I lived in Paris for six months when I researched and wrote my first Paris book, One Thousand Buildings of Paris, walking every quarter of Paris including some rather dicey areas. I discovered most Parisians don’t wander very far from their own neighborhoods, and casual tourists tend to stay in the center. The first time my boyfriend and I went to Paris together, I planned daily excursions to all the neighborhoods where he had never been. We became flaneurs (wanderers) at outdoor markets, small museums, parks, and we ventured into unknown spaces. There is always something fascinating to discover in Paris and new ways to gain a sense of history.
One of the photographs in my book, One Thousand Buildings of Paris, was the first apartment that Hemingway and his wife, Hadley, shared when they moved to Paris.
Hemingway’s description of the apartment and the period is illuminating and introduces the reader to the famous and infamous and the life they led after the end of WWI and during the Roaring 20s when Paris was the center of artistic life.
Hemingway also reveals his likes and dislikes and his writing life there, and, notwithstanding their friendship, his jealousy of F. Scott Fitzgerald. I’m not a great fan of Hemingway’s writing. I actually prefer Fitzgerald and especially The Great Gatsby, but I digress.
A Moveable Feast reveals Paris as indeed a moveable feast to savor.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Sean Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and…
Genre fiction and Robert Louis Stevenson aside, I can’t imagine loving a novel that has no strong thread, or threads, of love running through it. Fiction is written to entertain, it is true, but fiction’s higher aim is to put us in touch with our own humanity—our capacity to love, and to feel loss. We write to make people feel, and a powerful evocation of love will do that. I wouldn’t write a novel with no romantic love at its center, but I work hard too at love between siblings, friends, children, and parents.
Great characters drive great novels, and the cast of Huck Finn is as rich, varied, idiosyncratic, and vivid as any in literature. Some will make you laugh, some will make you angry, some will touch your heart. This is America’s best book, as Ernest Hemingway famously said, and if you haven’t read it, you’ve deprived yourself.
Chafed by the "sivilized" restrictions of his foster home, and weary of his drunkard father's brutality, Huck Finn fakes his own death and sets off on a raft down the Mississippi River. He is soon joined by Jim, an escaped slave. Together, they experience a series of rollicking adventures that have amused readers, young and old, for over a century. The fugitives become close friends as they weather storms together aboard the raft and spend idyllic days swimming, frying catfish suppers, and enjoying their independence. Their peaceful existence comes to…
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Inspired by his experiences as a reporter during the Spanish Civil War, Ernest Hemingway's For Whom the Bell Tolls tells the story of Robert Jordan, an American volunteer in the International Brigades fighting to defend the Spanish Republic against Franco. After being ordered to work with guerrilla fighters to destroy a bridge, Jordan finds himself falling in love with a young Spanish woman and clashing with the guerrilla leader over the risks of their mission.
One of the great novels of the twentieth century, For Whom the Bell Tolls was first published in 1940. It powerfully explores the brutality of…
It’s kind of depressing that I’m so fascinated with these big “God and death and war” themes that are always banging around in my head. I think it’s because I like the gravity of even the smallest decisions in heightened crisis situations. It makes things so prominent and visceral. This gravity also makes the beauty in these moments of crisis more beautiful and love that much stronger. Ultimately, I’ve spent the last thirteen years trying to square with my time overseas and chase some version of that heightened meaning in civilian life. The contrast between being a school teacher and soldier really makes all of that clear.
For my money, Hemingway is the greatest American short story writer. He is spare and direct until he isn’t. The meter and clipped phrasing and short sentences set up bigger, longer runs that are beautiful and often explain what it’s like to be a human being without being obvious or careless. They never feel false and are edited down to the bone. That’s probably what I learned most from Hemingway, the editing. Just picking a story, “On the Quai at Smyrna,” has such a staccato matter-of-factness that belies just how awful the situation there on the pier must have been. The narrator is hardened and recounts the events so matter-of-factly that you know they’ll come back later, once he is home and has time to reflect on them.
