Coates uses rituals carved in wooden furniture and penned on walls to intertwine the past with the present.
In this nail-biting story, 22-year-old Adrienne is nearly homeless. When her deceased Great Aunt Edith, whom Adrienne didn’t even know existed, wills her a dilapidated mansion, Adrienne thinks her prayers have been answered. Turns out, the carvings inside Ashburn House aren’t idle etchings.
If the rituals spelled out aren’t followed, the evil which slaughtered an entire family will awaken. Unfortunately, Adrienne’s learning curve isn’t helping.
Will she catch on before she and her beloved cat fall victim to what lurks in the darkness.
Count on buying a supply of candles and covering your mirrors!
From USA Today bestseller and rising queen of atmospheric horror Darcy Coates comes a haunting story of intrigue, misery, and fear. There's something wrong with Ashburn House... Everyone knows about Ashburn House. They whisper its old owner went mad, and restless ghosts still walk the halls. They say it's the dwelling place of something cruel and sinister. But when Adrienne-desperate and in need of a place to stay-inherits the crumbling old mansion, she only sees it as a lifeline... until darkness falls. Strange messages are etched into the walls. Furniture moves when she leaves the room. There's something here-something powerful,…
Maybe because I grew up in San Diego, a city that boasts what ghost hunter Hans Holzer called the most haunted house in America, I’ve always loved ghost stories. I never encountered a ghost when I visited the Whaley House Museum, as Regis Philbin did when he spent the night, but I once took a photograph there that had an unexplained light streak on it. Although I conceived a passion for the printed word with my first Dick and Jane reader and wrote my first story at the age of six, it took me a few decades to fulfill my long-held desire to write a ghost story of my own.
It started out with the hoariest of romance novel cliches—the bickering couple I knew would end up in love—but the setting alone was enough to guarantee spookier plot developments.
Barbara Michaels, better known for her mystery novels as Elizabeth Peters, never fails to entertain, and the descriptions of eerie ghostly manifestations here are top-notch.
Joanne McMullen's fears for her sister's sanity have brought her to remote King's Island, Maine. Mary's grief over the loss of her child is threatening to send her over the edge—and her insistence that she has heard an eerie, childlike wailing in the woods fuels Joanne's anxiety. And now Mary's taken to disappearing at midnight in search of the source of the heartrending moans. But it's not just her sister's encroaching madness that is chilling Joanne's blood—it's her own. Because suddenly, impossibly, she also hears the crying child.
Although I was a little scared of Halloween as a kid, I’ve grown to love the silly side of spookiness. Growing up with Pee-Wee’s Playhouse every Saturday morning, I learned that silliness is a superpower. Now, when working on kids books, my ultimate goal is to put work into the world that will delight kids, and won’t make the parents groan and say, “that one again?” Finding the sweet spot of being fun to read, fun to hear, and fun to look at is what I love most about creating kids books. I hope you and your little ghouls and goblins enjoy my spooky board Boooook list!
I love that the little girl (actually a little witch) in Ghosts in the House! is confident and capable every step of the way as she deals with her haunted house.
Ghosts are not something to be afraid of – they can be useful! Kazuno Kohara’s linocut illustrations are a perfect pairing to her words – simple and refreshing.
Ghosts in the House! by author-illustrator Kazuno Kohara is just the right mix of sweet and scary for the youngest trick-or treaters
At the edge of town lives a clever girl with a spooky problem: Her house is haunted! Luckily, she happens to be a witch and knows a little something about taking care of ghosts. She catches them, puts them in the washing machine, airs them out to dry, and gives them new lives as sofa covers, table cloths, and, of course, bed sheets to cozy up under. Fresh and charming illustrations in dynamic orange, black and white bring…
I’ve always been fascinated by Gothic literature (and art, music, and movies), and I’m fortunate to have a job that allows me to talk and write about it—I teach at the College of Charleston (SC), where I just completed a course on American Gothic. I’m especially interested in nineteenth-century American writers, and I’ve written three books on Edgar Allan Poe, the most recent of which is The Man of the Crowd: Edgar Allan Poe and the City. For this list, I limited myself to Americans who, like Poe, wrote before and during the Civil War.
