I have been fascinated by this war since I first learned about it in graduate school. It inspired my dissertation, which focused on the Three Great Campaigns of the Wanli Emperor, which in turn resulted in my book, A Dragon’s Head & A Serpent’s Tail. That book has inspired two sequels of sorts thus far, with another one to come.
This is a valuable edited collection that brings together scholarship from experts in Korea, Japan, Europe, and the United States. The translation of works by East Asian scholars is particularly useful as these materials are largely inaccessible to Western readers. The book spans events from before the war to various memories of the war in the countries involved, touching on specialized topics including Hideyoshi’s planning process, guerrilla warfare in Korea, how the war figured in the grand strategy of the Ming dynasty, and how the war impacted subsequent cultural exchanges between the countries involved. However, note that this book assumes a basic level of knowledge about the war, so readers are advised to check out one or more of the books above first.
As East Asia regains its historical position as a world centre, information on the history of regional relations becomes ever more critical. Astonishingly, Northeast Asia enjoyed five centuries of international peace from 1400 to 1894, broken only by one major international war - the invasion of Korea in the 1590s by Japan's ruler Hideyoshi. This war involved Koreans, Japanese, Chinese, Southeast Asians, and Europeans; it saw the largest overseas landing in world history up to that time and devastated Korea. It also highlighted the nature of the strategic balance in the region, presenting China's Ming dynasty with a serious threat…
My father was taken prisoner by the Japanese at the fall of Singapore on the 15th of February 1942. He spent three and a half years slaving on the Thai Burma railway. During my early years growing up, my father rarely talked about his experiences, and it wasn't until after he died in 1990 that I became interested in what he went through as a prisoner of war. Since then, I've spent my time researching the Japanese prisoner of war experiences and have read countless books on the subject. I myself have published four books and I consider myself one of the leading experts on the Japanese prisoner of war experience.
This book tells the story of the 130,000 men who were captives of the Japanese during World War Two. Food and equipment were minimal or non-existent, men died daily, many in agony from which there was no relief and yet in the midst of such horrors the human spirit steadfastly refused to be broken. Captives helped each other, intense bonds were formed, and selfless sacrifices made. Freedom for those who made it home after the war ended meant many things, home and family comfort of course, but also an adjustment for the loss of friendships and a difficult road to recovery for some.
The authors talked to many of these men and this is their story.
Conditions for Far East Prisoners of War were truly hellish. Appalling diseases were rife, the stench indescribable. Food and equipment were minimal or non existent. Men died daily, many in agony from which there was no relief. And yet, in the midst of such horrors, the human spirit steadfastly refused to be broken. Captives helped each other, intense bonds were formed, selfless sacrifces made. Tools and medical equipment were fashioned from whatever could be found, anything that could make life more bearable. Resilience, resourcefulness, pride and camaraderie; these were the keys to survival. Freedom, for those who made it, meant…
Extensive research on cultural production by Latin American authors of Asian ancestry has given me a comprehensive understanding of the development of Transpacific studies. For the last decade, my research has focused, for the most part, on South-South intercultural exchanges and cultural production by and about Latin American authors of Asian descent. I have written five books dealing with these topics: 2008 Imaging the Chinese in Cuban Literature and Culture (2009), The Affinity of the Eye: Writing Nikkei in Peru (2013), Dragons in the Land of the Condor: Writing Tusán in Peru (2014), Japanese Brazilian Saudades: Diasporic Identities and Cultural Production (2019), and The Mexican Transpacific: Nikkei Writing, Visual Arts, Performance (forthcoming).
This book uses a transpacific, decolonial, and interdisciplinary approach to study the connections between Latin America and East Asia, concentrating on contemporary commodity extraction and exchanges. The book explores South-South exchanges without Global North metropolitan mediations, thus recentering East Asia-Latin America as an epistemological lens through which to consider these sophisticated networks and produce new knowledge. In my view, the originality of this book resides first in the interdisciplinary connection it makes between the decolonial project and transpacific studies, and secondly, in the two-pronged approach from two unfortunately often disconnected academic perspectives: Latin American and East Asian Studies.
