France has always been my special inspiration in life and I am lucky to have made a career writing about its history. Many of my books are framed in a long-term perspective. Paris: Biography of a City (2004) and The Cambridge Illustrated History of France (1994), for example, take the story back to the earliest times and comes up to the present. Wanting a complete change and a new challenge, I shifted focus dramatically in my current book: the history of a city in a single day – the dramatic day in the French Revolution when the Parisians overthrew Maximilien Robespierre.
This is my own favourite. Realising that he could not make up his mind whether he loved Robespierre or hated him, Hampson staged his own dilemma by presenting Robespierre’s life through an imagined set of conversations between a version of himself and three fictional members of the public. Witty and insightful and superbly researched below the water-line, this brilliantly experimental biography is a neglected masterpiece.
This investigation into the mind of Robespierre is now available in paperback. The book is presented as a discussion between three figures - a civil servant, a member of the Communist Party and a clergyman - representing different viewpoints in their reactions to evidence presented by a fourth figure, the narrator. In this way, the author sets out to display the contradictions in the character of Robespierre that so puzzled his contemporaries and continue to perplex historians. The book should be of interest to students of the French Revolution and general readers.
I’ve been fascinated by money since I was a graduate student when I had even less of it than I do today (as a British historian in the CUNY system). We all carry it in our wallets and have more or less of it in the bank, but it’s also in the air we breathe, suffusing the books we read and the decisions we make. So when I started researching and writing about the British past, money and its associated institutions seemed like an obvious place to start looking. It has yet to let me down, enabling me to discover new things to say about politics, literature, and society.
I love the way this book makes the very old story of the French Revolution new and exciting by telling the parallel story of how so much of the turmoil of that period was etched onto the money that a succession of governments issued.
I learned so much, both from the shifting set of images on French money and the wonderful stories about how a confused populace used this money to the best of their ability, as their paper currency lost both the crowned heads that once adorned it and, in the process, much of its value. Spang ingeniously recounts the revolutionaries’ efforts to paper over a failing revolution with vacuous promises to pay.
Winner of the Louis Gottschalk Prize, American Society for Eighteenth-Century Studies A Financial Times Best History Book of the Year A Choice Outstanding Academic Title of the Year
Rebecca L. Spang, who revolutionized our understanding of the restaurant, has written a new history of money. It uses one of the most infamous examples of monetary innovation, the assignats-a currency initially defined by French revolutionaries as "circulating land"-to demonstrate that money is as much a social and political mediator as it is an economic instrument. Following the assignats from creation to abandonment, Spang shows them to be subject to the same…
It is only by chance and habit
that we label the First World War the First World War, but that title
more properly belongs to (fans of the Seven Years’ War look away now) the
Napoleonic Wars.
Mikaberidze, a thoroughly global character as he is a Georgian
specialist in Russian history living in the USA, tries his hand at charting how the wars against Napoleon spilled out well beyond Europe, with
sprawling battles on land and sea, new alliances, unexpected rebellions and numerous
examples of that age-old trick of grabbing lands.
At the same time, your enemy has his
hands full. It is packed with odd and quirky facts but nevertheless remains an
important and solid contribution to scholarship.
Austerlitz, Wagram, Borodino, Trafalgar, Leipzig, Waterloo: these are the places most closely associated with the Napoleonic Wars. But how did this period of nearly continuous warfare affect the world beyond Europe? The immensity of the fighting waged by France against England, Prussia, Austria, and Russia, and the immediate consequences of the tremors that spread from France as a result, overshadow the profound repercussions that the Napoleonic Wars had throughout the world.
In this far-ranging work, Alexander Mikaberidze argues that the Napoleonic Wars can only be fully understood with an international context in mind. France struggled for dominance not only on…
My passion is for stories about how art can help us become more authentic, whole, and fulfilled as human beings—that’s my “brand” as a writer (and reader). No, I’m not a painter, and I’ve never studied art history. Rather, I’m what they call a “serious amateur” pianist and photographer—an “amateur” being someone who studies for love of the craft. In fact, I’ve found that the more I give myself to these other art forms, the better I become as a writer—as if these other forms of creative expression open new places in me that enhance my stories and characters.
