is paid off from his job, Tommy Lawrence feels himself being sucked…
Having written in the genre of psychological/crime thriller fiction for some years, I am always drawn to original voices, particularly those who are prepared to go that extra mile to produce something fresh or a concept that hasn’t been touched on before. With this kind of writing, it is quite easy to get pigeonholed, and the author has to be as meticulously authentic as they possibly can. Thinking and then using the absurd in writing is probably the best endorsement for any book; the stranger, the better. In this modern, media-fueled world, you always have to go to different places and ignite new ideas and narratives.
This book is a very human story of teenage vulnerability and social instability.
Tense and gritty, this book doesn’t disappoint. Honest in its portrayal of drug misuse and abuse it perhaps isn’t for the faint-hearted. Ideal for those who seek to understand the underbelly of society. Written in a no-nonsense style, this is a novel that naturally flows.
Hard to put down, I read this book in a day. Well written, this is a story where you quickly immerse yourself in the characters who are so unnervingly real.
1
author picked
Junk
as one of their favorite books, and they share
why you should read it.
This book is for kids age
13,
14,
15, and
16.
What is this book about?
It was a love story. Me, Gemma and junk. I thought it was going to last forever.
Tar loves Gemma, but Gemma doesn't want to be tied down. She wants to fly. But no one can fly forever. One day, finally, you have to come down. Melvin Burgess' most ambitious and complex novel is a vivid depiction of a group of teenagers in the grip of addiction. Told from multiple viewpoints, Junk is a powerful, unflinching novel about heroin. Once you take a hit, you will never be the same again.
I Could Live Here Forever tells the story of a relationship between an aspiring writer and a heroin addict.
Hanna Halperin writes beautifully about loneliness and family, grief and abandonment, and the ways we use love to fill holes in ourselves that can maybe never be filled.
The story is gripping and sad, but never manipulative or maudlin. I loved Halperin’s clear, straightforward style and the realistic way she presented the ripple effects of addiction.
“Halperin’s radiant second novel walks the fine line between the longing for couplehood and the torture of codependency. . . . Let the rapturous intimacy and gut-churning ups and downs begin!” —Leigh Haber, The New York Times Book Review
By the award-winning author of Something Wild, a gripping portrait of a tumultuous, consuming relationship between a young woman and a recovering addict
When Leah Kempler meets Charlie Nelson in line at the grocery store, their attraction is immediate and intense. Charlie, with his big feelings and grand proclamations of love, captivates her completely. But there…
I am a very realistic person, curious by nature, who loves a good thrill. A good twist—no matter the genre—that has all the above recommendations captures my attention. A feel-good chick flick or book does nothing for my curious side but adds a twist or two and you have me hooked. Love at war is that kind of book. It has a few twists that touch on important topics and leave you with a few thoughts to think about afterward. Life is not only marshmallows and sprinklers. Life is real and I like my books like that, too. Therefore, I call myself a multi-genre author. I don’t want to be bound by one genre.
I absolutely loved this book based on true events. Don’t be fooled by the name either. This is intense as it gets. A historical thriller slash romance that made you wonder how much the heroin can endure. Believe me, you are in for a ride.
So much heartache poured from the pages, and you keep on reading in the hopes that love will conquer, and the evil will be stopped. Every character's persona was well developed and got under your skin as you became part of their lives and struggles. One of my favorites and a book I would read again.
Meara isn’t thinking about Death when she kisses her mother good-bye, but hours later she is as her fingers slide into the back of Mother’s shattered skull. Meara thinks her world has ended. She has no idea… Ebullient and feisty, Meara MacDonald lives an idyllic life on the mist-enfolded Isle of Skye, dreaming of the day she will wed her heart, the gallant Duncan MacLeod. Fate, however, has other plans and when Aunt Deirdre and Uncle Sloan arrive, Meara’s family is taken, one-by-one, for reasons she discovers are both personal and nefarious. Unable to rein in her spirit or her…
As an author of historical fiction, I have a number of time periods that I go back to again and again. Both the 1960s (specifically, the late 1960s) and the 1990s are two of those eras that I just can’t get enough of. The parallels between these two time periods are very compelling: both were times of political upheaval and amazing music, with young people leading the charge, hoping to create a better world than the one they were disenchanted with.