Hawthorne’s Househas a little of everything: mystery, romance, the supernatural, family treachery, and a surprising dose of humor.
A family curse, dating back to the days of New England witch trials, hangs over a present-day (1850s) land dispute, pitting strange but lovable Hepzibah and Clifford Pyncheon against their scheming, powerful cousin Jaffrey.
While much of the Gothic plot concerns the way the past controls the present, the novel also involves technologies that will help shape the future: photography (which is linked here to spiritualism) and, in one memorable scene, the railroad.
The popularity of the book and its 1940 film adaptation helped make the house that inspired Hawthorne a tourist attraction (which I also highly recommend) in Salem, Massachusetts.
A gloomy New England mansion provides the setting for this classic exploration of ancestral guilt and its expiation through the love and goodwill of succeeding generations. Nathaniel Hawthorne drew inspiration for this story of an immorally obtained property from the role his forebears played in the 17th-century Salem witch trials. Built over an unquiet grave, the House of the Seven Gables carries a dying man's curse that blights the lives of its residents for over two centuries. Now Judge Jaffrey Pyncheon, an iron-hearted hypocrite and intellectual heir to the mansion's unscrupulous founder, is attempting to railroad a pair of his…
This is not your average haunted house story––not by a
long shot.
This abandoned house is alive and salivates, built with wood,
bricks, hatred, and soaked in murder throughout the ages. Three women went in,
but only two returned, both remembering a completely different set of details
of victimization by the other. Three years later, the house calls them back to
finish what it started.
Rumfitt’s writing style at times reads like a fever
dream, she even describes one event simultaneously from two different
perceptions. Its subject matter is not for everyone; it highlights the darkest
parts of fascist-born damage, PTSD, self-harm, and internalized shame. It’s
dirty, it’s gory, and it’s fantastic.
Three years ago, Alice spent one night in an abandoned house with her friends Ila and Hannah. Since then, things have not been going well. Alice is living a haunted existence, selling videos of herself cleaning for money, drinking herself to sleep. She hasn't spoken to Ila since they went into the House. She hasn't seen Hannah either. Memories of that night torment her mind and her flesh, but when Ila asks her to return to the House, past the KEEP OUT sign, over the sick earth where teenagers dare each other to venture, she knows she must go. Together…
First of all, I love all of Alix E. Harrow’s books. They have strong female protagonists who push back against the hands that they’re dealt.
This book is, at its core, the tale of a haunted house, but it’s so much more than that. There is love and death and class warfare and sentiment and harsh reality, all intertwined in the breathing soul of a house with something to prove, someone to protect, a lineage to honor.
Like all of Harrow’s works, there’s magic in the mundane, and she brings the dead-end town in Appalachia to pulsing life despite the grit and destitution built into its system. It was a joy to snuggle down to another chapter or two every night.
'Alix E. Harrow is an exceptional, undeniable talent' - Olivie Blake, author of The Atlas Six
Step into Starling House - if you dare . . . Alix E. Harrow reimagines Beauty and the Beast in this gorgeously modern Gothic fantasy, perfect for fans of V.E. Schwab and Naomi Novik.
Nobody in Eden remembers when Starling House was built. But the town agrees it's best to let this ill-omened mansion - and its last lonely heir - go to hell. Stories of the house's bad luck, like good china, have been passed down the…
I grew up watching the old Universal horror movies, which led me to read Frankenstein, Dracula, and other horror classics. It wasn’t until I read Stephen King’s Danse Macabre that I started asking myself what it is that I find truly frightening. Not so much monsters but rather what is unsettling – A recognizable world that suddenly turns askew. Dead Hungry grew out of that: What if there were people who simply had to eat the dead?
Another haunted house story, with a similar emphasis on atmosphere. A sister and brother visit a friend whose house is infected with competing ghostly forces. A constant sense of dread permeates the atmosphere. Blackwood keeps the reader on edge, waiting for the shoe to drop. And that’s it. It may pale by today’s standards of horror, but the novel excels at how ghostly presences vie for dominance.
How is this book unique?