L’Origine by artist and writer Lilianne Milgrom is a unique, well-researched, and absolutely compelling book. Part history and part memoir, it tells the story of Gustave Courbet’s L’Origine du monde, a painting known as “the world’s most erotic masterpiece,” along with its effect on a young woman (the author) who set out to be its official “copyist.” Ultimately, it is the painting itself that liberates and transforms the protagonist—just as it will liberate and transform the reader! It certainly did that for me, cutting through all my ideas about the role of art and its depictions of the female body—in much the same way that Georgia O’Keeffe’s paintings, and the nude photographs she posed for, liberates and transforms the protagonist of my own novel.
Winner of 5 major book awards, including the Publishers Weekly U.S. 2021 Selfies Award for Best Adult Fiction and winner of the IndieReader 2021 Discovery Award.
“L’Origine got me hooked—what a story! Milgrom brings the reader right along on her adventures as a copyist of one of the most well-known paintings in all the world.” —Harriet Welty Rochefort, author of French Fried, French Toast, Joie de Vivre, and Final Transgression
The riveting odyssey of one of the world’s most scandalous works of art.
In 1866, maverick French artist Gustave Courbet painted one of the most iconic images in the history…
I am a big historical fiction fan and, in recent years, have discovered the
work of Hilary Mantel. This book focuses on The French Revolution and the drama around it. It is an
epic tale in itself, and Mantel brings the frontrunners of the political upheavals
– Danton, Robespierre, and Desmoulins - to the fore in a very human manner.
Despite the darkness of that time, there are threads of humour to be found in
the writing, much of which made me chuckle aloud.
The sense of atmosphere, of
place, of people, it was just perfect. I didn’t want to
leave the world the author had created – doorstopper size, though it is!
This novel follows the lives of three major figures in the French Revolution - Robespierre, Danton and Desmoulins - from their childhoods in Northern France through to the last terrifying moments of their execution. The book juxataposes private occasions with public events.
I've always been fascinated by stories about married couples, especially when there are secrets in the marriage. My series The Rannoch Fraser Mysteries follows Mélanie and Malcolm Rannoch, whose marriage began when Mélanie, a French agent, married British agent Malcolm to spy on him during the Napoleonic Wars. As the Rannochs investigate mysteries, they grapple with personal and political betrayals and the secrets between them.
This book was a huge influence on the development of my own series.
I love the combination of spy story, action adventure, and a couple with layers of deception between them. Percy and Marguerite are married but neither fully knows who the other is. And for all the swashbuckling adventure, that tension is at the heart of the story.
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"Vaguely she began to wonder ... which of these worldly men round her was the mysterious 'Scarlet Pimpernel,' who held the threads of such daring plots, and the fate of valuable lives in his hands."
In the early days of the bloody French Revolution, fleeing aristocrats are being captured and sent to the guillotine. But the mysterious Scarlet Pimpernel - along with his band of English gentlemen - is outwitting the revolutionaries. Known only by his calling card, he arrives in disguise and smuggles the nobles out of…
Edith de Belleville is a native Parisian woman who was an attorney for many years. Her passion for Paris led her back to university to get her official tour guide license. Deeply inspired by great Parisian women of the past, Edith decided to write a book, in French, entitled The Beautiful Rebels of Paris (Belles et Rebelles Editions du 81). She just published her memoirs in English to share her literary & dreamy adventures in Paris, Parisian Life, adventures in the City of Light. When she's not at Versailles or the Louvre Museum to do her 'Beautiful Rebels of Paris Tour' Edith is sitting on a café terrace in Paris watching the world go by.
When you read the incredible life of some people you don't really need to read fictional stories.
What a life Elisabeth Vigée - Le Brun had! It looks like a wonderful novel. She was a great French portrait painter (she painted 660 portraits!) during an age of revolution.
In 1778, at the age of 23, she painted her first portrait of Queen Marie Antoinette.
Elisabeth Vigée- Le Brun became one of the rare woman to be member of the prestigious French Royal Academy of paintings. After being exploited by an unfaithful husband she had to face the French Revolution.