This non-fiction work is the definitive grunge memoir, told in stark – sometimes funny, sometimes heartbreaking – detail.
Lanegan is candid and honest about his own struggles as well as those of his music colleagues and friends like Layne Staley, Kurt Cobain, and others, always keeping their humanity at the forefront.
A must-read for anyone interested in the grunge scene of the Seattle ‘90s.
"Mark Lanegan-primitive, brutal, and apocalyptic. What's not to love?" Nick Cave
"A stoned cold classic" Ian Rankin
"Powerfully written and brutally, frighteningly honest" Lucinda Williams
From the back of the van to the front of the bar, from the hotel room to the emergency room, onstage, backstage, and everywhere in between, Sing Backwards and Weep reveals the abrasive reality beneath one of the most romanticized decades in rock history-from a survivor who lived to tell the tale.
When Mark Lanegan first arrived in Seattle in the mid-1980s, he was just "an arrogant, self-loathing redneck waster seeking…
I’m a Sydney, Australia born sociologist and writer and back in 1990 I hitchhiked through the UK, travelled in Europe and arrived in Turkey just as the Gulf War was starting. After three months in the country I was hooked. I now live in Istanbul and write about the people, culture, and history. Using my less than perfect Turkish language skills I uncover the everyday extraordinary of life in modern Istanbul and throughout the country, even though it means I’ve accidentally asked a random stranger to give me a hug and left a butcher convinced I think Turkish sheep are born with their heads on upside down.
Dervishwas published more than twenty years ago, but the Turks about whom Kelsey writes, archaeologists (and others) in search of the Ark, human rights activists, famous pop stars both straight and transsexual, Kurdish insurgents, desperately poor villagers and aspiring politicians, are still in existence today. Kelsey captures the contradictions inherent to life in modern Turkey, revealing a people as diverse as its varied geographical regions.
Unlike most writers, who give a European eye-view of a Turkey that mourns all that is lost, and consider it in the light of a holiday resort, this book explores a Turkey which is seeking out its own identity and which is beginning to realise it s not simply a bridge between East and West. The lowlife of tranvestite nightclubs, the problems of heritage, the theatre, the clash between Eastern and Western Turkey, tribes and the current civil war between Turkish military and Kurdish separatists, the booming heroin trade and cultural intolerance all form part of the book, bringing to…
I am an anthropologist and studied homelessness in Paris and London for the last decade. I was drawn into the world of people on the streets when I moved to London and started observing their parallel world. I spent almost a year with people on the street in London and two years in Paris. I volunteered in day centers, safe injection facilities, and soup kitchens and slept in a homeless shelter. Since I finished my first book on my observations in Paris, I have advised both policymakers on homelessness and written countless journalistic articles. My goal is always to provide a clearer picture of homelessness through the eyes of the people themselves.
Bourgois’ and Schonberg’s accounts opened up the ‘parallel world’ of homelessness for me and inspired me to do my own research on homelessness.
They spent years trying to understand people experiencing homelessness in San Francisco, following them on their daily journeys through institutions and city landscapes; they intimately understood their struggles, from mental health and addiction to systematic exclusion.
Their long, in-depth, and grassroots accounts of people on the street made me grasp their varied experiences for the first time.
