I am a historian with a doctorate and years of experience in diplomatic history. While researching a foreign minister’s policy decisions, I stumbled across his wife’s diaries. Later, I went back to read them. What started as sheer curiosity turned into a mission when I realised how vital diplomats’ wives were to the functioning of twentieth-century diplomacy. Yet I had spent years in the field without reading about the influence of gender. I wrote a book to bridge the gap and challenge the idea that diplomatic history can disregard gender if its focus is political. The books on my list show how everyday gendered practices are connected to political power.
Before I read Women and States, I was familiar with the concept of like-minded states and aware that similar or different normative values could complicate or facilitate the cooperation between states.
Yet, I had never considered those norms in terms of international status. Political scientist Ann Towns convincingly argues that, like any society, international society is social. To arrange relations, whether familial, local, or global, norms are used to compare and rank.
Contrary to a society built on shared values, though, international society incorporates parallel and conflicting values in an inherently unequal system, making for the coupling of norms to international status.
I love how Towns uses this simple and elegant observation to connect the political emancipation of women in different national contexts to (changing) hierarchical norms between states. Identifying links like these between local and so-called big politics is vital for better understanding international power relations.
Momentous changes in the relation between women and the state have advanced women's status around the globe. Women were barred from public affairs a century ago, yet almost every state now recognizes equal voting rights and exhibits a national policy bureau for the advancement of women. Sex quotas for national legislatures are increasingly common. Ann E. Towns explains these changes by providing a novel account of how norms work in international society. She argues that norms don't just provide standards for states, they rank them, providing comparative judgments which place states in hierarchical social orders. This focus on the link…
In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of college—twice—I completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead.
By 2007, I had been studying movements for women’s rights and racial justice for 4 decades. This book inspired me to rethink the chronology and trajectory of both. All Bound Up Togetherhighlights the ways, beginning in 1830, that Black women’s rights efforts were central to the Black freedom struggle and early American feminism. It recasts both stories by putting Black women’s concerns, ideas, and organizing at the center.
The place of women's rights in African American public culture has been an enduring question, one that has long engaged activists, commentators, and scholars. ""All Bound Up Together"" explores the roles black women played in their communities' social movements and the consequences of elevating women into positions of visibility and leadership. Martha Jones reveals how, through the nineteenth century, the ""woman question"" was at the core of movements against slavery and for civil rights. Unlike white women activists, who often created their own institutions separate from men, black women, Jones explains, often organized within already existing institutions - churches, political…
I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
I am a woman and so like all of us who have lived long enough, I have been pushed to the edge. I’m fascinated with what society tells us we are and are not meant to feel or express. In part this is because I teach emotional intelligence and empathy, also because I am the mother of four and the more emotional literacy I have, the richer my life is. I’m not interested in having any emotions disavowed for anyone of any gender. I teach wholehearted leadership with my company Pilot Light and also speak to school students and other groups about feminism, gratitude, courage, pornography, creativity, overwhelm, and vulnerability.
"This book is about what happens when women are the storytellers too – when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it is to be human."
I reference this wonderful, non-fiction book in my novel several times. Once when Odessa the main character sees it on her bookshelf.
Another time when Odessa talks about the shocking myth of Cassandra, who was given the gift of prophecy by Apollo but when she wouldn’t sleep with him he cursed her that no one would believe her.
And the third reference is at the end of my novel, Odessa’s dog bears Casandra as her mighty name. As an embodiment of all that will be listened to and believed. Cassandra Speaks had a profound impact on me as a woman, a mother, a sister, a human, and as a…
What story would Eve have told about picking the apple? Why is Pandora blamed for opening the box? And what about the fate of Cassandra who was blessed with knowing the future but cursed so that no one believed her? What if women had been the storytellers?
Elizabeth Lesser believes that if women's voices had been equally heard and respected throughout history, humankind would have followed different hero myths and guiding stories-stories that value caretaking, champion compassion, and elevate communication over vengeance and violence.
Cassandra Speaks is about the stories we tell and how those stories become the culture. It's…
I am Virginia Mendez, mother of 2 and author of 2 children’s books and a parenting book about the topic of gender equality from childhood. My day job is in Diversity and Inclusion Consulting, and I train companies and schools on how to bring more gender equality into their organisations. I wasn’t always a feminist, but I was by the time I was pregnant with my first child, and it made me determined to make the world a more fair place for everyone. Everyone.
This is a fantastic story with a strong female role model that reverts a lot of the classic princess stories.
It is a fabulous story about a brave and wonderful girl who refuses to be defined by her wardrobe or to whose idea of “living happily ever after” is much more than marrying a prince.
When the fiercest dragon in the whole world smashes Princess Elizabeth's castle, burns all her clothes, and captures her fiance, Prince Ronald, Elizabeth takes matters into her own hands. With her wits alone and nothing but a paper bag to wear, the princess challenges the dragon to show his strength in the hopes of saving the prince. But is it worth all that trouble?
