I’m a sociologist who studies American family life. About 20 years ago, I began to see signs of the weakening of family life (such as more single-parent families) among high-school educated Americans. These are the people we often call the “working class.” It seemed likely that this weakening reflected the decline of factory jobs as globalization and automation have proceeded. So I decided to learn as much as I could about the rise and decline of working-class families. The books I am recommending help us to understand what happened in the past and what’s happening now.
How and when did all this start? Historian Thomas Sugrue shows that the peak of industrial employment in cities such as Detroit, the focus of this book, occurred in the 1940s. Then as hundreds of thousands of industrial jobs were lost in Detroit (and millions elsewhere in the US), the position of the urban working class deteriorated. This decline was an important source of the “urban crisis” that started in the 1960s.
Once America's "arsenal of democracy," Detroit is now the symbol of the American urban crisis. In this reappraisal of America's racial and economic inequalities, Thomas Sugrue asks why Detroit and other industrial cities have become the sites of persistent racialized poverty. He challenges the conventional wisdom that urban decline is the product of the social programs and racial fissures of the 1960s. Weaving together the history of workplaces, unions, civil rights groups, political organizations, and real estate agencies, Sugrue finds the roots of today's urban poverty in a hidden history of racial violence, discrimination, and deindustrialization that reshaped the American…
I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
This book looks toward the future. A friend, leader, and hero to many in Detroit including myself, Grace Lee Boggs is one of the most important philosophers of the 20th and 21st centuries. However, this book is far from the stuffy philosophy you might remember from PHYL 101. Rather, it’s a road map to a better, brighter future, and a new way to live.
A resident of Detroit for almost 80 years, Boggs once wrote, “The most radical thing I ever did was to stay put.” Her thinking and activism underlie almost anything truly transformational happening in Detroit today, and this book will leave you with more hope than a dog looking at the thanksgiving dinner table.
A world dominated by America and driven by cheap oil, easy credit, and conspicuous consumption is unraveling before our eyes. In this powerful, deeply humanistic book, Grace Lee Boggs, a legendary figure in the struggle for justice in America, shrewdly assesses the current crisis - political, economical, and environmental - and shows how to create the radical social change we need to confront new realities. A vibrant, inspirational force, Boggs has participated in all of the twentieth century's major social movements - for civil rights, women's rights, workers' rights, and more. She draws from seven decades of activist experience, and…
It is a truth almost universally accepted that historically women had no way to support themselves except marriage…but it’s not true! I’m all-in on Happily-Ever-After, of course, but I absolutely love it when a heroine is smart, sensible, and able to support herself on her own. When she falls for someone, it’s got to be for real because she’s not afraid to take charge of her own life and make her own way, despite whatever obstacles are thrown at her.
This is a real battle of wills, between Dr. Viveca Lancaster, newly licensed physician, and Nate Grayson, manager of a newly-founded Michigan town in desperate need of a doctor. He hires her, sight unseen, and when she shows up, he tries to fire her, because he doesn’t want a female doctor, but Viveca is not having that. She’s going to prove herself, as one of the first Black women doctors in 1870s America, and Nate falls for her as a brilliant doctor as much as he does for her as a woman. It’s impossible to go wrong with a Beverly Jenkins book, but this one is extra delicious.
It's 1876 and Dr. Viveca Lancaster is frustrated by the limits placed upon female physicians of color. When she is offered the chance to set up a practice in the small all Black community of Grayson Grove, Michigan she leaves her California home and heads east. The very determined Viveca is one of the few nineteenth century Black women to graduate from the prestigious Woman's Medical College of Pennsylvania, so she knows all about fighting for her rights. But she may need more than determination to face down the distractingly handsome Nate Grayson, the Grove's bull-headed mayor.
I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
Do you want a sense of the flavor of Detroit? To know what it sounds like, what it smells like, what it tastes like in all of its deliciousness and funk? Would you like to rub Detroit all over yourself? This is a book that comes with a soundtrack, and it can give you all of those things and more.
A native Detroiter, a friend of mine, and a great friend to the writing community as a whole in the Motor City, Zig has been writing speculative fiction for decades, and this is his latest. While not explicitly about Detroit—the book takes place on a spaceship—I don’t think you can get any closer to the real soul of the place than this.
No one has time for your BS...but Captain Desiree Quicho and crew of utter badasses surely don't. Got a universe to save. Again. Commandeer one piece of out-of-this-world tech and suddenly you have an evil billionaire and a corporate queenpin on your ass, factions scrabbling at the power grab to end all power grabs, and an ultimate AI bent on a rampage of healing.
All a captain wanted was a little chill time, a few tunes, and quality barbecue.
Woe to those blocking her groove.
Four women; One machine goddess; a Hellbilly, Saharan elves, the baddest Pacific Octopus this side…
I chose these stories because as a Black woman, seeing characters like me in stories as the main character instead of the sidekick or friend is always so refreshing. Like the main characters of my own novels, Black women taking charge is something to be celebrated.
The first time I read this book I was just a teenager. The story of a Black woman escaping domestic abuse and raising children on her own was something I had watched play out in my own family. I could see my grandmother in those pages, my mother in the struggles described, my aunts' resentments, and my uncles' poor choices clearly in the story. It felt like someone had peeked into my own family history and put it to paper.
Although McMillan is often overlooked as a writer, Mama is not a story to be missed.
A “funny [and] touching” novel of an African American woman determined to triumph, by the #1 New York Times–bestselling author of Waiting to Exhale (Detroit Free Press).