This powerful study immerses the reader in the world of homelessness and drug addiction in the contemporary United States. For over a decade Philippe Bourgois and Jeff Schonberg followed a social network of two dozen heroin injectors and crack smokers on the streets of San Francisco, accompanying them as they scrambled to generate income through burglary, panhandling, recycling, and day labor. "Righteous Dopefiend" interweaves stunning black-and-white photographs with vivid dialogue, detailed field notes, and critical theoretical analysis. Its gripping narrative develops a cast of characters around the themes of violence, race relations, sexuality, family trauma, embodied suffering, social inequality, and…
I am a recovered (not “recovering”) addict and writer. These days I write historical fiction because I enjoy an escape from present-day reality, and research is fun. But I started writing as a way to make sense of my chaotic world and in hopes of healing myself. Something was broken inside me, and I didn’t know how to fix it. So I wrote about the shadowy realms of my life and kept on writing until somehow I was able to let go of the past and create a different life, one which would not land me upside down in a ditch with my neck broken and my tires spinning.
The horror and the humor! This book reminded me of just how absurd the life of an addict is. I found myself laughing out loud at unexpected turns. Of course, we’re talking very dark humor.
The story of his obsession with Candy also reminded me of my own doomed love affairs, the sick love that often mingles with addiction. I’ll never forget the story of his cats, though. Davies’ observations on the behavior of his cats are as compelling (and horrible) as his observations of the behavior of addicts.
All addiction stories are sad in their own way, but as comic John Mulaney has shown, they can also be hysterically funny. And Candy proves it.
"Candy is beside me, drenched in sweat. She's breathing gently, long slow breaths. I imagine her soul going in and out: wanting to leave, wanting to come back, wanting to leave, wanting to come back. The day will soon harden into what we need to do. But for now we have each other. . . ."
He met Candy amid a lush Sydney summer. Gorgeous, sexy, free-spirited Candy. They fell in love fast, lots of laughter and lust, the days melting warmly into each other. He never planned to give her a habit. But she wanted a taste. And wasn't…
I loved bars before I could drink. Maybe it was a steady diet of Cheers reruns as a child. Or perhaps it was growing up in Los Angeles, a city without a center, a city of cars, a city that seemed—at least when I was a child—to lack real community. Bars, in my imagination, provided that. So when I started actually finding myself in bars—and often working in them—I also found myself writing fiction, and those bars ended up in that fiction. In each of my novels, a bar is a gathering place for those wanting a church sans theology, a place, where, yes, everyone knows your name.
On any given day, this is my favorite book with one of my favorite bars, The Vine, a dive that Johnson describes as “like a railroad club car that had somehow run itself off the tracks into a swamp of time where it awaited the blows of the wrecking ball.” Is it a nice place? No. Would you take a date here? Not if you wanted them to respect you. Could you find yourself in mortal danger? Absolutely. But amongst the addicts and runaways, the small-time crooks and ne’er do wells, you’ll find moments of beauty that transcend the pain of everyday life, becoming, in its best moments, like reading scripture.
Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiralling grief and transcendence, of rock bottom and redemption, of getting lost and found and lost again. The narrator of these interlinked stories is a young, unnamed man, reeling from his addiction to heroin and alcohol, his mind at once clouded and made brilliantly lucid by these drugs. In the course of his adventures, he meets an assortment of people, who seem as alienated and confused as he; sinners, misfits, the lost, the damned, the desperate and the forgotten. Our of their bleak, seemingly…
I have expertise and a passion for this topic because I suffered from a terrible addiction to drugs for many years and was considered a hopeless case. If I can beat my addiction then anyone can!
This was a true story of rockstar Nicky Sixx and his struggle to overcome drugs and alcohol addiction. I related to this book and could feel the emotions in his writing. I liked that he came through the other side of it all to be an inspiration to others suffering from addiction. There were many parts of this book that inspired me to elaborate in my own book and explain how it felt in similar detail.
In one of the most unique memoirs of addiction ever published, Motley Crue's Nikki Sixx shares mesmerizing diary entries from the year he spiraled out of control in a haze of heroin and cocaine, presented alongside riveting commentary from people who were there at the time, and from Nikki himself. When Motley Crue was at the height of its fame, there wasn't any drug Nikki Sixx wouldn't do. He spent days - sometimes alone, sometimes with other addicts, friends, and lovers - in a coke and heroin-fueled daze. The highs were high, and Nikki's journal entries reveal some euphoria and…