She left France and traveled to Europe until the cold and far away Russia.
How much talent and energy did Elisabeth Vigée - Le Brun have to develop to be one of the best portraits painter of her time?
If you like art, the refined 18th century and audacious women, you…
Elisabeth Louise Vige´e-Le Brun (1755-1842) was a French portrait painter during an age of revolution. In 1778, at the age of 23, she painted her first portrait of Queen Marie Antoinette. She left France in 1789 and travelled and painted through-out Europe. According to a detailed list she provided in her memoirs, she painted a total of 660 portraits, 15 paintings, and nearly 200 landscapes from both Switzerland and England. Her memoirs were published in Paris in 1869 by Charpentier et Cie. The first unabridged version of her memoirs in English, this book is a mine of information for readers…
This book is an erudite deep-dive into a topic familiar to many, though superficially (as reading the book makes abundantly clear.) No one who reads it will ever see a Bastille Day celebration in quite the same way.
Schama emphasizes how the hideous violence often and justifiably associated with the later Reign of Terror under Maximilien Robespierre was there right from the beginning in 1788-89. He also convincingly demonstrates how much of the aristocracy and even members of the extended royal family enabled the revolutionaries by criticizing their
own class, simply because it was fashionable to do so.
It’s chilling to learn how thin the veneer of the rule of law was/is and how this encouraged the worst of the revolutionaries to indulge their own worst instincts in the name of some distant ill-defined “utopia”.
There are some bright spots to redeem to a certain degree one’s faith in mankind.…
One of the great landmarks of modern history publishing, Simon Schama's Citizens: A Chronicle of the French Revolution is the most authoritative social, cultural and narrative history of the French Revolution ever produced.
'Monumental ... provocative and stylish, Simon Schama's account of the first few years of the great Revolution in France, and of the decades that led up to it, is thoughtful, informed and profoundly revisionist' Eugen Weber, The New York Times Book Review
'The most marvellous book I have read about the French Revolution' Richard Cobb, The Times
'Dazzling - beyond praise - He has chronicled the vicissitudes…
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
This is very much the oldest of my choices, and there are some great recent books on Scotland in the 1790s, but for me, this one still stands up for detail, excitement, clarity, and pace.
I live in Edinburgh, where much of the central action in this book takes place—there were radical reform societies all over Lowland Scotland in the 1790s, but they sent delegates to national conventions in Edinburgh, and Edinburgh was where many of the state trials for treason and sedition took place.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I’m not a trained historian (I received my B.S. in geology and spent my career in commercial banking). However, I grew up in Europe during the 1960s and developed a passion for history. I learned to write as a banker back in the “good old” days. I enjoyed it so much that I told myself, “One day, I'm going to write a book.” Well, that day came in Nashville when I was running a small company. Then I found Leonard Pitt’s book called Walks Through Lost Paris. As we walked through the streets of Paris, I turned to my wife and said, “I can write a book like this.” And so I did.
This is a must read for visitors to Versailles Palace.
I enjoyed this book because Ms. Fraser has a wonderful writing style and she weaves the story of Marie Antoinette from start to finish and even though we know the outcome, it is hard to put down this book. The author’s research is quite detailed and written with little-known facts including Count Axel von Fersen’s role with the queen and her family, attempts to save the royal family, and the king’s failure to consummate the marriage.
You start out feeling sorry for the fourteen-year-old girl who is a pawn in a European power chess game. Soon you are appalled at the way the young queen conducts herself. By the time she reaches middle age, you begin to see her attributes as a wife and mother.
The national bestseller from the acclaimed author of The Wives of Henry VIII. France’s beleaguered queen, Marie Antoinette, wrongly accused of uttering the infamous “Let them eat cake,” was the subject of ridicule and curiosity even before her death; she has since been the object of debate and speculation and the fascination so often accorded tragic figures in history. Married in mere girlhood, this essentially lighthearted, privileged, but otherwise unremarkable child was thrust into an unparalleled time and place, and was commanded by circumstance to play a significant role in history. Antonia Fraser’s lavish and engaging portrait of Marie Antoinette,…