Readers the world-over have fallen in love with this classic story of girl power. Now a newly designed Classic Munsch edition will introduce the tale to a new generation of…
I am Virginia Mendez, mother of 2 and author of 2 children’s books and a parenting book about the topic of gender equality from childhood. My day job is in Diversity and Inclusion Consulting, and I train companies and schools on how to bring more gender equality into their organisations. I wasn’t always a feminist, but I was by the time I was pregnant with my first child, and it made me determined to make the world a more fair place for everyone. Everyone.
This is a great book about a little girl with fierce confidence. She stands strong for her beliefs despite setbacks. It is a great book to introduce in an age-appropriate way that women weren’t always treated as men, and the unfairness of it.
It is a very accessible reminder of the potential of bravery, speaking up, and pursuing what you know to be right. The power of one person taking a risk.
From the award-winning creator of My Dad Used to Be So Cool and Tough Guys Have Feelings Too comes a charming picture book inspired by the true story of Mary Edwards Walker, a trailblazing 19th-century doctor who was arrested many times for wearing pants.
Once upon a time (but not that long ago), girls only wore dresses. And only boys wore pants.
Until one day, a young girl named Mary had an idea: She would wear whatever she wanted. And she wanted to wear pants!
This bold, original picture book encourages readers to think for themselves while gently challenging gender…
I
love, love, love fictional worlds that reimagine gender, but nothing can beat real
life!
The Invention of Women is an accessible and riveting description
of how the Yoruba people in West Africa organize a culture based on seniority
rather than Western binary genders. This is a mind-blowing book for anyone who
is interested in gender and how human beings don’t have to be trapped in one
way of doing things.
The "woman question", this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western contruction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed in old Yoruba society, and that social organization was determined by relative age.
I am a professor in philosophy, political science, and gender and women’s studies at the University of Illinois at Urbana-Champaign (USA), where I live with my wife. I have a PhD in philosophy from the University of Toronto (Canada), an MA in philosophy from the University of Tromsø (Norway), a MSc in Industrial Relations and Personnel Management from the London School of Economics and Political Science (UK), and a BA(Hons) in Business Management from the University of Newcastle Upon Tyne (UK). One of the most important lessons from my first two degrees was that I love theory (about theories) and, so, those two degrees enabled me to find my way to philosophy, which I have been in love with since.
In her groundbreaking Gender Trouble,Judith Butler develops the idea that we today call gender fluidity. Butler knows queer life intimately, and Gender Trouble speaks to much of the difficulty queer people, myself included, face in the world. Itis thus not only brilliant but also generous and caring.
Butler set the stage for a philosophical problem I address in my book, namely that her type of position cannot fully explain (philosophically) why some people identify as gay, straight, lesbian, or bisexual – just as they cannot explain why it’s existentially important for some trans people to transition.
I went through some very tough times growing up. I was an undiagnosed autistic teen, terribly shy, with no real guidance, and I was often bullied and bewildered. But my heart was filled with only goodwill and good intentions, and a yearning to connect meaningfully with others. So, stories of adversity, of characters making it through very tough times, through trauma—these stories were like shining beacons that said, “survival is possible.” Now that I’m a grownup writer, it’s at the root of what I want to offer—hope—to today’s kids who may be going through similar tough stuff. Survival is possible.
I absolutely marveled at the strength Charlotte showed in this excellent, rollicking high-seas adventure.
It was terrible, it was life or death for her every day. And she found her way through it. The beautiful survivor strength of the main character is what inspired me.
Avi's treasured Newbery Honor Book now with exclusive bonus content!
The True Confessions of Charlotte Doyle joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!A Newbery Honor Book* "A thrilling tale, tautly plotted, vividly narrated." --Kirkus Reviews, starred reviewThirteen-year-old Charlotte Doyle is excited to return home from her school in England to her family in Rhode Island in the summer of 1832. But when the two families she was supposed to travel with mysteriously cancel their trips, Charlotte finds herself the lone passenger on a long sea voyage with a cruel captain and a…
I am passionate about writing books for children that create windows to the world, teaching empathy. Children that are empathic grow up to be kind and compassionate adults. I write because I long for a world that is more accepting and compassionate.
This is a story about a young girl named Almaz who dreams of becoming a beekeeper in Lalibela, Ethiopia. When she is told that beekeeping is a man’s job and that she should go back to cooking, cleaning, and gathering wood, she doesn’t give up. Instead, with the encouragement of a local priest, she becomes determined to continue toward her dream overcoming many obstacles. This is a story that is culturally accurate and gently explores gender roles in Ethiopia. In the end, Almaz’s perseverance pays off and she is welcome at the market, where she sells the best honey. I love this story also because of my love for Ethiopia, where women and girls are very strong, determined, and must overcome tremendous obstacles in daily life. I am in awe of their beauty and strength.
In the Ethiopian mountain village of Lalibela, famous for its churches and honey, a young girl determines to find a way to be a beekeeper despite being told that is something only men can do.
