Crook Manifesto is
a follow-up to Whitehead’s Harlem Shuffle. This time, set in the 70s, we
return to the world of Ray Carney, now running a more successful and larger
furniture store right on 125th St, in Harlem. And again, Carney is a
cipher for Whitehead to explore the sights, sounds, and humanity of one of
America’s most fascinating, volatile neighborhoods.
Whitehead is at the top of his game here as he captures the styles and rhythms of
the city in all its glorious, bell-bottom 70s groove. Carney’s block of Harlem is a powder keg of crime
and racial tension, with the Black Panthers marching in the streets, corrupt
cops demanding pay for protection, and, of course, more petty crimes and con
artists.
The book is peppered with rich, funny, painful moments and broken lives.
He makes it look so damn easy as his language be-bops along and somehow…
NEW YORK TIMES BESTSELLER • The two-time Pulitzer Prize winner and bestselling author of Harlem Shuffle continues his Harlem saga in a powerful and hugely-entertaining novel that summons 1970s New York in all its seedy glory.
“Dazzling” –Walter Mosley, The New York Times Book Review.
It’s 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his…
One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.
I’m pretty certain Invisible Man is The Great American Novel. Some lines make me laugh aloud: “I would remain and become a well-disciplined optimist and help them to go merrily to hell.” But the moments that really sing for me are those that ring with humor, horror, tragedy, and beauty all at once.
Near the end, during a moment when the nameless narrator hides and listens to some men telling a story, he aches with the urge to laugh while realizing what’s been said isn’t only funny: “It was funny and dangerous and sad.” The book reminds me that all of those things can be held in my head at once.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
While one-off stories are fantastic, I love that children's series lets readers return to trusted characters. Series allow children to see a wider arc of character development and decision-making—often imperfect and in transition—when they are trying to figure out how to identify and connect with the world themselves. That shared experience over time is why I only write series myself—to let kids evolve alongside their favorite characters.
Five siblings work and grow together to confront one catastrophe after another and keep their way family and community together.
The siblings—Isa, Jessie, Oliver, Hyacinth, and Laney—are written with winning characterization that makes readers feel like they are one of the family. The heart is enormous in this one!
The Vanderbeekers have always lived in the brownstone on 141st Street. It's practically another member of the family. So when their reclusive, curmudgeonly landlord decides not to renew their lease, the five siblings have eleven days to do whatever it takes to stay in their beloved home and convince the dreaded Beiderman just how wonderful they are. And all is fair in love and war when it comes to keeping their home.
If there's a throughline in all my books, it occurs to me I've always been writing about the dangers of extremism, the times when we get sucked too deeply into ideologies that lead to dangerous action. So this most recent novel felt like an ideal time to take that head-on: to see what would happen within a sect of Kabbalists, led by a self-proclaimed prophet, when things went bad. With that in mind... here's a bunch of books focused around prophecy!
This novel may be my favorite book of the 1970s and a woefully underappreciated deep satire not just of its moment, but of ours as well. I think about the mere fact of museums being renamed "centers of art detention" once a day or so, and I haven't reread the book in a decade.
New in 2023, the 50th anniversary edition of the classic, freewheeling novel by one of the most iconic satirists of our time—now with a new introduction by the author.
“Part vision, part satire, part farce… A wholly original, unholy cross between the craft of fiction and witchcraft.” —The New York Times
It is the 1920s in New York City and an epidemic known as Jes Grew is sweeping the nation—a dancing plague, irresistible, joyful, and undeniably Black. Naturally, the powers-that-be are having none of it. A repressive conspiracy is operating in the shadows, and it is dead set on squelching…
I’ve been a Black woman for almost 40 years, and I’ve been writing about Black women almost as long. I grew up reading children’s books with brown faces and great stories, but the authors never interested me. Until I read Peaches, I had no idea that wholly relatable authors and stories existed. I began seeking them out. From authors like Virginia Hamilton and James Baldwin to Langston Hughes and even Donald Goines, I found stories of people with lives I recognized. I am far from an expert on Black literature. I am just grateful that during my formative years, I was exposed to some great Black authors.
Millicent Johnson (Peaches) has a whimsical imagination and dreams of becoming an artist.
Being raised by her grandmother along with her cousins in 1970s Harlem, their summers are filled with the freedom to wander the neighborhood and get into all sorts of trouble.
Yes, it’s a middle-grade book. I first read this book in seventh grade. I’ve no idea how many books I’d read up until that point but it was literally in the hundreds. This was the first book I’d read that I didn’t have to fully engage my whole imagination.
It realistically reflected my actual life… from the corner store to playing the numbers to even the boys she liked. I loved Peaches’ life. She was me. This is the book that began my writing life…for real.
This is a graphic novel. I don’t generally read graphic novels
(although I’ve been a rabid X-men and New Mutants collector since 1981), and I
do want to read Persepolis and Fun Home, but you try getting them from Library
waitlists - it’s not easy! But I heard a
lot of buzz about this series, which lives up to the hype.
What I enjoyed about this was the excellent inking
and art, but most important is the way the author uses elements of horror,
superhero, and speculation to find a new way to explain racism and prejudice as
a disease that turns its victims into brainless monsters.
The best books, from Twain to Morrison, to Faulkner,
to Baldwin, not only entertain us but also educate us and show us pieces of
ourselves we may have overlooked or taken for granted.
