The most recommended grimdark books

Zucchini the ferret, born in the Bronx Zoo, leads a bleak life.

When he learns about the outside world, he yearns to escape—but when he does, it's straight into chaos.

I read Zucchini many times as a child and last read it in my 30s, and it's wonderfully more grimdark than I remember. Published in 1982, the book is 1980's-New-York gritty, and so are the hard adult lessons: fighting for your needs is full of risk; betrayal is common; love, compassion, and understanding are scarce; and idealism has an unsustainable cost.

But this makes the bits of joy that Zucchini wrests from the world all the more vivid. The story, like the world, is hard; but the story, like the world, has hope.

Barron is undeniably a genius and proficient. Pick whichever book of his and it’ll blow you away. With a superior command of language and an impressive understanding of what frightens us, the author pulls no punches and peels back the layers to reveal the vileness that prowls in the dark.

The Pariah features a protagonist, Alwyn Scribe, with such a distinct voice and motivations you cannot help being captivated by him. Ryan is also incredibly gifted at making the medieval fantasy setting feel grounded and real.

The plot is twisty, taking Alwyn through transformations that are incredible, yet believable every step of the way. And when we are swept into the greater plot and war, its version of the Joan of Arc story continues to captivate and awe.

Here is yet another book where at first it seems as though there are no heroes.

Abercrombie writes a masterful world filled with magic, politics, swordfights, and bleak attitudes. One of the main POV characters is a torturer—I mean a full-on break your toes and laugh about it torturer—but even still, I found myself wanting more of his story. He’s certainly not a hero, but he was at one point, and that’s even more intriguing.

The characters drive this fantasy series, but the world is also a gorgeous setting that Abercrombie clearly spent many long nights thinking through. Every detail feels like it matters, and throughout this trilogy, the smallest specks of plot come back to matter.

On top of it all, I loved the audiobook narrator and his particular performances for each character brought the world to life.

This book largely takes place over a three-day battle. It showcases the stupidity of war, the cowardice, the luck, the incompetence, and yes, sometimes even the breathtaking courage.

As you’d expect from Abercrombie–the so-called Lord of Grimdark–the ‘heroes’ are no such thing, but rather, flawed and broken individuals who go to war out of obligation or ambition or because they know no other way of life.

Joe Abercrombie writes superb action scenes. Visceral, urgent, bloody. He’s also particularly cruel to his characters. I’m not sure if he’s picking on me particularly or if it’s just the dark alchemy of his literary soul that makes him such a popular author, but he’s always a bit of a bastard to the characters I like the most.

Grimdark fantasy is a favourite of mine, full of morally ambiguous, vivid characters. The Heresy Within is a great example of this.

Yes, there is a fascinating world and enticing plot. But these are characters who are just fun to spend time with. The author pulls no punches in this series, so if dark storylines are not your thing, pick a different recommendation.

Another book that leans into the grimdark genre but also with the ambitious scope of epic fantasy.

The world is human, but with some pretty terrifying creatures in it. The character work is excellent – each of the three POVs is a complex individual, an outsider, and none are heroes. But each is being pushed by a plot that suggests something terrible is going to happen if they don’t get their collective acts together. 

In the 1990s, I stopped reading science fiction to focus on more “serious” writing. In 2008, someone recommended this book to me, and my appreciation of science fiction changed forever.

In Diaspora, science fiction is an exploration of the deepest existential questions we can face: In a post-scarcity world, where people can duplicate themselves, back themselves up, and radically alter their personalities and values at will, what can and should we want?

Egan guides us through a diverse landscape of possibilities, from biologically enhanced apes to AI systems that derive immense joy from proving mathematical theorems to creators of multidimensional experimental art and beyond. 

If you are like me and enjoy grimdark novels, then this one is for you. This coming-of-age story has it all. Politics, magic, and an amazingly rich setting that explores multiple cultures told by three great protagonists. The story gripped me at the start and didn’t let me go until the very last word. Richard Nell’s breathtaking storytelling ability is made even more impressive due to Kings of Paradise being his debut novel. This is another book that needs a trigger warning.

Your older self writes a diary and sends it back in time to you. It reveals that between two pathways, you will take a right. You arrive at that crossroads, and no matter how willing you are to defy your unveiled fate, you can’t avoid choosing right again. I often find this type of super-deterministic scenario in science fiction, invariably raising philosophical questions about free will. Nevertheless, Egan is the only author to offer a satisfactory psychological solution to why the protagonist can’t change their fate. And this is just the first of the short stories in this collection. Axiomatic is hard SciFi stretching scientific concepts into their ethical and human limits.