Font adjustments & biography included
Unabridged (100% Original content)
Illustrated
About The Damned by Algernon Blackwood The Damned by Algernon Blackwood is a great haunted house story along the lines of Turn of the Screw and the Haunting of Hill House. A brother and sister spend some time with a recently widowed friend. Her deceased husband was a strict fire and brimstone preacher who damned everyone who didn't believe like him to hell. His less strong-willed wife fell under his spell, but now the house seems to be haunted by...a shadow? Goblins? Ghostly pagans? Or…
I'm a near-lifelong fan of horror in all its forms. I read the works of Bram Stoker, Edgar Allan Poe, and Shirley Jackson as a child, and for most of my writing career, I’ve been trying to recreate the feelings those early works gave me the first time I read them. My short fiction has appeared in several publications, and my debut horror novel Tidepoolcame out in 2021. Even though one of the best-known horror novels of all time, Frankenstein, was written by Mary Shelley, the horror world still sometimes treats female authors like afterthoughts. I hope my list will help readers discover more imaginative books written by women.
Cherie Priest is a very versatile writer, and this horror novel is one of her best. I’ve lent copies of Family Plotto people and never gotten them back. Dahlia, whose father owns a salvage company, takes a team of coworkers to an old mansion to strip all the valuable stuff they can find before it’s torn down. But there are far more things in—and around—the house than they know, and those things have a way of making themselves known during the nights the crew spends at the mansion. Dahlia is a wonderful, tough, no-nonsense main character, and parts of the novel gave me the “Alone in the house late at night” creeps.
Chuck Dutton built Music City Salvage with patience and expertise, stripping historic properties and reselling their bones. Inventory is running low, so he's thrilled when Augusta Withrow appears in his office offering salvage rights to her entire property. This could be a gold mine, so he assigns his daughter Dahlia to personally oversee the project. The crew finds a handful of surprises right away. Firstly, the place is in unexpectedly good shape. And then there's the cemetery, about thirty fallen and overgrown graves dating to the early 1900s, Augusta insists that the cemetery isjust a fake, a Halloween prank, so…
I've been a guest lecturer and featured presenter at colleges and conferences, served on the Board of Directors for ICON6, and authored eight published books on illustration and design. I'm a retired college art professor and freelance illustrator and still teach fine art, design, and cartoon classes for kids and adults; I’m also an English Dept. writing tutor at a local college. Right now, I am exploring the medium of cardboard. Cardboard taps into a material that is so ubiquitous and common, it’s often maligned as being inconsequential, but I’m positively tickled to be working in a material that was wonderfully simple and presents a simply wonderful challenge.
Haunted House so enthralled and inspired me, I bought it three times! It originally came out in a full-scale edition, then in half-size. I bought both, and the smaller version again, as a gift.
This is a pop-up book on steroids. The mechanics behind it is stunning—a tour de farce of paper engineering. The story line is riotous. Smart writing, great illustration, and a super clever concept, Haunted House is a kid’s book only on the surface.
Revisit - if you dare! - one of the best-loved pop-up books of all time, now more gleefully ghoulish then ever with the addition of several spooky surprises.
Enjoy a tour of this spooky old house where a spine-tingling surprise lurks in every dark corner. Re-issued in its original full-size format, with four new pop-ups, this definitive edition brings the classic novelty to a whole new generation.
Maybe because I grew up in San Diego, a city that boasts what ghost hunter Hans Holzer called the most haunted house in America, I’ve always loved ghost stories. I never encountered a ghost when I visited the Whaley House Museum, as Regis Philbin did when he spent the night, but I once took a photograph there that had an unexplained light streak on it. Although I conceived a passion for the printed word with my first Dick and Jane reader and wrote my first story at the age of six, it took me a few decades to fulfill my long-held desire to write a ghost story of my own.
I was late in coming to this and was glad to find its popularity richly deserved.
The characters are quirky enough to be entertaining on their own, and the house is a formidable opponent. I found the climactic scene where the ghost is banging on all the doors genuinely frightening, and then the plot took a completely unexpected turn. I was the one who succumbed to the haunting in the end.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
