As a parent, grandparent, retired educator, historian, and children’s book author, I am an avid reader and advocate for children’s literacy. My forty years of experience working with children and their families gives me the background and expertise to identify high-quality books and the types of subjects that children will want to read and adults in the family will enjoy sharing with them.
Sally Huss is one of my favorite picture book authors. She teams up with mindfulness coach, Elizabeth Hamilton-Guarino to discuss how children and adults can look within themselves to find the best person possible. Trevor looks in the water and decides he will be someone special. Different animals that he encounters show the reader the importance of qualities like patience, cooperation, thankfulness, gratitude, generosity, paying attention, and friendship. All of us could do this. I especially appreciated the certificate children can reward themselves with when they discover and later accomplish practicing these qualities.
This classroom favorite shows kids how to be their best. Young Trevor had a desire to be the best that anybody could be. This was a huge goal, for sure! That’s when an owl flew in to suggest that he merely be “the best ever you.” Other animals are visited, each demonstrating its particular quality that Trevor could use to meet his goal: hard work, kindness, cooperation, etc. Happily, Trevor now had his work cut out for him. “I’ll do nothing less than my very best!”
This story carries a wonderful message to encourage children to cultivate their best and…
When I was five my dad had to carry me, crying, out of the Salem Witch’s Dungeon. You’d think that would put a damper on my love of spooky things, but it absolutely did not! Bela Lugosi was my first crush. I set up Haunted Houses in my garage and read every single book my local library had on the Salem Witch Trials. I made my way from Bunnicula and The Halloween Tree, to books by Stephen King and Anne Rice. Halloween and horror will always have a special place in my heart, and yet…I still don’t let my legs dangle off my bed, lest the monsters get me.
I firmly believe that Halloween books are for everyone, even kids who don’t want their pants scared off or kids who aren’t big readers. In comes Lumberjackula! An adorable graphic novel with a great Halloween esthetic.
Jack is a half vampire, half lumberjack kid who has to make a big decision: should he go to Lumberjack school like Mom wants, or Vampire school like Dad wants? Jack doesn’t want to disappoint either parent, but he has a secret…he wants to dance!
Lumberjackula has all the fun of Halloween without the fear, and the illustrations are adorable. It’s a great book to make sure all of your middle graders get to join in the Halloween fun. (And as a former goth myself, Dad’s band is awesome!)
For fans of The Okay Witch and Fake Blood, this hilarious middle grade graphic novel follows a half-vampire, half-lumberjack boy who feels torn between his parents and just wants to be a dancer.
Jack is in a pickle. His lumberjack mom wants him to go to Mighty Log Lumberjack Prep to learn how to chop wood and wear flannel. His vampire dad wants him to go to Sorrow's Gloom Vampire School to learn how to turn into a bat and drink blood-orange juice. And Jack has a secret: what he really wants to do is dance.
I have been a passionate devourer of fairytale retellings ever since I happened upon Robin McKinley’s Beauty at the library when I was eleven years old. Fairytales have such a timelessness to them that allow them to be retold over and over, reinterpreted, and reimagined in seemingly countless ways, and I’m honored to have now written a few of my own. Fairytales have shaped my own writing from the beginning.
This is my favorite The Twelve Dancing Princesses retelling! Heather Dixon includes all twelve princesses, named after various plants, and gives them distinct enough personalities that not only can you keep them straight, you care about each one. This story follows Azalea, the eldest of the twelve sisters, and the mysterious Keeper, who invites the princesses to dance every night in his silver forest. But the Keeper likes to keep things, and can Azalea bear to pay the cost? Eerie and gorgeous, romantic and masterful!
Come and mend your broken hearts here. In this retelling of the classic tale "The Twelve Dancing Princesses," the eldest princess must fight to save her family—and her heart—from an ancient dark magic within the palace walls. "Full of mystery, lush settings, and fully orbed characters, Dixon's debut is both suspenseful and rewarding."—ALA Booklist
Just when Azalea should feel that everything is before her—beautiful gowns, dashing suitors, balls filled with dancing—it's taken away. All of it. And Azalea is trapped. The Keeper understands. He's trapped, too, held for centuries within the walls of the palace. So he extends an invitation.…
I've been studying capoeira in the UK since 2002. I've been welcomed into classes by teachers all over the UK. I have watched over 1,000. I have never practiced it myself but have worked with Neil Stephens, who learnt it seriously for seven years, and Mestre Claudio Campos who has taught capoeira here since 2003. I worked at Cardiff University from 1976 until I retired. I have also done a much smaller study of French kickboxing (Savate) for contrast. I was the first woman President of the British Educational Research Association in 1984, given the John Nisbet (Lifetime) Award of BERA in 2015 and the equivalent from the BSA (British Sociological Association) in 2013.