The complete, authoritative collection of Ernest Hemingway's short fiction, including classic stories like "The Snows of Kilimanjaro," "A Clean, Well-Lighted Place," and "The Short Happy Life of Francis Macomber," along with seven previously unpublished stories.
In this definitive collection of the Nobel Prize-winning author’s short stories, readers will delight in Hemingway’s most beloved classics such as "The Snows of Kilimanjaro," "Hills Like White Elephants," and "A Clean, Well-Lighted Place," and will discover seven new tales published for the first time in this collection, totaling in sixty stories. This collection demonstrates Hemingway’s ability to write beautiful prose for each distinct story,…
Photographs, for me, are essential to writing about a particular period. They ignite my imagination like nothing else. For this book I pored over the Library of Congress archives of 1930s FSA photographs, particularly those by Dorothea Lange. Her photos capture humanity at its most desperate, most determined, and they walloped me. Such ruin and poverty, and lives upended. But those faces of Lange’s were what helped me find my characters. I hope that the story of the Bell family transports you to a time and place like none other in American history. These five selections will give you further insight into what life what like.
Babb’s memoir recounts her years as a child of bumbling pioneers on the high plains of Colorado. Her family lived underground in a dugout and eked out existence from the drought-ravaged prairie. The book predates the Dust Bowl, but there are warning signs of what’s to come. Told in a voice of lyric precision with a memorable cast of characters, it’s a compelling story of a singular girlhood that left me marveling at how this family survived.
Sanora Babb experienced pioneer life in a one-room dugout, eye-level with the land that supported, tormented and beguiled her; where her family fought for their lives against drought, crop-failure, starvation, and almost unfathomless loneliness. Learning to read from newspapers that lined the dugout's dirt walls, she grew up to be a journalist, then a writer of unforgettable books about the Great Depression and the Dust Bowl, most notably Whose Names Are Unknown.
The author was seven when her parents began to homestead an isolated 320-acre farm on the western plains. She tells the story through her eyes as a sensitive,…
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
This is an intimate, first-person account of 1920’s Paris, and the life of one of the most central characters of the period—the model, singer, and artist, Kiki of Montparnasse as she was known by all. Born in Burgundy in 1901, christened Alice Prin, and raised by her grandmother in abject poverty, at age twelve she was shipped off to Paris to live with the mother she had never known.
The young Alice’s fierce survival instincts immediately translated into a precocious thirst for experience. At fourteen she had her “first contact with art” when she began posing nude for a sculptor. Thereafter, she assumed the name and embraced life as the irrepressible Kiki. Lover of Man Ray, beloved friend of Soutine, Jean Cocteau, and many other artists of the period, she became the toast of Montparnasse, one of the century’s first truly independent women. Man Ray, Foujita, Kisling, and others immortalized…
Featuring an introduction by Ernest Hemingway and published for the first time in America, the unexpurgated memoirs of a model who reigned over Montparnasse in the twenties created a sensation when they first appeared in France in 1929.
Doing the research forThe Italian Partymeant submerging myself in the Cold War Italy of the 1950s. But I found I couldn't understand that period without a better understanding of World War II and Italian Fascism. Cue an avalanche of books from which this list is culled, and the new novel I have just finished. I am drawn to first-hand accounts of women’s lives in wartime because I wonder how I would react and survive such challenges. Recent events in Europe have revived the nightmare of life under an occupying army. These stories are back at my bedside right now because I need their humor and wisdom.
Most of us know Martha Gellhorn as a war correspondent and Mrs. Ernest Hemingway, but she was a brilliant novelist as well. A Stricken Field is the story of an American woman in Prague in 1938 as the Nazis move in and hunt down opponents of the regime. If you are looking for models of resistance to brutality (I am), this is your book.