Once known as the greatest monster hunters of all time,
the Sangerye family specialized in curing the souls of those infected by hate,
but those days are fading. A terrible tragedy has claimed most of the family,
leaving the surviving cousins split between curing monsters and killing them.
Now, with a new breed of monster loose on the streets of Harlem, the Sangerye
family must come together, or watch the human race fall to untold
evil.
I’m a Black woman novelist in America who has made it through life with three things: God, great books, and greater friends. Throughout my writing career, friends have encouraged and supported each and every book I could not have written without them. I am also a literary scholar of black women writers in America, a champion of their works, and a soul dedicated to preserving their names in the literary canon. I have two English literature and language degrees from University of Chicago with my M.F.A. in Creative Writing from The New School. No novel I write is complete without empowering and strengthening relationships between Black women and girls.
This is the absolute, hands down best collection of interlinked stories framed as a novel I have ever read in my life. You will fall in love with each and every one of these colorful, dynamic, and heartwarming women who find themselves in one tenement building in 1970s Harlem. Mattie Michael, Etta Mae Johnson, Lucielia "Ciel" Turner, Melanie "Kiswana" Browne, Cora Lee, Lorraine, and Theresa all come from different backgrounds but intersect around one major theme: surviving urban America as Black women. By the end, you will roar in celebration and respect for their journeys to self-fulfillment, self-discovery, and self-empowerment despite incredible odds.
The National Book Award-winning novel-and contemporary classic-that launched the brilliant career of Gloria Naylor, now with a foreword by Tayari Jones
"[A] shrewd and lyrical portrayal of many of the realities of black life . . . Naylor bravely risks sentimentality and melodrama to write her compassion and outrage large, and she pulls it off triumphantly." -The New York Times Book Review
"Brims with inventiveness-and relevance." -NPR's Fresh Air
In her heralded first novel, Gloria Naylor weaves together the stories of seven women living in Brewster Place, a bleak-inner city sanctuary, creating a powerful, moving portrait of the strengths, struggles,…
Father-daughter relationships have always fascinated me. I wrote my first book to explore what it might be like for a girl to have a father with whom communication is, if not easy, possible. Although my own father was around when I was growing up, he was a distant figure. A mechanical engineer, he lost himself in ruminations on machines and mathematics and was made still more distant by his alcoholism. As a kid, I tried to glean from books what having a “regular” father might be like. I still haven’t figured it out, but I love seeing other authors capture the formative effects of this particular parental relationship.
It can be difficult for kids to see their parents as real people, and that’s why I loveSome Places More Than Others. When Amara finally convinces her parents she should get to go on a trip with her dad to New York City’s Harlem to meet the grandfather she’s only spoken to on the phone, she uncovers the fact that her dad and her grandfather haven’t spoken in twelve years. I love the depiction of Amara’s father as a person in his own right, someone with a history and his own problems and how, as Amara slowly unravels the mysteries of her father’s past, she begins to understand herself better too.
From Newbery Honor- and Coretta Scott King Author Award-winning, New York Times bestselling author Renée Watson comes a heartwarming and inspiring novel for middle schoolers about finding deep roots and exploring the past, the present, and the places that make us who we are.
All Amara wants for her birthday is to visit her father's family in New York City--Harlem, to be exact. She can't wait to finally meet her Grandpa Earl and cousins in person, and to stay in the brownstone where her father grew up. Maybe this will help her understand her family--and herself--in new way.
I’ve always been interested in the topic of international relations and when I started graduate studies, I focused on Russian and Soviet foreign policy between the World Wars. When I began my research, I learned of the existence of the Comintern and was fascinated both by this attempt to develop a worldwide movement and its connection to Soviet foreign policy. Since then, I have focused on trying to understand the individuals who populated the parties and the organization and unearthing a legacy that still resonates today. One cannot fully understand the history of decolonization or of human and civil rights movements without considering the influence of the Comintern.
Why did some Black Americans turn to the communist movement during the interwar period? This is one of the key questions Makalani seeks to answer in his book. He understands the limits of the movement, particularly its doctrinaire approach and the left’s limited engagement with race heading into the 1920s. He focuses on how Black Americans played a role in turning communism’s attention to racial issues while reconsidering certain theories of communism within their own radical networks. Makalani also emphasizes how many Black sojourners accepted communist tactics while maintaining their hesitancy towards the broader movement. Makalani provides a critical look at the Comintern and its efforts, while stressing the development of a unique Black radical movement.
In this intellectual history, Minkah Makalani reveals how early-twentieth-century black radicals organized an international movement centered on ending racial oppression, colonialism, class exploitation, and global white supremacy. Focused primarily on two organizations, the Harlem-based African Blood Brotherhood, whose members became the first black Communists in the United States, and the International African Service Bureau, the major black anticolonial group in 1930s London, In the Cause of Freedom examines the ideas, initiatives, and networks of interwar black radicals, as well as how they communicated across continents.
Through a detailed analysis of black radical periodicals and extensive research in U.S., English, Dutch,…
Mainly because it's a book set in 1920s Harlem, written by an African-American writer who lived there at the time; all the characters are African-American. The language is rich and lively, full of "Harlemisms." There is an intricate murder mystery and a wealth of unique characters.
While Dr. Archer and the conjure-man Frimbo have erudite discussions about science and philosophy, the repartee of prime suspect Jinx Jenkins and his friend Bubber Brown is informal and full of colloquialisms and jokes, even in serious situations.
I had never read a book like this before. It was interesting and entertaining.