Mildred Peacock is fed up with poverty—and with the jealous rampages of her husband, Crook. When Crook runs over her foot with his ’59 Mercury, she finally kicks him out to raise her five kids on her own.
Resourceful and sly, sassy and sexy, she’s willing to do just about anything to pay the bills. But she loses job after job, and one man after another, until alcohol and pills are her only…
I had the passion to write Necessary Deeds because: 1) as someone who'd spent 20+ years writing novels, dealing with untrustworthy literary agents, and book-doctoring other writers’ novels in order to pay rent, I'd come to know betrayal (“best friend” writers who stole drafts of mine and called them their own, novelists who backstabbed me after I helped them land agents and book contracts, and so on); 2) like many people who lived through the drug-and-alcohol-laced Eighties, I had a long relationship with someone that ended because they cheated on me. So I never doubted that, as I wrote Necessary Deeds, my heart knew well what motivated its characters.
How can I not include an Elmore Leonard title in a list of favorite novels about murder and matters of the heart?
Of course, no compliment by me of Mr. Leonard will be anywhere in the vicinity of new, but I will add to the heap of praise of the man that in this particular novel of his, the snappiness of the dialogue, the overall wit, and the surprising nature of the twists and turns will always strike me as ideals to strive for as I write my own noir.
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
How I love to laugh at the same time that I’m feeling all the raw pain of being a human—in this case a human woman who runs away from home. The beginning of this book—about a housewife, cooking ware saleswoman's trip to hell and back, is belly-laugh-inducing, causing one to cough and gasp in joy. But there’s more: Gilman writes real, complicated characters, complete with pain and delusions. And the reason they are so deeply funny is that Gilman is self-aware enough to know and show their flaws better than they know them.
Titular protagonist Donna Koczynski may inhabit a particular era (one when trendiness reigns), but she is rooted in her own psychology, which includes equal parts compassion, open-minded curiosity, lunatic-level denial, and crazed she-wolf rage.
Donna Koczynski is a failed punk rocker, recovering alcoholic, and suburban mother of two teenagers whose relatively peaceful existence suddenly detonates when she comes home early from a sales conference in Vegas to find the surprise of a lifetime. Suddenly realizing that life can be more than the rut of middle-aged motherhood, she sets off on an impulsive quest to reclaim everything she believes she sacrificed since her wild youth: Friendship, great love, and art. But as she flees her family and drives across the U.S. on what she calls an "emotional scavenger hunt"(and others might call a midlife crisis),…
I love reading about strong main characters stuck in lousy situations that they have to pull up their big girl panties to get out of. I want a read where no one follows the rules, come what may. Wit and clever dialog are definitely one of the things that keep me reading. And all of the books on this list have that in spades.
I absolutely loved the premise of this book, where a novelist’s main character comes to life to solve a crime.
It has twists and turns, witches and paranormal characters galore, and a plot that kept me guessing to the end. I adored its irreverence and was so happy to learn it’s the first in a series.
I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
Love him or hate him, it’s undeniable that LeDuff is a tremendously charismatic writer. A Pulitzer Prize winner, a breathtaking reporter, and a denizen of Detroit for decades, this is one of the most compellingly written books on Detroit ever.
This book has a Mustang eight-cylinder engine on it, and I hoovered this up over just a couple of hours. If you want a barn-burning page-turner of a tale, showcasing Detroit as its most broken and beautiful, this is the one for you.
An explosive expose of America's lost prosperity by Pulitzer Prize -winning journalist Charlie LeDuff
"One cannot read Mr. LeDuff's amalgam of memoir and reportage and not be shaken by the cold eye he casts on hard truths . . . A little gonzo, a little gumshoe, some gawker, some good-Samaritan-it is hard to ignore reporting like Mr. LeDuff's." -The Wall Street Journal
"Pultizer-Prize-winning journalist LeDuff . . . writes with honesty and compassion about a city that's destroying itself-and breaking his heart." -Publishers Weekly (starred review)
"A book full of both literary grace and hard-won world-weariness." -Kirkus
For more than thirty years, I worked as journalist covering the biggest news stories of the day—at Newsweek magazine (where I became the publication’s first African-American top editor), then as a news executive at NBC News and CNN. Now, I keep a hand in that world as a judge of several prestigious journalism awards while taking a longer view in my own work as a contributor for CBS Sunday Morning, Washington Post book reviewer, and author of narrative non-fiction books with a focus on key personalities and turning points in Black History.
An Alabama native who moved to Detroit as a young child, renowned Black press reporter Herb Boyd paints a lively, knowing portrait of the world that his fellow Southern migrants and their offspring made in his hometown. The sweeping study examines the role that Blacks played in shaping the American car industry and autoworkers union, and fleshes out the backstories of legends who were raised or came of age in Detroit and went on to transform our national culture, from Malcolm X and Aretha Franklin to record mogul Barry Gordy and the young local musicians who became the superstars of Motown Records.
The author of Baldwin’s Harlem looks at the evolving culture, politics, economics, and spiritual life of Detroit—a blend of memoir, love letter, history, and clear-eyed reportage that explores the city’s past, present, and future and its significance to the African American legacy and the nation’s fabric.
Herb Boyd moved to Detroit in 1943, as race riots were engulfing the city. Though he did not grasp their full significance at the time, this critical moment would be one of many he witnessed that would mold his political activism and exposed a…