In this collective work, researchers from different disciplines reflect upon the challenges and opportunities of decolonizing transpacific studies through the lens of a few paradigmatic case-studies that deal with connections between East Asia and Latin America. The present book offers a productive problematization of the idea of the transpacific as a concept and a space that is not restricted to a single definition. We defend that the transpacific can instead promote an understanding of agents and experiences that share many common traits that have been generally overlooked by a hegemonic interpretation of knowledge and the relationship between regions.By fostering an…
I grew up on the West Coast of the US and became fascinated with Japanese culture after I enrolled in a Japanese language course in college. I changed my major from geology to Asian Studies and went on to get a doctorate in Japanese history from Stanford. The first place I lived in Japan was on the western island of Kyushu, historically Japan’s front door to the outside world. This experience led to a lifelong interest in early Japanese foreign relations. Fun fact: despite being from the US I have now lived most of my life in Japan teaching history at a Japanese university.
OK, I had to sneak in at least one academic book; I’m a professor, after all. This book might be a little drier than some of the others, but it’s also the most up-to-date and comprehensive account of premodern Japanese international relations available in English. Most Japanese historians only publish in Japanese, so this book provides a unique window into the results of their studies for those who don’t read that language. It’s a treasure trove of information about diplomacy, war, piracy, trade, and cultural exchanges between 1250 and 1800. Who could ask for more?
This book takes the reader on a fascinating journey through the history of a region from the perspective of the interactions that occurred on and were facilitated by the sea. It is divided into three parts that each focus on a different hundred-year period between 1250 and 1800. The chapters in each part examine the people, goods, and information that flowed across the seas of the East Asian maritime world, facilitating cultural exchange and hybridity.
The intricate and often fraught relations between China, Japan, and Korea feature throughout, as well as those between these polities and the waves of outsiders…
I grew up in Taiwan and have always been fascinated by cinema. I received my Ph.D. in 1998 in the UK in communications studies and shifted my research priority from media to Taiwan cinema in 2005 when I became Head of Chinese Studies at the University of Nottingham Ningbo, China. I had fun working on several projects, screening Taiwanese films, discussing Taiwan cinema and society with filmmakers and audiences, and publishing widely in Chinese and in English. I have travelled, lived, and worked in different cities and countries since 2005 and have continued to find it rewarding to study what I have been passionate about since childhood.
I recommend this book because it is one of the few single-authored monographs in English that covers Taiwan cinema exclusively and comprehensively.
The study of Taiwan cinema has proliferated and diversified a great deal in recent years. However, when Hong’s Taiwan Cinema was published in 2011, most books on this subject were edited volumes and tended to have a narrower focus at the time. I like the fact that the author has offered many first-hand research materials.
I learned not only about the history of Taiwan cinema from pre-1945 to the new millennium but also why and how Taiwan cinema has shown the island as a contested nation on screen throughout the many decades.
A groundbreaking study of Taiwan cinema, Hong provides helpful insight into how it is taught and studied by taking into account not only the auteurs of New Taiwan Cinema, but also the history of popular genre films before the 1980s. The book is essential for students and scholars of Taiwan, film and visual studies, and East Asian cultural history.
Conflict resolution and intergroup relations are my passions. Perhaps because I’m a child of the Holocaust. My parents and I arrived in the U.S. as stateless refugees. The Holocaust primed me to explore why religion inspires so much hate. My career as a criminologist got me interested in the link between religion and violence. My refugee roots led me to an International Rescue Committee report on the Syrian crisis. That report hit me hard and felt very personal because it echoed my own family’s suffering in the Holocaust. I saw an opportunity to build bridges between enemies—Israel and Syria, Jews and Muslims—while also saving lives.
Joseph Braude has spearheaded historic and courageous initiatives to integrate Israel into the Middle East for the benefit of the entire region. One of these is the Arab Council for Regional Integration, which I’ve been proud to personally support. Reclamationtraces the shifting alliances and unlikely converging of interests of the Sunni world with Israel. Braude is extraordinarily knowledgeable and seasoned in back-channel diplomacy.
I began formally researching Japanese occupied northeast China in the late nineties in graduate school at Harvard University. Manchuria always fascinated me as a confluence of cultures: even prior to the 19th century, Chinese, Japanese, Koreans, Russians, Eastern Europeans, Mongols, and indigenous peoples circulated within the region in China's periphery. In the 1930s until 1945, Japanese propaganda portrayed the area as a "utopia" under Confucian principles, but in the mid-1990s, the horrors of the occupation for colonized peoples as well as imperial Japan's biological weapons experimentation during the Asia-Pacific War came to light in Japan and elsewhere as former Japanese settlers as well as researchers began to tell their stories.
One of the first scholars to write a full-length monograph on Manchukuo, Duara delves into the Chinese and Japanese writers who viewed northeast China under Japanese occupation as a means to envision their own Pan-Asianist ideals. He analyses this in the context of a broader "East Asian modern" in Manchukuo, and utilizes political and literary sources to unearth previous connections with previous iterations and currents of Chinese nationalism tied to the Pan-Asianism of the early twentieth century.