Barbara Browning is a professor of dance, and a capoeirista. She learnt capoeira in New York and took classes with two of the first Brazilians to teach there in the 1970s.
This is a book about Samba (the Brazilian national dance) with one long chapter about capoeira. As a female dancer Browning came to capoeira, when women learners were rare in Brazil and in the USA, with a relevant skill.
Many women capoeira learners came from dance backgrounds whereas most male learners in the UK and USA find the dance side harder than the more martial element. Browning sets capoeira into its original Brazilian embodiment and against a North American embodiment.
"Browning's ability to write ethnography, to locate the subject in terms of, and against, such African-Diaspora questions as 'continuities' and 'acculturation', and to fashion a personal and lyrical narrative, opens up many possibilities." - David H. Brown. Barbara Browning combines a lyrical, personal narrative with incisive and theoretically sophisticated accounts of a number of Brazilian dance cultures, suggesting that often the dancing body articulates a political resistance that cannot be voiced in words. She presents a social history of the development of samba, the 'Brazilian national dance'; candombl , a syncretic, danced religion; capoeira, an acrobatic martial art; and a…
As an undergraduate at the University of Leeds in the 1960s the principal influence on my life and thinking was Trevor Ling an Anglican Priest and Buddhist who eventually became a Professor of comparative religion at the University of Manchester. He was the start of my research on Islam and Asia and my peripatetic career having lived in Scotland, Germany, Holland, America, Australia and Singapore. I became a professor of the sociology of religion in the Asia Research Center at the National University of Singapore. I have published two books on Singapore, a handbook of religions in Asia, and several works on the body, medicine, ageing and human vulnerability.
It concerns the complex and demanding process of becoming proficient in dance procedures. The stages involve becoming deeply mindful of the body. The novice has to become attached and subordinated to a ‘master’ who can of course be a woman. Through these rituals the novice becomes enculturated into the dance aesthetic and the wider culture. The core energy required by dance comes from the abdomen to empower the dancer. The training involves self-cultivation. Eventually the mind no longer hinders the expressivity of the body.
How do music and dance reveal the ways in which a community interacts with the world? How are the senses used in communicating cultural knowledge? In Sensational Knowledge, ethnomusicologist and dancer Tomie Hahn uncovers the process and nuances of learning nihon buyo, a traditional Japanese dance form. She uses case studies of dancers at all levels, as well as her own firsthand experiences, to investigate the complex language of bodies, especially across cultural divides. Paying particular attention to the effect of body-to-body transmission, and how culturally constructed processes of transmission influence our sense of self, Hahn argues that the senses…
As an organizational psychologist, I am driven to study and work to improve work activities that are causing great frustration and not working effectively—meetings are the perfect fit. And, for 20 years I have been actively publishing in this space and have spoken to well over 100,000 leaders through my keynotes/events/videos. What excites me is that meeting science can truly help leaders, teams, and organizations. The books I recommend are well-aligned with the science, and can be difference makers. I hope you enjoy them and find them helpful.
There are many reasons to really like this book. It is certainly thoughtful, intriguing, and well-grounded. The advice and guidance around meetings are plentiful and meaningful. I particularly appreciated that it addresses meeting practices that high-performing organizations use to drive results and build an excellent meeting culture. Overall, I appreciate the systems-based approach to addressing meeting issues.
How well you meet determines what your group can achieve
When you ask leaders in a high performing organization about the key to their success, the answers are all over the place: failing fast, radical transparency, operational excellence, strong core values... so many different North Stars to follow.
Then, if you ask them for an example–to tell you what that looks like in practice–they will all describe a meeting. Leaders at these organizations have learned to design a sequence of tailored meetings that create a healthy organizational culture and drive forward momentum. They know that meetings are where the action…
I am a philologist with a passion for Atlantic cultural history. What started with a research project on the African-American Pinkster tradition and the African community in seventeenth-century Dutch Manhattan led me to New Orleans’ Congo Square and has meanwhile expanded to the African Atlantic islands, the Caribbean, and Latin America. With fluency in several foreign languages, I have tried to demonstrate in my publications that we can achieve a better understanding of Black cultural and religious identity formation in the Americas by adopting a multilingual and Atlantic perspective.
