The most recommended books about fugitives

I might have picked A Maiden’s Grave for the title alone, though you’ll have to read it to learn the subtle double meaning packed into those three words. But of course there’s a lot more to this fast-paced story of a school for the deaf caught in the crossfire of a police standoff. Jeffery Deaver deftly intertwines full-bodied characters, crackling tension, and emotionally affecting backstories. Reading it, I realized that it could have been a pretty ordinary police procedural and that only the author’s determination to add layers of depth and detail lifted it to a new level. 

This is a fantastic genre fiction book series, and there are 14 or 15 books in this series, but I’ll mention only the first: What Angels Fear. So far, I’ve read the first four books, and I love this series!

It’s set in Regency England around 1811. Sebastian St. Cyr is a Viscount who gets involved in solving murders. I love this series for the superb and rich details she includes in her stories. It brings Regency England to life. Mystery. A touch of romance. History. Adventure. This series has it all!

I’m a sucker for a unique premise. I like a story that makes me think. This YA novel delivers on both counts.

In a dystopian future, parents can have their troublesome teens “unwound”—dismembered into spare parts to be distributed among needy patients. The process isn’t considered killing since all parts of the unwound child remain alive, albeit grafted onto/transplanted into many different individuals.

Tenets of religion, philosophy, society, and family converge as the author explores every facet of this disturbing scenario. One particular chapter, presented from the perspective of a secondary character as he undergoes unwinding, is the most chilling and poignant passage I have ever read. It haunts me still.

My son was really taken by the ways that the author portrays kids—not much older than him and not so long ago—dealing with an unsafe social scene in ways that are far above their maturity level.

He also loved the pack loyalty among the greaser gang, as well as the small bursts of empathy between the rival gangs after both groups have lost members.

This is one of the few thrillers that brought tears to my eyes.

Ree, a teenage girl, must save her family by negotiating with the violent inhabitants of the Ozarks. Ree’s father has disappeared from his trial and, if she doesn’t find him, the family will lose everything they own because he pledged it as collateral for his bail bond.

I love how Woodrell portrayed her loyalty and fierceness, as well as how he wrote the deeply flawed characters who love her. His descriptions and metaphorical uses of winter and the landscape are breathtaking.

The book is literary but also has great narrative propulsion.

When I worked for a daily newspaper, I covered the trial of serial killer Richard Biegenwald. Unlike a lot of serial killers, who tend to be loners, Biegenwald was married. He seemed fairly normal, except for his habit of occasionally killing people and burying them in his mother’s backyard. Serial killers, people who don’t kill in self-defense, or to protect someone from harm, but just because they like killing, have always fascinated me. Sitting in court, twenty feet from a real, live serial killer, was intensely interesting and not a little creepy.

Having covered the trial of a serial killer, I was intrigued by what would make someone do that. The serial killer in Child of God is a loner who’s lost his home and who constantly tries, and fails, to connect with other people. His struggles are as poignant as his deeds are gruesome. 

I’ve always been a Thomas Perry fan going all the way back to The Butcher’s Boy, and thoroughly enjoyed his Jane Whitefield series. His novel, The Old Man, was recently adapted for television, starring Jeff Bridges, who’s perfect as the protagonist. The thing I’ve always appreciated about Perry’s books is his careful plotting and attention to detail, which is particularly noticeable in the Jane Whitefield books.  The other thing about his books is the way he can turn a villain —like the Butcher’s Boy—into a likable protagonist.  

You’re fifteen years old, living unhappily with your feckless parents and unstable older sister in a small town in Montana. And then your family implodes: your parents are arrested for bank robbery and your sister flees to parts unknown. As troubling as the premise is, Canada becomes even darker and more ominous as young Dell Parsons travels alone to Saskatchewan to live with erstwhile family friends, but in fact enters a whole new world of intrigue and violence. Dell is a stoic character, and you desperately want to see his life take a turn for the better. What you get instead is a case study in resiliency and survival. Ford’s prose is powerful; every word counts, every sentence pulls you deeper into the story.

I first read Shibumi in the 1970s when it was originally published, and it changed my entire philosophy about life. The cast of characters, led by assassin Nicholai Hel, his concubine Hana, and other characters are exquisitely well drawn, and each has their own distinct character traits, some endearing and others truly despicable. The book is at once exciting, sexy, funny, satirical, philosophical, and educational. Readers learn about Japanese, Chinese, and Basque cultures, World War II history, and even spelunking, all the while Nicolai deals with the evil forces of the CIA, NSA, MI5, and MI6. A brilliant writer, Trevanian was also a philosopher of sorts, giving us his take on society and how we relate to one another. One of those books that hold up well over time and you just never forget.

This is a grand adventure of a novel that, like India itself, contains pretty much everything.

A compelling tale of a man who escaped from prison and tried to lose himself in the vastness of India, beautifully rendered here in all its sensory splendor and squalor. Lin does lose himself, and in the process, it’s how he finds himself.

This is very much a story of how the inner reflects the outer and vice versa, it is a love story between a man and a woman, a man and a culture, and a man and himself, as Lin re-learns to live and connect in the rawest and most vital place on earth.

This is a popular book among travelers, and I can see why, as the attention to detail, character, culture, and history serves as a superlative travel guide to the subcontinent.