In this powerful and provocative book, Prasenjit Duara uses the case of Manchukuo, the Japanese puppet state in northeast China from 1932-1945, to explore how such antinomies as imperialism and nationalism, modernity and tradition, and governmentality and exploitation interacted in the post-World War I period. His study of Manchukuo, which had a population of 40 million and was three times the area of Japan, catalyzes a broader understanding of new global trends that characterized much of the twentieth century. Asking why Manchukuo so desperately sought to appear sovereign, Duara examines the cultural and political resources it mobilized to make claims…
Almost every one of the hundreds of books I’ve
read in the last few years was published in 1925, and The Polyglots was among the most fascinating.
Gerhardie is rarely read now—although republished by NYRB Classics—but at the
time, he was widely hailed as a genius: Graham Greene, Isaiah Berlin, and Evelyn
Waugh are said to have spent their college days walking around with copies of
his books; Greene said Gerhardie was “the most important new novelist to appear
in our young life.”
The Polyglots has a Rabelaisian level of goofy
mayhem and a Tristram Shandy-like wry understatement, with large ladlefuls of Kafka and Wodehouse. The blasé, amoral hero wanders from Russia’s
far east and then onto Harbin, Shanghai, Hong Kong, Cairo, and elsewhere in a
rambunctious picaresque journey peopled with eccentrics of every stripe.
As he
wrote to his publisher in 1931, when his star was already fading,…
The Polyglots is the story of an eccentric Belgian family living in the Far East in the uncertain years after World War I and the Russian Revolution. The tale is recounted by their dryly conceited young English relative, Captain Georges Hamlet Alexander Diabologh, who comes to stay with them during a military mission. Teeming with bizarre characters—depressives, obsessives, paranoiacs, hypochondriacs, and sex maniacs—Gerhardie paints a brilliantly absurd world where the comic and the tragic are profoundly and irrevocably entwined.
I have been fascinated by this war since I first learned about it in graduate school. It inspired my dissertation, which focused on the Three Great Campaigns of the Wanli Emperor, which in turn resulted in my book, A Dragon’s Head & A Serpent’s Tail. That book has inspired two sequels of sorts thus far, with another one to come.
This is a lavishly illustrated popular account by a prolific author of books about the samurai. It is written from the Japanese perspective in a very accessible style. The author tends to be somewhat uncritical about Japanese accounts and the book is not nearly as academic as some others on this list, but he presents a clear narrative that is easy to follow and could serve as a useful introduction for readers before moving on to more academic studies.
By the end of the sixteenth century the Samurai, Japanese warrior-nobles, had taken total control of their domestic territory. Their unforgiving militarism needed a new foe to conquer: the target was China, the route to victory through Korea. But the Koreans were no pushover. It was a hard fought and, in the end, an unsuccessful campaign, the only time in their 1,500 year history that the Samurai had attacked another country. The Koreans drove them off. Retribution was inevitable. The Samurai returned in 1597 to wreak vengeance and terrible, wanton havoc on the Koreans in a war of unbelievable savagery.…
I'm an author who believes that history contains an endless number of stories of how our past peers dealt with and contributed to the tension, fusion, and reinvention that is human existence. When writing The Greek Prince of Afghanistan, which focuses on the Greco-Bactrian Kingdom of ancient Afghanistan, I included a Scythian character, because I felt the novel’s story, like humanity’s story, is best told through multiple perspectives. The above books helped me greatly in that effort.
While only one chapter of Empires of the Silk Road is dedicated to the Scythians, this book is a compelling introduction to Central Eurasian peoples throughout history. Beckwith’s work stabs right at the heart of ancient and modern writings that frame the Scythians and other nomadic peoples within a pejorative “barbarian” framework. More than that, he explores how societies such as the Scythians viewed themselves, which differs greatly from other approaches, which use them only as a foil to more sedentary peoples.
The first complete history of Central Eurasia from ancient times to the present day, Empires of the Silk Road represents a fundamental rethinking of the origins, history, and significance of this major world region. Christopher Beckwith describes the rise and fall of the great Central Eurasian empires, including those of the Scythians, Attila the Hun, the Turks and Tibetans, and Genghis Khan and the Mongols. In addition, he explains why the heartland of Central Eurasia led the world economically, scientifically, and artistically for many centuries despite invasions by Persians, Greeks, Arabs, Chinese, and others. In retelling the story of the…