In this fascinating study, Chasteen examines the historical experiences that molded Latin American popular dance from an Atlantic perspective. It delves into the “deep” history of Latin American culture and analyzes the development of dancing culture in its socio-historical context. This is not only a well-researched, but also a well written and oftentimes funny book that is broadly accessible. It is a must-read for any new scholar interested in the field of Black performance culture. Although the focus is on Latin America, Chasteen’s study reveals connections that are also of great importance to understanding the historical development of Black dance culture in North America.
When John Charles Chasteen learned that Simon Bolivar, the Liberator, danced on a banquet table to celebrate Latin American independence in 1824, he tried to visualise the scene. How, he wondered, did the Liberator dance? Did he bounce stiffly in his dress uniform? Or did he move his hips? In other words, how high had African dance influences reached in Latin American societies? A vast social gap separated Bolivar from people of African descent; however, Chasteen's research shows that popular culture could bridge the gap. Fast-paced and often funny, this book explores the history of Latin American popular dance before…
I specialize in writing Young Adult Fiction with an emphasis on the Romance genre, and my debut novel, Kismat Connection, releases from Inkyard Press and HarperCollins in Summer 2023. Growing up as an Indian American, I remember searching for bits and pieces of my identity in the media. Most of the time, I wouldn’t find any representation at all—so it wasn’t long before I decided that if I couldn’t find the representation that I so desperately wanted to see, I’d have to make it myself. Kismat Connection was born from this moment in my life, and it will forever serve as the foundation for my career in publishing.
This is a young adult romance novel featuring Radha Chopra, a world-renowned Kathak dancer, who gives up her love of dance when a family betrayal comes to light. Radha is instantly a protagonist to root for, a strong, independent, and fierce Indian woman that we so rarely see in contemporary Western media. Nisha Sharma champions such genuine desi representation in this story, and it is absolutely a must-read for all—but especially for passionate and creative Indian American teenagers.
Radha was on the verge of winning the world's biggest kathak dancing competition when a family betrayal shattered her dreams, and her confidence. Now, she's made a deal with her mum: study dance for a year at the Princeton Academy of Arts and Sciences and then leave that world forever. But if she's not a dancer, what is she? Could learning to cook - a way to connect with her absent father - become her new passion?
Jai, captain of the academy's Bollywood Beats dance team, is putting his hopes of going to medical school on hold because money is…
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
Josie wants to dance at next summer’s powwow. But she needs nearly everyone in her family to help make this possible. As Josie’s story unfolds we are introduced to the special people in her family. We learn of their love, their kindness, and their special talents. We are also introduced to the beautiful connections to many parts of our natural world.
Josie dreams of dancing at next summer's powwow. But first she needs many special things: a dress, a shawl, a cape, leggings, moccasins, and, perhaps most important of all, her spirit name. To gather all these essential pieces, she calls on her mom, her aunty, her kookum, and Grandma Greatwalker. They have the skills to prepare Josie for her powwow debut.
As the months go by, Josie practices her dance steps while Mom stitches, Aunty and Kookum bead, and Grandma Greatwalker dreams Josie's spirit name. Josie is nervous about her performance in the arena and about all the pieces falling…
I am an award-winning author and illustrator of 20 board books and over 20 picture books, who very occasionally illustrates books for other authors too. I was born in Czechoslovakia, but have spent the second half of my life in England.
Penguin is a beautifully designed picture book. It is a book with unexpected surprises, a book about feelings, empathy, and understanding. I think every child can find something in this book with which they can identify. The book is funny and the illustrations are lovely.
1
author picked
Penguin
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
Ben is delighted when he rips open his present and finds a penguin inside. "Hello, Penguin!" says Ben. Penguin says nothing. Ben tickles Penguin; he pulls his funniest face; he puts on a happy hat, sings a silly song and does a dizzy dance. "Can't you talk?" says Ben. Penguin says nothing. It isn't until a passing lion intervenes that Penguin finally speaks...and when he does, Ben discovers something that was really worth the wait.