Martha Gellhorn was one of the first - and most widely read - female war correspondents of the twentieth century. She is best known for her fearless reporting in Europe before and during World War II and for her brief marriage to Ernest Hemingway, but she was also an acclaimed novelist. In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, "A Stricken Field" follows a journalist who returns to Prague after its annexation and finds…
I am an old movie fan and a novelist who has been writing historical fiction about show business since 2010. As a stickler for detail, I use oodles of old Hollywood biographies and other research sources to learn everything I can about my subjects and weave as accurate a tale as I can. My Forgotten Actresses series is up to four books, with plenty more under construction.
I love all aspects of Los Angeles from approximately 1911 to around 1950. This doesn’t just include the actors, directors, and studios but also those working behind the scenes who made the movies come to life. This book involves the writers who composed the scenarios (the early name for screenplays) that ended up becoming the films made by the studios.
F. Scott Fitzgerald was most famous for his novels in the 1920s, but his personal problems (a wife committed to an expensive mental hospital and a daughter to raise) caused him to have to look for work as a writer for MGM, but he was not successful due to his drinking.
O’Nan delves masterfully into Fitzgerald’s complicated relationship with gossip columnist Sheilah Graham and his alcoholism, and it addresses his multiple terrifying heart attacks.
This book truly belongs among the top picks for Hollywood literature.
In 1937, F. Scott Fitzgerald was a troubled, uncertain man whose literary success was long behind him. In poor health, with his wife consigned to a mental asylum and his finances in ruin, he struggled to make a new start as a screenwriter in Hollywood.
The last three years of Fitzgerald's life, often obscured by the legend of his earlier Jazz Age glamour, are the focus of Stewart O'Nan's heartfelt new novel. With flashbacks to key moments from Fitzgerald's past, the story follows him as he arrives on the MGM lot, falls in love with brassy gossip columnist Sheilah Graham,…
It’s so easy to forget how good writing can send a blast of wind through your hair.
This book of stories made me fall in love with reading all over again. The early twentieth century became famous through Faulkner, Hemingway, and the rest – but I have not read anyone from the period quite as bright and alive as Saroyan.
A timeless selection of brilliant short stories that won William Saroyan a position among the foremost, most widely popular writers of America when it first appeared in 1934.With the greatest of ease William Saroyan flew across the literary skies in 1934 with the publication of The Daring Young Man on the Flying Trapeze and Other Stories. One of the first American writers to describe the immigrant experience in the U.S., Saroyan created characters who were Armenians, Jews, Chinese, Poles, Africans, and the Irish. The title story touchingly portrays the thoughts of a very young writer, dying of starvation. All of…
As a New York Times Bestselling author, award-winning journalist, and visiting professor at Dartmouth College, who has written for the biggest newspapers and magazines worldwide, I look for interesting untold stories for my books. As a result, I spent the past five years researching the topic of sports fandom, what makes people fans, and how it affects them and our society.
I’m a big fan of bestselling author, journalist, and incredible researcher Mark Bowden, but this is easily his least well-known work. For those not up for the 1000+ pages of Guests of the Ayatollah or Killing Pablo (the basis for the Netflix series Narcos) or the staggering intensity of his true war tale Blackhawk Down, this is a more digestible choice. It simultaneously showcases three very different things about sports in America. First, how the NFL ascended to primacy using the new medium of television to surpass baseball and become the most popular sport. Secondly, how nationally televised sporting events became an integral part of our social fabric and the biggest broadcasts of any kind. Finally, for football fans, Bowden explains the seismic transition in the passing game, elevating the sport from an art to a science.
This is the remarkable story of the 1958 NFL Championship game between the Colts and the Giants - considered by many to be the greatest American football game ever played - from Mark Bowden, bestselling author of "Black Hawk Down". On December 28, 1958, the New York Giants and Baltimore Colts met under the lights of Yankee Stadium for the American NFL Championship game. Played in front of sixty-four thousand fans and millions of television viewers around the country, the game would be remembered as the greatest in football history. On the field and roaming the sidelines were seventeen future…
