Why am I passionate about this?
Growing up, I rewatched Star Wars until I wore out my VHS tape. I read every Dragonlance novel. I played a bit of D&D. When I got to college, I finally was allowed work on things that interested me. I found Art History, dove into Medieval Studies, and, in grad school, got serious about monsters. Monster Studies didn’t exist, but books were out (especially by Jeffrey Jerome Cohen), and my advisor encouraged me to follow my passions. My 15-year-old self would be astonished to learn that I’d get to read monster books, study monster art, and watch monster movies as a job!
Asa's book list on explaining the history of monsters
Why did Asa love this book?
This one is the closest to my own areas of research. Strickland and I are both medieval art historians interested in how images not only reflect cultural ideas about othered peoples and the production of otherness, but also how images are central to the generation of these ideas. In this well-illustrated book, she examines a wide range of medieval Christian images that demonize groups—particularly Jews and Muslims, but really, all those who were not normative European Christians. I’ve returned to this book’s arguments many times over the years, and every time, I learn something anew.
1 author picked Saracens, Demons & Jews as one of their favorite books, and they share why you should read it.
During the crusades, Ethiopians, Jews, Muslims, and Mongols were branded enemies of the Christian majority. Illustrated with strikingly imaginative and still disturbing images, this book reveals the outrageously pejorative ways these rejected social groups were represented - often as monsters, demons, or freaks of nature. Such monstrous images of non-Christians were not rare displays but a routine aspect of medieval public and private life. These images, which reached a broad and socially varied audience across western Europe, appeared in virtually all artistic media, including illuminated manuscripts, stained glass, sculpture, metalwork, and tapestry.Debra Higgs Strickland introduces and decodes images of the…